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Color name
HEX #51108C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51108C it is the complementary color #AEEF73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51108C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51108C shade: #561087, #67229A, #7834AD, #8946C0 and #9A58D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51108C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51108C shade: #51108C, #400079, #2F0066, #1E0053 and #0D0040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51108C shade: #52108D, #73108D, #8D1085, #8D1063 and #8D1042

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51108C shade: #52108D, #30108D and #10108D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51108C shade matches the following richer shades: #52108D and #52039A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51108C shade: #52108D, #511D80, #502A73, #503667 and #4F435A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51108C shade: #10128D, #2F108D, #51108D, #72108D and #8D1087

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51108C shade: #270743, #3C0C68, #52108D, #6714B2 and #7C19D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51108C shade: #51108C, #8D1033 and #108D1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51108C shade: #51108C, #8D5110 and #108D51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51108C shade: #51108C, #8D1033, #4C8D10 and #108D6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51108C shade: #51108C, #8D1210, #4C8D10 and #108B8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 89 / 0 / 45

HEX #51108C

RGB 81 16 140

HSL 271.45, 0.79%, 0.31%

LAB 23.72, 50.75, -54.23

 

Complementary color

CMYK 27 / 0 / 52 / 6

HEX #AEEF73

RGB 174 239 115

HSL 91.45, 0.79%, 0.69%

LAB 87.95, -40.67, 52.96

 

CMYK 36 / 88 / 0 / 47

HEX #561087

RGB 86 16 135

HSL 275.29, 0.79%, 0.3%

LAB 23.99, 50.3, -50.62

 

CMYK 33 / 78 / 0 / 40

HEX #67229A

RGB 103 34 154

HSL 274.5, 0.64%, 0.37%

LAB 30.3, 51.23, -51.97

 

CMYK 31 / 70 / 0 / 32

HEX #7834AD

RGB 120 52 173

HSL 273.72, 0.54%, 0.44%

LAB 36.87, 51.14, -52.67

 

CMYK 29 / 64 / 0 / 25

HEX #8946C0

RGB 137 70 192

HSL 272.95, 0.49%, 0.51%

LAB 43.51, 50.57, -53.03

 

CMYK 27 / 58 / 0 / 17

HEX #9A58D3

RGB 154 88 211

HSL 272.2, 0.58%, 0.59%

LAB 50.16, 49.78, -53.21

 

CMYK 42 / 89 / 0 / 45

HEX #51108C

RGB 81 16 140

HSL 271.45, 0.79%, 0.31%

LAB 23.72, 50.75, -54.23

 

CMYK 47 / 100 / 0 / 53

HEX #400079

RGB 64 0 121

HSL 271.74, 1%, 0.24%

LAB 17.78, 48.54, -52.07

 

CMYK 54 / 100 / 0 / 60

HEX #2F0066

RGB 47 0 102

HSL 267.65, 1%, 0.2%

LAB 13.01, 42.43, -47.67

 

CMYK 64 / 100 / 0 / 67

HEX #1E0053

RGB 30 0 83

HSL 261.69, 1%, 0.16%

LAB 8.13, 36.2, -43.01

 

CMYK 80 / 100 / 0 / 75

HEX #0D0040

RGB 13 0 64

HSL 252.19, 1%, 0.13%

LAB 4.12, 26.09, -36.36

 

CMYK 42 / 89 / 0 / 45

HEX #52108D

RGB 82 16 141

HSL 271.68, 0.8%, 0.31%

LAB 23.96, 51.12, -54.45

 

CMYK 18 / 89 / 0 / 45

HEX #73108D

RGB 115 16 141

HSL 287.52, 0.8%, 0.31%

LAB 29.26, 56.2, -45.59

 

CMYK 0 / 89 / 6 / 45

HEX #8D1085

RGB 141 16 133

HSL 303.84, 0.8%, 0.31%

LAB 33.41, 59.64, -33.7

 

CMYK 0 / 89 / 30 / 45

HEX #8D1063

RGB 141 16 99

HSL 320.16, 0.8%, 0.31%

LAB 31.66, 54.96, -14.87

 

CMYK 0 / 89 / 53 / 45

HEX #8D1042

RGB 141 16 66

HSL 336, 0.8%, 0.31%

LAB 30.46, 51.62, 5.06

 

CMYK 42 / 89 / 0 / 45

HEX #52108D

RGB 82 16 141

HSL 271.68, 0.8%, 0.31%

LAB 23.96, 51.12, -54.45

 

CMYK 66 / 89 / 0 / 45

HEX #30108D

RGB 48 16 141

HSL 255.36, 0.8%, 0.31%

LAB 19.73, 47.4, -61.57

 

CMYK 89 / 89 / 0 / 45

HEX #10108D

RGB 16 16 141

HSL 240, 0.8%, 0.31%

LAB 17.48, 45.59, -65.38

 

CMYK 42 / 89 / 0 / 45

HEX #52108D

RGB 82 16 141

HSL 271.68, 0.8%, 0.31%

LAB 23.96, 51.12, -54.45

 

CMYK 47 / 98 / 0 / 40

HEX #52039A

RGB 82 3 154

HSL 271.39, 0.96%, 0.31%

LAB 24.3, 57.08, -61.94

 

CMYK 42 / 89 / 0 / 45

HEX #52108D

RGB 82 16 141

HSL 271.68, 0.8%, 0.31%

LAB 23.96, 51.12, -54.45

 

CMYK 37 / 77 / 0 / 50

HEX #511D80

RGB 81 29 128

HSL 271.52, 0.63%, 0.31%

LAB 24.28, 43, -45.78

 

CMYK 30 / 63 / 0 / 55

HEX #502A73

RGB 80 42 115

HSL 271.23, 0.46%, 0.31%

LAB 25.56, 32.72, -35.46

 

CMYK 22 / 48 / 0 / 60

HEX #503667

RGB 80 54 103

HSL 271.84, 0.31%, 0.31%

LAB 27.64, 22.25, -24.46

 

CMYK 12 / 26 / 0 / 65

HEX #4F435A

RGB 79 67 90

HSL 271.3, 0.15%, 0.31%

LAB 30.44, 10.2, -11.76

 

CMYK 89 / 87 / 0 / 45

HEX #10128D

RGB 16 18 141

HSL 239.04, 0.8%, 0.31%

LAB 17.76, 44.74, -64.9

 

CMYK 67 / 89 / 0 / 45

HEX #2F108D

RGB 47 16 141

HSL 254.88, 0.8%, 0.31%

LAB 19.63, 47.32, -61.74

 

CMYK 43 / 89 / 0 / 45

HEX #51108D

RGB 81 16 141

HSL 271.2, 0.8%, 0.31%

LAB 23.81, 50.99, -54.7

 

CMYK 19 / 89 / 0 / 45

HEX #72108D

RGB 114 16 141

HSL 287.04, 0.8%, 0.31%

LAB 29.08, 56.03, -45.87

 

CMYK 0 / 89 / 4 / 45

HEX #8D1087

RGB 141 16 135

HSL 302.88, 0.8%, 0.31%

LAB 33.53, 59.95, -34.76

 

CMYK 42 / 90 / 0 / 74

HEX #270743

RGB 39 7 67

HSL 272, 0.81%, 0.15%

LAB 8.9, 29, -30.56

 

CMYK 42 / 88 / 0 / 59

HEX #3C0C68

RGB 60 12 104

HSL 271.3, 0.79%, 0.23%

LAB 16.62, 40.21, -42.97

 

CMYK 42 / 89 / 0 / 45

HEX #52108D

RGB 82 16 141

HSL 271.68, 0.8%, 0.31%

LAB 23.96, 51.12, -54.45

 

CMYK 42 / 89 / 0 / 30

HEX #6714B2

RGB 103 20 178

HSL 271.52, 0.8%, 0.39%

LAB 30.87, 61.25, -65.53

 

CMYK 42 / 88 / 0 / 16

HEX #7C19D7

RGB 124 25 215

HSL 271.26, 0.79%, 0.47%

LAB 37.64, 70.71, -76

 

CMYK 42 / 89 / 0 / 45

HEX #51108C

RGB 81 16 140

HSL 271.45, 0.79%, 0.31%

LAB 23.72, 50.75, -54.23

 

CMYK 0 / 89 / 64 / 45

HEX #8D1033

RGB 141 16 51

HSL 343.2, 0.8%, 0.31%

LAB 30.09, 50.54, 14.55

 

CMYK 89 / 0 / 78 / 45

HEX #108D1F

RGB 16 141 31

HSL 127.2, 0.8%, 0.31%

LAB 50.99, -52.81, 46.41

 

CMYK 42 / 89 / 0 / 45

HEX #51108C

RGB 81 16 140

HSL 271.45, 0.79%, 0.31%

LAB 23.72, 50.75, -54.23

 

CMYK 0 / 43 / 89 / 45

HEX #8D5110

RGB 141 81 16

HSL 31.2, 0.8%, 0.31%

LAB 40.55, 20.44, 44.84

 

CMYK 89 / 0 / 43 / 45

HEX #108D51

RGB 16 141 81

HSL 151.2, 0.8%, 0.31%

LAB 51.56, -45.89, 23.31

 

CMYK 42 / 89 / 0 / 45

HEX #51108C

RGB 81 16 140

HSL 271.45, 0.79%, 0.31%

LAB 23.72, 50.75, -54.23

 

CMYK 0 / 89 / 64 / 45

HEX #8D1033

RGB 141 16 51

HSL 343.2, 0.8%, 0.31%

LAB 30.09, 50.54, 14.55

 

CMYK 46 / 0 / 89 / 45

HEX #4C8D10

RGB 76 141 16

HSL 91.2, 0.8%, 0.31%

LAB 52.54, -40.47, 52.77

 

CMYK 89 / 0 / 25 / 45

HEX #108D6A

RGB 16 141 106

HSL 163.2, 0.8%, 0.31%

LAB 52.06, -40.2, 9.9

 

CMYK 42 / 89 / 0 / 45

HEX #51108C

RGB 81 16 140

HSL 271.45, 0.79%, 0.31%

LAB 23.72, 50.75, -54.23

 

CMYK 0 / 87 / 89 / 45

HEX #8D1210

RGB 141 18 16

HSL 0.96, 0.8%, 0.31%

LAB 29.74, 48.64, 35.92

 

CMYK 46 / 0 / 89 / 45

HEX #4C8D10

RGB 76 141 16

HSL 91.2, 0.8%, 0.31%

LAB 52.54, -40.47, 52.77

 

CMYK 89 / 1 / 0 / 45

HEX #108B8D

RGB 16 139 141

HSL 180.96, 0.8%, 0.31%

LAB 52.4, -29.17, -9.87

 

Description

Color code: HEX #51108C | qconv.com Color code: HEX #51108C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 16 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 16 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 89 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 89% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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