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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #517396 it is the complementary color #AE8C69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #517396. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #517396 shade: #567391, #6785A4, #7897B7, #89A9CA and #9ABBDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #517396. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #517396 shade: #517396, #406183, #2F4F70, #1E3D5D and #0D2B4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #517396 shade: #507295, #505F95, #535095, #665095 and #785095

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #517396 shade: #507295, #505F95 and #505095

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #517396 shade matches the following richer shades: #507295, #3D71A7, #2B71BA, #1871CC and #0671DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #517396 shade: #507295, #627282, #757270, #88735D and #9A734A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #517396 shade: #509592, #508595, #507295, #506095 and #525095

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #517396 shade: #33495F, #415D7A, #507295, #6386AB and #7E9BB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #517396 shade: #517396, #805095 and #8E9550

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #517396 shade: #517396, #955072 and #729550

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #517396 shade: #517396, #805095, #957250 and #649550

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #517396 shade: #517396, #955095, #957250 and #509550

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 23 / 0 / 41

HEX #517396

RGB 81 115 150

HSL 210.43, 0.3%, 0.45%

LAB 47.25, -2.26, -22.79

 

Complementary color

CMYK 0 / 20 / 40 / 32

HEX #AE8C69

RGB 174 140 105

HSL 30.43, 0.3%, 0.55%

LAB 60.58, 7.99, 23.57

 

CMYK 41 / 21 / 0 / 43

HEX #567391

RGB 86 115 145

HSL 210.51, 0.26%, 0.45%

LAB 47.35, -2.36, -19.67

 

CMYK 37 / 19 / 0 / 36

HEX #6785A4

RGB 103 133 164

HSL 210.49, 0.25%, 0.52%

LAB 54.38, -2.65, -19.88

 

CMYK 34 / 17 / 0 / 28

HEX #7897B7

RGB 120 151 183

HSL 210.48, 0.3%, 0.59%

LAB 61.26, -2.88, -20.12

 

CMYK 32 / 16 / 0 / 21

HEX #89A9CA

RGB 137 169 202

HSL 210.46, 0.38%, 0.66%

LAB 67.99, -3.08, -20.38

 

CMYK 30 / 15 / 0 / 13

HEX #9ABBDD

RGB 154 187 221

HSL 210.45, 0.5%, 0.74%

LAB 74.59, -3.26, -20.65

 

CMYK 46 / 23 / 0 / 41

HEX #517396

RGB 81 115 150

HSL 210.43, 0.3%, 0.45%

LAB 47.25, -2.26, -22.79

 

CMYK 51 / 26 / 0 / 49

HEX #406183

RGB 64 97 131

HSL 210.45, 0.34%, 0.38%

LAB 40.04, -1.77, -22.65

 

CMYK 58 / 29 / 0 / 56

HEX #2F4F70

RGB 47 79 112

HSL 210.46, 0.41%, 0.31%

LAB 32.63, -1.09, -22.55

 

CMYK 68 / 34 / 0 / 64

HEX #1E3D5D

RGB 30 61 93

HSL 210.48, 0.51%, 0.24%

LAB 24.96, -0.08, -22.48

 

CMYK 82 / 42 / 0 / 71

HEX #0D2B4A

RGB 13 43 74

HSL 210.49, 0.7%, 0.17%

LAB 17.03, 1.55, -22.43

 

CMYK 46 / 23 / 0 / 42

HEX #507295

RGB 80 114 149

HSL 210.43, 0.3%, 0.45%

LAB 46.86, -2.24, -22.81

 

CMYK 46 / 36 / 0 / 42

HEX #505F95

RGB 80 95 149

HSL 226.96, 0.3%, 0.45%

LAB 41.31, 9.43, -31.45

 

CMYK 44 / 46 / 0 / 42

HEX #535095

RGB 83 80 149

HSL 242.61, 0.3%, 0.45%

LAB 37.38, 19.76, -37.65

 

CMYK 32 / 46 / 0 / 42

HEX #665095

RGB 102 80 149

HSL 259.13, 0.3%, 0.45%

LAB 39.13, 25.01, -34.78

 

CMYK 19 / 46 / 0 / 42

HEX #785095

RGB 120 80 149

HSL 274.78, 0.3%, 0.45%

LAB 41.06, 30.37, -31.6

 

CMYK 46 / 23 / 0 / 42

HEX #507295

RGB 80 114 149

HSL 210.43, 0.3%, 0.45%

LAB 46.86, -2.24, -22.81

 

CMYK 46 / 36 / 0 / 42

HEX #505F95

RGB 80 95 149

HSL 226.96, 0.3%, 0.45%

LAB 41.31, 9.43, -31.45

 

CMYK 46 / 46 / 0 / 42

HEX #505095

RGB 80 80 149

HSL 240, 0.3%, 0.45%

LAB 37.14, 18.98, -38.06

 

CMYK 46 / 23 / 0 / 42

HEX #507295

RGB 80 114 149

HSL 210.43, 0.3%, 0.45%

LAB 46.86, -2.24, -22.81

 

CMYK 63 / 32 / 0 / 35

HEX #3D71A7

RGB 61 113 167

HSL 210.57, 0.46%, 0.45%

LAB 46.44, -0.09, -34.13

 

CMYK 77 / 39 / 0 / 27

HEX #2B71BA

RGB 43 113 186

HSL 210.63, 0.62%, 0.45%

LAB 46.8, 4.02, -44.66

 

CMYK 88 / 45 / 0 / 20

HEX #1871CC

RGB 24 113 204

HSL 210.33, 0.79%, 0.45%

LAB 47.45, 9.22, -54.01

 

CMYK 97 / 49 / 0 / 13

HEX #0671DF

RGB 6 113 223

HSL 210.41, 0.95%, 0.45%

LAB 48.48, 15.94, -63.16

 

CMYK 46 / 23 / 0 / 42

HEX #507295

RGB 80 114 149

HSL 210.43, 0.3%, 0.45%

LAB 46.86, -2.24, -22.81

 

CMYK 25 / 12 / 0 / 49

HEX #627282

RGB 98 114 130

HSL 210, 0.14%, 0.45%

LAB 47.29, -2.11, -10.78

 

CMYK 0 / 3 / 4 / 54

HEX #757270

RGB 117 114 112

HSL 24, 0.02%, 0.45%

LAB 48.24, 0.76, 1.51

 

CMYK 0 / 15 / 32 / 47

HEX #88735D

RGB 136 115 93

HSL 30.7, 0.19%, 0.45%

LAB 49.84, 4.71, 15.23

 

CMYK 0 / 25 / 52 / 40

HEX #9A734A

RGB 154 115 74

HSL 30.75, 0.35%, 0.45%

LAB 51.41, 10.22, 28.54

 

CMYK 46 / 0 / 2 / 42

HEX #509592

RGB 80 149 146

HSL 177.39, 0.3%, 0.45%

LAB 57.34, -22.53, -5.2

 

CMYK 46 / 11 / 0 / 42

HEX #508595

RGB 80 133 149

HSL 193.91, 0.3%, 0.45%

LAB 52.56, -13.16, -14.08

 

CMYK 46 / 23 / 0 / 42

HEX #507295

RGB 80 114 149

HSL 210.43, 0.3%, 0.45%

LAB 46.86, -2.24, -22.81

 

CMYK 46 / 36 / 0 / 42

HEX #506095

RGB 80 96 149

HSL 226.09, 0.3%, 0.45%

LAB 41.6, 8.8, -31

 

CMYK 45 / 46 / 0 / 42

HEX #525095

RGB 82 80 149

HSL 241.74, 0.3%, 0.45%

LAB 37.3, 19.5, -37.79

 

CMYK 46 / 23 / 0 / 63

HEX #33495F

RGB 51 73 95

HSL 210, 0.3%, 0.29%

LAB 30.15, -1.9, -15.62

 

CMYK 47 / 24 / 0 / 52

HEX #415D7A

RGB 65 93 122

HSL 210.53, 0.3%, 0.37%

LAB 38.48, -1.9, -19.58

 

CMYK 46 / 23 / 0 / 42

HEX #507295

RGB 80 114 149

HSL 210.43, 0.3%, 0.45%

LAB 46.86, -2.24, -22.81

 

CMYK 42 / 22 / 0 / 33

HEX #6386AB

RGB 99 134 171

HSL 210.83, 0.3%, 0.53%

LAB 54.7, -2.38, -23.44

 

CMYK 32 / 16 / 0 / 27

HEX #7E9BB9

RGB 126 155 185

HSL 210.51, 0.3%, 0.61%

LAB 62.83, -2.85, -18.82

 

CMYK 46 / 23 / 0 / 41

HEX #517396

RGB 81 115 150

HSL 210.43, 0.3%, 0.45%

LAB 47.25, -2.26, -22.79

 

CMYK 14 / 46 / 0 / 42

HEX #805095

RGB 128 80 149

HSL 281.74, 0.3%, 0.45%

LAB 41.99, 32.81, -30.06

 

CMYK 5 / 0 / 46 / 42

HEX #8E9550

RGB 142 149 80

HSL 66.09, 0.3%, 0.45%

LAB 59.73, -13.27, 35.41

 

CMYK 46 / 23 / 0 / 41

HEX #517396

RGB 81 115 150

HSL 210.43, 0.3%, 0.45%

LAB 47.25, -2.26, -22.79

 

CMYK 0 / 46 / 23 / 42

HEX #955072

RGB 149 80 114

HSL 330.43, 0.3%, 0.45%

LAB 43.27, 33.23, -6.61

 

CMYK 23 / 0 / 46 / 42

HEX #729550

RGB 114 149 80

HSL 90.43, 0.3%, 0.45%

LAB 57.7, -24.65, 32.45

 

CMYK 46 / 23 / 0 / 41

HEX #517396

RGB 81 115 150

HSL 210.43, 0.3%, 0.45%

LAB 47.25, -2.26, -22.79

 

CMYK 14 / 46 / 0 / 42

HEX #805095

RGB 128 80 149

HSL 281.74, 0.3%, 0.45%

LAB 41.99, 32.81, -30.06

 

CMYK 0 / 23 / 46 / 42

HEX #957250

RGB 149 114 80

HSL 29.57, 0.3%, 0.45%

LAB 50.69, 9.24, 24.12

 

CMYK 33 / 0 / 46 / 42

HEX #649550

RGB 100 149 80

HSL 102.61, 0.3%, 0.45%

LAB 56.86, -29.89, 31.22

 

CMYK 46 / 23 / 0 / 41

HEX #517396

RGB 81 115 150

HSL 210.43, 0.3%, 0.45%

LAB 47.25, -2.26, -22.79

 

CMYK 0 / 46 / 0 / 42

HEX #955095

RGB 149 80 149

HSL 300, 0.3%, 0.45%

LAB 44.66, 39.32, -25.71

 

CMYK 0 / 23 / 46 / 42

HEX #957250

RGB 149 114 80

HSL 29.57, 0.3%, 0.45%

LAB 50.69, 9.24, 24.12

 

CMYK 46 / 0 / 46 / 42

HEX #509550

RGB 80 149 80

HSL 120, 0.3%, 0.45%

LAB 55.87, -36.58, 29.75

 

Description

Color code: HEX #517396 | qconv.com Color code: HEX #517396 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 115 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 115 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 23 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 23% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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