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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #514D66 it is the complementary color #AEB299. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #514D66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #514D66 shade: #564D61, #675F74, #787187, #89839A and #9A95AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #514D66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #514D66 shade: #514D66, #403B53, #2F2940, #1E172D and #0D051A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #514D66 shade: #504C65, #574C65, #5E4C65, #644C65 and #654C5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #514D66 shade: #504C65 and #4C4C65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #514D66 shade matches the following richer shades: #504C65, #463E74, #3D2F82, #332191 and #29129F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #514D66 shade: #504C65, #5A5B57, #646948, #6E783A and #78862B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #514D66 shade: #4C5665, #4C4F65, #504C65, #574C65 and #5D4C65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #514D66 shade: #2B2936, #3E3B4E, #504C65, #635E7D and #767193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #514D66 shade: #514D66, #654C5C and #53654C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #514D66 shade: #514D66, #65504C and #4C6550

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #514D66 shade: #514D66, #654C5C, #61654C and #4C6555

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #514D66 shade: #514D66, #654C55, #61654C and #4C655C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 25 / 0 / 60

HEX #514D66

RGB 81 77 102

HSL 249.6, 0.14%, 0.35%

LAB 34.02, 7.53, -13.92

 

Complementary color

CMYK 2 / 0 / 14 / 30

HEX #AEB299

RGB 174 178 153

HSL 69.6, 0.14%, 0.65%

LAB 71.65, -5.86, 12.31

 

CMYK 11 / 21 / 0 / 62

HEX #564D61

RGB 86 77 97

HSL 267, 0.11%, 0.34%

LAB 34.29, 8.12, -10.3

 

CMYK 11 / 18 / 0 / 55

HEX #675F74

RGB 103 95 116

HSL 262.86, 0.1%, 0.41%

LAB 41.73, 7.69, -10.68

 

CMYK 11 / 16 / 0 / 47

HEX #787187

RGB 120 113 135

HSL 259.09, 0.09%, 0.49%

LAB 48.95, 7.31, -11.07

 

CMYK 11 / 15 / 0 / 40

HEX #89839A

RGB 137 131 154

HSL 255.65, 0.1%, 0.56%

LAB 55.97, 6.97, -11.47

 

CMYK 11 / 14 / 0 / 32

HEX #9A95AD

RGB 154 149 173

HSL 252.5, 0.13%, 0.63%

LAB 62.83, 6.66, -11.87

 

CMYK 21 / 25 / 0 / 60

HEX #514D66

RGB 81 77 102

HSL 249.6, 0.14%, 0.35%

LAB 34.02, 7.53, -13.92

 

CMYK 23 / 29 / 0 / 67

HEX #403B53

RGB 64 59 83

HSL 252.5, 0.17%, 0.28%

LAB 26.28, 8.05, -13.71

 

CMYK 27 / 36 / 0 / 75

HEX #2F2940

RGB 47 41 64

HSL 255.65, 0.22%, 0.21%

LAB 18.19, 8.7, -13.58

 

CMYK 33 / 49 / 0 / 82

HEX #1E172D

RGB 30 23 45

HSL 259.09, 0.32%, 0.13%

LAB 9.63, 9.58, -13.57

 

CMYK 50 / 81 / 0 / 90

HEX #0D051A

RGB 13 5 26

HSL 262.86, 0.68%, 0.06%

LAB 2.43, 6.2, -10.22

 

CMYK 21 / 25 / 0 / 60

HEX #504C65

RGB 80 76 101

HSL 249.6, 0.14%, 0.35%

LAB 33.59, 7.55, -13.94

 

CMYK 14 / 25 / 0 / 60

HEX #574C65

RGB 87 76 101

HSL 266.4, 0.14%, 0.35%

LAB 34.26, 10.1, -12.86

 

CMYK 7 / 25 / 0 / 60

HEX #5E4C65

RGB 94 76 101

HSL 283.2, 0.14%, 0.35%

LAB 34.98, 12.7, -11.7

 

CMYK 1 / 25 / 0 / 60

HEX #644C65

RGB 100 76 101

HSL 297.6, 0.14%, 0.35%

LAB 35.63, 14.97, -10.65

 

CMYK 0 / 25 / 6 / 60

HEX #654C5F

RGB 101 76 95

HSL 314.4, 0.14%, 0.35%

LAB 35.52, 14.1, -7.03

 

CMYK 21 / 25 / 0 / 60

HEX #504C65

RGB 80 76 101

HSL 249.6, 0.14%, 0.35%

LAB 33.59, 7.55, -13.94

 

CMYK 25 / 25 / 0 / 60

HEX #4C4C65

RGB 76 76 101

HSL 240, 0.14%, 0.35%

LAB 33.23, 6.13, -14.53

 

CMYK 21 / 25 / 0 / 60

HEX #504C65

RGB 80 76 101

HSL 249.6, 0.14%, 0.35%

LAB 33.59, 7.55, -13.94

 

CMYK 40 / 47 / 0 / 55

HEX #463E74

RGB 70 62 116

HSL 248.89, 0.3%, 0.35%

LAB 29.43, 17.68, -29.98

 

CMYK 53 / 64 / 0 / 49

HEX #3D2F82

RGB 61 47 130

HSL 250.12, 0.47%, 0.35%

LAB 25.67, 29.66, -44.88

 

CMYK 65 / 77 / 0 / 43

HEX #332191

RGB 51 33 145

HSL 249.64, 0.63%, 0.35%

LAB 23.12, 41.16, -58.45

 

CMYK 74 / 89 / 0 / 38

HEX #29129F

RGB 41 18 159

HSL 249.79, 0.8%, 0.35%

LAB 21.61, 51.3, -69.6

 

CMYK 21 / 25 / 0 / 60

HEX #504C65

RGB 80 76 101

HSL 249.6, 0.14%, 0.35%

LAB 33.59, 7.55, -13.94

 

CMYK 1 / 0 / 4 / 64

HEX #5A5B57

RGB 90 91 87

HSL 75, 0.02%, 0.35%

LAB 38.45, -1.23, 2.16

 

CMYK 5 / 0 / 31 / 59

HEX #646948

RGB 100 105 72

HSL 69.09, 0.19%, 0.35%

LAB 43.18, -7.96, 17.96

 

CMYK 8 / 0 / 52 / 53

HEX #6E783A

RGB 110 120 58

HSL 69.68, 0.35%, 0.35%

LAB 48.33, -13.78, 32.5

 

CMYK 10 / 0 / 68 / 47

HEX #78862B

RGB 120 134 43

HSL 69.23, 0.51%, 0.35%

LAB 53.19, -18.14, 45.35

 

CMYK 25 / 15 / 0 / 60

HEX #4C5665

RGB 76 86 101

HSL 216, 0.14%, 0.35%

LAB 36.24, -0.19, -9.96

 

CMYK 25 / 22 / 0 / 60

HEX #4C4F65

RGB 76 79 101

HSL 232.8, 0.14%, 0.35%

LAB 34.12, 4.21, -13.16

 

CMYK 21 / 25 / 0 / 60

HEX #504C65

RGB 80 76 101

HSL 249.6, 0.14%, 0.35%

LAB 33.59, 7.55, -13.94

 

CMYK 14 / 25 / 0 / 60

HEX #574C65

RGB 87 76 101

HSL 266.4, 0.14%, 0.35%

LAB 34.26, 10.1, -12.86

 

CMYK 8 / 25 / 0 / 60

HEX #5D4C65

RGB 93 76 101

HSL 280.8, 0.14%, 0.35%

LAB 34.87, 12.33, -11.87

 

CMYK 20 / 24 / 0 / 79

HEX #2B2936

RGB 43 41 54

HSL 249.23, 0.14%, 0.19%

LAB 17.3, 4.26, -8.04

 

CMYK 21 / 24 / 0 / 69

HEX #3E3B4E

RGB 62 59 78

HSL 249.47, 0.14%, 0.27%

LAB 25.87, 5.95, -11.07

 

CMYK 21 / 25 / 0 / 60

HEX #504C65

RGB 80 76 101

HSL 249.6, 0.14%, 0.35%

LAB 33.59, 7.55, -13.94

 

CMYK 21 / 25 / 0 / 51

HEX #635E7D

RGB 99 94 125

HSL 249.68, 0.14%, 0.43%

LAB 41.44, 9.05, -16.65

 

CMYK 20 / 23 / 0 / 42

HEX #767193

RGB 118 113 147

HSL 248.82, 0.14%, 0.51%

LAB 49.21, 9.42, -17.78

 

CMYK 21 / 25 / 0 / 60

HEX #514D66

RGB 81 77 102

HSL 249.6, 0.14%, 0.35%

LAB 34.02, 7.53, -13.92

 

CMYK 0 / 25 / 9 / 60

HEX #654C5C

RGB 101 76 92

HSL 321.6, 0.14%, 0.35%

LAB 35.42, 13.5, -5.3

 

CMYK 18 / 0 / 25 / 60

HEX #53654C

RGB 83 101 76

HSL 103.2, 0.14%, 0.35%

LAB 40.68, -12.08, 11.96

 

CMYK 21 / 25 / 0 / 60

HEX #514D66

RGB 81 77 102

HSL 249.6, 0.14%, 0.35%

LAB 34.02, 7.53, -13.92

 

CMYK 0 / 21 / 25 / 60

HEX #65504C

RGB 101 80 76

HSL 9.6, 0.14%, 0.35%

LAB 36.03, 8.08, 5.68

 

CMYK 25 / 0 / 21 / 60

HEX #4C6550

RGB 76 101 80

HSL 129.6, 0.14%, 0.35%

LAB 40.28, -14.02, 8.91

 

CMYK 21 / 25 / 0 / 60

HEX #514D66

RGB 81 77 102

HSL 249.6, 0.14%, 0.35%

LAB 34.02, 7.53, -13.92

 

CMYK 0 / 25 / 9 / 60

HEX #654C5C

RGB 101 76 92

HSL 321.6, 0.14%, 0.35%

LAB 35.42, 13.5, -5.3

 

CMYK 4 / 0 / 25 / 60

HEX #61654C

RGB 97 101 76

HSL 69.6, 0.14%, 0.35%

LAB 41.8, -6.3, 13.67

 

CMYK 25 / 0 / 16 / 60

HEX #4C6555

RGB 76 101 85

HSL 141.6, 0.14%, 0.35%

LAB 40.41, -12.96, 6.06

 

CMYK 21 / 25 / 0 / 60

HEX #514D66

RGB 81 77 102

HSL 249.6, 0.14%, 0.35%

LAB 34.02, 7.53, -13.92

 

CMYK 0 / 25 / 16 / 60

HEX #654C55

RGB 101 76 85

HSL 338.4, 0.14%, 0.35%

LAB 35.19, 12.15, -1.22

 

CMYK 4 / 0 / 25 / 60

HEX #61654C

RGB 97 101 76

HSL 69.6, 0.14%, 0.35%

LAB 41.8, -6.3, 13.67

 

CMYK 25 / 0 / 9 / 60

HEX #4C655C

RGB 76 101 92

HSL 158.4, 0.14%, 0.35%

LAB 40.6, -11.39, 2.06

 

Description

Color code: HEX #514D66 | qconv.com Color code: HEX #514D66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 77 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 77 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 25 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 25% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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