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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51FD48 it is the complementary color #AE02B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51FD48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51FD48 shade: #56FD43, #67FF56, #78FF69, #89FF7C and #9AFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51FD48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51FD48 shade: #51FD48, #40EB35, #2FD922, #1EC70F and #0DB500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51FD48 shade: #52FD49, #82FD49, #B3FD49, #E3FD49 and #FDE649

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51FD48 shade: #52FD49, #49FD70, #49FDA1, #49FDD1 and #49F7FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51FD48 shade matches the following richer shades: #52FD49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51FD48 shade: #52FD49, #5FEE58, #6CDF66, #7AD075 and #87C184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51FD48 shade: #B2FD49, #82FD49, #52FD49, #49FD70 and #49FDA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51FD48 shade: #0EF102, #2BFC20, #52FD49, #79FD72 and #9FFD9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51FD48 shade: #51FD48, #49E2FD and #FD499A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51FD48 shade: #51FD48, #4952FD and #FD4952

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51FD48 shade: #51FD48, #49E2FD, #F449FD and #FD6449

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51FD48 shade: #51FD48, #49ACFD, #F449FD and #FD9A49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 72 / 1

HEX #51FD48

RGB 81 253 72

HSL 117.02, 0.98%, 0.64%

LAB 88.19, -75.39, 69.82

 

Complementary color

CMYK 5 / 99 / 0 / 28

HEX #AE02B7

RGB 174 2 183

HSL 297.02, 0.98%, 0.36%

LAB 41.94, 74.94, -49.99

 

CMYK 66 / 0 / 74 / 1

HEX #56FD43

RGB 86 253 67

HSL 113.87, 0.98%, 0.63%

LAB 88.27, -74.83, 71.62

 

CMYK 60 / 0 / 66 / 0

HEX #67FF56

RGB 103 255 86

HSL 113.96, 1%, 0.67%

LAB 89.43, -70.5, 66.17

 

CMYK 53 / 0 / 59 / 0

HEX #78FF69

RGB 120 255 105

HSL 114, 1%, 0.71%

LAB 90.11, -64.63, 59.33

 

CMYK 46 / 0 / 51 / 0

HEX #89FF7C

RGB 137 255 124

HSL 114.05, 1%, 0.74%

LAB 90.91, -57.98, 51.97

 

CMYK 40 / 0 / 44 / 0

HEX #9AFF8F

RGB 154 255 143

HSL 114.11, 1%, 0.78%

LAB 91.85, -50.65, 44.34

 

CMYK 68 / 0 / 72 / 1

HEX #51FD48

RGB 81 253 72

HSL 117.02, 0.98%, 0.64%

LAB 88.19, -75.39, 69.82

 

CMYK 73 / 0 / 77 / 8

HEX #40EB35

RGB 64 235 53

HSL 116.37, 0.82%, 0.56%

LAB 82.25, -73.98, 69.95

 

CMYK 78 / 0 / 84 / 15

HEX #2FD922

RGB 47 217 34

HSL 115.74, 0.73%, 0.49%

LAB 76.28, -72.05, 69.33

 

CMYK 85 / 0 / 92 / 22

HEX #1EC70F

RGB 30 199 15

HSL 115.11, 0.86%, 0.42%

LAB 70.29, -69.44, 67.57

 

CMYK 93 / 0 / 100 / 29

HEX #0DB500

RGB 13 181 0

HSL 115.69, 1%, 0.35%

LAB 64.27, -66, 64.39

 

CMYK 68 / 0 / 71 / 1

HEX #52FD49

RGB 82 253 73

HSL 117, 0.98%, 0.64%

LAB 88.22, -75.14, 69.51

 

CMYK 49 / 0 / 71 / 1

HEX #82FD49

RGB 130 253 73

HSL 101, 0.98%, 0.64%

LAB 89.62, -64.01, 71.38

 

CMYK 29 / 0 / 71 / 1

HEX #B3FD49

RGB 179 253 73

HSL 84.67, 0.98%, 0.64%

LAB 91.83, -48.32, 74.32

 

CMYK 10 / 0 / 71 / 1

HEX #E3FD49

RGB 227 253 73

HSL 68.67, 0.98%, 0.64%

LAB 94.76, -30.23, 78.19

 

CMYK 0 / 9 / 71 / 1

HEX #FDE649

RGB 253 230 73

HSL 52.33, 0.98%, 0.64%

LAB 90.76, -8.62, 75

 

CMYK 68 / 0 / 71 / 1

HEX #52FD49

RGB 82 253 73

HSL 117, 0.98%, 0.64%

LAB 88.22, -75.14, 69.51

 

CMYK 71 / 0 / 56 / 1

HEX #49FD70

RGB 73 253 112

HSL 133, 0.98%, 0.64%

LAB 88.37, -72.7, 53.93

 

CMYK 71 / 0 / 36 / 1

HEX #49FDA1

RGB 73 253 161

HSL 149.33, 0.98%, 0.64%

LAB 89.04, -65.06, 31.34

 

CMYK 71 / 0 / 17 / 1

HEX #49FDD1

RGB 73 253 209

HSL 165.33, 0.98%, 0.64%

LAB 89.98, -54.87, 8.14

 

CMYK 71 / 2 / 0 / 1

HEX #49F7FD

RGB 73 247 253

HSL 182, 0.98%, 0.64%

LAB 89.41, -40.9, -15.59

 

CMYK 68 / 0 / 71 / 1

HEX #52FD49

RGB 82 253 73

HSL 117, 0.98%, 0.64%

LAB 88.22, -75.14, 69.51

 

CMYK 68 / 0 / 71 / 1

HEX #52FD49

RGB 82 253 73

HSL 117, 0.98%, 0.64%

LAB 88.22, -75.14, 69.51

 

CMYK 60 / 0 / 63 / 7

HEX #5FEE58

RGB 95 238 88

HSL 117.2, 0.82%, 0.64%

LAB 84.11, -66.26, 59.52

 

CMYK 52 / 0 / 54 / 13

HEX #6CDF66

RGB 108 223 102

HSL 117.02, 0.65%, 0.64%

LAB 80.14, -56.1, 48.9

 

CMYK 41 / 0 / 44 / 18

HEX #7AD075

RGB 122 208 117

HSL 116.7, 0.49%, 0.64%

LAB 76.4, -44.04, 37.16

 

CMYK 30 / 0 / 32 / 24

HEX #87C184

RGB 135 193 132

HSL 117.05, 0.33%, 0.64%

LAB 72.86, -30.81, 24.9

 

CMYK 30 / 0 / 71 / 1

HEX #B2FD49

RGB 178 253 73

HSL 85, 0.98%, 0.64%

LAB 91.77, -48.67, 74.25

 

CMYK 49 / 0 / 71 / 1

HEX #82FD49

RGB 130 253 73

HSL 101, 0.98%, 0.64%

LAB 89.62, -64.01, 71.38

 

CMYK 68 / 0 / 71 / 1

HEX #52FD49

RGB 82 253 73

HSL 117, 0.98%, 0.64%

LAB 88.22, -75.14, 69.51

 

CMYK 71 / 0 / 56 / 1

HEX #49FD70

RGB 73 253 112

HSL 133, 0.98%, 0.64%

LAB 88.37, -72.7, 53.93

 

CMYK 71 / 0 / 37 / 1

HEX #49FDA0

RGB 73 253 160

HSL 149, 0.98%, 0.64%

LAB 89.02, -65.24, 31.82

 

CMYK 94 / 0 / 99 / 5

HEX #0EF102

RGB 14 241 2

HSL 116.99, 0.98%, 0.48%

LAB 83.45, -82.1, 79.6

 

CMYK 83 / 0 / 87 / 1

HEX #2BFC20

RGB 43 252 32

HSL 117, 0.97%, 0.56%

LAB 87.11, -82.47, 79.24

 

CMYK 68 / 0 / 71 / 1

HEX #52FD49

RGB 82 253 73

HSL 117, 0.98%, 0.64%

LAB 88.22, -75.14, 69.51

 

CMYK 52 / 0 / 55 / 1

HEX #79FD72

RGB 121 253 114

HSL 116.98, 0.97%, 0.72%

LAB 89.64, -62.65, 54.85

 

CMYK 37 / 0 / 39 / 1

HEX #9FFD9A

RGB 159 253 154

HSL 116.97, 0.96%, 0.8%

LAB 91.66, -46.77, 38.79

 

CMYK 68 / 0 / 72 / 1

HEX #51FD48

RGB 81 253 72

HSL 117.02, 0.98%, 0.64%

LAB 88.19, -75.39, 69.82

 

CMYK 71 / 11 / 0 / 1

HEX #49E2FD

RGB 73 226 253

HSL 189, 0.98%, 0.64%

LAB 83.39, -31.14, -24.69

 

CMYK 0 / 71 / 39 / 1

HEX #FD499A

RGB 253 73 154

HSL 333, 0.98%, 0.64%

LAB 59.87, 73.13, -4.08

 

CMYK 68 / 0 / 72 / 1

HEX #51FD48

RGB 81 253 72

HSL 117.02, 0.98%, 0.64%

LAB 88.19, -75.39, 69.82

 

CMYK 71 / 68 / 0 / 1

HEX #4952FD

RGB 73 82 253

HSL 237, 0.98%, 0.64%

LAB 45, 50.86, -85.6

 

CMYK 0 / 71 / 68 / 1

HEX #FD4952

RGB 253 73 82

HSL 357, 0.98%, 0.64%

LAB 58.28, 67.82, 35.75

 

CMYK 68 / 0 / 72 / 1

HEX #51FD48

RGB 81 253 72

HSL 117.02, 0.98%, 0.64%

LAB 88.19, -75.39, 69.82

 

CMYK 71 / 11 / 0 / 1

HEX #49E2FD

RGB 73 226 253

HSL 189, 0.98%, 0.64%

LAB 83.39, -31.14, -24.69

 

CMYK 4 / 71 / 0 / 1

HEX #F449FD

RGB 244 73 253

HSL 297, 0.98%, 0.64%

LAB 62.58, 83.96, -56.23

 

CMYK 0 / 60 / 71 / 1

HEX #FD6449

RGB 253 100 73

HSL 9, 0.98%, 0.64%

LAB 62.06, 56.84, 45.12

 

CMYK 68 / 0 / 72 / 1

HEX #51FD48

RGB 81 253 72

HSL 117.02, 0.98%, 0.64%

LAB 88.19, -75.39, 69.82

 

CMYK 71 / 32 / 0 / 1

HEX #49ACFD

RGB 73 172 253

HSL 207, 0.98%, 0.64%

LAB 68.03, -3.04, -48.49

 

CMYK 4 / 71 / 0 / 1

HEX #F449FD

RGB 244 73 253

HSL 297, 0.98%, 0.64%

LAB 62.58, 83.96, -56.23

 

CMYK 0 / 39 / 71 / 1

HEX #FD9A49

RGB 253 154 73

HSL 27, 0.98%, 0.64%

LAB 72.54, 30.57, 56.56

 

Description

Color code: HEX #51FD48 | qconv.com Color code: HEX #51FD48 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 253 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 253 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 72 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 72% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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