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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51F9E3 it is the complementary color #AE061C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51F9E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51F9E3 shade: #56F9DE, #67FFF1, #78FFFF, #89FFFF and #9AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51F9E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51F9E3 shade: #51F9E3, #40E7D0, #2FD5BD, #1EC3AA and #0DB197

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51F9E3 shade: #52F8E3, #52F8B6, #52F889, #52F85C and #75F852

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51F9E3 shade: #52F8E3, #52E1F8, #52B4F8, #5288F8 and #525BF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51F9E3 shade matches the following richer shades: #52F8E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51F9E3 shade: #52F8E3, #61EAD8, #6FDBCD, #7ECDC3 and #8CBEB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51F9E3 shade: #52F88A, #52F8B6, #52F8E2, #52E2F8 and #52B6F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51F9E3 shade: #08F0D1, #2AF7DC, #52F8E3, #7AFAE9 and #A2FBEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51F9E3 shade: #51F9E3, #5D52F8 and #F8A052

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51F9E3 shade: #51F9E3, #E252F8 and #F8E252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51F9E3 shade: #51F9E3, #5D52F8, #F85268 and #EDF852

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51F9E3 shade: #51F9E3, #8F52F8, #F85268 and #BBF852

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 9 / 2

HEX #51F9E3

RGB 81 249 227

HSL 172.14, 0.93%, 0.65%

LAB 89.41, -47.72, -2.02

 

Complementary color

CMYK 0 / 97 / 84 / 32

HEX #AE061C

RGB 174 6 28

HSL 352.14, 0.93%, 0.35%

LAB 36.39, 59.87, 38.07

 

CMYK 65 / 0 / 11 / 2

HEX #56F9DE

RGB 86 249 222

HSL 170.06, 0.93%, 0.66%

LAB 89.39, -48.26, 0.57

 

CMYK 60 / 0 / 5 / 0

HEX #67FFF1

RGB 103 255 241

HSL 174.47, 1%, 0.7%

LAB 92.02, -43.4, -5.39

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120 255 255

HSL 180, 1%, 0.74%

LAB 92.9, -36.79, -11.29

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 67 / 0 / 9 / 2

HEX #51F9E3

RGB 81 249 227

HSL 172.14, 0.93%, 0.65%

LAB 89.41, -47.72, -2.02

 

CMYK 72 / 0 / 10 / 9

HEX #40E7D0

RGB 64 231 208

HSL 171.74, 0.78%, 0.58%

LAB 83.33, -47.1, -1

 

CMYK 78 / 0 / 11 / 16

HEX #2FD5BD

RGB 47 213 189

HSL 171.33, 0.66%, 0.51%

LAB 77.2, -46.27, 0.11

 

CMYK 85 / 0 / 13 / 24

HEX #1EC3AA

RGB 30 195 170

HSL 170.91, 0.73%, 0.44%

LAB 71.01, -45.14, 1.34

 

CMYK 93 / 0 / 15 / 31

HEX #0DB197

RGB 13 177 151

HSL 170.49, 0.86%, 0.37%

LAB 64.77, -43.64, 2.7

 

CMYK 67 / 0 / 8 / 3

HEX #52F8E3

RGB 82 248 227

HSL 172.41, 0.92%, 0.65%

LAB 89.15, -47.15, -2.41

 

CMYK 67 / 0 / 27 / 3

HEX #52F8B6

RGB 82 248 182

HSL 156.14, 0.92%, 0.65%

LAB 88.12, -57.67, 19.45

 

CMYK 67 / 0 / 45 / 3

HEX #52F889

RGB 82 248 137

HSL 139.88, 0.92%, 0.65%

LAB 87.36, -65.99, 41.03

 

CMYK 67 / 0 / 63 / 3

HEX #52F85C

RGB 82 248 92

HSL 123.61, 0.92%, 0.65%

LAB 86.85, -71.84, 60.82

 

CMYK 53 / 0 / 67 / 3

HEX #75F852

RGB 117 248 82

HSL 107.35, 0.92%, 0.65%

LAB 87.74, -65.03, 66.03

 

CMYK 67 / 0 / 8 / 3

HEX #52F8E3

RGB 82 248 227

HSL 172.41, 0.92%, 0.65%

LAB 89.15, -47.15, -2.41

 

CMYK 67 / 9 / 0 / 3

HEX #52E1F8

RGB 82 225 248

HSL 188.31, 0.92%, 0.65%

LAB 83.14, -30.95, -22.41

 

CMYK 67 / 27 / 0 / 3

HEX #52B4F8

RGB 82 180 248

HSL 204.58, 0.92%, 0.65%

LAB 70.33, -7.85, -42.16

 

CMYK 67 / 45 / 0 / 3

HEX #5288F8

RGB 82 136 248

HSL 220.48, 0.92%, 0.65%

LAB 58.21, 17.63, -61.35

 

CMYK 67 / 63 / 0 / 3

HEX #525BF8

RGB 82 91 248

HSL 236.75, 0.92%, 0.65%

LAB 47.04, 45, -79.44

 

CMYK 67 / 0 / 8 / 3

HEX #52F8E3

RGB 82 248 227

HSL 172.41, 0.92%, 0.65%

LAB 89.15, -47.15, -2.41

 

CMYK 67 / 0 / 8 / 3

HEX #52F8E3

RGB 82 248 227

HSL 172.41, 0.92%, 0.65%

LAB 89.15, -47.15, -2.41

 

CMYK 59 / 0 / 8 / 8

HEX #61EAD8

RGB 97 234 216

HSL 172.12, 0.77%, 0.65%

LAB 85.17, -41.41, -2.44

 

CMYK 49 / 0 / 6 / 14

HEX #6FDBCD

RGB 111 219 205

HSL 172.22, 0.6%, 0.65%

LAB 80.99, -34.5, -2.7

 

CMYK 39 / 0 / 5 / 20

HEX #7ECDC3

RGB 126 205 195

HSL 172.41, 0.44%, 0.65%

LAB 77.3, -26.59, -2.69

 

CMYK 26 / 0 / 3 / 25

HEX #8CBEB8

RGB 140 190 184

HSL 172.8, 0.28%, 0.65%

LAB 73.46, -17.63, -2.3

 

CMYK 67 / 0 / 44 / 3

HEX #52F88A

RGB 82 248 138

HSL 140.24, 0.92%, 0.65%

LAB 87.37, -65.83, 40.56

 

CMYK 67 / 0 / 27 / 3

HEX #52F8B6

RGB 82 248 182

HSL 156.14, 0.92%, 0.65%

LAB 88.12, -57.67, 19.45

 

CMYK 67 / 0 / 9 / 3

HEX #52F8E2

RGB 82 248 226

HSL 172.05, 0.92%, 0.65%

LAB 89.12, -47.4, -1.93

 

CMYK 67 / 9 / 0 / 3

HEX #52E2F8

RGB 82 226 248

HSL 187.95, 0.92%, 0.65%

LAB 83.42, -31.43, -21.98

 

CMYK 67 / 27 / 0 / 3

HEX #52B6F8

RGB 82 182 248

HSL 203.86, 0.92%, 0.65%

LAB 70.89, -8.95, -41.27

 

CMYK 97 / 0 / 13 / 6

HEX #08F0D1

RGB 8 240 209

HSL 171.98, 0.94%, 0.49%

LAB 85.49, -54.32, 1.56

 

CMYK 83 / 0 / 11 / 3

HEX #2AF7DC

RGB 42 247 220

HSL 172.1, 0.93%, 0.57%

LAB 88.06, -52.75, -0.43

 

CMYK 67 / 0 / 8 / 3

HEX #52F8E3

RGB 82 248 227

HSL 172.41, 0.92%, 0.65%

LAB 89.15, -47.15, -2.41

 

CMYK 51 / 0 / 7 / 2

HEX #7AFAE9

RGB 122 250 233

HSL 172.03, 0.93%, 0.73%

LAB 90.96, -39.58, -2.74

 

CMYK 35 / 0 / 5 / 2

HEX #A2FBEF

RGB 162 251 239

HSL 171.91, 0.92%, 0.81%

LAB 92.97, -29.25, -2.71

 

CMYK 67 / 0 / 9 / 2

HEX #51F9E3

RGB 81 249 227

HSL 172.14, 0.93%, 0.65%

LAB 89.41, -47.72, -2.02

 

CMYK 63 / 67 / 0 / 3

HEX #5D52F8

RGB 93 82 248

HSL 243.98, 0.92%, 0.65%

LAB 45.82, 51.62, -81.41

 

CMYK 0 / 35 / 67 / 3

HEX #F8A052

RGB 248 160 82

HSL 28.19, 0.92%, 0.65%

LAB 73.36, 25.89, 53.06

 

CMYK 67 / 0 / 9 / 2

HEX #51F9E3

RGB 81 249 227

HSL 172.14, 0.93%, 0.65%

LAB 89.41, -47.72, -2.02

 

CMYK 9 / 67 / 0 / 3

HEX #E252F8

RGB 226 82 248

HSL 292.05, 0.92%, 0.65%

LAB 60.76, 76.28, -56.52

 

CMYK 0 / 9 / 67 / 3

HEX #F8E252

RGB 248 226 82

HSL 52.05, 0.92%, 0.65%

LAB 89.37, -8.26, 70.12

 

CMYK 67 / 0 / 9 / 2

HEX #51F9E3

RGB 81 249 227

HSL 172.14, 0.93%, 0.65%

LAB 89.41, -47.72, -2.02

 

CMYK 63 / 67 / 0 / 3

HEX #5D52F8

RGB 93 82 248

HSL 243.98, 0.92%, 0.65%

LAB 45.82, 51.62, -81.41

 

CMYK 0 / 67 / 58 / 3

HEX #F85268

RGB 248 82 104

HSL 352.05, 0.92%, 0.65%

LAB 58.97, 64.33, 23.77

 

CMYK 4 / 0 / 67 / 3

HEX #EDF852

RGB 237 248 82

HSL 63.98, 0.92%, 0.65%

LAB 94.2, -23.45, 74.74

 

CMYK 67 / 0 / 9 / 2

HEX #51F9E3

RGB 81 249 227

HSL 172.14, 0.93%, 0.65%

LAB 89.41, -47.72, -2.02

 

CMYK 42 / 67 / 0 / 3

HEX #8F52F8

RGB 143 82 248

HSL 262.05, 0.92%, 0.65%

LAB 50.28, 59.56, -73.95

 

CMYK 0 / 67 / 58 / 3

HEX #F85268

RGB 248 82 104

HSL 352.05, 0.92%, 0.65%

LAB 58.97, 64.33, 23.77

 

CMYK 25 / 0 / 67 / 3

HEX #BBF852

RGB 187 248 82

HSL 82.05, 0.92%, 0.65%

LAB 90.92, -42.74, 70.34

 

Description

Color code: HEX #51F9E3 | qconv.com Color code: HEX #51F9E3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 249 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 249 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 9 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 9% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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