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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #524B70 it is the complementary color #ADB48F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #524B70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #524B70 shade: #574B6B, #685D7E, #796F91, #8A81A4 and #9B93B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #524B70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #524B70 shade: #524B70, #41395D, #30274A, #1F1537 and #0E0324

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #524B70 shade: #524B71, #5C4B71, #664B71, #714B71 and #714B67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #524B70 shade: #524B71 and #4B4B71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #524B70 shade matches the following richer shades: #524B71, #493C80, #3F2C8F, #361D9F and #2C0EAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #524B70 shade: #524B71, #5C5A61, #656A52, #6F7943 and #788834

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #524B70 shade: #4B5871, #4B4E71, #524B71, #5C4B71 and #664B71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #524B70 shade: #2E2A3F, #403A58, #524B71, #645B89 and #786F9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #524B70 shade: #524B70, #714B62 and #53714B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #524B70 shade: #524B70, #71524B and #4B7152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #524B70 shade: #524B70, #714B62, #6A714B and #4B7159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #524B70 shade: #524B70, #714B57, #6A714B and #4B7165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 33 / 0 / 56

HEX #524B70

RGB 82 75 112

HSL 251.35, 0.2%, 0.37%

LAB 33.97, 11.82, -20.25

 

Complementary color

CMYK 4 / 0 / 21 / 29

HEX #ADB48F

RGB 173 180 143

HSL 71.35, 0.2%, 0.63%

LAB 71.9, -8.89, 18.09

 

CMYK 19 / 30 / 0 / 58

HEX #574B6B

RGB 87 75 107

HSL 262.5, 0.18%, 0.36%

LAB 34.23, 12.23, -16.68

 

CMYK 17 / 26 / 0 / 51

HEX #685D7E

RGB 104 93 126

HSL 260, 0.15%, 0.43%

LAB 41.65, 11.65, -16.88

 

CMYK 17 / 23 / 0 / 43

HEX #796F91

RGB 121 111 145

HSL 257.65, 0.13%, 0.5%

LAB 48.86, 11.15, -17.12

 

CMYK 16 / 21 / 0 / 36

HEX #8A81A4

RGB 138 129 164

HSL 255.43, 0.16%, 0.57%

LAB 55.87, 10.71, -17.38

 

CMYK 15 / 20 / 0 / 28

HEX #9B93B7

RGB 155 147 183

HSL 253.33, 0.2%, 0.65%

LAB 62.72, 10.31, -17.66

 

CMYK 27 / 33 / 0 / 56

HEX #524B70

RGB 82 75 112

HSL 251.35, 0.2%, 0.37%

LAB 33.97, 11.82, -20.25

 

CMYK 30 / 39 / 0 / 64

HEX #41395D

RGB 65 57 93

HSL 253.33, 0.24%, 0.29%

LAB 26.28, 12.56, -20.24

 

CMYK 35 / 47 / 0 / 71

HEX #30274A

RGB 48 39 74

HSL 255.43, 0.31%, 0.22%

LAB 18.25, 13.5, -20.33

 

CMYK 44 / 62 / 0 / 78

HEX #1F1537

RGB 31 21 55

HSL 257.65, 0.45%, 0.15%

LAB 9.83, 14.73, -20.53

 

CMYK 61 / 92 / 0 / 86

HEX #0E0324

RGB 14 3 36

HSL 260, 0.85%, 0.08%

LAB 2.58, 10.67, -17.91

 

CMYK 27 / 34 / 0 / 56

HEX #524B71

RGB 82 75 113

HSL 251.05, 0.2%, 0.37%

LAB 34.02, 12.09, -20.81

 

CMYK 19 / 34 / 0 / 56

HEX #5C4B71

RGB 92 75 113

HSL 266.84, 0.2%, 0.37%

LAB 35, 15.5, -19.21

 

CMYK 10 / 34 / 0 / 56

HEX #664B71

RGB 102 75 113

HSL 282.63, 0.2%, 0.37%

LAB 36.08, 19.01, -17.46

 

CMYK 0 / 34 / 0 / 56

HEX #714B71

RGB 113 75 113

HSL 300, 0.2%, 0.37%

LAB 37.36, 22.94, -15.38

 

CMYK 0 / 34 / 9 / 56

HEX #714B67

RGB 113 75 103

HSL 315.79, 0.2%, 0.37%

LAB 36.97, 20.93, -9.73

 

CMYK 27 / 34 / 0 / 56

HEX #524B71

RGB 82 75 113

HSL 251.05, 0.2%, 0.37%

LAB 34.02, 12.09, -20.81

 

CMYK 34 / 34 / 0 / 56

HEX #4B4B71

RGB 75 75 113

HSL 240, 0.2%, 0.37%

LAB 33.39, 9.8, -21.83

 

CMYK 27 / 34 / 0 / 56

HEX #524B71

RGB 82 75 113

HSL 251.05, 0.2%, 0.37%

LAB 34.02, 12.09, -20.81

 

CMYK 43 / 53 / 0 / 50

HEX #493C80

RGB 73 60 128

HSL 251.47, 0.36%, 0.37%

LAB 29.93, 23.5, -36.71

 

CMYK 56 / 69 / 0 / 44

HEX #3F2C8F

RGB 63 44 143

HSL 251.52, 0.53%, 0.37%

LAB 26.28, 36.05, -51.98

 

CMYK 66 / 82 / 0 / 38

HEX #361D9F

RGB 54 29 159

HSL 251.54, 0.69%, 0.37%

LAB 24.21, 47.77, -65.24

 

CMYK 75 / 92 / 0 / 32

HEX #2C0EAE

RGB 44 14 174

HSL 251.25, 0.85%, 0.37%

LAB 23.36, 56.86, -75.78

 

CMYK 27 / 34 / 0 / 56

HEX #524B71

RGB 82 75 113

HSL 251.05, 0.2%, 0.37%

LAB 34.02, 12.09, -20.81

 

CMYK 5 / 7 / 0 / 62

HEX #5C5A61

RGB 92 90 97

HSL 257.14, 0.04%, 0.37%

LAB 38.64, 2.3, -3.74

 

CMYK 5 / 0 / 23 / 58

HEX #656A52

RGB 101 106 82

HSL 72.5, 0.13%, 0.37%

LAB 43.78, -6.52, 12.86

 

CMYK 8 / 0 / 45 / 53

HEX #6F7943

RGB 111 121 67

HSL 71.11, 0.29%, 0.37%

LAB 48.83, -12.87, 28.29

 

CMYK 12 / 0 / 62 / 47

HEX #788834

RGB 120 136 52

HSL 71.43, 0.45%, 0.37%

LAB 53.87, -18.5, 42.05

 

CMYK 34 / 22 / 0 / 56

HEX #4B5871

RGB 75 88 113

HSL 219.47, 0.2%, 0.37%

LAB 37.24, 1.52, -15.89

 

CMYK 34 / 31 / 0 / 56

HEX #4B4E71

RGB 75 78 113

HSL 235.26, 0.2%, 0.37%

LAB 34.27, 7.86, -20.48

 

CMYK 27 / 34 / 0 / 56

HEX #524B71

RGB 82 75 113

HSL 251.05, 0.2%, 0.37%

LAB 34.02, 12.09, -20.81

 

CMYK 19 / 34 / 0 / 56

HEX #5C4B71

RGB 92 75 113

HSL 266.84, 0.2%, 0.37%

LAB 35, 15.5, -19.21

 

CMYK 10 / 34 / 0 / 56

HEX #664B71

RGB 102 75 113

HSL 282.63, 0.2%, 0.37%

LAB 36.08, 19.01, -17.46

 

CMYK 27 / 33 / 0 / 75

HEX #2E2A3F

RGB 46 42 63

HSL 251.43, 0.2%, 0.21%

LAB 18.35, 7.33, -12.66

 

CMYK 27 / 34 / 0 / 65

HEX #403A58

RGB 64 58 88

HSL 252, 0.21%, 0.29%

LAB 26.22, 10.11, -17.08

 

CMYK 27 / 34 / 0 / 56

HEX #524B71

RGB 82 75 113

HSL 251.05, 0.2%, 0.37%

LAB 34.02, 12.09, -20.81

 

CMYK 27 / 34 / 0 / 46

HEX #645B89

RGB 100 91 137

HSL 251.74, 0.2%, 0.45%

LAB 41.21, 14.35, -24.27

 

CMYK 25 / 30 / 0 / 38

HEX #786F9F

RGB 120 111 159

HSL 251.25, 0.2%, 0.53%

LAB 49.33, 14.24, -24.64

 

CMYK 27 / 33 / 0 / 56

HEX #524B70

RGB 82 75 112

HSL 251.35, 0.2%, 0.37%

LAB 33.97, 11.82, -20.25

 

CMYK 0 / 34 / 13 / 56

HEX #714B62

RGB 113 75 98

HSL 323.68, 0.2%, 0.37%

LAB 36.79, 19.98, -6.87

 

CMYK 27 / 0 / 34 / 56

HEX #53714B

RGB 83 113 75

HSL 107.37, 0.2%, 0.37%

LAB 44.46, -18.85, 17.69

 

CMYK 27 / 33 / 0 / 56

HEX #524B70

RGB 82 75 112

HSL 251.35, 0.2%, 0.37%

LAB 33.97, 11.82, -20.25

 

CMYK 0 / 27 / 34 / 56

HEX #71524B

RGB 113 82 75

HSL 11.05, 0.2%, 0.37%

LAB 37.94, 11.89, 9.19

 

CMYK 34 / 0 / 27 / 56

HEX #4B7152

RGB 75 113 82

HSL 131.05, 0.2%, 0.37%

LAB 44.11, -20.49, 13.03

 

CMYK 27 / 33 / 0 / 56

HEX #524B70

RGB 82 75 112

HSL 251.35, 0.2%, 0.37%

LAB 33.97, 11.82, -20.25

 

CMYK 0 / 34 / 13 / 56

HEX #714B62

RGB 113 75 98

HSL 323.68, 0.2%, 0.37%

LAB 36.79, 19.98, -6.87

 

CMYK 6 / 0 / 34 / 56

HEX #6A714B

RGB 106 113 75

HSL 71.05, 0.2%, 0.37%

LAB 46.15, -9.5, 20.25

 

CMYK 34 / 0 / 21 / 56

HEX #4B7159

RGB 75 113 89

HSL 142.11, 0.2%, 0.37%

LAB 44.27, -19.05, 9.11

 

CMYK 27 / 33 / 0 / 56

HEX #524B70

RGB 82 75 112

HSL 251.35, 0.2%, 0.37%

LAB 33.97, 11.82, -20.25

 

CMYK 0 / 34 / 23 / 56

HEX #714B57

RGB 113 75 87

HSL 341.05, 0.2%, 0.37%

LAB 36.43, 18.03, -0.49

 

CMYK 6 / 0 / 34 / 56

HEX #6A714B

RGB 106 113 75

HSL 71.05, 0.2%, 0.37%

LAB 46.15, -9.5, 20.25

 

CMYK 34 / 0 / 11 / 56

HEX #4B7165

RGB 75 113 101

HSL 161.05, 0.2%, 0.37%

LAB 44.58, -16.33, 2.38

 

Description

Color code: HEX #524B70 | qconv.com Color code: HEX #524B70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 75 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 75 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 33 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 33% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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