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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #515C55 it is the complementary color #AEA3AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #515C55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #515C55 shade: #565C50, #676E63, #788076, #899289 and #9AA49C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #515C55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #515C55 shade: #515C55, #404A42, #2F382F, #1E261C and #0D1409

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #515C55 shade: #515B55, #515B52, #535B51, #565B51 and #585B51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #515C55 shade: #515B55, #515B58, #515B5A, #515A5B and #51575B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #515C55 shade matches the following richer shades: #515B55, #436951, #35774D, #278549 and #199445

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #515C55 shade: #515B55, #5F4D59, #6D3F5C, #7B3160 and #892364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #515C55 shade: #535B51, #515B52, #515B55, #515B57 and #515B5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #515C55 shade: #2A302C, #3E4640, #515B55, #647169 and #78877D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #515C55 shade: #515C55, #51565B and #5B5152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #515C55 shade: #515C55, #55515B and #5B5551

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #515C55 shade: #515C55, #51565B, #5B5158 and #5B5751

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #515C55 shade: #515C55, #51535B, #5B5158 and #5B5A51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 8 / 64

HEX #515C55

RGB 81 92 85

HSL 141.82, 0.06%, 0.34%

LAB 37.95, -5.83, 2.57

 

Complementary color

CMYK 0 / 6 / 2 / 32

HEX #AEA3AA

RGB 174 163 170

HSL 321.82, 0.06%, 0.66%

LAB 68.09, 5.26, -2.19

 

CMYK 7 / 0 / 13 / 64

HEX #565C50

RGB 86 92 80

HSL 90, 0.07%, 0.34%

LAB 38.22, -4.86, 6.1

 

CMYK 6 / 0 / 10 / 57

HEX #676E63

RGB 103 110 99

HSL 98.18, 0.05%, 0.41%

LAB 45.55, -4.92, 5.22

 

CMYK 6 / 0 / 8 / 50

HEX #788076

RGB 120 128 118

HSL 108, 0.04%, 0.48%

LAB 52.66, -4.97, 4.4

 

CMYK 6 / 0 / 6 / 43

HEX #899289

RGB 137 146 137

HSL 120, 0.04%, 0.55%

LAB 59.6, -5.03, 3.64

 

CMYK 6 / 0 / 5 / 36

HEX #9AA49C

RGB 154 164 156

HSL 132, 0.05%, 0.62%

LAB 66.38, -5.09, 2.92

 

CMYK 12 / 0 / 8 / 64

HEX #515C55

RGB 81 92 85

HSL 141.82, 0.06%, 0.34%

LAB 37.95, -5.83, 2.57

 

CMYK 14 / 0 / 11 / 71

HEX #404A42

RGB 64 74 66

HSL 132, 0.07%, 0.27%

LAB 30.35, -5.86, 3.42

 

CMYK 16 / 0 / 16 / 78

HEX #2F382F

RGB 47 56 47

HSL 120, 0.09%, 0.2%

LAB 22.44, -5.93, 4.37

 

CMYK 21 / 0 / 26 / 85

HEX #1E261C

RGB 30 38 28

HSL 108, 0.15%, 0.13%

LAB 14.09, -6.05, 5.48

 

CMYK 35 / 0 / 55 / 92

HEX #0D1409

RGB 13 20 9

HSL 98.18, 0.38%, 0.06%

LAB 5.47, -4.51, 4.41

 

CMYK 11 / 0 / 7 / 64

HEX #515B55

RGB 81 91 85

HSL 144, 0.06%, 0.34%

LAB 37.64, -5.23, 2.13

 

CMYK 11 / 0 / 10 / 64

HEX #515B52

RGB 81 91 82

HSL 126, 0.06%, 0.34%

LAB 37.55, -5.87, 3.86

 

CMYK 9 / 0 / 11 / 64

HEX #535B51

RGB 83 91 81

HSL 108, 0.06%, 0.34%

LAB 37.69, -5.28, 4.7

 

CMYK 5 / 0 / 11 / 64

HEX #565B51

RGB 86 91 81

HSL 90, 0.06%, 0.34%

LAB 37.94, -4.07, 5.09

 

CMYK 3 / 0 / 11 / 64

HEX #585B51

RGB 88 91 81

HSL 78, 0.06%, 0.34%

LAB 38.11, -3.25, 5.36

 

CMYK 11 / 0 / 7 / 64

HEX #515B55

RGB 81 91 85

HSL 144, 0.06%, 0.34%

LAB 37.64, -5.23, 2.13

 

CMYK 11 / 0 / 3 / 64

HEX #515B58

RGB 81 91 88

HSL 162, 0.06%, 0.34%

LAB 37.73, -4.57, 0.39

 

CMYK 11 / 0 / 1 / 64

HEX #515B5A

RGB 81 91 90

HSL 174, 0.06%, 0.34%

LAB 37.79, -4.12, -0.76

 

CMYK 11 / 1 / 0 / 64

HEX #515A5B

RGB 81 90 91

HSL 186, 0.06%, 0.34%

LAB 37.51, -3.28, -1.78

 

CMYK 11 / 4 / 0 / 64

HEX #51575B

RGB 81 87 91

HSL 204, 0.06%, 0.34%

LAB 36.6, -1.46, -3.14

 

CMYK 11 / 0 / 7 / 64

HEX #515B55

RGB 81 91 85

HSL 144, 0.06%, 0.34%

LAB 37.64, -5.23, 2.13

 

CMYK 36 / 0 / 23 / 59

HEX #436951

RGB 67 105 81

HSL 142.11, 0.22%, 0.34%

LAB 41.04, -19.23, 9.29

 

CMYK 55 / 0 / 35 / 53

HEX #35774D

RGB 53 119 77

HSL 141.82, 0.38%, 0.34%

LAB 44.92, -31.34, 16.89

 

CMYK 71 / 0 / 45 / 48

HEX #278549

RGB 39 133 73

HSL 141.7, 0.55%, 0.34%

LAB 49.11, -41.31, 24.61

 

CMYK 83 / 0 / 53 / 42

HEX #199445

RGB 25 148 69

HSL 141.46, 0.71%, 0.34%

LAB 53.83, -49.71, 32.62

 

CMYK 11 / 0 / 7 / 64

HEX #515B55

RGB 81 91 85

HSL 144, 0.06%, 0.34%

LAB 37.64, -5.23, 2.13

 

CMYK 0 / 19 / 6 / 63

HEX #5F4D59

RGB 95 77 89

HSL 320, 0.1%, 0.34%

LAB 34.93, 9.86, -4.2

 

CMYK 0 / 42 / 16 / 57

HEX #6D3F5C

RGB 109 63 92

HSL 322.17, 0.27%, 0.34%

LAB 33.09, 24.57, -8.68

 

CMYK 0 / 60 / 22 / 52

HEX #7B3160

RGB 123 49 96

HSL 321.89, 0.43%, 0.34%

LAB 32.37, 37.91, -12.13

 

CMYK 0 / 74 / 27 / 46

HEX #892364

RGB 137 35 100

HSL 321.76, 0.59%, 0.34%

LAB 32.79, 48.75, -13.84

 

CMYK 9 / 0 / 11 / 64

HEX #535B51

RGB 83 91 81

HSL 108, 0.06%, 0.34%

LAB 37.69, -5.28, 4.7

 

CMYK 11 / 0 / 10 / 64

HEX #515B52

RGB 81 91 82

HSL 126, 0.06%, 0.34%

LAB 37.55, -5.87, 3.86

 

CMYK 11 / 0 / 7 / 64

HEX #515B55

RGB 81 91 85

HSL 144, 0.06%, 0.34%

LAB 37.64, -5.23, 2.13

 

CMYK 11 / 0 / 4 / 64

HEX #515B57

RGB 81 91 87

HSL 156, 0.06%, 0.34%

LAB 37.7, -4.79, 0.97

 

CMYK 11 / 0 / 1 / 64

HEX #515B5A

RGB 81 91 90

HSL 174, 0.06%, 0.34%

LAB 37.79, -4.12, -0.76

 

CMYK 13 / 0 / 8 / 81

HEX #2A302C

RGB 42 48 44

HSL 140, 0.07%, 0.18%

LAB 19.17, -3.58, 1.67

 

CMYK 11 / 0 / 9 / 73

HEX #3E4640

RGB 62 70 64

HSL 135, 0.06%, 0.26%

LAB 28.84, -4.65, 2.5

 

CMYK 11 / 0 / 7 / 64

HEX #515B55

RGB 81 91 85

HSL 144, 0.06%, 0.34%

LAB 37.64, -5.23, 2.13

 

CMYK 12 / 0 / 7 / 56

HEX #647169

RGB 100 113 105

HSL 143.08, 0.06%, 0.42%

LAB 46.36, -6.59, 2.78

 

CMYK 11 / 0 / 7 / 47

HEX #78877D

RGB 120 135 125

HSL 140, 0.06%, 0.5%

LAB 54.87, -7.52, 3.52

 

CMYK 12 / 0 / 8 / 64

HEX #515C55

RGB 81 92 85

HSL 141.82, 0.06%, 0.34%

LAB 37.95, -5.83, 2.57

 

CMYK 11 / 5 / 0 / 64

HEX #51565B

RGB 81 86 91

HSL 210, 0.06%, 0.34%

LAB 36.29, -0.84, -3.59

 

CMYK 0 / 11 / 10 / 64

HEX #5B5152

RGB 91 81 82

HSL 354, 0.06%, 0.34%

LAB 35.44, 4.32, 0.91

 

CMYK 12 / 0 / 8 / 64

HEX #515C55

RGB 81 92 85

HSL 141.82, 0.06%, 0.34%

LAB 37.95, -5.83, 2.57

 

CMYK 7 / 11 / 0 / 64

HEX #55515B

RGB 85 81 91

HSL 264, 0.06%, 0.34%

LAB 35.15, 3.81, -5.25

 

CMYK 0 / 7 / 11 / 64

HEX #5B5551

RGB 91 85 81

HSL 24, 0.06%, 0.34%

LAB 36.58, 1.65, 3.2

 

CMYK 12 / 0 / 8 / 64

HEX #515C55

RGB 81 92 85

HSL 141.82, 0.06%, 0.34%

LAB 37.95, -5.83, 2.57

 

CMYK 11 / 5 / 0 / 64

HEX #51565B

RGB 81 86 91

HSL 210, 0.06%, 0.34%

LAB 36.29, -0.84, -3.59

 

CMYK 0 / 11 / 3 / 64

HEX #5B5158

RGB 91 81 88

HSL 318, 0.06%, 0.34%

LAB 35.62, 5.54, -2.59

 

CMYK 0 / 4 / 11 / 64

HEX #5B5751

RGB 91 87 81

HSL 36, 0.06%, 0.34%

LAB 37.18, 0.42, 4.06

 

CMYK 12 / 0 / 8 / 64

HEX #515C55

RGB 81 92 85

HSL 141.82, 0.06%, 0.34%

LAB 37.95, -5.83, 2.57

 

CMYK 11 / 9 / 0 / 64

HEX #51535B

RGB 81 83 91

HSL 228, 0.06%, 0.34%

LAB 35.38, 1.02, -4.93

 

CMYK 0 / 11 / 3 / 64

HEX #5B5158

RGB 91 81 88

HSL 318, 0.06%, 0.34%

LAB 35.62, 5.54, -2.59

 

CMYK 0 / 1 / 11 / 64

HEX #5B5A51

RGB 91 90 81

HSL 54, 0.06%, 0.34%

LAB 38.08, -1.4, 5.34

 

Description

Color code: HEX #515C55 | qconv.com Color code: HEX #515C55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 92 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 92 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 8 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 8% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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