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Color name
HEX #5257AC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5257AC it is the complementary color #ADA853. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5257AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5257AC shade: #5757A7, #6869BA, #797BCD, #8A8DE0 and #9B9FF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5257AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5257AC shade: #5257AC, #414599, #303386, #1F2173 and #0E0F60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5257AC shade: #5257AC, #6552AC, #7E52AC, #9652AC and #AC52AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5257AC shade: #5257AC and #5252AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5257AC shade matches the following richer shades: #5257AC, #3E45C0, #2933D5, #1420EA and #000EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5257AC shade: #5257AC, #676A97, #7C7C82, #908E6E and #A5A159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5257AC shade: #5288AC, #5270AC, #5258AC, #6452AC and #7C52AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5257AC shade: #383B74, #454990, #5257AC, #6E72B9 and #8A8DC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5257AC shade: #5257AC, #AC52A0 and #7CAC52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5257AC shade: #5257AC, #AC5258 and #58AC52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5257AC shade: #5257AC, #AC52A0, #ACA652 and #52AC5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5257AC shade: #5257AC, #AC5285, #ACA652 and #52AC79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 49 / 0 / 33

HEX #5257AC

RGB 82 87 172

HSL 236.67, 0.35%, 0.5%

LAB 40.55, 22.37, -46.34

 

Complementary color

CMYK 0 / 3 / 52 / 32

HEX #ADA853

RGB 173 168 83

HSL 56.67, 0.35%, 0.5%

LAB 67.66, -9.91, 44.03

 

CMYK 48 / 48 / 0 / 35

HEX #5757A7

RGB 87 87 167

HSL 240, 0.31%, 0.5%

LAB 40.63, 21.94, -43.24

 

CMYK 44 / 44 / 0 / 27

HEX #6869BA

RGB 104 105 186

HSL 239.27, 0.37%, 0.57%

LAB 47.74, 20.77, -42.97

 

CMYK 41 / 40 / 0 / 20

HEX #797BCD

RGB 121 123 205

HSL 238.57, 0.46%, 0.64%

LAB 54.7, 19.79, -42.76

 

CMYK 38 / 37 / 0 / 12

HEX #8A8DE0

RGB 138 141 224

HSL 237.91, 0.58%, 0.71%

LAB 61.51, 18.95, -42.61

 

CMYK 36 / 35 / 0 / 5

HEX #9B9FF3

RGB 155 159 243

HSL 237.27, 0.79%, 0.78%

LAB 68.19, 18.21, -42.5

 

CMYK 52 / 49 / 0 / 33

HEX #5257AC

RGB 82 87 172

HSL 236.67, 0.35%, 0.5%

LAB 40.55, 22.37, -46.34

 

CMYK 58 / 55 / 0 / 40

HEX #414599

RGB 65 69 153

HSL 237.27, 0.4%, 0.43%

LAB 33.31, 23.97, -46.69

 

CMYK 64 / 62 / 0 / 47

HEX #303386

RGB 48 51 134

HSL 237.91, 0.47%, 0.36%

LAB 25.91, 25.94, -47.04

 

CMYK 73 / 71 / 0 / 55

HEX #1F2173

RGB 31 33 115

HSL 238.57, 0.58%, 0.29%

LAB 18.44, 28.37, -47.26

 

CMYK 85 / 84 / 0 / 62

HEX #0E0F60

RGB 14 15 96

HSL 239.27, 0.75%, 0.22%

LAB 11.13, 31.02, -46.88

 

CMYK 52 / 49 / 0 / 33

HEX #5257AC

RGB 82 87 172

HSL 236.67, 0.35%, 0.5%

LAB 40.55, 22.37, -46.34

 

CMYK 41 / 52 / 0 / 33

HEX #6552AC

RGB 101 82 172

HSL 252.67, 0.35%, 0.5%

LAB 40.86, 30, -45.76

 

CMYK 27 / 52 / 0 / 33

HEX #7E52AC

RGB 126 82 172

HSL 269.33, 0.35%, 0.5%

LAB 43.43, 36.53, -41.51

 

CMYK 13 / 52 / 0 / 33

HEX #9652AC

RGB 150 82 172

HSL 285.33, 0.35%, 0.5%

LAB 46.31, 43.2, -36.77

 

CMYK 0 / 52 / 1 / 33

HEX #AC52AA

RGB 172 82 170

HSL 301.33, 0.35%, 0.5%

LAB 49.14, 49.07, -30.94

 

CMYK 52 / 49 / 0 / 33

HEX #5257AC

RGB 82 87 172

HSL 236.67, 0.35%, 0.5%

LAB 40.55, 22.37, -46.34

 

CMYK 52 / 52 / 0 / 33

HEX #5252AC

RGB 82 82 172

HSL 240, 0.35%, 0.5%

LAB 39.25, 25.54, -48.43

 

CMYK 52 / 49 / 0 / 33

HEX #5257AC

RGB 82 87 172

HSL 236.67, 0.35%, 0.5%

LAB 40.55, 22.37, -46.34

 

CMYK 68 / 64 / 0 / 25

HEX #3E45C0

RGB 62 69 192

HSL 236.77, 0.51%, 0.5%

LAB 36.15, 36.92, -65.31

 

CMYK 81 / 76 / 0 / 16

HEX #2933D5

RGB 41 51 213

HSL 236.51, 0.68%, 0.5%

LAB 33.23, 52.55, -82.38

 

CMYK 91 / 86 / 0 / 8

HEX #1420EA

RGB 20 32 234

HSL 236.64, 0.84%, 0.5%

LAB 32.08, 66.83, -96.35

 

CMYK 100 / 94 / 0 / 0

HEX #000EFE

RGB 0 14 254

HSL 236.69, 1%, 0.5%

LAB 32.85, 76.8, -106.38

 

CMYK 52 / 49 / 0 / 33

HEX #5257AC

RGB 82 87 172

HSL 236.67, 0.35%, 0.5%

LAB 40.55, 22.37, -46.34

 

CMYK 32 / 30 / 0 / 41

HEX #676A97

RGB 103 106 151

HSL 236.25, 0.19%, 0.5%

LAB 46.21, 9.83, -24.87

 

CMYK 5 / 5 / 0 / 49

HEX #7C7C82

RGB 124 124 130

HSL 240, 0.02%, 0.5%

LAB 52.19, 1.23, -3.26

 

CMYK 0 / 1 / 24 / 44

HEX #908E6E

RGB 144 142 110

HSL 56.47, 0.13%, 0.5%

LAB 58.42, -4.78, 17.36

 

CMYK 0 / 2 / 46 / 35

HEX #A5A159

RGB 165 161 89

HSL 56.84, 0.3%, 0.5%

LAB 65.13, -9.02, 37.82

 

CMYK 52 / 21 / 0 / 33

HEX #5288AC

RGB 82 136 172

HSL 204, 0.35%, 0.5%

LAB 54.43, -7.52, -24.52

 

CMYK 52 / 35 / 0 / 33

HEX #5270AC

RGB 82 112 172

HSL 220, 0.35%, 0.5%

LAB 47.44, 6.69, -35.4

 

CMYK 52 / 49 / 0 / 33

HEX #5258AC

RGB 82 88 172

HSL 236, 0.35%, 0.5%

LAB 40.82, 21.74, -45.92

 

CMYK 42 / 52 / 0 / 33

HEX #6452AC

RGB 100 82 172

HSL 252, 0.35%, 0.5%

LAB 40.77, 29.75, -45.91

 

CMYK 28 / 52 / 0 / 33

HEX #7C52AC

RGB 124 82 172

HSL 268, 0.35%, 0.5%

LAB 43.21, 35.99, -41.88

 

CMYK 52 / 49 / 0 / 55

HEX #383B74

RGB 56 59 116

HSL 237, 0.35%, 0.34%

LAB 27.38, 15.88, -33.32

 

CMYK 52 / 49 / 0 / 44

HEX #454990

RGB 69 73 144

HSL 236.8, 0.35%, 0.42%

LAB 34.07, 19.18, -39.96

 

CMYK 52 / 49 / 0 / 33

HEX #5257AC

RGB 82 87 172

HSL 236.67, 0.35%, 0.5%

LAB 40.55, 22.37, -46.34

 

CMYK 41 / 38 / 0 / 27

HEX #6E72B9

RGB 110 114 185

HSL 236.8, 0.35%, 0.58%

LAB 50.51, 16.55, -37.98

 

CMYK 30 / 29 / 0 / 22

HEX #8A8DC6

RGB 138 141 198

HSL 237, 0.34%, 0.66%

LAB 60.36, 12.03, -29.85

 

CMYK 52 / 49 / 0 / 33

HEX #5257AC

RGB 82 87 172

HSL 236.67, 0.35%, 0.5%

LAB 40.55, 22.37, -46.34

 

CMYK 0 / 52 / 7 / 33

HEX #AC52A0

RGB 172 82 160

HSL 308, 0.35%, 0.5%

LAB 48.69, 47.3, -25.75

 

CMYK 28 / 0 / 52 / 33

HEX #7CAC52

RGB 124 172 82

HSL 92, 0.35%, 0.5%

LAB 65.28, -31.75, 40.84

 

CMYK 52 / 49 / 0 / 33

HEX #5257AC

RGB 82 87 172

HSL 236.67, 0.35%, 0.5%

LAB 40.55, 22.37, -46.34

 

CMYK 0 / 52 / 49 / 33

HEX #AC5258

RGB 172 82 88

HSL 356, 0.35%, 0.5%

LAB 46.32, 37.38, 14.09

 

CMYK 49 / 0 / 52 / 33

HEX #58AC52

RGB 88 172 82

HSL 116, 0.35%, 0.5%

LAB 63.5, -43.79, 38.27

 

CMYK 52 / 49 / 0 / 33

HEX #5257AC

RGB 82 87 172

HSL 236.67, 0.35%, 0.5%

LAB 40.55, 22.37, -46.34

 

CMYK 0 / 52 / 7 / 33

HEX #AC52A0

RGB 172 82 160

HSL 308, 0.35%, 0.5%

LAB 48.69, 47.3, -25.75

 

CMYK 0 / 3 / 52 / 33

HEX #ACA652

RGB 172 166 82

HSL 56, 0.35%, 0.5%

LAB 67.02, -9.37, 43.74

 

CMYK 52 / 0 / 45 / 33

HEX #52AC5E

RGB 82 172 94

HSL 128, 0.35%, 0.5%

LAB 63.43, -43.73, 32.03

 

CMYK 52 / 49 / 0 / 33

HEX #5257AC

RGB 82 87 172

HSL 236.67, 0.35%, 0.5%

LAB 40.55, 22.37, -46.34

 

CMYK 0 / 52 / 23 / 33

HEX #AC5285

RGB 172 82 133

HSL 326, 0.35%, 0.5%

LAB 47.62, 42.95, -11.28

 

CMYK 0 / 3 / 52 / 33

HEX #ACA652

RGB 172 166 82

HSL 56, 0.35%, 0.5%

LAB 67.02, -9.37, 43.74

 

CMYK 52 / 0 / 30 / 33

HEX #52AC79

RGB 82 172 121

HSL 146, 0.35%, 0.5%

LAB 63.9, -38.88, 18.21

 

Description

Color code: HEX #5257AC | qconv.com Color code: HEX #5257AC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 87 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 87 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 49 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 49% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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