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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #522867 it is the complementary color #ADD798. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #522867. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #522867 shade: #572862, #683A75, #794C88, #8A5E9B and #9B70AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #522867. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #522867 shade: #522867, #411654, #300441, #1F002E and #0E001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #522867 shade: #512766, #622766, #662759, #662748 and #662737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #522867 shade: #512766, #402766, #2F2766 and #272766

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #522867 shade matches the following richer shades: #512766, #551C72, #59107D and #5D0589

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #522867 shade: #512766, #4E335B, #4A3F4F, #464A44 and #425638

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #522867 shade: #302766, #412766, #512766, #622766 and #66275A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #522867 shade: #22102B, #3A1C49, #512766, #693384 and #813FA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #522867 shade: #522867, #662730 and #276638

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #522867 shade: #522867, #665127 and #276651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #522867 shade: #522867, #662730, #3C6627 and #27665E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #522867 shade: #522867, #663227, #3C6627 and #275C66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 61 / 0 / 60

HEX #522867

RGB 82 40 103

HSL 280, 0.44%, 0.28%

LAB 24.61, 31.36, -29.24

 

Complementary color

CMYK 20 / 0 / 29 / 16

HEX #ADD798

RGB 173 215 152

HSL 100, 0.44%, 0.72%

LAB 81.7, -25.18, 26.72

 

CMYK 11 / 59 / 0 / 62

HEX #572862

RGB 87 40 98

HSL 288.62, 0.42%, 0.27%

LAB 25.03, 31.66, -25.27

 

CMYK 11 / 50 / 0 / 54

HEX #683A75

RGB 104 58 117

HSL 286.78, 0.34%, 0.34%

LAB 32.38, 30.88, -25.7

 

CMYK 11 / 44 / 0 / 47

HEX #794C88

RGB 121 76 136

HSL 285, 0.28%, 0.42%

LAB 39.6, 30.03, -26

 

CMYK 11 / 39 / 0 / 39

HEX #8A5E9B

RGB 138 94 155

HSL 283.28, 0.24%, 0.49%

LAB 46.68, 29.2, -26.25

 

CMYK 11 / 36 / 0 / 32

HEX #9B70AE

RGB 155 112 174

HSL 281.61, 0.28%, 0.56%

LAB 53.61, 28.43, -26.48

 

CMYK 20 / 61 / 0 / 60

HEX #522867

RGB 82 40 103

HSL 280, 0.44%, 0.28%

LAB 24.61, 31.36, -29.24

 

CMYK 23 / 74 / 0 / 67

HEX #411654

RGB 65 22 84

HSL 281.61, 0.58%, 0.21%

LAB 17.17, 31.92, -28.71

 

CMYK 26 / 94 / 0 / 75

HEX #300441

RGB 48 4 65

HSL 283.28, 0.88%, 0.14%

LAB 9.77, 31.76, -27.64

 

CMYK 33 / 100 / 0 / 82

HEX #1F002E

RGB 31 0 46

HSL 280.43, 1%, 0.09%

LAB 4.41, 23.66, -22.57

 

CMYK 48 / 100 / 0 / 89

HEX #0E001B

RGB 14 0 27

HSL 271.11, 1%, 0.05%

LAB 1.56, 8.81, -12.3

 

CMYK 21 / 62 / 0 / 60

HEX #512766

RGB 81 39 102

HSL 280, 0.45%, 0.28%

LAB 24.19, 31.41, -29.26

 

CMYK 4 / 62 / 0 / 60

HEX #622766

RGB 98 39 102

HSL 296.19, 0.45%, 0.28%

LAB 26.75, 36.29, -25.04

 

CMYK 0 / 62 / 13 / 60

HEX #662759

RGB 102 39 89

HSL 312.38, 0.45%, 0.28%

LAB 26.73, 35.03, -16.55

 

CMYK 0 / 62 / 29 / 60

HEX #662748

RGB 102 39 72

HSL 328.57, 0.45%, 0.28%

LAB 25.99, 32.26, -6.39

 

CMYK 0 / 62 / 46 / 60

HEX #662737

RGB 102 39 55

HSL 344.76, 0.45%, 0.28%

LAB 25.42, 30, 4.21

 

CMYK 21 / 62 / 0 / 60

HEX #512766

RGB 81 39 102

HSL 280, 0.45%, 0.28%

LAB 24.19, 31.41, -29.26

 

CMYK 37 / 62 / 0 / 60

HEX #402766

RGB 64 39 102

HSL 263.81, 0.45%, 0.28%

LAB 21.95, 26.72, -32.98

 

CMYK 54 / 62 / 0 / 60

HEX #2F2766

RGB 47 39 102

HSL 247.62, 0.45%, 0.28%

LAB 20.1, 22.49, -36.05

 

CMYK 62 / 62 / 0 / 60

HEX #272766

RGB 39 39 102

HSL 240, 0.45%, 0.28%

LAB 19.4, 20.76, -37.22

 

CMYK 21 / 62 / 0 / 60

HEX #512766

RGB 81 39 102

HSL 280, 0.45%, 0.28%

LAB 24.19, 31.41, -29.26

 

CMYK 25 / 75 / 0 / 55

HEX #551C72

RGB 85 28 114

HSL 279.77, 0.61%, 0.28%

LAB 23.59, 40.88, -37.95

 

CMYK 29 / 87 / 0 / 51

HEX #59107D

RGB 89 16 125

HSL 280.18, 0.77%, 0.28%

LAB 23.59, 48.54, -44.95

 

CMYK 32 / 96 / 0 / 46

HEX #5D0589

RGB 93 5 137

HSL 280, 0.93%, 0.28%

LAB 24.46, 54.23, -51.07

 

CMYK 21 / 62 / 0 / 60

HEX #512766

RGB 81 39 102

HSL 280, 0.45%, 0.28%

LAB 24.19, 31.41, -29.26

 

CMYK 14 / 44 / 0 / 64

HEX #4E335B

RGB 78 51 91

HSL 280.5, 0.28%, 0.28%

LAB 25.99, 20.44, -19.28

 

CMYK 6 / 20 / 0 / 69

HEX #4A3F4F

RGB 74 63 79

HSL 281.25, 0.11%, 0.28%

LAB 28.31, 8.22, -7.9

 

CMYK 5 / 0 / 8 / 71

HEX #464A44

RGB 70 74 68

HSL 100, 0.04%, 0.28%

LAB 30.92, -2.95, 3.01

 

CMYK 23 / 0 / 35 / 66

HEX #425638

RGB 66 86 56

HSL 100, 0.21%, 0.28%

LAB 34.19, -14.11, 15.04

 

CMYK 53 / 62 / 0 / 60

HEX #302766

RGB 48 39 102

HSL 248.57, 0.45%, 0.28%

LAB 20.2, 22.72, -35.89

 

CMYK 36 / 62 / 0 / 60

HEX #412766

RGB 65 39 102

HSL 264.76, 0.45%, 0.28%

LAB 22.07, 26.98, -32.78

 

CMYK 21 / 62 / 0 / 60

HEX #512766

RGB 81 39 102

HSL 280, 0.45%, 0.28%

LAB 24.19, 31.41, -29.26

 

CMYK 4 / 62 / 0 / 60

HEX #622766

RGB 98 39 102

HSL 296.19, 0.45%, 0.28%

LAB 26.75, 36.29, -25.04

 

CMYK 0 / 62 / 12 / 60

HEX #66275A

RGB 102 39 90

HSL 311.43, 0.45%, 0.28%

LAB 26.77, 35.21, -17.13

 

CMYK 21 / 63 / 0 / 83

HEX #22102B

RGB 34 16 43

HSL 280, 0.46%, 0.12%

LAB 7.99, 15.56, -14.62

 

CMYK 21 / 62 / 0 / 71

HEX #3A1C49

RGB 58 28 73

HSL 280, 0.45%, 0.2%

LAB 16.56, 23.81, -22.24

 

CMYK 21 / 62 / 0 / 60

HEX #512766

RGB 81 39 102

HSL 280, 0.45%, 0.28%

LAB 24.19, 31.41, -29.26

 

CMYK 20 / 61 / 0 / 48

HEX #693384

RGB 105 51 132

HSL 280, 0.44%, 0.36%

LAB 31.89, 38.52, -35.84

 

CMYK 20 / 61 / 0 / 36

HEX #813FA2

RGB 129 63 162

HSL 280, 0.44%, 0.44%

LAB 39.29, 45.31, -42.14

 

CMYK 20 / 61 / 0 / 60

HEX #522867

RGB 82 40 103

HSL 280, 0.44%, 0.28%

LAB 24.61, 31.36, -29.24

 

CMYK 0 / 62 / 53 / 60

HEX #662730

RGB 102 39 48

HSL 351.43, 0.45%, 0.28%

LAB 25.23, 29.24, 8.68

 

CMYK 62 / 0 / 45 / 60

HEX #276638

RGB 39 102 56

HSL 136.19, 0.45%, 0.28%

LAB 38.23, -31.4, 20.11

 

CMYK 20 / 61 / 0 / 60

HEX #522867

RGB 82 40 103

HSL 280, 0.44%, 0.28%

LAB 24.61, 31.36, -29.24

 

CMYK 0 / 21 / 62 / 60

HEX #665127

RGB 102 81 39

HSL 40, 0.45%, 0.28%

LAB 35.71, 3.22, 27.65

 

CMYK 62 / 0 / 21 / 60

HEX #276651

RGB 39 102 81

HSL 160, 0.45%, 0.28%

LAB 38.77, -25.78, 5.91

 

CMYK 20 / 61 / 0 / 60

HEX #522867

RGB 82 40 103

HSL 280, 0.44%, 0.28%

LAB 24.61, 31.36, -29.24

 

CMYK 0 / 62 / 53 / 60

HEX #662730

RGB 102 39 48

HSL 351.43, 0.45%, 0.28%

LAB 25.23, 29.24, 8.68

 

CMYK 41 / 0 / 62 / 60

HEX #3C6627

RGB 60 102 39

HSL 100, 0.45%, 0.28%

LAB 38.92, -27.31, 30.49

 

CMYK 62 / 0 / 8 / 60

HEX #27665E

RGB 39 102 94

HSL 172.38, 0.45%, 0.28%

LAB 39.14, -22.2, -1.51

 

CMYK 20 / 61 / 0 / 60

HEX #522867

RGB 82 40 103

HSL 280, 0.44%, 0.28%

LAB 24.61, 31.36, -29.24

 

CMYK 0 / 51 / 62 / 60

HEX #663227

RGB 102 50 39

HSL 10.48, 0.45%, 0.28%

LAB 27.44, 22.2, 17.57

 

CMYK 41 / 0 / 62 / 60

HEX #3C6627

RGB 60 102 39

HSL 100, 0.45%, 0.28%

LAB 38.92, -27.31, 30.49

 

CMYK 62 / 10 / 0 / 60

HEX #275C66

RGB 39 92 102

HSL 189.52, 0.45%, 0.28%

LAB 36.07, -14.24, -11.03

 

Description

Color code: HEX #522867 | qconv.com Color code: HEX #522867 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 40 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 40 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 61 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 61% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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