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Color name
HEX #5183B7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5183B7 it is the complementary color #AE7C48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5183B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5183B7 shade: #5683B2, #6795C5, #78A7D8, #89B9EB and #9ACBFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5183B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5183B7 shade: #5183B7, #4071A4, #2F5F91, #1E4D7E and #0D3B6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5183B7 shade: #5283B6, #5268B6, #5752B6, #7252B6 and #8D52B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5183B7 shade: #5283B6, #5268B6 and #5252B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5183B7 shade matches the following richer shades: #5283B6, #3E83CA, #2A82DE and #1782F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5183B7 shade: #5283B6, #6684A2, #7A848F, #8D847B and #A18567

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5183B7 shade: #52B6B3, #529FB6, #5284B6, #5269B6 and #5552B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5183B7 shade: #355A80, #426F9D, #5283B6, #6F98C2 and #8CADCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5183B7 shade: #5183B7, #9852B6 and #ACB652

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5183B7 shade: #5183B7, #B65284 and #84B652

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5183B7 shade: #5183B7, #9852B6, #B68452 and #70B652

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5183B7 shade: #5183B7, #B652B6, #B68452 and #52B652

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 28 / 0 / 28

HEX #5183B7

RGB 81 131 183

HSL 210.59, 0.41%, 0.52%

LAB 53.39, -1.4, -32.45

 

Complementary color

CMYK 0 / 29 / 59 / 32

HEX #AE7C48

RGB 174 124 72

HSL 30.59, 0.41%, 0.48%

LAB 55.97, 13.67, 35.76

 

CMYK 52 / 26 / 0 / 30

HEX #5683B2

RGB 86 131 178

HSL 210.65, 0.37%, 0.52%

LAB 53.41, -1.84, -29.52

 

CMYK 48 / 24 / 0 / 23

HEX #6795C5

RGB 103 149 197

HSL 210.64, 0.45%, 0.59%

LAB 60.26, -2.38, -29.63

 

CMYK 44 / 23 / 0 / 15

HEX #78A7D8

RGB 120 167 216

HSL 210.63, 0.55%, 0.66%

LAB 66.97, -2.82, -29.76

 

CMYK 42 / 21 / 0 / 8

HEX #89B9EB

RGB 137 185 235

HSL 210.61, 0.71%, 0.73%

LAB 73.55, -3.19, -29.92

 

CMYK 39 / 20 / 0 / 0

HEX #9ACBFE

RGB 154 203 254

HSL 210.6, 0.98%, 0.8%

LAB 80.03, -3.5, -30.09

 

CMYK 56 / 28 / 0 / 28

HEX #5183B7

RGB 81 131 183

HSL 210.59, 0.41%, 0.52%

LAB 53.39, -1.4, -32.45

 

CMYK 61 / 31 / 0 / 36

HEX #4071A4

RGB 64 113 164

HSL 210.6, 0.44%, 0.45%

LAB 46.42, -0.54, -32.39

 

CMYK 68 / 34 / 0 / 43

HEX #2F5F91

RGB 47 95 145

HSL 210.61, 0.51%, 0.38%

LAB 39.3, 0.61, -32.34

 

CMYK 76 / 39 / 0 / 51

HEX #1E4D7E

RGB 30 77 126

HSL 210.63, 0.62%, 0.31%

LAB 32.01, 2.19, -32.3

 

CMYK 88 / 45 / 0 / 58

HEX #0D3B6B

RGB 13 59 107

HSL 210.64, 0.78%, 0.24%

LAB 24.56, 4.48, -32.21

 

CMYK 55 / 28 / 0 / 29

HEX #5283B6

RGB 82 131 182

HSL 210.6, 0.41%, 0.52%

LAB 53.39, -1.5, -31.87

 

CMYK 55 / 43 / 0 / 29

HEX #5268B6

RGB 82 104 182

HSL 226.8, 0.41%, 0.52%

LAB 45.73, 14.92, -43.93

 

CMYK 52 / 55 / 0 / 29

HEX #5752B6

RGB 87 82 182

HSL 243, 0.41%, 0.52%

LAB 40.31, 29.82, -52.61

 

CMYK 37 / 55 / 0 / 29

HEX #7252B6

RGB 114 82 182

HSL 259.2, 0.41%, 0.52%

LAB 42.75, 36.02, -48.56

 

CMYK 23 / 55 / 0 / 29

HEX #8D52B6

RGB 141 82 182

HSL 275.4, 0.41%, 0.52%

LAB 45.74, 42.95, -43.61

 

CMYK 55 / 28 / 0 / 29

HEX #5283B6

RGB 82 131 182

HSL 210.6, 0.41%, 0.52%

LAB 53.39, -1.5, -31.87

 

CMYK 55 / 43 / 0 / 29

HEX #5268B6

RGB 82 104 182

HSL 226.8, 0.41%, 0.52%

LAB 45.73, 14.92, -43.93

 

CMYK 55 / 55 / 0 / 29

HEX #5252B6

RGB 82 82 182

HSL 240, 0.41%, 0.52%

LAB 39.92, 28.79, -53.25

 

CMYK 55 / 28 / 0 / 29

HEX #5283B6

RGB 82 131 182

HSL 210.6, 0.41%, 0.52%

LAB 53.39, -1.5, -31.87

 

CMYK 69 / 35 / 0 / 21

HEX #3E83CA

RGB 62 131 202

HSL 210.43, 0.57%, 0.52%

LAB 53.52, 1.5, -43.14

 

CMYK 81 / 41 / 0 / 13

HEX #2A82DE

RGB 42 130 222

HSL 210.67, 0.73%, 0.52%

LAB 53.74, 6.96, -54.11

 

CMYK 90 / 46 / 0 / 5

HEX #1782F2

RGB 23 130 242

HSL 210.68, 0.89%, 0.52%

LAB 54.61, 13.24, -63.89

 

CMYK 55 / 28 / 0 / 29

HEX #5283B6

RGB 82 131 182

HSL 210.6, 0.41%, 0.52%

LAB 53.39, -1.5, -31.87

 

CMYK 37 / 19 / 0 / 36

HEX #6684A2

RGB 102 132 162

HSL 210, 0.24%, 0.52%

LAB 53.96, -2.91, -19.38

 

CMYK 15 / 8 / 0 / 44

HEX #7A848F

RGB 122 132 143

HSL 211.43, 0.09%, 0.52%

LAB 54.68, -1.27, -7.16

 

CMYK 0 / 6 / 13 / 45

HEX #8D847B

RGB 141 132 123

HSL 30, 0.07%, 0.52%

LAB 55.68, 1.75, 6.07

 

CMYK 0 / 17 / 36 / 37

HEX #A18567

RGB 161 133 103

HSL 31.03, 0.24%, 0.52%

LAB 57.4, 6.26, 20.19

 

CMYK 55 / 0 / 2 / 29

HEX #52B6B3

RGB 82 182 179

HSL 178.2, 0.41%, 0.52%

LAB 68.39, -29.7, -7.33

 

CMYK 55 / 13 / 0 / 29

HEX #529FB6

RGB 82 159 182

HSL 193.8, 0.41%, 0.52%

LAB 61.63, -17.16, -19.17

 

CMYK 55 / 27 / 0 / 29

HEX #5284B6

RGB 82 132 182

HSL 210, 0.41%, 0.52%

LAB 53.68, -2.08, -31.42

 

CMYK 55 / 42 / 0 / 29

HEX #5269B6

RGB 82 105 182

HSL 226.2, 0.41%, 0.52%

LAB 46.01, 14.3, -43.5

 

CMYK 53 / 55 / 0 / 29

HEX #5552B6

RGB 85 82 182

HSL 241.8, 0.41%, 0.52%

LAB 40.15, 29.4, -52.87

 

CMYK 59 / 30 / 0 / 50

HEX #355A80

RGB 53 90 128

HSL 210.4, 0.41%, 0.35%

LAB 37.17, -1.09, -25.35

 

CMYK 58 / 29 / 0 / 38

HEX #426F9D

RGB 66 111 157

HSL 210.33, 0.41%, 0.44%

LAB 45.58, -1.27, -29.57

 

CMYK 55 / 28 / 0 / 29

HEX #5283B6

RGB 82 131 182

HSL 210.6, 0.41%, 0.52%

LAB 53.39, -1.5, -31.87

 

CMYK 43 / 22 / 0 / 24

HEX #6F98C2

RGB 111 152 194

HSL 210.36, 0.4%, 0.6%

LAB 61.42, -2.93, -26.11

 

CMYK 32 / 16 / 0 / 19

HEX #8CADCF

RGB 140 173 207

HSL 210.45, 0.41%, 0.68%

LAB 69.45, -3.15, -20.9

 

CMYK 56 / 28 / 0 / 28

HEX #5183B7

RGB 81 131 183

HSL 210.59, 0.41%, 0.52%

LAB 53.39, -1.4, -32.45

 

CMYK 16 / 55 / 0 / 29

HEX #9852B6

RGB 152 82 182

HSL 282, 0.41%, 0.52%

LAB 47.09, 45.88, -41.38

 

CMYK 5 / 0 / 55 / 29

HEX #ACB652

RGB 172 182 82

HSL 66, 0.41%, 0.52%

LAB 71.44, -17.63, 48.89

 

CMYK 56 / 28 / 0 / 28

HEX #5183B7

RGB 81 131 183

HSL 210.59, 0.41%, 0.52%

LAB 53.39, -1.4, -32.45

 

CMYK 0 / 55 / 27 / 29

HEX #B65284

RGB 182 82 132

HSL 330, 0.41%, 0.52%

LAB 49.06, 46.09, -8.37

 

CMYK 27 / 0 / 55 / 29

HEX #84B652

RGB 132 182 82

HSL 90, 0.41%, 0.52%

LAB 68.73, -33.45, 45.04

 

CMYK 56 / 28 / 0 / 28

HEX #5183B7

RGB 81 131 183

HSL 210.59, 0.41%, 0.52%

LAB 53.39, -1.4, -32.45

 

CMYK 16 / 55 / 0 / 29

HEX #9852B6

RGB 152 82 182

HSL 282, 0.41%, 0.52%

LAB 47.09, 45.88, -41.38

 

CMYK 0 / 27 / 55 / 29

HEX #B68452

RGB 182 132 82

HSL 30, 0.41%, 0.52%

LAB 59.03, 13.47, 34.35

 

CMYK 38 / 0 / 55 / 29

HEX #70B652

RGB 112 182 82

HSL 102, 0.41%, 0.52%

LAB 67.66, -40.52, 43.51

 

CMYK 56 / 28 / 0 / 28

HEX #5183B7

RGB 81 131 183

HSL 210.59, 0.41%, 0.52%

LAB 53.39, -1.4, -32.45

 

CMYK 0 / 55 / 0 / 29

HEX #B652B6

RGB 182 82 182

HSL 300, 0.41%, 0.52%

LAB 51.1, 54.02, -34.78

 

CMYK 0 / 27 / 55 / 29

HEX #B68452

RGB 182 132 82

HSL 30, 0.41%, 0.52%

LAB 59.03, 13.47, 34.35

 

CMYK 55 / 0 / 55 / 29

HEX #52B652

RGB 82 182 82

HSL 120, 0.41%, 0.52%

LAB 66.41, -49.49, 41.73

 

Description

Color code: HEX #5183B7 | qconv.com Color code: HEX #5183B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 131 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 131 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 28 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 28% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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