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Color name
HEX #517A28

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #517A28 it is the complementary color #AE85D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #517A28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #517A28 shade: #567A23, #678C36, #789E49, #89B05C and #9AC26F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #517A28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #517A28 shade: #517A28, #406815, #2F5602, #1E4400 and #0D3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #517A28 shade: #517B27, #687B27, #7B7727, #7B6127 and #7B4B27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #517A28 shade: #517B27, #3B7B27, #277B2B, #277B41 and #277B58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #517A28 shade matches the following richer shades: #517B27, #51881A, #51950D and #51A200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #517A28 shade: #517B27, #516E35, #516042, #51534F and #51465C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #517A28 shade: #7B7827, #677B27, #517B27, #3B7B27 and #277B2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #517A28 shade: #283C13, #3C5C1D, #517B27, #669A32 and #7AB93C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #517A28 shade: #517A28, #277B62 and #7B2772

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #517A28 shade: #517A28, #27517B and #7B2751

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #517A28 shade: #517A28, #277B62, #51277B and #7B2740

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #517A28 shade: #517A28, #277B7B, #51277B and #7B2727

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 67 / 52

HEX #517A28

RGB 81 122 40

HSL 90, 0.51%, 0.32%

LAB 46.74, -28.73, 39.05

 

Complementary color

CMYK 19 / 38 / 0 / 16

HEX #AE85D7

RGB 174 133 215

HSL 270, 0.51%, 0.68%

LAB 62.24, 31.47, -36.23

 

CMYK 30 / 0 / 71 / 52

HEX #567A23

RGB 86 122 35

HSL 84.83, 0.55%, 0.31%

LAB 47, -27.15, 41.6

 

CMYK 26 / 0 / 61 / 45

HEX #678C36

RGB 103 140 54

HSL 85.81, 0.44%, 0.38%

LAB 53.93, -27.43, 40.85

 

CMYK 24 / 0 / 54 / 38

HEX #789E49

RGB 120 158 73

HSL 86.82, 0.37%, 0.45%

LAB 60.72, -27.57, 39.78

 

CMYK 22 / 0 / 48 / 31

HEX #89B05C

RGB 137 176 92

HSL 87.86, 0.35%, 0.53%

LAB 67.38, -27.62, 38.6

 

CMYK 21 / 0 / 43 / 24

HEX #9AC26F

RGB 154 194 111

HSL 88.92, 0.4%, 0.6%

LAB 73.93, -27.61, 37.41

 

CMYK 34 / 0 / 67 / 52

HEX #517A28

RGB 81 122 40

HSL 90, 0.51%, 0.32%

LAB 46.74, -28.73, 39.05

 

CMYK 38 / 0 / 80 / 59

HEX #406815

RGB 64 104 21

HSL 88.92, 0.66%, 0.25%

LAB 39.66, -28.33, 39.4

 

CMYK 45 / 0 / 98 / 66

HEX #2F5602

RGB 47 86 2

HSL 87.86, 0.95%, 0.17%

LAB 32.4, -27.6, 38.67

 

CMYK 56 / 0 / 100 / 73

HEX #1E4400

RGB 30 68 0

HSL 93.53, 1%, 0.13%

LAB 24.98, -25.95, 32.86

 

CMYK 74 / 0 / 100 / 80

HEX #0D3200

RGB 13 50 0

HSL 104.4, 1%, 0.1%

LAB 17.31, -23.78, 24.29

 

CMYK 34 / 0 / 68 / 52

HEX #517B27

RGB 81 123 39

HSL 90, 0.52%, 0.32%

LAB 47.06, -29.3, 39.83

 

CMYK 15 / 0 / 68 / 52

HEX #687B27

RGB 104 123 39

HSL 73.57, 0.52%, 0.32%

LAB 48.58, -19.71, 41.91

 

CMYK 0 / 3 / 68 / 52

HEX #7B7727

RGB 123 119 39

HSL 57.14, 0.52%, 0.32%

LAB 48.95, -8.96, 42.78

 

CMYK 0 / 21 / 68 / 52

HEX #7B6127

RGB 123 97 39

HSL 41.43, 0.52%, 0.32%

LAB 42.62, 3.67, 36.09

 

CMYK 0 / 39 / 68 / 52

HEX #7B4B27

RGB 123 75 39

HSL 25.71, 0.52%, 0.32%

LAB 36.72, 16.78, 29.51

 

CMYK 34 / 0 / 68 / 52

HEX #517B27

RGB 81 123 39

HSL 90, 0.52%, 0.32%

LAB 47.06, -29.3, 39.83

 

CMYK 52 / 0 / 68 / 52

HEX #3B7B27

RGB 59 123 39

HSL 105.71, 0.52%, 0.32%

LAB 45.96, -37.08, 38.34

 

CMYK 68 / 0 / 65 / 52

HEX #277B2B

RGB 39 123 43

HSL 122.86, 0.52%, 0.32%

LAB 45.32, -41.99, 35.58

 

CMYK 68 / 0 / 47 / 52

HEX #277B41

RGB 39 123 65

HSL 138.57, 0.52%, 0.32%

LAB 45.61, -38.71, 24.51

 

CMYK 68 / 0 / 28 / 52

HEX #277B58

RGB 39 123 88

HSL 155, 0.52%, 0.32%

LAB 46.04, -33.93, 11.96

 

CMYK 34 / 0 / 68 / 52

HEX #517B27

RGB 81 123 39

HSL 90, 0.52%, 0.32%

LAB 47.06, -29.3, 39.83

 

CMYK 40 / 0 / 81 / 47

HEX #51881A

RGB 81 136 26

HSL 90, 0.68%, 0.32%

LAB 51.19, -36.13, 48.94

 

CMYK 46 / 0 / 91 / 42

HEX #51950D

RGB 81 149 13

HSL 90, 0.84%, 0.32%

LAB 55.35, -42.16, 55.86

 

CMYK 50 / 0 / 100 / 36

HEX #51A200

RGB 81 162 0

HSL 90, 1%, 0.32%

LAB 59.52, -47.63, 61.23

 

CMYK 34 / 0 / 68 / 52

HEX #517B27

RGB 81 123 39

HSL 90, 0.52%, 0.32%

LAB 47.06, -29.3, 39.83

 

CMYK 26 / 0 / 52 / 57

HEX #516E35

RGB 81 110 53

HSL 90.53, 0.35%, 0.32%

LAB 43, -21.36, 28.24

 

CMYK 16 / 0 / 31 / 62

HEX #516042

RGB 81 96 66

HSL 90, 0.19%, 0.32%

LAB 38.74, -11.83, 15.3

 

CMYK 2 / 0 / 5 / 67

HEX #51534F

RGB 81 83 79

HSL 90, 0.02%, 0.32%

LAB 35, -1.66, 2.06

 

CMYK 12 / 24 / 0 / 64

HEX #51465C

RGB 81 70 92

HSL 270, 0.14%, 0.32%

LAB 31.58, 9.5, -11.28

 

CMYK 0 / 2 / 68 / 52

HEX #7B7827

RGB 123 120 39

HSL 57.86, 0.52%, 0.32%

LAB 49.24, -9.51, 43.08

 

CMYK 16 / 0 / 68 / 52

HEX #677B27

RGB 103 123 39

HSL 74.29, 0.52%, 0.32%

LAB 48.51, -20.15, 41.81

 

CMYK 34 / 0 / 68 / 52

HEX #517B27

RGB 81 123 39

HSL 90, 0.52%, 0.32%

LAB 47.06, -29.3, 39.83

 

CMYK 52 / 0 / 68 / 52

HEX #3B7B27

RGB 59 123 39

HSL 105.71, 0.52%, 0.32%

LAB 45.96, -37.08, 38.34

 

CMYK 68 / 0 / 66 / 52

HEX #277B2A

RGB 39 123 42

HSL 122.14, 0.52%, 0.32%

LAB 45.31, -42.1, 36.05

 

CMYK 33 / 0 / 68 / 76

HEX #283C13

RGB 40 60 19

HSL 89.27, 0.52%, 0.15%

LAB 22.76, -16.24, 22.33

 

CMYK 35 / 0 / 68 / 64

HEX #3C5C1D

RGB 60 92 29

HSL 90.48, 0.52%, 0.24%

LAB 35.41, -23.47, 31.56

 

CMYK 34 / 0 / 68 / 52

HEX #517B27

RGB 81 123 39

HSL 90, 0.52%, 0.32%

LAB 47.06, -29.3, 39.83

 

CMYK 34 / 0 / 68 / 40

HEX #669A32

RGB 102 154 50

HSL 90, 0.51%, 0.4%

LAB 58.19, -34.76, 47.27

 

CMYK 34 / 0 / 68 / 27

HEX #7AB93C

RGB 122 185 60

HSL 90.24, 0.51%, 0.48%

LAB 68.87, -40.45, 54.75

 

CMYK 34 / 0 / 67 / 52

HEX #517A28

RGB 81 122 40

HSL 90, 0.51%, 0.32%

LAB 46.74, -28.73, 39.05

 

CMYK 68 / 0 / 20 / 52

HEX #277B62

RGB 39 123 98

HSL 162.14, 0.52%, 0.32%

LAB 46.28, -31.45, 6.42

 

CMYK 0 / 68 / 7 / 52

HEX #7B2772

RGB 123 39 114

HSL 306.43, 0.52%, 0.32%

LAB 31.53, 45.5, -24.94

 

CMYK 34 / 0 / 67 / 52

HEX #517A28

RGB 81 122 40

HSL 90, 0.51%, 0.32%

LAB 46.74, -28.73, 39.05

 

CMYK 68 / 34 / 0 / 52

HEX #27517B

RGB 39 81 123

HSL 210, 0.52%, 0.32%

LAB 33.45, -0.08, -28.14

 

CMYK 0 / 68 / 34 / 52

HEX #7B2751

RGB 123 39 81

HSL 330, 0.52%, 0.32%

LAB 30.05, 40.5, -5.9

 

CMYK 34 / 0 / 67 / 52

HEX #517A28

RGB 81 122 40

HSL 90, 0.51%, 0.32%

LAB 46.74, -28.73, 39.05

 

CMYK 68 / 0 / 20 / 52

HEX #277B62

RGB 39 123 98

HSL 162.14, 0.52%, 0.32%

LAB 46.28, -31.45, 6.42

 

CMYK 34 / 68 / 0 / 52

HEX #51277B

RGB 81 39 123

HSL 270, 0.52%, 0.32%

LAB 25.65, 36.75, -40.39

 

CMYK 0 / 68 / 48 / 52

HEX #7B2740

RGB 123 39 64

HSL 342.14, 0.52%, 0.32%

LAB 29.49, 38.52, 4.52

 

CMYK 34 / 0 / 67 / 52

HEX #517A28

RGB 81 122 40

HSL 90, 0.51%, 0.32%

LAB 46.74, -28.73, 39.05

 

CMYK 68 / 0 / 0 / 52

HEX #277B7B

RGB 39 123 123

HSL 180, 0.52%, 0.32%

LAB 47.01, -24.33, -7.33

 

CMYK 34 / 68 / 0 / 52

HEX #51277B

RGB 81 39 123

HSL 270, 0.52%, 0.32%

LAB 25.65, 36.75, -40.39

 

CMYK 0 / 68 / 68 / 52

HEX #7B2727

RGB 123 39 39

HSL 0, 0.52%, 0.32%

LAB 28.92, 36.43, 20.22

 

Description

Color code: HEX #517A28 | qconv.com Color code: HEX #517A28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 122 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 122 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 67 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 67% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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