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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #520FC5 it is the complementary color #ADF03A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #520FC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #520FC5 shade: #570FC0, #6821D3, #7933E6, #8A45F9 and #9B57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #520FC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #520FC5 shade: #520FC5, #4100B2, #30009F, #1F008C and #0E0079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #520FC5 shade: #520EC7, #840EC7, #B60EC7, #C70EA6 and #C70E74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #520FC5 shade: #520EC7, #210EC7 and #0E0EC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #520FC5 shade matches the following richer shades: #520EC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #520FC5 shade: #520EC7, #5720B5, #5B31A4, #604293 and #655481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #520FC5 shade: #0E2DC7, #210EC7, #520EC7, #830EC7 and #B40EC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #520FC5 shade: #32097A, #420CA0, #520EC7, #6212ED and #7C38F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #520FC5 shade: #520FC5, #C70E5E and #15C70E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #520FC5 shade: #520FC5, #C7520E and #0EC752

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #520FC5 shade: #520FC5, #C70E5E, #83C70E and #0EC777

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #520FC5 shade: #520FC5, #C70E27, #83C70E and #0EC7AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 92 / 0 / 23

HEX #520FC5

RGB 82 15 197

HSL 262.09, 0.86%, 0.42%

LAB 29.83, 64.8, -78.6

 

Complementary color

CMYK 28 / 0 / 76 / 6

HEX #ADF03A

RGB 173 240 58

HSL 82.09, 0.86%, 0.58%

LAB 87.73, -45.77, 75.06

 

CMYK 55 / 92 / 0 / 25

HEX #570FC0

RGB 87 15 192

HSL 264.41, 0.86%, 0.41%

LAB 29.85, 64.01, -75.61

 

CMYK 51 / 84 / 0 / 17

HEX #6821D3

RGB 104 33 211

HSL 263.93, 0.73%, 0.48%

LAB 35.47, 65.35, -77.36

 

CMYK 47 / 78 / 0 / 10

HEX #7933E6

RGB 121 51 230

HSL 263.46, 0.78%, 0.55%

LAB 41.45, 65.54, -78.35

 

CMYK 45 / 72 / 0 / 2

HEX #8A45F9

RGB 138 69 249

HSL 263, 0.94%, 0.62%

LAB 47.62, 65.09, -78.86

 

CMYK 39 / 66 / 0 / 0

HEX #9B57FF

RGB 155 87 255

HSL 264.29, 1%, 0.67%

LAB 52.95, 61.08, -73.43

 

CMYK 58 / 92 / 0 / 23

HEX #520FC5

RGB 82 15 197

HSL 262.09, 0.86%, 0.42%

LAB 29.83, 64.8, -78.6

 

CMYK 63 / 100 / 0 / 30

HEX #4100B2

RGB 65 0 178

HSL 261.91, 1%, 0.35%

LAB 24.76, 62.04, -75.8

 

CMYK 70 / 100 / 0 / 38

HEX #30009F

RGB 48 0 159

HSL 258.11, 1%, 0.31%

LAB 20.56, 56.64, -71.32

 

CMYK 78 / 100 / 0 / 45

HEX #1F008C

RGB 31 0 140

HSL 253.29, 1%, 0.27%

LAB 16.43, 51.23, -66.48

 

CMYK 88 / 100 / 0 / 53

HEX #0E0079

RGB 14 0 121

HSL 246.94, 1%, 0.24%

LAB 12.44, 45.83, -61.1

 

CMYK 59 / 93 / 0 / 22

HEX #520EC7

RGB 82 14 199

HSL 262.05, 0.87%, 0.42%

LAB 29.99, 65.49, -79.51

 

CMYK 34 / 93 / 0 / 22

HEX #840EC7

RGB 132 14 199

HSL 278.27, 0.87%, 0.42%

LAB 36.64, 70.42, -68.32

 

CMYK 9 / 93 / 0 / 22

HEX #B60EC7

RGB 182 14 199

HSL 294.49, 0.87%, 0.42%

LAB 44.78, 77.54, -54.73

 

CMYK 0 / 93 / 17 / 22

HEX #C70EA6

RGB 199 14 166

HSL 310.7, 0.87%, 0.42%

LAB 45.92, 75.77, -33.31

 

CMYK 0 / 93 / 42 / 22

HEX #C70E74

RGB 199 14 116

HSL 326.92, 0.87%, 0.42%

LAB 43.82, 70.26, -6.12

 

CMYK 59 / 93 / 0 / 22

HEX #520EC7

RGB 82 14 199

HSL 262.05, 0.87%, 0.42%

LAB 29.99, 65.49, -79.51

 

CMYK 83 / 93 / 0 / 22

HEX #210EC7

RGB 33 14 199

HSL 246.16, 0.87%, 0.42%

LAB 26.04, 63.13, -86.18

 

CMYK 93 / 93 / 0 / 22

HEX #0E0EC7

RGB 14 14 199

HSL 240, 0.87%, 0.42%

LAB 25.35, 62.78, -87.35

 

CMYK 59 / 93 / 0 / 22

HEX #520EC7

RGB 82 14 199

HSL 262.05, 0.87%, 0.42%

LAB 29.99, 65.49, -79.51

 

CMYK 59 / 93 / 0 / 22

HEX #520EC7

RGB 82 14 199

HSL 262.05, 0.87%, 0.42%

LAB 29.99, 65.49, -79.51

 

CMYK 52 / 82 / 0 / 29

HEX #5720B5

RGB 87 32 181

HSL 262.15, 0.7%, 0.42%

LAB 30.39, 56.25, -68.19

 

CMYK 45 / 70 / 0 / 36

HEX #5B31A4

RGB 91 49 164

HSL 261.91, 0.54%, 0.42%

LAB 32.04, 44.57, -55.29

 

CMYK 35 / 55 / 0 / 42

HEX #604293

RGB 96 66 147

HSL 262.22, 0.38%, 0.42%

LAB 34.98, 31.35, -40.2

 

CMYK 22 / 35 / 0 / 49

HEX #655481

RGB 101 84 129

HSL 262.67, 0.21%, 0.42%

LAB 39.06, 16.95, -22.74

 

CMYK 93 / 77 / 0 / 22

HEX #0E2DC7

RGB 14 45 199

HSL 229.95, 0.87%, 0.42%

LAB 29.65, 50.03, -80.2

 

CMYK 83 / 93 / 0 / 22

HEX #210EC7

RGB 33 14 199

HSL 246.16, 0.87%, 0.42%

LAB 26.04, 63.13, -86.18

 

CMYK 59 / 93 / 0 / 22

HEX #520EC7

RGB 82 14 199

HSL 262.05, 0.87%, 0.42%

LAB 29.99, 65.49, -79.51

 

CMYK 34 / 93 / 0 / 22

HEX #830EC7

RGB 131 14 199

HSL 277.95, 0.87%, 0.42%

LAB 36.49, 70.3, -68.57

 

CMYK 10 / 93 / 0 / 22

HEX #B40EC7

RGB 180 14 199

HSL 293.84, 0.87%, 0.42%

LAB 44.43, 77.23, -55.29

 

CMYK 59 / 93 / 0 / 52

HEX #32097A

RGB 50 9 122

HSL 261.77, 0.86%, 0.26%

LAB 16.89, 44.67, -54.26

 

CMYK 59 / 93 / 0 / 37

HEX #420CA0

RGB 66 12 160

HSL 261.89, 0.86%, 0.34%

LAB 23.54, 55.12, -66.94

 

CMYK 59 / 93 / 0 / 22

HEX #520EC7

RGB 82 14 199

HSL 262.05, 0.87%, 0.42%

LAB 29.99, 65.49, -79.51

 

CMYK 59 / 92 / 0 / 7

HEX #6212ED

RGB 98 18 237

HSL 261.92, 0.86%, 0.5%

LAB 36.26, 74.79, -90.97

 

CMYK 48 / 77 / 0 / 6

HEX #7C38F0

RGB 124 56 240

HSL 262.17, 0.86%, 0.58%

LAB 43.37, 66.4, -80.84

 

CMYK 58 / 92 / 0 / 23

HEX #520FC5

RGB 82 15 197

HSL 262.09, 0.86%, 0.42%

LAB 29.83, 64.8, -78.6

 

CMYK 0 / 93 / 53 / 22

HEX #C70E5E

RGB 199 14 94

HSL 334.05, 0.87%, 0.42%

LAB 43.16, 68.45, 6.66

 

CMYK 89 / 0 / 93 / 22

HEX #15C70E

RGB 21 199 14

HSL 117.73, 0.87%, 0.42%

LAB 70.2, -70.2, 67.6

 

CMYK 58 / 92 / 0 / 23

HEX #520FC5

RGB 82 15 197

HSL 262.09, 0.86%, 0.42%

LAB 29.83, 64.8, -78.6

 

CMYK 0 / 59 / 93 / 22

HEX #C7520E

RGB 199 82 14

HSL 22.05, 0.87%, 0.42%

LAB 49.75, 43.86, 56.32

 

CMYK 93 / 0 / 59 / 22

HEX #0EC752

RGB 14 199 82

HSL 142.05, 0.87%, 0.42%

LAB 70.56, -65.51, 46.32

 

CMYK 58 / 92 / 0 / 23

HEX #520FC5

RGB 82 15 197

HSL 262.09, 0.86%, 0.42%

LAB 29.83, 64.8, -78.6

 

CMYK 0 / 93 / 53 / 22

HEX #C70E5E

RGB 199 14 94

HSL 334.05, 0.87%, 0.42%

LAB 43.16, 68.45, 6.66

 

CMYK 34 / 0 / 93 / 22

HEX #83C70E

RGB 131 199 14

HSL 82.05, 0.87%, 0.42%

LAB 73.35, -45.23, 71.48

 

CMYK 93 / 0 / 40 / 22

HEX #0EC777

RGB 14 199 119

HSL 154.05, 0.87%, 0.42%

LAB 71.06, -59.51, 28.7

 

CMYK 58 / 92 / 0 / 23

HEX #520FC5

RGB 82 15 197

HSL 262.09, 0.86%, 0.42%

LAB 29.83, 64.8, -78.6

 

CMYK 0 / 93 / 80 / 22

HEX #C70E27

RGB 199 14 39

HSL 351.89, 0.87%, 0.42%

LAB 42.16, 65.68, 39.31

 

CMYK 34 / 0 / 93 / 22

HEX #83C70E

RGB 131 199 14

HSL 82.05, 0.87%, 0.42%

LAB 73.35, -45.23, 71.48

 

CMYK 93 / 0 / 13 / 22

HEX #0EC7AE

RGB 14 199 174

HSL 171.89, 0.87%, 0.42%

LAB 72.23, -46.63, 0.91

 

Description

Color code: HEX #520FC5 | qconv.com Color code: HEX #520FC5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 15 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 15 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 92 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 92% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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