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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51B129 it is the complementary color #AE4ED6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51B129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51B129 shade: #56B124, #67C337, #78D54A, #89E75D and #9AF970

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51B129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51B129 shade: #51B129, #409F16, #2F8D03, #1E7B00 and #0D6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51B129 shade: #51B129, #76B129, #9AB129, #B1A329 and #B17E29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51B129 shade: #51B129, #2CB129, #29B14B, #29B16F and #29B194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51B129 shade matches the following richer shades: #51B129, #4AC317 and #43D506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51B129 shade: #51B129, #589F3B, #608E4D, #677C5E and #6E6A70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51B129 shade: #9AB129, #76B129, #52B129, #2EB129 and #29B149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51B129 shade: #326E19, #429021, #51B129, #62CF34 and #7CD756

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51B129 shade: #51B129, #29B1A4 and #B12988

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51B129 shade: #51B129, #2952B1 and #B12952

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51B129 shade: #51B129, #29B1A4, #8829B1 and #B12937

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51B129 shade: #51B129, #2996B1, #8829B1 and #B14429

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 77 / 31

HEX #51B129

RGB 81 177 41

HSL 102.35, 0.62%, 0.43%

LAB 64.45, -51.78, 56.69

 

Complementary color

CMYK 19 / 64 / 0 / 16

HEX #AE4ED6

RGB 174 78 214

HSL 282.35, 0.62%, 0.57%

LAB 51.04, 60.02, -53.37

 

CMYK 51 / 0 / 80 / 31

HEX #56B124

RGB 86 177 36

HSL 98.72, 0.66%, 0.42%

LAB 64.6, -50.64, 58.48

 

CMYK 47 / 0 / 72 / 24

HEX #67C337

RGB 103 195 55

HSL 99.43, 0.56%, 0.49%

LAB 71, -51.27, 58.59

 

CMYK 44 / 0 / 65 / 16

HEX #78D54A

RGB 120 213 74

HSL 100.14, 0.62%, 0.56%

LAB 77.33, -51.64, 58.07

 

CMYK 41 / 0 / 60 / 9

HEX #89E75D

RGB 137 231 93

HSL 100.87, 0.74%, 0.64%

LAB 83.58, -51.83, 57.22

 

CMYK 38 / 0 / 55 / 2

HEX #9AF970

RGB 154 249 112

HSL 101.61, 0.92%, 0.71%

LAB 89.76, -51.9, 56.21

 

CMYK 54 / 0 / 77 / 31

HEX #51B129

RGB 81 177 41

HSL 102.35, 0.62%, 0.43%

LAB 64.45, -51.78, 56.69

 

CMYK 60 / 0 / 86 / 38

HEX #409F16

RGB 64 159 22

HSL 101.61, 0.76%, 0.35%

LAB 57.98, -50.77, 55.97

 

CMYK 67 / 0 / 98 / 45

HEX #2F8D03

RGB 47 141 3

HSL 100.87, 0.96%, 0.28%

LAB 51.45, -49.21, 53.84

 

CMYK 76 / 0 / 100 / 52

HEX #1E7B00

RGB 30 123 0

HSL 105.37, 1%, 0.24%

LAB 44.86, -46.75, 48.96

 

CMYK 88 / 0 / 100 / 59

HEX #0D6900

RGB 13 105 0

HSL 112.57, 1%, 0.21%

LAB 38.18, -43.5, 43.51

 

CMYK 54 / 0 / 77 / 31

HEX #51B129

RGB 81 177 41

HSL 102.35, 0.62%, 0.43%

LAB 64.45, -51.78, 56.69

 

CMYK 33 / 0 / 77 / 31

HEX #76B129

RGB 118 177 41

HSL 86.03, 0.62%, 0.43%

LAB 66.1, -39.65, 58.86

 

CMYK 13 / 0 / 77 / 31

HEX #9AB129

RGB 154 177 41

HSL 70.15, 0.62%, 0.43%

LAB 68.37, -25.32, 61.79

 

CMYK 0 / 8 / 77 / 31

HEX #B1A329

RGB 177 163 41

HSL 53.82, 0.62%, 0.43%

LAB 66.29, -8.22, 60.55

 

CMYK 0 / 29 / 77 / 31

HEX #B17E29

RGB 177 126 41

HSL 37.5, 0.62%, 0.43%

LAB 56.51, 11.98, 51.35

 

CMYK 54 / 0 / 77 / 31

HEX #51B129

RGB 81 177 41

HSL 102.35, 0.62%, 0.43%

LAB 64.45, -51.78, 56.69

 

CMYK 75 / 0 / 77 / 31

HEX #2CB129

RGB 44 177 41

HSL 118.68, 0.62%, 0.43%

LAB 63.46, -59.89, 55.39

 

CMYK 77 / 0 / 58 / 31

HEX #29B14B

RGB 41 177 75

HSL 135, 0.62%, 0.43%

LAB 63.69, -56.86, 41.59

 

CMYK 77 / 0 / 37 / 31

HEX #29B16F

RGB 41 177 111

HSL 150.88, 0.62%, 0.43%

LAB 64.21, -50.82, 23.87

 

CMYK 77 / 0 / 16 / 31

HEX #29B194

RGB 41 177 148

HSL 167.21, 0.62%, 0.43%

LAB 65.01, -42.25, 4.74

 

CMYK 54 / 0 / 77 / 31

HEX #51B129

RGB 81 177 41

HSL 102.35, 0.62%, 0.43%

LAB 64.45, -51.78, 56.69

 

CMYK 62 / 0 / 88 / 24

HEX #4AC317

RGB 74 195 23

HSL 102.21, 0.79%, 0.43%

LAB 69.86, -60.8, 66.22

 

CMYK 69 / 0 / 97 / 16

HEX #43D506

RGB 67 213 6

HSL 102.32, 0.95%, 0.43%

LAB 75.32, -68.47, 72.95

 

CMYK 54 / 0 / 77 / 31

HEX #51B129

RGB 81 177 41

HSL 102.35, 0.62%, 0.43%

LAB 64.45, -51.78, 56.69

 

CMYK 45 / 0 / 63 / 38

HEX #589F3B

RGB 88 159 59

HSL 102.6, 0.46%, 0.43%

LAB 59.15, -41.03, 44.16

 

CMYK 32 / 0 / 46 / 44

HEX #608E4D

RGB 96 142 77

HSL 102.46, 0.3%, 0.43%

LAB 54.42, -28.38, 29.68

 

CMYK 17 / 0 / 24 / 51

HEX #677C5E

RGB 103 124 94

HSL 102, 0.14%, 0.43%

LAB 49.63, -13.74, 13.9

 

CMYK 2 / 5 / 0 / 56

HEX #6E6A70

RGB 110 106 112

HSL 280, 0.03%, 0.43%

LAB 45.35, 2.78, -2.8

 

CMYK 13 / 0 / 77 / 31

HEX #9AB129

RGB 154 177 41

HSL 70.15, 0.62%, 0.43%

LAB 68.37, -25.32, 61.79

 

CMYK 33 / 0 / 77 / 31

HEX #76B129

RGB 118 177 41

HSL 86.03, 0.62%, 0.43%

LAB 66.1, -39.65, 58.86

 

CMYK 54 / 0 / 77 / 31

HEX #52B129

RGB 82 177 41

HSL 101.91, 0.62%, 0.43%

LAB 64.48, -51.5, 56.74

 

CMYK 74 / 0 / 77 / 31

HEX #2EB129

RGB 46 177 41

HSL 117.79, 0.62%, 0.43%

LAB 63.5, -59.57, 55.44

 

CMYK 77 / 0 / 59 / 31

HEX #29B149

RGB 41 177 73

HSL 134.12, 0.62%, 0.43%

LAB 63.67, -57.13, 42.5

 

CMYK 55 / 0 / 77 / 57

HEX #326E19

RGB 50 110 25

HSL 102.35, 0.63%, 0.26%

LAB 41.06, -35.69, 39.03

 

CMYK 54 / 0 / 77 / 44

HEX #429021

RGB 66 144 33

HSL 102.16, 0.63%, 0.35%

LAB 53.18, -43.97, 48.26

 

CMYK 54 / 0 / 77 / 31

HEX #51B129

RGB 81 177 41

HSL 102.35, 0.62%, 0.43%

LAB 64.45, -51.78, 56.69

 

CMYK 53 / 0 / 75 / 19

HEX #62CF34

RGB 98 207 52

HSL 102.19, 0.62%, 0.51%

LAB 74.49, -57.47, 63.05

 

CMYK 42 / 0 / 60 / 16

HEX #7CD756

RGB 124 215 86

HSL 102.33, 0.62%, 0.59%

LAB 78.2, -50.1, 54.02

 

CMYK 54 / 0 / 77 / 31

HEX #51B129

RGB 81 177 41

HSL 102.35, 0.62%, 0.43%

LAB 64.45, -51.78, 56.69

 

CMYK 77 / 0 / 7 / 31

HEX #29B1A4

RGB 41 177 164

HSL 174.26, 0.62%, 0.43%

LAB 65.43, -37.91, -3.51

 

CMYK 0 / 77 / 23 / 31

HEX #B12988

RGB 177 41 136

HSL 318.09, 0.62%, 0.43%

LAB 42.32, 61.84, -21.11

 

CMYK 54 / 0 / 77 / 31

HEX #51B129

RGB 81 177 41

HSL 102.35, 0.62%, 0.43%

LAB 64.45, -51.78, 56.69

 

CMYK 77 / 54 / 0 / 31

HEX #2952B1

RGB 41 82 177

HSL 221.91, 0.62%, 0.43%

LAB 37.26, 20.33, -54.72

 

CMYK 0 / 77 / 54 / 31

HEX #B12952

RGB 177 41 82

HSL 341.91, 0.62%, 0.43%

LAB 40.48, 56.15, 9.83

 

CMYK 54 / 0 / 77 / 31

HEX #51B129

RGB 81 177 41

HSL 102.35, 0.62%, 0.43%

LAB 64.45, -51.78, 56.69

 

CMYK 77 / 0 / 7 / 31

HEX #29B1A4

RGB 41 177 164

HSL 174.26, 0.62%, 0.43%

LAB 65.43, -37.91, -3.51

 

CMYK 23 / 77 / 0 / 31

HEX #8829B1

RGB 136 41 177

HSL 281.91, 0.62%, 0.43%

LAB 37.83, 59.71, -53.38

 

CMYK 0 / 77 / 69 / 31

HEX #B12937

RGB 177 41 55

HSL 353.82, 0.62%, 0.43%

LAB 39.93, 54.39, 26.05

 

CMYK 54 / 0 / 77 / 31

HEX #51B129

RGB 81 177 41

HSL 102.35, 0.62%, 0.43%

LAB 64.45, -51.78, 56.69

 

CMYK 77 / 15 / 0 / 31

HEX #2996B1

RGB 41 150 177

HSL 191.91, 0.62%, 0.43%

LAB 57.52, -20.71, -22.73

 

CMYK 23 / 77 / 0 / 31

HEX #8829B1

RGB 136 41 177

HSL 281.91, 0.62%, 0.43%

LAB 37.83, 59.71, -53.38

 

CMYK 0 / 62 / 77 / 31

HEX #B14429

RGB 177 68 41

HSL 11.91, 0.62%, 0.43%

LAB 43.71, 42.94, 38.5

 

Description

Color code: HEX #51B129 | qconv.com Color code: HEX #51B129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 177 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 177 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 77 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 77% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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