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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #516FC7 it is the complementary color #AE9038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #516FC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #516FC7 shade: #566FC2, #6781D5, #7893E8, #89A5FB and #9AB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #516FC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #516FC7 shade: #516FC7, #405DB4, #2F4BA1, #1E398E and #0D277B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #516FC7 shade: #516FC6, #5351C6, #7351C6, #9251C6 and #B251C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #516FC7 shade: #516FC6 and #5151C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #516FC7 shade matches the following richer shades: #516FC6, #3F66D9, #2C5DEB and #1A54FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #516FC7 shade: #516FC6, #6478B4, #7681A1, #898A8F and #9B937C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #516FC7 shade: #51AFC6, #5190C6, #5170C6, #5151C6 and #7051C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #516FC7 shade: #304A95, #3A59B4, #516FC6, #7089D0 and #90A3DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #516FC7 shade: #516FC7, #BE51C6 and #9FC651

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #516FC7 shade: #516FC7, #C65170 and #70C651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #516FC7 shade: #516FC7, #BE51C6, #C6A751 and #59C651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #516FC7 shade: #516FC7, #C651AB, #C6A751 and #51C66D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 44 / 0 / 22

HEX #516FC7

RGB 81 111 199

HSL 224.75, 0.51%, 0.55%

LAB 48.56, 16.03, -49.25

 

Complementary color

CMYK 0 / 17 / 68 / 32

HEX #AE9038

RGB 174 144 56

HSL 44.75, 0.51%, 0.45%

LAB 60.98, 1.43, 49.31

 

CMYK 56 / 43 / 0 / 24

HEX #566FC2

RGB 86 111 194

HSL 226.11, 0.47%, 0.55%

LAB 48.56, 15.39, -46.36

 

CMYK 52 / 39 / 0 / 16

HEX #6781D5

RGB 103 129 213

HSL 225.82, 0.57%, 0.62%

LAB 55.47, 14.23, -46.14

 

CMYK 48 / 37 / 0 / 9

HEX #7893E8

RGB 120 147 232

HSL 225.54, 0.71%, 0.69%

LAB 62.24, 13.26, -45.98

 

CMYK 45 / 34 / 0 / 2

HEX #89A5FB

RGB 137 165 251

HSL 225.26, 0.93%, 0.76%

LAB 68.89, 12.45, -45.85

 

CMYK 40 / 28 / 0 / 0

HEX #9AB7FF

RGB 154 183 255

HSL 222.77, 1%, 0.8%

LAB 74.8, 7.66, -38.71

 

CMYK 59 / 44 / 0 / 22

HEX #516FC7

RGB 81 111 199

HSL 224.75, 0.51%, 0.55%

LAB 48.56, 16.03, -49.25

 

CMYK 64 / 48 / 0 / 29

HEX #405DB4

RGB 64 93 180

HSL 225, 0.48%, 0.48%

LAB 41.55, 17.65, -49.51

 

CMYK 71 / 53 / 0 / 37

HEX #2F4BA1

RGB 47 75 161

HSL 225.26, 0.55%, 0.41%

LAB 34.42, 19.68, -49.78

 

CMYK 79 / 60 / 0 / 44

HEX #1E398E

RGB 30 57 142

HSL 225.54, 0.65%, 0.34%

LAB 27.17, 22.3, -50

 

CMYK 89 / 68 / 0 / 52

HEX #0D277B

RGB 13 39 123

HSL 225.82, 0.81%, 0.27%

LAB 19.91, 25.65, -50

 

CMYK 59 / 44 / 0 / 22

HEX #516FC6

RGB 81 111 198

HSL 224.62, 0.51%, 0.55%

LAB 48.51, 15.7, -48.77

 

CMYK 58 / 59 / 0 / 22

HEX #5351C6

RGB 83 81 198

HSL 241.03, 0.51%, 0.55%

LAB 40.9, 34.81, -61.01

 

CMYK 42 / 59 / 0 / 22

HEX #7351C6

RGB 115 81 198

HSL 257.44, 0.51%, 0.55%

LAB 43.66, 41.24, -56.4

 

CMYK 26 / 59 / 0 / 22

HEX #9251C6

RGB 146 81 198

HSL 273.33, 0.51%, 0.55%

LAB 47.07, 48.46, -50.74

 

CMYK 10 / 59 / 0 / 22

HEX #B251C6

RGB 178 81 198

HSL 289.74, 0.51%, 0.55%

LAB 51.18, 56.42, -43.94

 

CMYK 59 / 44 / 0 / 22

HEX #516FC6

RGB 81 111 198

HSL 224.62, 0.51%, 0.55%

LAB 48.51, 15.7, -48.77

 

CMYK 59 / 59 / 0 / 22

HEX #5151C6

RGB 81 81 198

HSL 240, 0.51%, 0.55%

LAB 40.75, 34.46, -61.25

 

CMYK 59 / 44 / 0 / 22

HEX #516FC6

RGB 81 111 198

HSL 224.62, 0.51%, 0.55%

LAB 48.51, 15.7, -48.77

 

CMYK 71 / 53 / 0 / 15

HEX #3F66D9

RGB 63 102 217

HSL 224.81, 0.67%, 0.55%

LAB 46.4, 25.03, -63.05

 

CMYK 81 / 60 / 0 / 8

HEX #2C5DEB

RGB 44 93 235

HSL 224.61, 0.83%, 0.55%

LAB 44.75, 35.29, -75.97

 

CMYK 90 / 67 / 0 / 0

HEX #1A54FE

RGB 26 84 254

HSL 224.74, 0.99%, 0.55%

LAB 43.82, 46.73, -88.16

 

CMYK 59 / 44 / 0 / 22

HEX #516FC6

RGB 81 111 198

HSL 224.62, 0.51%, 0.55%

LAB 48.51, 15.7, -48.77

 

CMYK 44 / 33 / 0 / 29

HEX #6478B4

RGB 100 120 180

HSL 225, 0.35%, 0.55%

LAB 51.2, 8.8, -34.07

 

CMYK 27 / 20 / 0 / 37

HEX #7681A1

RGB 118 129 161

HSL 224.65, 0.19%, 0.55%

LAB 54.16, 3.44, -18.4

 

CMYK 4 / 3 / 0 / 44

HEX #898A8F

RGB 137 138 143

HSL 230, 0.03%, 0.55%

LAB 57.54, 0.64, -2.8

 

CMYK 0 / 5 / 20 / 39

HEX #9B937C

RGB 155 147 124

HSL 44.52, 0.13%, 0.55%

LAB 61.04, -1, 13.25

 

CMYK 59 / 12 / 0 / 22

HEX #51AFC6

RGB 81 175 198

HSL 191.79, 0.51%, 0.55%

LAB 66.89, -21, -20.09

 

CMYK 59 / 27 / 0 / 22

HEX #5190C6

RGB 81 144 198

HSL 207.69, 0.51%, 0.55%

LAB 57.82, -4.11, -34.06

 

CMYK 59 / 43 / 0 / 22

HEX #5170C6

RGB 81 112 198

HSL 224.1, 0.51%, 0.55%

LAB 48.78, 15.07, -48.33

 

CMYK 59 / 59 / 0 / 22

HEX #5151C6

RGB 81 81 198

HSL 240, 0.51%, 0.55%

LAB 40.75, 34.46, -61.25

 

CMYK 43 / 59 / 0 / 22

HEX #7051C6

RGB 112 81 198

HSL 255.9, 0.51%, 0.55%

LAB 43.37, 40.58, -56.89

 

CMYK 68 / 50 / 0 / 42

HEX #304A95

RGB 48 74 149

HSL 224.55, 0.51%, 0.39%

LAB 33.34, 16, -44.26

 

CMYK 68 / 51 / 0 / 29

HEX #3A59B4

RGB 58 89 180

HSL 224.75, 0.51%, 0.47%

LAB 40.15, 19.22, -51.79

 

CMYK 59 / 44 / 0 / 22

HEX #516FC6

RGB 81 111 198

HSL 224.62, 0.51%, 0.55%

LAB 48.51, 15.7, -48.77

 

CMYK 46 / 34 / 0 / 18

HEX #7089D0

RGB 112 137 208

HSL 224.38, 0.51%, 0.63%

LAB 57.93, 10.06, -39.41

 

CMYK 34 / 25 / 0 / 15

HEX #90A3DA

RGB 144 163 218

HSL 224.59, 0.5%, 0.71%

LAB 67.42, 6.36, -30.05

 

CMYK 59 / 44 / 0 / 22

HEX #516FC7

RGB 81 111 199

HSL 224.75, 0.51%, 0.55%

LAB 48.56, 16.03, -49.25

 

CMYK 4 / 59 / 0 / 22

HEX #BE51C6

RGB 190 81 198

HSL 295.9, 0.51%, 0.55%

LAB 52.85, 59.45, -41.2

 

CMYK 20 / 0 / 59 / 22

HEX #9FC651

RGB 159 198 81

HSL 80, 0.51%, 0.55%

LAB 75.05, -30.76, 53.18

 

CMYK 59 / 44 / 0 / 22

HEX #516FC7

RGB 81 111 199

HSL 224.75, 0.51%, 0.55%

LAB 48.56, 16.03, -49.25

 

CMYK 0 / 59 / 43 / 22

HEX #C65170

RGB 198 81 112

HSL 344.1, 0.51%, 0.55%

LAB 50.76, 49.46, 6.42

 

CMYK 43 / 0 / 59 / 22

HEX #70C651

RGB 112 198 81

HSL 104.1, 0.51%, 0.55%

LAB 72.51, -47.4, 49.63

 

CMYK 59 / 44 / 0 / 22

HEX #516FC7

RGB 81 111 199

HSL 224.75, 0.51%, 0.55%

LAB 48.56, 16.03, -49.25

 

CMYK 4 / 59 / 0 / 22

HEX #BE51C6

RGB 190 81 198

HSL 295.9, 0.51%, 0.55%

LAB 52.85, 59.45, -41.2

 

CMYK 0 / 16 / 59 / 22

HEX #C6A751

RGB 198 167 81

HSL 44.1, 0.51%, 0.55%

LAB 69.64, 1.12, 47.88

 

CMYK 55 / 0 / 59 / 22

HEX #59C651

RGB 89 198 81

HSL 115.9, 0.51%, 0.55%

LAB 71.63, -53.97, 48.38

 

CMYK 59 / 44 / 0 / 22

HEX #516FC7

RGB 81 111 199

HSL 224.75, 0.51%, 0.55%

LAB 48.56, 16.03, -49.25

 

CMYK 0 / 59 / 14 / 22

HEX #C651AB

RGB 198 81 171

HSL 313.85, 0.51%, 0.55%

LAB 52.76, 57.08, -25.6

 

CMYK 0 / 16 / 59 / 22

HEX #C6A751

RGB 198 167 81

HSL 44.1, 0.51%, 0.55%

LAB 69.64, 1.12, 47.88

 

CMYK 59 / 0 / 45 / 22

HEX #51C66D

RGB 81 198 109

HSL 134.36, 0.51%, 0.55%

LAB 71.72, -52.08, 34.91

 

Description

Color code: HEX #516FC7 | qconv.com Color code: HEX #516FC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 111 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 111 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 44 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 44% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - 싸다! 위메프 BLACK PRICEⅡ...
Link: http://www.wemakeprice.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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