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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5177CB it is the complementary color #AE8834. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5177CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5177CB shade: #5677C6, #6789D9, #789BEC, #89ADFF and #9ABFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5177CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5177CB shade: #5177CB, #4065B8, #2F53A5, #1E4192 and #0D2F7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5177CB shade: #5277CB, #5257CB, #6D52CB, #8E52CB and #AF52CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5177CB shade: #5277CB, #5257CB and #5252CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5177CB shade matches the following richer shades: #5277CB, #4071DD and #2D6AEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5177CB shade: #5277CB, #647EB9, #7685A7, #888C94 and #9A9382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5177CB shade: #52B9CB, #5298CB, #5278CB, #5258CB and #6C52CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5177CB shade: #2E509C, #3861BC, #5277CB, #7190D4 and #91A9DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5177CB shade: #5177CB, #BD52CB and #A9CB52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5177CB shade: #5177CB, #CB5278 and #78CB52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5177CB shade: #5177CB, #BD52CB, #CBA552 and #60CB52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5177CB shade: #5177CB, #CB52B5, #CBA552 and #52CB68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 41 / 0 / 20

HEX #5177CB

RGB 81 119 203

HSL 221.31, 0.54%, 0.56%

LAB 50.98, 12.44, -47.67

 

Complementary color

CMYK 0 / 22 / 70 / 32

HEX #AE8834

RGB 174 136 52

HSL 41.31, 0.54%, 0.44%

LAB 58.84, 5.61, 48.85

 

CMYK 57 / 40 / 0 / 22

HEX #5677C6

RGB 86 119 198

HSL 222.32, 0.5%, 0.56%

LAB 50.98, 11.78, -44.81

 

CMYK 53 / 37 / 0 / 15

HEX #6789D9

RGB 103 137 217

HSL 222.11, 0.6%, 0.63%

LAB 57.83, 10.7, -44.65

 

CMYK 49 / 34 / 0 / 7

HEX #789BEC

RGB 120 155 236

HSL 221.9, 0.75%, 0.7%

LAB 64.56, 9.81, -44.54

 

CMYK 46 / 32 / 0 / 0

HEX #89ADFF

RGB 137 173 255

HSL 221.69, 1%, 0.77%

LAB 71.16, 9.05, -44.46

 

CMYK 40 / 25 / 0 / 0

HEX #9ABFFF

RGB 154 191 255

HSL 218.02, 1%, 0.8%

LAB 76.89, 3.25, -35.46

 

CMYK 60 / 41 / 0 / 20

HEX #5177CB

RGB 81 119 203

HSL 221.31, 0.54%, 0.56%

LAB 50.98, 12.44, -47.67

 

CMYK 65 / 45 / 0 / 28

HEX #4065B8

RGB 64 101 184

HSL 221.5, 0.48%, 0.49%

LAB 44.03, 13.95, -47.88

 

CMYK 72 / 50 / 0 / 35

HEX #2F53A5

RGB 47 83 165

HSL 221.69, 0.56%, 0.42%

LAB 36.94, 15.88, -48.09

 

CMYK 79 / 55 / 0 / 43

HEX #1E4192

RGB 30 65 146

HSL 221.9, 0.66%, 0.35%

LAB 29.74, 18.37, -48.28

 

CMYK 90 / 63 / 0 / 50

HEX #0D2F7F

RGB 13 47 127

HSL 222.11, 0.81%, 0.27%

LAB 22.48, 21.64, -48.32

 

CMYK 60 / 41 / 0 / 20

HEX #5277CB

RGB 82 119 203

HSL 221.65, 0.54%, 0.56%

LAB 51.04, 12.63, -47.59

 

CMYK 60 / 57 / 0 / 20

HEX #5257CB

RGB 82 87 203

HSL 237.52, 0.54%, 0.56%

LAB 42.65, 32.57, -61.07

 

CMYK 46 / 60 / 0 / 20

HEX #6D52CB

RGB 109 82 203

HSL 253.39, 0.54%, 0.56%

LAB 43.65, 40.79, -59.34

 

CMYK 30 / 60 / 0 / 20

HEX #8E52CB

RGB 142 82 203

HSL 269.75, 0.54%, 0.56%

LAB 47.1, 48.16, -53.6

 

CMYK 14 / 60 / 0 / 20

HEX #AF52CB

RGB 175 82 203

HSL 286.12, 0.54%, 0.56%

LAB 51.22, 56.18, -46.78

 

CMYK 60 / 41 / 0 / 20

HEX #5277CB

RGB 82 119 203

HSL 221.65, 0.54%, 0.56%

LAB 51.04, 12.63, -47.59

 

CMYK 60 / 57 / 0 / 20

HEX #5257CB

RGB 82 87 203

HSL 237.52, 0.54%, 0.56%

LAB 42.65, 32.57, -61.07

 

CMYK 60 / 60 / 0 / 20

HEX #5252CB

RGB 82 82 203

HSL 240, 0.54%, 0.56%

LAB 41.44, 35.65, -63.03

 

CMYK 60 / 41 / 0 / 20

HEX #5277CB

RGB 82 119 203

HSL 221.65, 0.54%, 0.56%

LAB 51.04, 12.63, -47.59

 

CMYK 71 / 49 / 0 / 13

HEX #4071DD

RGB 64 113 221

HSL 221.27, 0.7%, 0.56%

LAB 49.64, 19.67, -60.09

 

CMYK 81 / 56 / 0 / 6

HEX #2D6AEF

RGB 45 106 239

HSL 221.13, 0.86%, 0.56%

LAB 48.38, 28.62, -72.29

 

CMYK 60 / 41 / 0 / 20

HEX #5277CB

RGB 82 119 203

HSL 221.65, 0.54%, 0.56%

LAB 51.04, 12.63, -47.59

 

CMYK 46 / 32 / 0 / 27

HEX #647EB9

RGB 100 126 185

HSL 221.65, 0.38%, 0.56%

LAB 53.1, 6.7, -33.97

 

CMYK 29 / 20 / 0 / 35

HEX #7685A7

RGB 118 133 167

HSL 221.63, 0.22%, 0.56%

LAB 55.5, 2.64, -19.82

 

CMYK 8 / 5 / 0 / 42

HEX #888C94

RGB 136 140 148

HSL 220, 0.05%, 0.56%

LAB 58.16, 0.18, -4.76

 

CMYK 0 / 5 / 16 / 40

HEX #9A9382

RGB 154 147 130

HSL 42.5, 0.11%, 0.56%

LAB 61.09, -0.42, 9.92

 

CMYK 60 / 9 / 0 / 20

HEX #52B9CB

RGB 82 185 203

HSL 188.93, 0.54%, 0.56%

LAB 70.04, -24.44, -18.06

 

CMYK 60 / 25 / 0 / 20

HEX #5298CB

RGB 82 152 203

HSL 205.29, 0.54%, 0.56%

LAB 60.39, -6.85, -32.86

 

CMYK 60 / 41 / 0 / 20

HEX #5278CB

RGB 82 120 203

HSL 221.16, 0.54%, 0.56%

LAB 51.31, 12.02, -47.15

 

CMYK 60 / 57 / 0 / 20

HEX #5258CB

RGB 82 88 203

HSL 237.02, 0.54%, 0.56%

LAB 42.89, 31.95, -60.67

 

CMYK 47 / 60 / 0 / 20

HEX #6C52CB

RGB 108 82 203

HSL 252.89, 0.54%, 0.56%

LAB 43.56, 40.59, -59.5

 

CMYK 71 / 49 / 0 / 39

HEX #2E509C

RGB 46 80 156

HSL 221.45, 0.54%, 0.4%

LAB 35.44, 14.3, -45.13

 

CMYK 70 / 48 / 0 / 26

HEX #3861BC

RGB 56 97 188

HSL 221.36, 0.54%, 0.48%

LAB 42.79, 16.67, -52.21

 

CMYK 60 / 41 / 0 / 20

HEX #5277CB

RGB 82 119 203

HSL 221.65, 0.54%, 0.56%

LAB 51.04, 12.63, -47.59

 

CMYK 47 / 32 / 0 / 17

HEX #7190D4

RGB 113 144 212

HSL 221.21, 0.54%, 0.64%

LAB 60.08, 7.39, -38.28

 

CMYK 35 / 24 / 0 / 13

HEX #91A9DE

RGB 145 169 222

HSL 221.3, 0.54%, 0.72%

LAB 69.23, 4.32, -29.44

 

CMYK 60 / 41 / 0 / 20

HEX #5177CB

RGB 81 119 203

HSL 221.31, 0.54%, 0.56%

LAB 50.98, 12.44, -47.67

 

CMYK 7 / 60 / 0 / 20

HEX #BD52CB

RGB 189 82 203

HSL 293.06, 0.54%, 0.56%

LAB 53.13, 59.67, -43.63

 

CMYK 17 / 0 / 60 / 20

HEX #A9CB52

RGB 169 203 82

HSL 76.86, 0.54%, 0.56%

LAB 77.13, -29.13, 55.25

 

CMYK 60 / 41 / 0 / 20

HEX #5177CB

RGB 81 119 203

HSL 221.31, 0.54%, 0.56%

LAB 50.98, 12.44, -47.67

 

CMYK 0 / 60 / 41 / 20

HEX #CB5278

RGB 203 82 120

HSL 341.16, 0.54%, 0.56%

LAB 51.94, 51.48, 3.42

 

CMYK 41 / 0 / 60 / 20

HEX #78CB52

RGB 120 203 82

HSL 101.16, 0.54%, 0.56%

LAB 74.39, -46.83, 51.41

 

CMYK 60 / 41 / 0 / 20

HEX #5177CB

RGB 81 119 203

HSL 221.31, 0.54%, 0.56%

LAB 50.98, 12.44, -47.67

 

CMYK 7 / 60 / 0 / 20

HEX #BD52CB

RGB 189 82 203

HSL 293.06, 0.54%, 0.56%

LAB 53.13, 59.67, -43.63

 

CMYK 0 / 19 / 60 / 20

HEX #CBA552

RGB 203 165 82

HSL 41.16, 0.54%, 0.56%

LAB 69.62, 4.4, 47.51

 

CMYK 53 / 0 / 60 / 20

HEX #60CB52

RGB 96 203 82

HSL 113.06, 0.54%, 0.56%

LAB 73.42, -53.92, 50.05

 

CMYK 60 / 41 / 0 / 20

HEX #5177CB

RGB 81 119 203

HSL 221.31, 0.54%, 0.56%

LAB 50.98, 12.44, -47.67

 

CMYK 0 / 60 / 11 / 20

HEX #CB52B5

RGB 203 82 181

HSL 310.91, 0.54%, 0.56%

LAB 54.1, 59.57, -29.3

 

CMYK 0 / 19 / 60 / 20

HEX #CBA552

RGB 203 165 82

HSL 41.16, 0.54%, 0.56%

LAB 69.62, 4.4, 47.51

 

CMYK 60 / 0 / 49 / 20

HEX #52CB68

RGB 82 203 104

HSL 130.91, 0.54%, 0.56%

LAB 73.22, -54.55, 39.32

 

Description

Color code: HEX #5177CB | qconv.com Color code: HEX #5177CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 119 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 119 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 41 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 41% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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