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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51BEE6 it is the complementary color #AE4119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51BEE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51BEE6 shade: #56BEE1, #67D0F4, #78E2FF, #89F4FF and #9AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51BEE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51BEE6 shade: #51BEE6, #40ACD3, #2F9AC0, #1E88AD and #0D769A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51BEE6 shade: #50BEE6, #5095E6, #506DE6, #5C50E6 and #8450E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51BEE6 shade: #50BEE6, #5095E6, #506DE6 and #5050E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51BEE6 shade matches the following richer shades: #50BEE6 and #40C5F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51BEE6 shade: #50BEE6, #61B6D6, #71AFC5, #81A7B5 and #91A0A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51BEE6 shade: #50E6BE, #50E6E6, #50BEE6, #5096E6 and #506EE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51BEE6 shade: #1C99C8, #2CB0E0, #50BEE6, #75CBEB and #99D9F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51BEE6 shade: #51BEE6, #9650E6 and #E6D250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51BEE6 shade: #51BEE6, #E650BE and #BEE650

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51BEE6 shade: #51BEE6, #9650E6, #E67850 and #A0E650

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51BEE6 shade: #51BEE6, #C350E6, #E67850 and #73E650

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 17 / 0 / 10

HEX #51BEE6

RGB 81 190 230

HSL 196.11, 0.75%, 0.61%

LAB 72.42, -19.06, -29.15

 

Complementary color

CMYK 0 / 63 / 86 / 32

HEX #AE4119

RGB 174 65 25

HSL 16.11, 0.75%, 0.39%

LAB 42.54, 42.7, 45.07

 

CMYK 62 / 16 / 0 / 12

HEX #56BEE1

RGB 86 190 225

HSL 195.11, 0.7%, 0.61%

LAB 72.39, -19.76, -26.47

 

CMYK 58 / 15 / 0 / 4

HEX #67D0F4

RGB 103 208 244

HSL 195.32, 0.87%, 0.68%

LAB 78.77, -20.3, -26.89

 

CMYK 53 / 11 / 0 / 0

HEX #78E2FF

RGB 120 226 255

HSL 192.89, 1%, 0.74%

LAB 84.79, -22.94, -23.48

 

CMYK 46 / 4 / 0 / 0

HEX #89F4FF

RGB 137 244 255

HSL 185.59, 1%, 0.77%

LAB 90.43, -28.14, -14.91

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 65 / 17 / 0 / 10

HEX #51BEE6

RGB 81 190 230

HSL 196.11, 0.75%, 0.61%

LAB 72.42, -19.06, -29.15

 

CMYK 70 / 18 / 0 / 17

HEX #40ACD3

RGB 64 172 211

HSL 195.92, 0.63%, 0.54%

LAB 65.98, -18.21, -28.71

 

CMYK 76 / 20 / 0 / 25

HEX #2F9AC0

RGB 47 154 192

HSL 195.72, 0.61%, 0.47%

LAB 59.45, -17.11, -28.23

 

CMYK 83 / 21 / 0 / 32

HEX #1E88AD

RGB 30 136 173

HSL 195.52, 0.7%, 0.4%

LAB 52.84, -15.67, -27.68

 

CMYK 92 / 23 / 0 / 40

HEX #0D769A

RGB 13 118 154

HSL 195.32, 0.84%, 0.33%

LAB 46.14, -13.75, -27.04

 

CMYK 65 / 17 / 0 / 10

HEX #50BEE6

RGB 80 190 230

HSL 196, 0.75%, 0.61%

LAB 72.39, -19.22, -29.2

 

CMYK 65 / 35 / 0 / 10

HEX #5095E6

RGB 80 149 230

HSL 212.4, 0.75%, 0.61%

LAB 60.71, 3.4, -47.43

 

CMYK 65 / 53 / 0 / 10

HEX #506DE6

RGB 80 109 230

HSL 228.4, 0.75%, 0.61%

LAB 49.92, 27.69, -64.67

 

CMYK 60 / 65 / 0 / 10

HEX #5C50E6

RGB 92 80 230

HSL 244.8, 0.75%, 0.61%

LAB 43.84, 47.04, -74.54

 

CMYK 43 / 65 / 0 / 10

HEX #8450E6

RGB 132 80 230

HSL 260.8, 0.75%, 0.61%

LAB 47.44, 53.89, -68.51

 

CMYK 65 / 17 / 0 / 10

HEX #50BEE6

RGB 80 190 230

HSL 196, 0.75%, 0.61%

LAB 72.39, -19.22, -29.2

 

CMYK 65 / 35 / 0 / 10

HEX #5095E6

RGB 80 149 230

HSL 212.4, 0.75%, 0.61%

LAB 60.71, 3.4, -47.43

 

CMYK 65 / 53 / 0 / 10

HEX #506DE6

RGB 80 109 230

HSL 228.4, 0.75%, 0.61%

LAB 49.92, 27.69, -64.67

 

CMYK 65 / 65 / 0 / 10

HEX #5050E6

RGB 80 80 230

HSL 240, 0.75%, 0.61%

LAB 43, 45.36, -75.94

 

CMYK 65 / 17 / 0 / 10

HEX #50BEE6

RGB 80 190 230

HSL 196, 0.75%, 0.61%

LAB 72.39, -19.22, -29.2

 

CMYK 74 / 20 / 0 / 4

HEX #40C5F6

RGB 64 197 246

HSL 196.15, 0.91%, 0.61%

LAB 74.62, -19.97, -34.43

 

CMYK 65 / 17 / 0 / 10

HEX #50BEE6

RGB 80 190 230

HSL 196, 0.75%, 0.61%

LAB 72.39, -19.22, -29.2

 

CMYK 55 / 15 / 0 / 16

HEX #61B6D6

RGB 97 182 214

HSL 196.41, 0.59%, 0.61%

LAB 70.07, -16.78, -23.98

 

CMYK 43 / 11 / 0 / 23

HEX #71AFC5

RGB 113 175 197

HSL 195.71, 0.42%, 0.61%

LAB 68.17, -14.17, -17.47

 

CMYK 29 / 8 / 0 / 29

HEX #81A7B5

RGB 129 167 181

HSL 196.15, 0.26%, 0.61%

LAB 66.24, -9.54, -11.41

 

CMYK 12 / 3 / 0 / 35

HEX #91A0A5

RGB 145 160 165

HSL 195, 0.1%, 0.61%

LAB 64.87, -4.24, -4.41

 

CMYK 65 / 0 / 17 / 10

HEX #50E6BE

RGB 80 230 190

HSL 164, 0.75%, 0.61%

LAB 82.92, -48.91, 7.94

 

CMYK 65 / 0 / 0 / 10

HEX #50E6E6

RGB 80 230 230

HSL 180, 0.75%, 0.61%

LAB 83.97, -38.67, -11.64

 

CMYK 65 / 17 / 0 / 10

HEX #50BEE6

RGB 80 190 230

HSL 196, 0.75%, 0.61%

LAB 72.39, -19.22, -29.2

 

CMYK 65 / 35 / 0 / 10

HEX #5096E6

RGB 80 150 230

HSL 212, 0.75%, 0.61%

LAB 60.99, 2.82, -46.98

 

CMYK 65 / 52 / 0 / 10

HEX #506EE6

RGB 80 110 230

HSL 228, 0.75%, 0.61%

LAB 50.18, 27.07, -64.26

 

CMYK 86 / 24 / 0 / 22

HEX #1C99C8

RGB 28 153 200

HSL 196.4, 0.75%, 0.45%

LAB 59.16, -15.6, -33.21

 

CMYK 80 / 21 / 0 / 12

HEX #2CB0E0

RGB 44 176 224

HSL 196, 0.74%, 0.53%

LAB 67.25, -18.35, -33.93

 

CMYK 65 / 17 / 0 / 10

HEX #50BEE6

RGB 80 190 230

HSL 196, 0.75%, 0.61%

LAB 72.39, -19.22, -29.2

 

CMYK 50 / 14 / 0 / 8

HEX #75CBEB

RGB 117 203 235

HSL 196.27, 0.75%, 0.69%

LAB 77.57, -17.46, -23.84

 

CMYK 36 / 10 / 0 / 6

HEX #99D9F0

RGB 153 217 240

HSL 195.86, 0.74%, 0.77%

LAB 83.28, -14.63, -17.71

 

CMYK 65 / 17 / 0 / 10

HEX #51BEE6

RGB 81 190 230

HSL 196.11, 0.75%, 0.61%

LAB 72.42, -19.06, -29.15

 

CMYK 35 / 65 / 0 / 10

HEX #9650E6

RGB 150 80 230

HSL 268, 0.75%, 0.61%

LAB 49.42, 57.44, -65.21

 

CMYK 0 / 9 / 65 / 10

HEX #E6D250

RGB 230 210 80

HSL 52, 0.75%, 0.61%

LAB 83.7, -7.79, 64.56

 

CMYK 65 / 17 / 0 / 10

HEX #51BEE6

RGB 81 190 230

HSL 196.11, 0.75%, 0.61%

LAB 72.42, -19.06, -29.15

 

CMYK 0 / 65 / 17 / 10

HEX #E650BE

RGB 230 80 190

HSL 316, 0.75%, 0.61%

LAB 58.3, 68.85, -27.65

 

CMYK 17 / 0 / 65 / 10

HEX #BEE650

RGB 190 230 80

HSL 76, 0.75%, 0.61%

LAB 86.07, -33.69, 66.11

 

CMYK 65 / 17 / 0 / 10

HEX #51BEE6

RGB 81 190 230

HSL 196.11, 0.75%, 0.61%

LAB 72.42, -19.06, -29.15

 

CMYK 35 / 65 / 0 / 10

HEX #9650E6

RGB 150 80 230

HSL 268, 0.75%, 0.61%

LAB 49.42, 57.44, -65.21

 

CMYK 0 / 48 / 65 / 10

HEX #E67850

RGB 230 120 80

HSL 16, 0.75%, 0.61%

LAB 62.37, 39.37, 40.88

 

CMYK 30 / 0 / 65 / 10

HEX #A0E650

RGB 160 230 80

HSL 88, 0.75%, 0.61%

LAB 84.3, -44.84, 63.71

 

CMYK 65 / 17 / 0 / 10

HEX #51BEE6

RGB 81 190 230

HSL 196.11, 0.75%, 0.61%

LAB 72.42, -19.06, -29.15

 

CMYK 15 / 65 / 0 / 10

HEX #C350E6

RGB 195 80 230

HSL 286, 0.75%, 0.61%

LAB 55.13, 67.04, -55.73

 

CMYK 0 / 48 / 65 / 10

HEX #E67850

RGB 230 120 80

HSL 16, 0.75%, 0.61%

LAB 62.37, 39.37, 40.88

 

CMYK 50 / 0 / 65 / 10

HEX #73E650

RGB 115 230 80

HSL 106, 0.75%, 0.61%

LAB 82.28, -59.15, 60.94

 

Description

Color code: HEX #51BEE6 | qconv.com Color code: HEX #51BEE6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 190 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 190 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 17 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 17% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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