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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #519C21 it is the complementary color #AE63DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #519C21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #519C21 shade: #569C1C, #67AE2F, #78C042, #89D255 and #9AE468

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #519C21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #519C21 shade: #519C21, #408A0E, #2F7800, #1E6600 and #0D5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #519C21 shade: #509B21, #719B21, #939B21, #9B8321 and #9B6221

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #519C21 shade: #509B21, #2F9B21, #219B33, #219B54 and #219B75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #519C21 shade matches the following richer shades: #509B21, #4DAA11 and #4ABA02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #519C21 shade: #509B21, #548C30, #577D3F, #5A6D4E and #5E5E5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #519C21 shade: #939B21, #729B21, #529B21, #319B21 and #219B31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #519C21 shade: #2D5712, #3F7919, #509B21, #62BD28 and #76D53A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #519C21 shade: #519C21, #219B83 and #9B2183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #519C21 shade: #519C21, #21529B and #9B2152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #519C21 shade: #519C21, #219B83, #6A219B and #9B2139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #519C21 shade: #519C21, #218F9B, #6A219B and #9B2D21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 79 / 39

HEX #519C21

RGB 81 156 33

HSL 96.59, 0.65%, 0.37%

LAB 57.69, -44.13, 52.82

 

Complementary color

CMYK 22 / 55 / 0 / 13

HEX #AE63DE

RGB 174 99 222

HSL 276.59, 0.65%, 0.63%

LAB 55.27, 51.52, -51.14

 

CMYK 45 / 0 / 82 / 39

HEX #569C1C

RGB 86 156 28

HSL 92.81, 0.7%, 0.36%

LAB 57.88, -42.76, 54.61

 

CMYK 41 / 0 / 73 / 32

HEX #67AE2F

RGB 103 174 47

HSL 93.54, 0.57%, 0.43%

LAB 64.45, -43.35, 54.91

 

CMYK 38 / 0 / 66 / 25

HEX #78C042

RGB 120 192 66

HSL 94.29, 0.5%, 0.51%

LAB 70.93, -43.68, 54.46

 

CMYK 35 / 0 / 60 / 18

HEX #89D255

RGB 137 210 85

HSL 95.04, 0.58%, 0.58%

LAB 77.32, -43.85, 53.63

 

CMYK 32 / 0 / 54 / 11

HEX #9AE468

RGB 154 228 104

HSL 95.81, 0.7%, 0.65%

LAB 83.63, -43.92, 52.61

 

CMYK 48 / 0 / 79 / 39

HEX #519C21

RGB 81 156 33

HSL 96.59, 0.65%, 0.37%

LAB 57.69, -44.13, 52.82

 

CMYK 54 / 0 / 90 / 46

HEX #408A0E

RGB 64 138 14

HSL 95.81, 0.82%, 0.3%

LAB 51.03, -43.22, 51.71

 

CMYK 61 / 0 / 100 / 53

HEX #2F7800

RGB 47 120 0

HSL 96.5, 1%, 0.24%

LAB 44.29, -41.75, 48.71

 

CMYK 71 / 0 / 100 / 60

HEX #1E6600

RGB 30 102 0

HSL 102.35, 1%, 0.2%

LAB 37.44, -39.49, 43.06

 

CMYK 85 / 0 / 100 / 67

HEX #0D5400

RGB 13 84 0

HSL 110.71, 1%, 0.16%

LAB 30.46, -36.56, 37.34

 

CMYK 48 / 0 / 79 / 39

HEX #509B21

RGB 80 155 33

HSL 96.89, 0.65%, 0.37%

LAB 57.33, -44.04, 52.46

 

CMYK 27 / 0 / 79 / 39

HEX #719B21

RGB 113 155 33

HSL 80.66, 0.65%, 0.37%

LAB 59.03, -32.06, 54.68

 

CMYK 5 / 0 / 79 / 39

HEX #939B21

RGB 147 155 33

HSL 63.93, 0.65%, 0.37%

LAB 61.44, -17.65, 57.77

 

CMYK 0 / 15 / 79 / 39

HEX #9B8321

RGB 155 131 33

HSL 48.2, 0.65%, 0.37%

LAB 55.39, -1.15, 52.52

 

CMYK 0 / 37 / 79 / 39

HEX #9B6221

RGB 155 98 33

HSL 31.97, 0.65%, 0.37%

LAB 46.73, 17.59, 44.36

 

CMYK 48 / 0 / 79 / 39

HEX #509B21

RGB 80 155 33

HSL 96.89, 0.65%, 0.37%

LAB 57.33, -44.04, 52.46

 

CMYK 70 / 0 / 79 / 39

HEX #2F9B21

RGB 47 155 33

HSL 113.11, 0.65%, 0.37%

LAB 56.24, -52.68, 51.04

 

CMYK 79 / 0 / 67 / 39

HEX #219B33

RGB 33 155 51

HSL 128.85, 0.65%, 0.37%

LAB 56.09, -53.49, 43.86

 

CMYK 79 / 0 / 46 / 39

HEX #219B54

RGB 33 155 84

HSL 145.08, 0.65%, 0.37%

LAB 56.49, -48.73, 28.14

 

CMYK 79 / 0 / 25 / 39

HEX #219B75

RGB 33 155 117

HSL 161.31, 0.65%, 0.37%

LAB 57.12, -41.67, 10.81

 

CMYK 48 / 0 / 79 / 39

HEX #509B21

RGB 80 155 33

HSL 96.89, 0.65%, 0.37%

LAB 57.33, -44.04, 52.46

 

CMYK 55 / 0 / 90 / 33

HEX #4DAA11

RGB 77 170 17

HSL 96.47, 0.82%, 0.37%

LAB 61.97, -51.43, 60.65

 

CMYK 60 / 0 / 99 / 27

HEX #4ABA02

RGB 74 186 2

HSL 96.52, 0.98%, 0.37%

LAB 66.96, -58.25, 66.75

 

CMYK 48 / 0 / 79 / 39

HEX #509B21

RGB 80 155 33

HSL 96.89, 0.65%, 0.37%

LAB 57.33, -44.04, 52.46

 

CMYK 40 / 0 / 66 / 45

HEX #548C30

RGB 84 140 48

HSL 96.52, 0.49%, 0.37%

LAB 52.79, -35.2, 42.05

 

CMYK 30 / 0 / 50 / 51

HEX #577D3F

RGB 87 125 63

HSL 96.77, 0.33%, 0.37%

LAB 48.33, -25.32, 29.46

 

CMYK 17 / 0 / 28 / 57

HEX #5A6D4E

RGB 90 109 78

HSL 96.77, 0.17%, 0.37%

LAB 43.74, -13.41, 15.05

 

CMYK 0 / 0 / 0 / 63

HEX #5E5E5E

RGB 94 94 94

HSL 0, 0%, 0.37%

LAB 39.9, 0, -0.01

 

CMYK 5 / 0 / 79 / 39

HEX #939B21

RGB 147 155 33

HSL 63.93, 0.65%, 0.37%

LAB 61.44, -17.65, 57.77

 

CMYK 26 / 0 / 79 / 39

HEX #729B21

RGB 114 155 33

HSL 80.16, 0.65%, 0.37%

LAB 59.09, -31.66, 54.75

 

CMYK 47 / 0 / 79 / 39

HEX #529B21

RGB 82 155 33

HSL 95.9, 0.65%, 0.37%

LAB 57.41, -43.4, 52.57

 

CMYK 68 / 0 / 79 / 39

HEX #319B21

RGB 49 155 33

HSL 112.13, 0.65%, 0.37%

LAB 56.29, -52.27, 51.11

 

CMYK 79 / 0 / 68 / 39

HEX #219B31

RGB 33 155 49

HSL 127.87, 0.65%, 0.37%

LAB 56.08, -53.7, 44.7

 

CMYK 48 / 0 / 79 / 66

HEX #2D5712

RGB 45 87 18

HSL 96.52, 0.66%, 0.21%

LAB 32.74, -27.88, 33.45

 

CMYK 48 / 0 / 79 / 53

HEX #3F7919

RGB 63 121 25

HSL 96.25, 0.66%, 0.29%

LAB 45.36, -36.06, 43.44

 

CMYK 48 / 0 / 79 / 39

HEX #509B21

RGB 80 155 33

HSL 96.89, 0.65%, 0.37%

LAB 57.33, -44.04, 52.46

 

CMYK 48 / 0 / 79 / 26

HEX #62BD28

RGB 98 189 40

HSL 96.64, 0.65%, 0.45%

LAB 68.86, -51.42, 61.44

 

CMYK 45 / 0 / 73 / 16

HEX #76D53A

RGB 118 213 58

HSL 96.77, 0.65%, 0.53%

LAB 77.13, -53.47, 63.88

 

CMYK 48 / 0 / 79 / 39

HEX #519C21

RGB 81 156 33

HSL 96.59, 0.65%, 0.37%

LAB 57.69, -44.13, 52.82

 

CMYK 79 / 0 / 15 / 39

HEX #219B83

RGB 33 155 131

HSL 168.2, 0.65%, 0.37%

LAB 57.47, -38.06, 3.37

 

CMYK 0 / 79 / 15 / 39

HEX #9B2183

RGB 155 33 131

HSL 311.8, 0.65%, 0.37%

LAB 37.29, 58.28, -26.17

 

CMYK 48 / 0 / 79 / 39

HEX #519C21

RGB 81 156 33

HSL 96.59, 0.65%, 0.37%

LAB 57.69, -44.13, 52.82

 

CMYK 79 / 47 / 0 / 39

HEX #21529B

RGB 33 82 155

HSL 215.9, 0.65%, 0.37%

LAB 35.45, 10.78, -44.53

 

CMYK 0 / 79 / 47 / 39

HEX #9B2152

RGB 155 33 82

HSL 335.9, 0.65%, 0.37%

LAB 35.33, 52.41, 1.92

 

CMYK 48 / 0 / 79 / 39

HEX #519C21

RGB 81 156 33

HSL 96.59, 0.65%, 0.37%

LAB 57.69, -44.13, 52.82

 

CMYK 79 / 0 / 15 / 39

HEX #219B83

RGB 33 155 131

HSL 168.2, 0.65%, 0.37%

LAB 57.47, -38.06, 3.37

 

CMYK 32 / 79 / 0 / 39

HEX #6A219B

RGB 106 33 155

HSL 275.9, 0.65%, 0.37%

LAB 30.68, 52.39, -51.95

 

CMYK 0 / 79 / 63 / 39

HEX #9B2139

RGB 155 33 57

HSL 348.2, 0.65%, 0.37%

LAB 34.7, 50.44, 17.25

 

CMYK 48 / 0 / 79 / 39

HEX #519C21

RGB 81 156 33

HSL 96.59, 0.65%, 0.37%

LAB 57.69, -44.13, 52.82

 

CMYK 79 / 8 / 0 / 39

HEX #218F9B

RGB 33 143 155

HSL 185.9, 0.65%, 0.37%

LAB 54.38, -25.2, -14.95

 

CMYK 32 / 79 / 0 / 39

HEX #6A219B

RGB 106 33 155

HSL 275.9, 0.65%, 0.37%

LAB 30.68, 52.39, -51.95

 

CMYK 0 / 71 / 79 / 39

HEX #9B2D21

RGB 155 45 33

HSL 5.9, 0.65%, 0.37%

LAB 35.9, 44.88, 33.47

 

Description

Color code: HEX #519C21 | qconv.com Color code: HEX #519C21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 156 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 156 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 79 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 79% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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