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Color name
HEX #524B12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #524B12 it is the complementary color #ADB4ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #524B12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #524B12 shade: #574B0D, #685D20, #796F33, #8A8146 and #9B9359

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #524B12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #524B12 shade: #524B12, #413900, #302700, #1F1500 and #0E0300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #524B12 shade: #534C12, #533A12, #532912, #531712 and #531212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #524B12 shade: #534C12, #495312, #375312, #255312 and #145312

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #524B12 shade matches the following richer shades: #534C12, #5B520A and #645901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #524B12 shade: #534C12, #4B461A, #433F22, #3A392B and #323233

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #524B12 shade: #532912, #533A12, #534C12, #495312 and #385312

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #524B12 shade: #0F0E03, #312D0A, #534C12, #756B19 and #978A21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #524B12 shade: #524B12, #125317 and #311253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #524B12 shade: #524B12, #12534C and #4C1253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #524B12 shade: #524B12, #125317, #121953 and #53124E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #524B12 shade: #524B12, #12532B, #121953 and #53123A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 78 / 68

HEX #524B12

RGB 82 75 18

HSL 53.44, 0.64%, 0.2%

LAB 31.51, -4.54, 33.16

 

Complementary color

CMYK 27 / 24 / 0 / 7

HEX #ADB4ED

RGB 173 180 237

HSL 233.44, 0.64%, 0.8%

LAB 74.6, 9.98, -29.2

 

CMYK 0 / 14 / 85 / 66

HEX #574B0D

RGB 87 75 13

HSL 50.27, 0.74%, 0.2%

LAB 32.01, -2.25, 35.86

 

CMYK 0 / 11 / 69 / 59

HEX #685D20

RGB 104 93 32

HSL 50.83, 0.53%, 0.27%

LAB 39.37, -3.54, 35.43

 

CMYK 0 / 8 / 58 / 53

HEX #796F33

RGB 121 111 51

HSL 51.43, 0.41%, 0.34%

LAB 46.54, -4.47, 34.3

 

CMYK 0 / 7 / 49 / 46

HEX #8A8146

RGB 138 129 70

HSL 52.06, 0.33%, 0.41%

LAB 53.54, -5.17, 33.01

 

CMYK 0 / 5 / 43 / 39

HEX #9B9359

RGB 155 147 89

HSL 52.73, 0.27%, 0.48%

LAB 60.39, -5.71, 31.72

 

CMYK 0 / 9 / 78 / 68

HEX #524B12

RGB 82 75 18

HSL 53.44, 0.64%, 0.2%

LAB 31.51, -4.54, 33.16

 

CMYK 0 / 12 / 100 / 75

HEX #413900

RGB 65 57 0

HSL 52.62, 1%, 0.13%

LAB 23.84, -3.12, 32.66

 

CMYK 0 / 19 / 100 / 81

HEX #302700

RGB 48 39 0

HSL 48.75, 1%, 0.09%

LAB 15.9, -0.75, 23.14

 

CMYK 0 / 32 / 100 / 88

HEX #1F1500

RGB 31 21 0

HSL 40.65, 1%, 0.06%

LAB 7.48, 1.91, 11.23

 

CMYK 0 / 79 / 100 / 95

HEX #0E0300

RGB 14 3 0

HSL 12.86, 1%, 0.03%

LAB 1.43, 2.58, 2.19

 

CMYK 0 / 8 / 78 / 67

HEX #534C12

RGB 83 76 18

HSL 53.54, 0.64%, 0.2%

LAB 31.92, -4.64, 33.61

 

CMYK 0 / 30 / 78 / 67

HEX #533A12

RGB 83 58 18

HSL 36.92, 0.64%, 0.2%

LAB 26.47, 6.61, 28.16

 

CMYK 0 / 51 / 78 / 67

HEX #532912

RGB 83 41 18

HSL 21.23, 0.64%, 0.2%

LAB 21.83, 17.41, 23.25

 

CMYK 0 / 72 / 78 / 67

HEX #531712

RGB 83 23 18

HSL 4.62, 0.64%, 0.2%

LAB 17.9, 27.56, 18.79

 

CMYK 0 / 78 / 78 / 67

HEX #531212

RGB 83 18 18

HSL 0, 0.64%, 0.2%

LAB 17.06, 29.84, 17.77

 

CMYK 0 / 8 / 78 / 67

HEX #534C12

RGB 83 76 18

HSL 53.54, 0.64%, 0.2%

LAB 31.92, -4.64, 33.61

 

CMYK 12 / 0 / 78 / 67

HEX #495312

RGB 73 83 18

HSL 69.23, 0.64%, 0.2%

LAB 33.24, -13.69, 34.57

 

CMYK 34 / 0 / 78 / 67

HEX #375312

RGB 55 83 18

HSL 85.85, 0.64%, 0.2%

LAB 31.9, -21.95, 32.8

 

CMYK 55 / 0 / 78 / 67

HEX #255312

RGB 37 83 18

HSL 102.46, 0.64%, 0.2%

LAB 30.93, -28.89, 31.51

 

CMYK 76 / 0 / 78 / 67

HEX #145312

RGB 20 83 18

HSL 118.15, 0.64%, 0.2%

LAB 30.35, -33.58, 30.73

 

CMYK 0 / 8 / 78 / 67

HEX #534C12

RGB 83 76 18

HSL 53.54, 0.64%, 0.2%

LAB 31.92, -4.64, 33.61

 

CMYK 0 / 10 / 89 / 64

HEX #5B520A

RGB 91 82 10

HSL 53.33, 0.8%, 0.2%

LAB 34.56, -4.56, 39.27

 

CMYK 0 / 11 / 99 / 61

HEX #645901

RGB 100 89 1

HSL 53.33, 0.98%, 0.2%

LAB 37.58, -4.48, 44.81

 

CMYK 0 / 8 / 78 / 67

HEX #534C12

RGB 83 76 18

HSL 53.54, 0.64%, 0.2%

LAB 31.92, -4.64, 33.61

 

CMYK 0 / 7 / 65 / 71

HEX #4B461A

RGB 75 70 26

HSL 53.88, 0.49%, 0.2%

LAB 29.29, -4.45, 26.69

 

CMYK 0 / 6 / 49 / 74

HEX #433F22

RGB 67 63 34

HSL 52.73, 0.33%, 0.2%

LAB 26.34, -3.24, 18.36

 

CMYK 0 / 2 / 26 / 77

HEX #3A392B

RGB 58 57 43

HSL 56, 0.15%, 0.2%

LAB 23.67, -2.4, 8.91

 

CMYK 2 / 2 / 0 / 80

HEX #323233

RGB 50 50 51

HSL 240, 0.01%, 0.2%

LAB 20.82, 0.24, -0.64

 

CMYK 0 / 51 / 78 / 67

HEX #532912

RGB 83 41 18

HSL 21.23, 0.64%, 0.2%

LAB 21.83, 17.41, 23.25

 

CMYK 0 / 30 / 78 / 67

HEX #533A12

RGB 83 58 18

HSL 36.92, 0.64%, 0.2%

LAB 26.47, 6.61, 28.16

 

CMYK 0 / 8 / 78 / 67

HEX #534C12

RGB 83 76 18

HSL 53.54, 0.64%, 0.2%

LAB 31.92, -4.64, 33.61

 

CMYK 12 / 0 / 78 / 67

HEX #495312

RGB 73 83 18

HSL 69.23, 0.64%, 0.2%

LAB 33.24, -13.69, 34.57

 

CMYK 33 / 0 / 78 / 67

HEX #385312

RGB 56 83 18

HSL 84.92, 0.64%, 0.2%

LAB 31.97, -21.52, 32.89

 

CMYK 0 / 7 / 80 / 94

HEX #0F0E03

RGB 15 14 3

HSL 55, 0.67%, 0.04%

LAB 3.81, -1.26, 4.46

 

CMYK 0 / 8 / 80 / 81

HEX #312D0A

RGB 49 45 10

HSL 53.85, 0.66%, 0.12%

LAB 18.15, -3.43, 21.85

 

CMYK 0 / 8 / 78 / 67

HEX #534C12

RGB 83 76 18

HSL 53.54, 0.64%, 0.2%

LAB 31.92, -4.64, 33.61

 

CMYK 0 / 9 / 79 / 54

HEX #756B19

RGB 117 107 25

HSL 53.48, 0.65%, 0.28%

LAB 44.76, -5.79, 44.21

 

CMYK 0 / 9 / 78 / 41

HEX #978A21

RGB 151 138 33

HSL 53.39, 0.64%, 0.36%

LAB 56.94, -6.84, 53.8

 

CMYK 0 / 9 / 78 / 68

HEX #524B12

RGB 82 75 18

HSL 53.44, 0.64%, 0.2%

LAB 31.51, -4.54, 33.16

 

CMYK 78 / 0 / 72 / 67

HEX #125317

RGB 18 83 23

HSL 124.62, 0.64%, 0.2%

LAB 30.34, -33.46, 28.42

 

CMYK 41 / 78 / 0 / 67

HEX #311253

RGB 49 18 83

HSL 268.62, 0.64%, 0.2%

LAB 13.89, 29.97, -33.45

 

CMYK 0 / 9 / 78 / 68

HEX #524B12

RGB 82 75 18

HSL 53.44, 0.64%, 0.2%

LAB 31.51, -4.54, 33.16

 

CMYK 78 / 0 / 8 / 67

HEX #12534C

RGB 18 83 76

HSL 173.54, 0.64%, 0.2%

LAB 31.43, -21.62, -1.68

 

CMYK 8 / 78 / 0 / 67

HEX #4C1253

RGB 76 18 83

HSL 293.54, 0.64%, 0.2%

LAB 18.34, 36.27, -26.05

 

CMYK 0 / 9 / 78 / 68

HEX #524B12

RGB 82 75 18

HSL 53.44, 0.64%, 0.2%

LAB 31.51, -4.54, 33.16

 

CMYK 78 / 0 / 72 / 67

HEX #125317

RGB 18 83 23

HSL 124.62, 0.64%, 0.2%

LAB 30.34, -33.46, 28.42

 

CMYK 78 / 70 / 0 / 67

HEX #121953

RGB 18 25 83

HSL 233.54, 0.64%, 0.2%

LAB 12.28, 19.71, -36.22

 

CMYK 0 / 78 / 6 / 67

HEX #53124E

RGB 83 18 78

HSL 304.62, 0.64%, 0.2%

LAB 19.32, 37.09, -21.02

 

CMYK 0 / 9 / 78 / 68

HEX #524B12

RGB 82 75 18

HSL 53.44, 0.64%, 0.2%

LAB 31.51, -4.54, 33.16

 

CMYK 78 / 0 / 48 / 67

HEX #12532B

RGB 18 83 43

HSL 143.08, 0.64%, 0.2%

LAB 30.62, -30.28, 17.77

 

CMYK 78 / 70 / 0 / 67

HEX #121953

RGB 18 25 83

HSL 233.54, 0.64%, 0.2%

LAB 12.28, 19.71, -36.22

 

CMYK 0 / 78 / 30 / 67

HEX #53123A

RGB 83 18 58

HSL 323.08, 0.64%, 0.2%

LAB 18.26, 33.82, -8.82

 

Description

Color code: HEX #524B12 | qconv.com Color code: HEX #524B12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 75 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 75 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 78 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 78% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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