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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #516568 it is the complementary color #AE9A97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #516568. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #516568 shade: #566563, #677776, #788989, #899B9C and #9AADAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #516568. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #516568 shade: #516568, #405355, #2F4142, #1E2F2F and #0D1D1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #516568 shade: #506366, #505D66, #505866, #505266 and #555066

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #516568 shade: #506366, #505D66, #505866, #505266 and #505066

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #516568 shade matches the following richer shades: #506366, #416E75, #337984, #248493 and #158FA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #516568 shade: #506366, #5F5857, #6E4D49, #7D433A and #8C382B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #516568 shade: #50665D, #506663, #506466, #505E66 and #505866

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #516568 shade: #2C3738, #3E4D4F, #506366, #627A7D and #768F93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #516568 shade: #516568, #575066 and #666050

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #516568 shade: #516568, #665064 and #646650

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #516568 shade: #516568, #575066, #665350 and #5F6650

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #516568 shade: #516568, #5E5066, #665350 and #596650

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 3 / 0 / 59

HEX #516568

RGB 81 101 104

HSL 187.83, 0.12%, 0.36%

LAB 41.31, -6.74, -4.19

 

Complementary color

CMYK 0 / 11 / 13 / 32

HEX #AE9A97

RGB 174 154 151

HSL 7.83, 0.12%, 0.64%

LAB 65.23, 6.85, 4.26

 

CMYK 15 / 0 / 2 / 60

HEX #566563

RGB 86 101 99

HSL 172, 0.08%, 0.37%

LAB 41.51, -6.14, -0.79

 

CMYK 13 / 0 / 1 / 53

HEX #677776

RGB 103 119 118

HSL 176.25, 0.07%, 0.44%

LAB 48.74, -6.12, -1.46

 

CMYK 12 / 0 / 0 / 46

HEX #788989

RGB 120 137 137

HSL 180, 0.07%, 0.5%

LAB 55.78, -6.12, -2.09

 

CMYK 12 / 1 / 0 / 39

HEX #899B9C

RGB 137 155 156

HSL 183.16, 0.09%, 0.57%

LAB 62.64, -6.14, -2.69

 

CMYK 12 / 1 / 0 / 31

HEX #9AADAF

RGB 154 173 175

HSL 185.71, 0.12%, 0.65%

LAB 69.36, -6.16, -3.27

 

CMYK 22 / 3 / 0 / 59

HEX #516568

RGB 81 101 104

HSL 187.83, 0.12%, 0.36%

LAB 41.31, -6.74, -4.19

 

CMYK 25 / 2 / 0 / 67

HEX #405355

RGB 64 83 85

HSL 185.71, 0.14%, 0.29%

LAB 33.84, -6.79, -3.59

 

CMYK 29 / 2 / 0 / 74

HEX #2F4142

RGB 47 65 66

HSL 183.16, 0.17%, 0.22%

LAB 26.09, -6.86, -2.95

 

CMYK 36 / 0 / 0 / 82

HEX #1E2F2F

RGB 30 47 47

HSL 180, 0.22%, 0.15%

LAB 17.98, -6.96, -2.25

 

CMYK 55 / 0 / 3 / 89

HEX #0D1D1C

RGB 13 29 28

HSL 176.25, 0.38%, 0.08%

LAB 9.39, -7.07, -1.44

 

CMYK 22 / 3 / 0 / 60

HEX #506366

RGB 80 99 102

HSL 188.18, 0.12%, 0.36%

LAB 40.55, -6.41, -4.09

 

CMYK 22 / 9 / 0 / 60

HEX #505D66

RGB 80 93 102

HSL 204.55, 0.12%, 0.36%

LAB 38.71, -2.81, -6.82

 

CMYK 22 / 14 / 0 / 60

HEX #505866

RGB 80 88 102

HSL 218.18, 0.12%, 0.36%

LAB 37.2, 0.25, -9.1

 

CMYK 22 / 20 / 0 / 60

HEX #505266

RGB 80 82 102

HSL 234.55, 0.12%, 0.36%

LAB 35.4, 3.99, -11.82

 

CMYK 17 / 22 / 0 / 60

HEX #555066

RGB 85 80 102

HSL 253.64, 0.12%, 0.36%

LAB 35.26, 7.07, -11.99

 

CMYK 22 / 3 / 0 / 60

HEX #506366

RGB 80 99 102

HSL 188.18, 0.12%, 0.36%

LAB 40.55, -6.41, -4.09

 

CMYK 22 / 9 / 0 / 60

HEX #505D66

RGB 80 93 102

HSL 204.55, 0.12%, 0.36%

LAB 38.71, -2.81, -6.82

 

CMYK 22 / 14 / 0 / 60

HEX #505866

RGB 80 88 102

HSL 218.18, 0.12%, 0.36%

LAB 37.2, 0.25, -9.1

 

CMYK 22 / 20 / 0 / 60

HEX #505266

RGB 80 82 102

HSL 234.55, 0.12%, 0.36%

LAB 35.4, 3.99, -11.82

 

CMYK 22 / 22 / 0 / 60

HEX #505066

RGB 80 80 102

HSL 240, 0.12%, 0.36%

LAB 34.81, 5.26, -12.72

 

CMYK 22 / 3 / 0 / 60

HEX #506366

RGB 80 99 102

HSL 188.18, 0.12%, 0.36%

LAB 40.55, -6.41, -4.09

 

CMYK 44 / 6 / 0 / 54

HEX #416E75

RGB 65 110 117

HSL 188.08, 0.29%, 0.36%

LAB 43.6, -13.46, -8.75

 

CMYK 61 / 8 / 0 / 48

HEX #337984

RGB 51 121 132

HSL 188.15, 0.44%, 0.36%

LAB 47.03, -18.33, -12.6

 

CMYK 76 / 10 / 0 / 42

HEX #248493

RGB 36 132 147

HSL 188.11, 0.61%, 0.36%

LAB 50.67, -21.77, -15.94

 

CMYK 87 / 12 / 0 / 36

HEX #158FA2

RGB 21 143 162

HSL 188.09, 0.77%, 0.36%

LAB 54.46, -23.93, -18.87

 

CMYK 22 / 3 / 0 / 60

HEX #506366

RGB 80 99 102

HSL 188.18, 0.12%, 0.36%

LAB 40.55, -6.41, -4.09

 

CMYK 0 / 7 / 8 / 63

HEX #5F5857

RGB 95 88 87

HSL 7.5, 0.04%, 0.36%

LAB 38.02, 2.63, 1.59

 

CMYK 0 / 30 / 34 / 57

HEX #6E4D49

RGB 110 77 73

HSL 6.49, 0.2%, 0.36%

LAB 36.18, 13.35, 7.92

 

CMYK 0 / 46 / 54 / 51

HEX #7D433A

RGB 125 67 58

HSL 8.06, 0.37%, 0.36%

LAB 35.36, 23.96, 16.52

 

CMYK 0 / 60 / 69 / 45

HEX #8C382B

RGB 140 56 43

HSL 8.04, 0.53%, 0.36%

LAB 35.16, 34.87, 26.02

 

CMYK 22 / 0 / 9 / 60

HEX #50665D

RGB 80 102 93

HSL 155.45, 0.12%, 0.36%

LAB 41.21, -10.29, 2.38

 

CMYK 22 / 0 / 3 / 60

HEX #506663

RGB 80 102 99

HSL 171.82, 0.12%, 0.36%

LAB 41.39, -8.9, -1.02

 

CMYK 22 / 2 / 0 / 60

HEX #506466

RGB 80 100 102

HSL 185.45, 0.12%, 0.36%

LAB 40.86, -7, -3.63

 

CMYK 22 / 8 / 0 / 60

HEX #505E66

RGB 80 94 102

HSL 201.82, 0.12%, 0.36%

LAB 39.02, -3.42, -6.37

 

CMYK 22 / 14 / 0 / 60

HEX #505866

RGB 80 88 102

HSL 218.18, 0.12%, 0.36%

LAB 37.2, 0.25, -9.1

 

CMYK 21 / 2 / 0 / 78

HEX #2C3738

RGB 44 55 56

HSL 185, 0.12%, 0.2%

LAB 22.14, -4.31, -2.16

 

CMYK 22 / 3 / 0 / 69

HEX #3E4D4F

RGB 62 77 79

HSL 187.06, 0.12%, 0.28%

LAB 31.57, -5.39, -3.15

 

CMYK 22 / 3 / 0 / 60

HEX #506366

RGB 80 99 102

HSL 188.18, 0.12%, 0.36%

LAB 40.55, -6.41, -4.09

 

CMYK 22 / 2 / 0 / 51

HEX #627A7D

RGB 98 122 125

HSL 186.67, 0.12%, 0.44%

LAB 49.49, -7.96, -4.53

 

CMYK 20 / 3 / 0 / 42

HEX #768F93

RGB 118 143 147

HSL 188.28, 0.12%, 0.52%

LAB 57.66, -7.91, -5.08

 

CMYK 22 / 3 / 0 / 59

HEX #516568

RGB 81 101 104

HSL 187.83, 0.12%, 0.36%

LAB 41.31, -6.74, -4.19

 

CMYK 15 / 22 / 0 / 60

HEX #575066

RGB 87 80 102

HSL 259.09, 0.12%, 0.36%

LAB 35.45, 7.8, -11.69

 

CMYK 0 / 6 / 22 / 60

HEX #666050

RGB 102 96 80

HSL 43.64, 0.12%, 0.36%

LAB 40.85, -0.56, 10.01

 

CMYK 22 / 3 / 0 / 59

HEX #516568

RGB 81 101 104

HSL 187.83, 0.12%, 0.36%

LAB 41.31, -6.74, -4.19

 

CMYK 0 / 22 / 2 / 60

HEX #665064

RGB 102 80 100

HSL 305.45, 0.12%, 0.36%

LAB 36.9, 13.04, -8.1

 

CMYK 2 / 0 / 22 / 60

HEX #646650

RGB 100 102 80

HSL 65.45, 0.12%, 0.36%

LAB 42.45, -4.95, 12.21

 

CMYK 22 / 3 / 0 / 59

HEX #516568

RGB 81 101 104

HSL 187.83, 0.12%, 0.36%

LAB 41.31, -6.74, -4.19

 

CMYK 15 / 22 / 0 / 60

HEX #575066

RGB 87 80 102

HSL 259.09, 0.12%, 0.36%

LAB 35.45, 7.8, -11.69

 

CMYK 0 / 19 / 22 / 60

HEX #665350

RGB 102 83 80

HSL 8.18, 0.12%, 0.36%

LAB 37.1, 7.34, 4.71

 

CMYK 7 / 0 / 22 / 60

HEX #5F6650

RGB 95 102 80

HSL 79.09, 0.12%, 0.36%

LAB 42.02, -7.04, 11.55

 

CMYK 22 / 3 / 0 / 59

HEX #516568

RGB 81 101 104

HSL 187.83, 0.12%, 0.36%

LAB 41.31, -6.74, -4.19

 

CMYK 8 / 22 / 0 / 60

HEX #5E5066

RGB 94 80 102

HSL 278.18, 0.12%, 0.36%

LAB 36.13, 10.42, -10.58

 

CMYK 0 / 19 / 22 / 60

HEX #665350

RGB 102 83 80

HSL 8.18, 0.12%, 0.36%

LAB 37.1, 7.34, 4.71

 

CMYK 13 / 0 / 22 / 60

HEX #596650

RGB 89 102 80

HSL 95.45, 0.12%, 0.36%

LAB 41.54, -9.5, 10.81

 

Description

Color code: HEX #516568 | qconv.com Color code: HEX #516568 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 101 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 101 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 3 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 3% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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