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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51BA85 it is the complementary color #AE457A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51BA85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51BA85 shade: #56BA80, #67CC93, #78DEA6, #89F0B9 and #9AFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51BA85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51BA85 shade: #51BA85, #40A872, #2F965F, #1E844C and #0D7239

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51BA85 shade: #4FB984, #4FB967, #54B94F, #71B94F and #8DB94F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51BA85 shade: #4FB984, #4FB9A0, #4FB5B9, #4F99B9 and #4F7CB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51BA85 shade matches the following richer shades: #4FB984, #3CCD83, #28E083 and #14F483

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51BA85 shade: #4FB984, #63A584, #779184, #8B7D84 and #9F6A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51BA85 shade: #55B94F, #4FB966, #4FB982, #4FB99E and #4FB7B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51BA85 shade: #34825A, #3FA06F, #4FB984, #6DC498 and #8AD0AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51BA85 shade: #51BA85, #4F71B9 and #B9584F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51BA85 shade: #51BA85, #824FB9 and #B9824F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51BA85 shade: #51BA85, #4F71B9, #B94F86 and #B9974F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51BA85 shade: #51BA85, #4F51B9, #B94F86 and #B9B74F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 28 / 27

HEX #51BA85

RGB 81 186 133

HSL 149.71, 0.43%, 0.52%

LAB 68.43, -42.78, 17.93

 

Complementary color

CMYK 0 / 60 / 30 / 32

HEX #AE457A

RGB 174 69 122

HSL 329.71, 0.43%, 0.48%

LAB 45.17, 48.37, -8.28

 

CMYK 54 / 0 / 31 / 27

HEX #56BA80

RGB 86 186 128

HSL 145.2, 0.42%, 0.53%

LAB 68.5, -42.62, 20.74

 

CMYK 50 / 0 / 28 / 20

HEX #67CC93

RGB 103 204 147

HSL 146.14, 0.5%, 0.6%

LAB 74.94, -42.5, 19.53

 

CMYK 46 / 0 / 25 / 13

HEX #78DEA6

RGB 120 222 166

HSL 147.06, 0.61%, 0.67%

LAB 81.29, -42.31, 18.41

 

CMYK 43 / 0 / 23 / 6

HEX #89F0B9

RGB 137 240 185

HSL 147.96, 0.77%, 0.74%

LAB 87.55, -42.1, 17.37

 

CMYK 40 / 0 / 20 / 0

HEX #9AFFCC

RGB 154 255 204

HSL 149.7, 1%, 0.8%

LAB 92.9, -40.53, 15.2

 

CMYK 56 / 0 / 28 / 27

HEX #51BA85

RGB 81 186 133

HSL 149.71, 0.43%, 0.52%

LAB 68.43, -42.78, 17.93

 

CMYK 62 / 0 / 32 / 34

HEX #40A872

RGB 64 168 114

HSL 148.85, 0.45%, 0.45%

LAB 61.92, -42.72, 19.23

 

CMYK 69 / 0 / 37 / 41

HEX #2F965F

RGB 47 150 95

HSL 147.96, 0.52%, 0.39%

LAB 55.32, -42.46, 20.68

 

CMYK 77 / 0 / 42 / 48

HEX #1E844C

RGB 30 132 76

HSL 147.06, 0.63%, 0.32%

LAB 48.64, -41.85, 22.29

 

CMYK 89 / 0 / 50 / 55

HEX #0D7239

RGB 13 114 57

HSL 146.14, 0.8%, 0.25%

LAB 41.87, -40.64, 24.08

 

CMYK 57 / 0 / 29 / 27

HEX #4FB984

RGB 79 185 132

HSL 150, 0.43%, 0.52%

LAB 68.04, -43, 17.92

 

CMYK 57 / 0 / 44 / 27

HEX #4FB967

RGB 79 185 103

HSL 133.58, 0.43%, 0.52%

LAB 67.53, -48.37, 32.6

 

CMYK 55 / 0 / 57 / 27

HEX #54B94F

RGB 84 185 79

HSL 117.17, 0.43%, 0.52%

LAB 67.39, -50.51, 44.32

 

CMYK 39 / 0 / 57 / 27

HEX #71B94F

RGB 113 185 79

HSL 100.75, 0.43%, 0.52%

LAB 68.59, -41.82, 46.03

 

CMYK 24 / 0 / 57 / 27

HEX #8DB94F

RGB 141 185 79

HSL 84.91, 0.43%, 0.52%

LAB 70.12, -31.76, 48.2

 

CMYK 57 / 0 / 29 / 27

HEX #4FB984

RGB 79 185 132

HSL 150, 0.43%, 0.52%

LAB 68.04, -43, 17.92

 

CMYK 57 / 0 / 14 / 27

HEX #4FB9A0

RGB 79 185 160

HSL 165.85, 0.43%, 0.52%

LAB 68.68, -36.64, 3.54

 

CMYK 57 / 2 / 0 / 27

HEX #4FB5B9

RGB 79 181 185

HSL 182.26, 0.43%, 0.52%

LAB 68.18, -28.15, -10.97

 

CMYK 57 / 17 / 0 / 27

HEX #4F99B9

RGB 79 153 185

HSL 198.11, 0.43%, 0.52%

LAB 59.84, -13.65, -23.6

 

CMYK 57 / 33 / 0 / 27

HEX #4F7CB9

RGB 79 124 185

HSL 214.53, 0.43%, 0.52%

LAB 51.36, 2.98, -36.78

 

CMYK 57 / 0 / 29 / 27

HEX #4FB984

RGB 79 185 132

HSL 150, 0.43%, 0.52%

LAB 68.04, -43, 17.92

 

CMYK 71 / 0 / 36 / 20

HEX #3CCD83

RGB 60 205 131

HSL 149.38, 0.59%, 0.52%

LAB 73.72, -54.84, 26.09

 

CMYK 82 / 0 / 42 / 12

HEX #28E083

RGB 40 224 131

HSL 149.67, 0.75%, 0.52%

LAB 79.27, -64.17, 33.4

 

CMYK 92 / 0 / 46 / 4

HEX #14F483

RGB 20 244 131

HSL 149.73, 0.91%, 0.52%

LAB 85.25, -72.19, 41.08

 

CMYK 57 / 0 / 29 / 27

HEX #4FB984

RGB 79 185 132

HSL 150, 0.43%, 0.52%

LAB 68.04, -43, 17.92

 

CMYK 40 / 0 / 20 / 35

HEX #63A584

RGB 99 165 132

HSL 150, 0.27%, 0.52%

LAB 62.7, -28.71, 10.57

 

CMYK 18 / 0 / 9 / 43

HEX #779184

RGB 119 145 132

HSL 150, 0.11%, 0.52%

LAB 57.88, -11.94, 3.84

 

CMYK 0 / 10 / 5 / 45

HEX #8B7D84

RGB 139 125 132

HSL 330, 0.06%, 0.52%

LAB 53.84, 6.65, -1.85

 

CMYK 0 / 33 / 17 / 38

HEX #9F6A84

RGB 159 106 132

HSL 330.57, 0.22%, 0.52%

LAB 51.09, 25.17, -5.68

 

CMYK 54 / 0 / 57 / 27

HEX #55B94F

RGB 85 185 79

HSL 116.6, 0.43%, 0.52%

LAB 67.42, -50.24, 44.37

 

CMYK 57 / 0 / 45 / 27

HEX #4FB966

RGB 79 185 102

HSL 133.02, 0.43%, 0.52%

LAB 67.52, -48.53, 33.09

 

CMYK 57 / 0 / 30 / 27

HEX #4FB982

RGB 79 185 130

HSL 148.87, 0.43%, 0.52%

LAB 68, -43.42, 18.94

 

CMYK 57 / 0 / 15 / 27

HEX #4FB99E

RGB 79 185 158

HSL 164.72, 0.43%, 0.52%

LAB 68.63, -37.13, 4.56

 

CMYK 57 / 1 / 0 / 27

HEX #4FB7B9

RGB 79 183 185

HSL 181.13, 0.43%, 0.52%

LAB 68.77, -29.13, -10.08

 

CMYK 60 / 0 / 31 / 49

HEX #34825A

RGB 52 130 90

HSL 149.23, 0.43%, 0.36%

LAB 48.8, -33.87, 14.67

 

CMYK 61 / 0 / 31 / 37

HEX #3FA06F

RGB 63 160 111

HSL 149.69, 0.43%, 0.44%

LAB 59.29, -40.15, 17.28

 

CMYK 57 / 0 / 29 / 27

HEX #4FB984

RGB 79 185 132

HSL 150, 0.43%, 0.52%

LAB 68.04, -43, 17.92

 

CMYK 44 / 0 / 22 / 23

HEX #6DC498

RGB 109 196 152

HSL 149.66, 0.42%, 0.6%

LAB 72.89, -36.35, 14.05

 

CMYK 34 / 0 / 17 / 18

HEX #8AD0AD

RGB 138 208 173

HSL 150, 0.43%, 0.68%

LAB 78.19, -29.49, 10.47

 

CMYK 56 / 0 / 28 / 27

HEX #51BA85

RGB 81 186 133

HSL 149.71, 0.43%, 0.52%

LAB 68.43, -42.78, 17.93

 

CMYK 57 / 39 / 0 / 27

HEX #4F71B9

RGB 79 113 185

HSL 220.75, 0.43%, 0.52%

LAB 48.23, 9.68, -41.72

 

CMYK 0 / 52 / 57 / 27

HEX #B9584F

RGB 185 88 79

HSL 5.09, 0.43%, 0.52%

LAB 49.32, 38.4, 23.82

 

CMYK 56 / 0 / 28 / 27

HEX #51BA85

RGB 81 186 133

HSL 149.71, 0.43%, 0.52%

LAB 68.43, -42.78, 17.93

 

CMYK 30 / 57 / 0 / 27

HEX #824FB9

RGB 130 79 185

HSL 268.87, 0.43%, 0.52%

LAB 44, 42.47, -48.21

 

CMYK 0 / 30 / 57 / 27

HEX #B9824F

RGB 185 130 79

HSL 28.87, 0.43%, 0.52%

LAB 58.83, 15.61, 35.79

 

CMYK 56 / 0 / 28 / 27

HEX #51BA85

RGB 81 186 133

HSL 149.71, 0.43%, 0.52%

LAB 68.43, -42.78, 17.93

 

CMYK 57 / 39 / 0 / 27

HEX #4F71B9

RGB 79 113 185

HSL 220.75, 0.43%, 0.52%

LAB 48.23, 9.68, -41.72

 

CMYK 0 / 57 / 28 / 27

HEX #B94F86

RGB 185 79 134

HSL 328.87, 0.43%, 0.52%

LAB 49.04, 48.77, -9.55

 

CMYK 0 / 18 / 57 / 27

HEX #B9974F

RGB 185 151 79

HSL 40.75, 0.43%, 0.52%

LAB 64.17, 4.02, 42.18

 

CMYK 56 / 0 / 28 / 27

HEX #51BA85

RGB 81 186 133

HSL 149.71, 0.43%, 0.52%

LAB 68.43, -42.78, 17.93

 

CMYK 57 / 56 / 0 / 27

HEX #4F51B9

RGB 79 81 185

HSL 238.87, 0.43%, 0.52%

LAB 39.66, 29.81, -55.44

 

CMYK 0 / 57 / 28 / 27

HEX #B94F86

RGB 185 79 134

HSL 328.87, 0.43%, 0.52%

LAB 49.04, 48.77, -9.55

 

CMYK 0 / 1 / 57 / 27

HEX #B9B74F

RGB 185 183 79

HSL 58.87, 0.43%, 0.52%

LAB 72.72, -12.95, 52

 

Description

Color code: HEX #51BA85 | qconv.com Color code: HEX #51BA85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 186 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 186 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 28 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 28% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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