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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #521366 it is the complementary color #ADEC99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #521366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #521366 shade: #571361, #682574, #793787, #8A499A and #9B5BAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #521366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #521366 shade: #521366, #410153, #300040, #1F002D and #0E001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #521366 shade: #531267, #671265, #67124E, #671237 and #671220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #521366 shade: #531267, #3C1267, #251267 and #121267

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #521366 shade matches the following richer shades: #531267 and #580971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #521366 shade: #531267, #4D1C5D, #482653, #433049 and #3E3A3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #521366 shade: #251267, #3B1267, #521267, #671266 and #67124F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #521366 shade: #1B0621, #370C44, #531267, #6F198A and #8B1FAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #521366 shade: #521366, #671217 and #126730

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #521366 shade: #521366, #675212 and #126752

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #521366 shade: #521366, #671217, #286712 and #126763

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #521366 shade: #521366, #672812, #286712 and #125267

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 81 / 0 / 60

HEX #521366

RGB 82 19 102

HSL 285.54, 0.69%, 0.24%

LAB 20.9, 41.25, -34.53

 

Complementary color

CMYK 27 / 0 / 35 / 7

HEX #ADEC99

RGB 173 236 153

HSL 105.54, 0.69%, 0.76%

LAB 87.57, -34.93, 34.05

 

CMYK 10 / 80 / 0 / 62

HEX #571361

RGB 87 19 97

HSL 292.31, 0.67%, 0.23%

LAB 21.41, 41.31, -30.37

 

CMYK 10 / 68 / 0 / 55

HEX #682574

RGB 104 37 116

HSL 290.89, 0.52%, 0.3%

LAB 28.19, 41.77, -31.7

 

CMYK 10 / 59 / 0 / 47

HEX #793787

RGB 121 55 135

HSL 289.5, 0.42%, 0.37%

LAB 35.1, 41.43, -32.47

 

CMYK 10 / 53 / 0 / 40

HEX #8A499A

RGB 138 73 154

HSL 288.15, 0.36%, 0.45%

LAB 42, 40.78, -32.97

 

CMYK 10 / 47 / 0 / 32

HEX #9B5BAD

RGB 155 91 173

HSL 286.83, 0.33%, 0.52%

LAB 48.84, 40.01, -33.32

 

CMYK 20 / 81 / 0 / 60

HEX #521366

RGB 82 19 102

HSL 285.54, 0.69%, 0.24%

LAB 20.9, 41.25, -34.53

 

CMYK 22 / 99 / 0 / 67

HEX #410153

RGB 65 1 83

HSL 286.83, 0.98%, 0.16%

LAB 14.23, 39.94, -32.77

 

CMYK 25 / 100 / 0 / 75

HEX #300040

RGB 48 0 64

HSL 285, 1%, 0.13%

LAB 8.98, 33.61, -28.22

 

CMYK 31 / 100 / 0 / 82

HEX #1F002D

RGB 31 0 45

HSL 281.33, 1%, 0.09%

LAB 4.34, 23.27, -21.93

 

CMYK 46 / 100 / 0 / 90

HEX #0E001A

RGB 14 0 26

HSL 272.31, 1%, 0.05%

LAB 1.52, 8.52, -11.55

 

CMYK 19 / 83 / 0 / 60

HEX #531267

RGB 83 18 103

HSL 285.88, 0.7%, 0.24%

LAB 21.02, 42.04, -34.98

 

CMYK 0 / 83 / 2 / 60

HEX #671265

RGB 103 18 101

HSL 301.41, 0.7%, 0.24%

LAB 24.5, 46, -27.9

 

CMYK 0 / 83 / 24 / 60

HEX #67124E

RGB 103 18 78

HSL 317.65, 0.7%, 0.24%

LAB 23.22, 42.34, -14.63

 

CMYK 0 / 83 / 47 / 60

HEX #671237

RGB 103 18 55

HSL 333.88, 0.7%, 0.24%

LAB 22.27, 39.49, -0.3

 

CMYK 0 / 83 / 69 / 60

HEX #671220

RGB 103 18 32

HSL 350.12, 0.7%, 0.24%

LAB 21.65, 37.56, 14.87

 

CMYK 19 / 83 / 0 / 60

HEX #531267

RGB 83 18 103

HSL 285.88, 0.7%, 0.24%

LAB 21.02, 42.04, -34.98

 

CMYK 42 / 83 / 0 / 60

HEX #3C1267

RGB 60 18 103

HSL 269.65, 0.7%, 0.24%

LAB 17.33, 37.58, -41.14

 

CMYK 64 / 83 / 0 / 60

HEX #251267

RGB 37 18 103

HSL 253.41, 0.7%, 0.24%

LAB 14.43, 34.03, -46.02

 

CMYK 83 / 83 / 0 / 60

HEX #121267

RGB 18 18 103

HSL 240, 0.7%, 0.24%

LAB 12.86, 32.08, -48.66

 

CMYK 19 / 83 / 0 / 60

HEX #531267

RGB 83 18 103

HSL 285.88, 0.7%, 0.24%

LAB 21.02, 42.04, -34.98

 

CMYK 22 / 92 / 0 / 56

HEX #580971

RGB 88 9 113

HSL 285.58, 0.85%, 0.24%

LAB 21.81, 47.64, -40.17

 

CMYK 19 / 83 / 0 / 60

HEX #531267

RGB 83 18 103

HSL 285.88, 0.7%, 0.24%

LAB 21.02, 42.04, -34.98

 

CMYK 17 / 70 / 0 / 64

HEX #4D1C5D

RGB 77 28 93

HSL 285.23, 0.54%, 0.24%

LAB 20.82, 34.11, -28.77

 

CMYK 13 / 54 / 0 / 67

HEX #482653

RGB 72 38 83

HSL 285.33, 0.37%, 0.24%

LAB 21.54, 24.63, -21.02

 

CMYK 8 / 34 / 0 / 71

HEX #433049

RGB 67 48 73

HSL 285.6, 0.21%, 0.24%

LAB 22.96, 13.95, -12.15

 

CMYK 2 / 8 / 0 / 75

HEX #3E3A3F

RGB 62 58 63

HSL 288, 0.04%, 0.24%

LAB 24.98, 2.85, -2.47

 

CMYK 64 / 83 / 0 / 60

HEX #251267

RGB 37 18 103

HSL 253.41, 0.7%, 0.24%

LAB 14.43, 34.03, -46.02

 

CMYK 43 / 83 / 0 / 60

HEX #3B1267

RGB 59 18 103

HSL 268.94, 0.7%, 0.24%

LAB 17.19, 37.41, -41.39

 

CMYK 20 / 83 / 0 / 60

HEX #521267

RGB 82 18 103

HSL 285.18, 0.7%, 0.24%

LAB 20.85, 41.83, -35.27

 

CMYK 0 / 83 / 1 / 60

HEX #671266

RGB 103 18 102

HSL 300.71, 0.7%, 0.24%

LAB 24.56, 46.17, -28.45

 

CMYK 0 / 83 / 23 / 60

HEX #67124F

RGB 103 18 79

HSL 316.94, 0.7%, 0.24%

LAB 23.27, 42.49, -15.23

 

CMYK 18 / 82 / 0 / 87

HEX #1B0621

RGB 27 6 33

HSL 286.67, 0.69%, 0.08%

LAB 4.27, 14.01, -12.87

 

CMYK 19 / 82 / 0 / 73

HEX #370C44

RGB 55 12 68

HSL 286.07, 0.7%, 0.16%

LAB 12.56, 30.4, -25.19

 

CMYK 19 / 83 / 0 / 60

HEX #531267

RGB 83 18 103

HSL 285.88, 0.7%, 0.24%

LAB 21.02, 42.04, -34.98

 

CMYK 20 / 82 / 0 / 46

HEX #6F198A

RGB 111 25 138

HSL 285.66, 0.69%, 0.32%

LAB 29.18, 52.48, -43.88

 

CMYK 20 / 82 / 0 / 32

HEX #8B1FAD

RGB 139 31 173

HSL 285.63, 0.7%, 0.4%

LAB 36.9, 62.67, -52.48

 

CMYK 20 / 81 / 0 / 60

HEX #521366

RGB 82 19 102

HSL 285.54, 0.69%, 0.24%

LAB 20.9, 41.25, -34.53

 

CMYK 0 / 83 / 78 / 60

HEX #671217

RGB 103 18 23

HSL 356.47, 0.7%, 0.24%

LAB 21.5, 37.06, 20.79

 

CMYK 83 / 0 / 53 / 60

HEX #126730

RGB 18 103 48

HSL 141.18, 0.7%, 0.24%

LAB 37.92, -37.46, 24.13

 

CMYK 20 / 81 / 0 / 60

HEX #521366

RGB 82 19 102

HSL 285.54, 0.69%, 0.24%

LAB 20.9, 41.25, -34.53

 

CMYK 0 / 20 / 83 / 60

HEX #675212

RGB 103 82 18

HSL 45.18, 0.7%, 0.24%

LAB 35.91, 1.76, 38.15

 

CMYK 83 / 0 / 20 / 60

HEX #126752

RGB 18 103 82

HSL 165.18, 0.7%, 0.24%

LAB 38.62, -29.67, 5

 

CMYK 20 / 81 / 0 / 60

HEX #521366

RGB 82 19 102

HSL 285.54, 0.69%, 0.24%

LAB 20.9, 41.25, -34.53

 

CMYK 0 / 83 / 78 / 60

HEX #671217

RGB 103 18 23

HSL 356.47, 0.7%, 0.24%

LAB 21.5, 37.06, 20.79

 

CMYK 61 / 0 / 83 / 60

HEX #286712

RGB 40 103 18

HSL 104.47, 0.7%, 0.24%

LAB 38.19, -36.34, 38.69

 

CMYK 83 / 0 / 4 / 60

HEX #126763

RGB 18 103 99

HSL 177.18, 0.7%, 0.24%

LAB 39.12, -24.56, -4.66

 

CMYK 20 / 81 / 0 / 60

HEX #521366

RGB 82 19 102

HSL 285.54, 0.69%, 0.24%

LAB 20.9, 41.25, -34.53

 

CMYK 0 / 61 / 83 / 60

HEX #672812

RGB 103 40 18

HSL 15.53, 0.7%, 0.24%

LAB 25.09, 26.95, 27.75

 

CMYK 61 / 0 / 83 / 60

HEX #286712

RGB 40 103 18

HSL 104.47, 0.7%, 0.24%

LAB 38.19, -36.34, 38.69

 

CMYK 83 / 20 / 0 / 60

HEX #125267

RGB 18 82 103

HSL 194.82, 0.7%, 0.24%

LAB 32.13, -11.57, -17.75

 

Description

Color code: HEX #521366 | qconv.com Color code: HEX #521366 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 19 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 19 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 81 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 81% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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