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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51AC3E it is the complementary color #AE53C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51AC3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51AC3E shade: #56AC39, #67BE4C, #78D05F, #89E272 and #9AF485

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51AC3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51AC3E shade: #51AC3E, #409A2B, #2F8818, #1E7605 and #0D6400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51AC3E shade: #51AC3E, #6EAC3E, #8CAC3E, #AAAC3E and #AC903E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51AC3E shade: #51AC3E, #3EAC48, #3EAC66, #3EAC84 and #3EACA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51AC3E shade matches the following richer shades: #51AC3E, #44BF2B, #38D218 and #2BE505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51AC3E shade: #51AC3E, #5D9951, #6A8664, #767377 and #82608A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51AC3E shade: #8DAC3E, #6FAC3E, #52AC3E, #3EAC47 and #3EAC64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51AC3E shade: #346F28, #428E33, #51AC3E, #65C052 and #80CB71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51AC3E shade: #51AC3E, #3EAAAC and #AC3E7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51AC3E shade: #51AC3E, #3E52AC and #AC3E52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51AC3E shade: #51AC3E, #3EAAAC, #983EAC and #AC403E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51AC3E shade: #51AC3E, #3E89AC, #983EAC and #AC613E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 64 / 33

HEX #51AC3E

RGB 81 172 62

HSL 109.64, 0.47%, 0.46%

LAB 63.01, -48.14, 47.04

 

Complementary color

CMYK 10 / 57 / 0 / 24

HEX #AE53C1

RGB 174 83 193

HSL 289.64, 0.47%, 0.54%

LAB 50.73, 53.47, -41.82

 

CMYK 50 / 0 / 67 / 33

HEX #56AC39

RGB 86 172 57

HSL 104.87, 0.5%, 0.45%

LAB 63.16, -47.18, 49.41

 

CMYK 46 / 0 / 60 / 25

HEX #67BE4C

RGB 103 190 76

HSL 105.79, 0.47%, 0.52%

LAB 69.63, -47.43, 48.49

 

CMYK 42 / 0 / 54 / 18

HEX #78D05F

RGB 120 208 95

HSL 106.73, 0.55%, 0.59%

LAB 76.03, -47.51, 47.38

 

CMYK 39 / 0 / 50 / 11

HEX #89E272

RGB 137 226 114

HSL 107.68, 0.66%, 0.67%

LAB 82.34, -47.47, 46.2

 

CMYK 37 / 0 / 45 / 4

HEX #9AF485

RGB 154 244 133

HSL 108.65, 0.83%, 0.74%

LAB 88.57, -47.36, 45.01

 

CMYK 53 / 0 / 64 / 33

HEX #51AC3E

RGB 81 172 62

HSL 109.64, 0.47%, 0.46%

LAB 63.01, -48.14, 47.04

 

CMYK 58 / 0 / 72 / 40

HEX #409A2B

RGB 64 154 43

HSL 108.65, 0.56%, 0.39%

LAB 56.46, -47.61, 47.8

 

CMYK 65 / 0 / 82 / 47

HEX #2F8818

RGB 47 136 24

HSL 107.68, 0.7%, 0.31%

LAB 49.83, -46.61, 47.82

 

CMYK 75 / 0 / 96 / 54

HEX #1E7605

RGB 30 118 5

HSL 106.73, 0.92%, 0.24%

LAB 43.13, -44.87, 46.43

 

CMYK 87 / 0 / 100 / 61

HEX #0D6400

RGB 13 100 0

HSL 112.2, 1%, 0.2%

LAB 36.37, -41.89, 42.06

 

CMYK 53 / 0 / 64 / 33

HEX #51AC3E

RGB 81 172 62

HSL 109.64, 0.47%, 0.46%

LAB 63.01, -48.14, 47.04

 

CMYK 36 / 0 / 64 / 33

HEX #6EAC3E

RGB 110 172 62

HSL 93.82, 0.47%, 0.46%

LAB 64.3, -38.87, 48.82

 

CMYK 19 / 0 / 64 / 33

HEX #8CAC3E

RGB 140 172 62

HSL 77.45, 0.47%, 0.46%

LAB 66.08, -27.41, 51.28

 

CMYK 1 / 0 / 64 / 33

HEX #AAAC3E

RGB 170 172 62

HSL 61.09, 0.47%, 0.46%

LAB 68.31, -14.86, 54.32

 

CMYK 0 / 16 / 64 / 33

HEX #AC903E

RGB 172 144 62

HSL 44.73, 0.47%, 0.46%

LAB 60.84, 0.92, 46.34

 

CMYK 53 / 0 / 64 / 33

HEX #51AC3E

RGB 81 172 62

HSL 109.64, 0.47%, 0.46%

LAB 63.01, -48.14, 47.04

 

CMYK 64 / 0 / 58 / 33

HEX #3EAC48

RGB 62 172 72

HSL 125.45, 0.47%, 0.46%

LAB 62.51, -51.74, 41.73

 

CMYK 64 / 0 / 41 / 33

HEX #3EAC66

RGB 62 172 102

HSL 141.82, 0.47%, 0.46%

LAB 62.92, -47.11, 27.04

 

CMYK 64 / 0 / 23 / 33

HEX #3EAC84

RGB 62 172 132

HSL 158.18, 0.47%, 0.46%

LAB 63.5, -40.88, 11.51

 

CMYK 64 / 0 / 6 / 33

HEX #3EACA2

RGB 62 172 162

HSL 174.55, 0.47%, 0.46%

LAB 64.27, -33.25, -4.06

 

CMYK 53 / 0 / 64 / 33

HEX #51AC3E

RGB 81 172 62

HSL 109.64, 0.47%, 0.46%

LAB 63.01, -48.14, 47.04

 

CMYK 64 / 0 / 77 / 25

HEX #44BF2B

RGB 68 191 43

HSL 109.86, 0.63%, 0.46%

LAB 68.51, -59.84, 59.83

 

CMYK 73 / 0 / 89 / 18

HEX #38D218

RGB 56 210 24

HSL 109.68, 0.79%, 0.46%

LAB 74.19, -69.06, 69.6

 

CMYK 81 / 0 / 98 / 10

HEX #2BE505

RGB 43 229 5

HSL 109.82, 0.96%, 0.46%

LAB 79.93, -76.73, 76.6

 

CMYK 53 / 0 / 64 / 33

HEX #51AC3E

RGB 81 172 62

HSL 109.64, 0.47%, 0.46%

LAB 63.01, -48.14, 47.04

 

CMYK 39 / 0 / 47 / 40

HEX #5D9951

RGB 93 153 81

HSL 110, 0.31%, 0.46%

LAB 57.75, -34.05, 31.73

 

CMYK 21 / 0 / 25 / 47

HEX #6A8664

RGB 106 134 100

HSL 109.41, 0.15%, 0.46%

LAB 52.99, -16.93, 15.12

 

CMYK 1 / 3 / 0 / 53

HEX #767377

RGB 118 115 119

HSL 285, 0.02%, 0.46%

LAB 48.82, 1.96, -1.8

 

CMYK 6 / 30 / 0 / 46

HEX #82608A

RGB 130 96 138

HSL 288.57, 0.18%, 0.46%

LAB 45.56, 21.66, -17.91

 

CMYK 18 / 0 / 64 / 33

HEX #8DAC3E

RGB 141 172 62

HSL 76.91, 0.47%, 0.46%

LAB 66.15, -27.01, 51.37

 

CMYK 35 / 0 / 64 / 33

HEX #6FAC3E

RGB 111 172 62

HSL 93.27, 0.47%, 0.46%

LAB 64.35, -38.51, 48.89

 

CMYK 52 / 0 / 64 / 33

HEX #52AC3E

RGB 82 172 62

HSL 109.09, 0.47%, 0.46%

LAB 63.05, -47.86, 47.09

 

CMYK 64 / 0 / 59 / 33

HEX #3EAC47

RGB 62 172 71

HSL 124.91, 0.47%, 0.46%

LAB 62.49, -51.86, 42.19

 

CMYK 64 / 0 / 42 / 33

HEX #3EAC64

RGB 62 172 100

HSL 140.73, 0.47%, 0.46%

LAB 62.89, -47.47, 28.05

 

CMYK 53 / 0 / 64 / 56

HEX #346F28

RGB 52 111 40

HSL 109.86, 0.47%, 0.3%

LAB 41.61, -34.03, 32.97

 

CMYK 54 / 0 / 64 / 44

HEX #428E33

RGB 66 142 51

HSL 110.11, 0.47%, 0.38%

LAB 52.67, -41.59, 40.32

 

CMYK 53 / 0 / 64 / 33

HEX #51AC3E

RGB 81 172 62

HSL 109.64, 0.47%, 0.46%

LAB 63.01, -48.14, 47.04

 

CMYK 47 / 0 / 57 / 25

HEX #65C052

RGB 101 192 82

HSL 109.64, 0.47%, 0.54%

LAB 70.23, -48.19, 46.41

 

CMYK 37 / 0 / 44 / 20

HEX #80CB71

RGB 128 203 113

HSL 110, 0.46%, 0.62%

LAB 75.14, -40.56, 37.62

 

CMYK 53 / 0 / 64 / 33

HEX #51AC3E

RGB 81 172 62

HSL 109.64, 0.47%, 0.46%

LAB 63.01, -48.14, 47.04

 

CMYK 64 / 1 / 0 / 33

HEX #3EAAAC

RGB 62 170 172

HSL 181.09, 0.47%, 0.46%

LAB 63.96, -29.47, -10.11

 

CMYK 0 / 64 / 27 / 33

HEX #AC3E7E

RGB 172 62 126

HSL 325.09, 0.47%, 0.46%

LAB 43.83, 51.42, -12.76

 

CMYK 53 / 0 / 64 / 33

HEX #51AC3E

RGB 81 172 62

HSL 109.64, 0.47%, 0.46%

LAB 63.01, -48.14, 47.04

 

CMYK 64 / 52 / 0 / 33

HEX #3E52AC

RGB 62 82 172

HSL 229.09, 0.47%, 0.46%

LAB 37.91, 21.56, -50.66

 

CMYK 0 / 64 / 52 / 33

HEX #AC3E52

RGB 172 62 82

HSL 349.09, 0.47%, 0.46%

LAB 42.5, 46.52, 12.5

 

CMYK 53 / 0 / 64 / 33

HEX #51AC3E

RGB 81 172 62

HSL 109.64, 0.47%, 0.46%

LAB 63.01, -48.14, 47.04

 

CMYK 64 / 1 / 0 / 33

HEX #3EAAAC

RGB 62 170 172

HSL 181.09, 0.47%, 0.46%

LAB 63.96, -29.47, -10.11

 

CMYK 12 / 64 / 0 / 33

HEX #983EAC

RGB 152 62 172

HSL 289.09, 0.47%, 0.46%

LAB 42.91, 53.61, -42.13

 

CMYK 0 / 63 / 64 / 33

HEX #AC403E

RGB 172 64 62

HSL 1.09, 0.47%, 0.46%

LAB 42.44, 44.09, 24.71

 

CMYK 53 / 0 / 64 / 33

HEX #51AC3E

RGB 81 172 62

HSL 109.64, 0.47%, 0.46%

LAB 63.01, -48.14, 47.04

 

CMYK 64 / 20 / 0 / 33

HEX #3E89AC

RGB 62 137 172

HSL 199.09, 0.47%, 0.46%

LAB 53.91, -12.22, -25.38

 

CMYK 12 / 64 / 0 / 33

HEX #983EAC

RGB 152 62 172

HSL 289.09, 0.47%, 0.46%

LAB 42.91, 53.61, -42.13

 

CMYK 0 / 44 / 64 / 33

HEX #AC613E

RGB 172 97 62

HSL 19.09, 0.47%, 0.46%

LAB 49.09, 27.16, 32.88

 

Description

Color code: HEX #51AC3E | qconv.com Color code: HEX #51AC3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 172 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 172 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 64 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 64% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - «Сбербанк России» - ...
Link: http://sberbank.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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