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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5119AD it is the complementary color #AEE652. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5119AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5119AD shade: #5619A8, #672BBB, #783DCE, #894FE1 and #9A61F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5119AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5119AD shade: #5119AD, #40079A, #2F0087, #1E0074 and #0D0061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5119AD shade: #5118AE, #7918AE, #A118AE, #AE1892 and #AE1869

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5119AD shade: #5118AE, #2918AE and #1818AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5119AD shade matches the following richer shades: #5118AE and #4D08BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5119AD shade: #5118AE, #55289D, #59398D, #5D497D and #60596D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5119AD shade: #1831AE, #2718AE, #4F18AE, #7718AE and #9F18AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5119AD shade: #2F0E65, #401389, #5118AE, #621ED2 and #7736E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5119AD shade: #5119AD, #AE1859 and #1DAE18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5119AD shade: #5119AD, #AE4F18 and #18AE4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5119AD shade: #5119AD, #AE1859, #77AE18 and #18AE6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5119AD shade: #5119AD, #AE182C, #77AE18 and #18AE9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 86 / 0 / 32

HEX #5119AD

RGB 81 25 173

HSL 262.7, 0.75%, 0.39%

LAB 28.01, 56.03, -67.35

 

Complementary color

CMYK 24 / 0 / 64 / 10

HEX #AEE652

RGB 174 230 82

HSL 82.7, 0.75%, 0.61%

LAB 85.1, -39.61, 64

 

CMYK 49 / 85 / 0 / 34

HEX #5619A8

RGB 86 25 168

HSL 265.59, 0.74%, 0.38%

LAB 28.12, 55.36, -64.15

 

CMYK 45 / 77 / 0 / 27

HEX #672BBB

RGB 103 43 187

HSL 265, 0.63%, 0.45%

LAB 34.39, 55.52, -65.1

 

CMYK 42 / 70 / 0 / 19

HEX #783DCE

RGB 120 61 206

HSL 264.41, 0.6%, 0.52%

LAB 40.88, 54.97, -65.53

 

CMYK 39 / 65 / 0 / 12

HEX #894FE1

RGB 137 79 225

HSL 263.84, 0.71%, 0.6%

LAB 47.43, 54.09, -65.68

 

CMYK 37 / 60 / 0 / 4

HEX #9A61F4

RGB 154 97 244

HSL 263.27, 0.87%, 0.67%

LAB 53.98, 53.08, -65.68

 

CMYK 53 / 86 / 0 / 32

HEX #5119AD

RGB 81 25 173

HSL 262.7, 0.75%, 0.39%

LAB 28.01, 56.03, -67.35

 

CMYK 58 / 95 / 0 / 40

HEX #40079A

RGB 64 7 154

HSL 263.27, 0.91%, 0.32%

LAB 22.21, 54.62, -65.46

 

CMYK 65 / 100 / 0 / 47

HEX #2F0087

RGB 47 0 135

HSL 260.89, 1%, 0.26%

LAB 17.24, 50.64, -61.94

 

CMYK 74 / 100 / 0 / 55

HEX #1E0074

RGB 30 0 116

HSL 255.52, 1%, 0.23%

LAB 12.84, 44.95, -57.17

 

CMYK 87 / 100 / 0 / 62

HEX #0D0061

RGB 13 0 97

HSL 248.04, 1%, 0.19%

LAB 8.56, 39.27, -51.84

 

CMYK 53 / 86 / 0 / 32

HEX #5118AE

RGB 81 24 174

HSL 262.8, 0.76%, 0.39%

LAB 28, 56.62, -67.97

 

CMYK 30 / 86 / 0 / 32

HEX #7918AE

RGB 121 24 174

HSL 278.8, 0.76%, 0.39%

LAB 33.51, 61.82, -58.72

 

CMYK 7 / 86 / 0 / 32

HEX #A118AE

RGB 161 24 174

HSL 294.8, 0.76%, 0.39%

LAB 40.06, 68.42, -47.8

 

CMYK 0 / 86 / 16 / 32

HEX #AE1892

RGB 174 24 146

HSL 311.2, 0.76%, 0.39%

LAB 40.78, 66.71, -29.66

 

CMYK 0 / 86 / 40 / 32

HEX #AE1869

RGB 174 24 105

HSL 327.6, 0.76%, 0.39%

LAB 39.02, 61.87, -6.92

 

CMYK 53 / 86 / 0 / 32

HEX #5118AE

RGB 81 24 174

HSL 262.8, 0.76%, 0.39%

LAB 28, 56.62, -67.97

 

CMYK 76 / 86 / 0 / 32

HEX #2918AE

RGB 41 24 174

HSL 246.8, 0.76%, 0.39%

LAB 24.26, 53.35, -74.28

 

CMYK 86 / 86 / 0 / 32

HEX #1818AE

RGB 24 24 174

HSL 240, 0.76%, 0.39%

LAB 23.35, 52.6, -75.82

 

CMYK 53 / 86 / 0 / 32

HEX #5118AE

RGB 81 24 174

HSL 262.8, 0.76%, 0.39%

LAB 28, 56.62, -67.97

 

CMYK 59 / 96 / 0 / 25

HEX #4D08BE

RGB 77 8 190

HSL 262.75, 0.92%, 0.39%

LAB 28.03, 64.08, -77.47

 

CMYK 53 / 86 / 0 / 32

HEX #5118AE

RGB 81 24 174

HSL 262.8, 0.76%, 0.39%

LAB 28, 56.62, -67.97

 

CMYK 46 / 75 / 0 / 38

HEX #55289D

RGB 85 40 157

HSL 263.08, 0.59%, 0.39%

LAB 29.12, 46.14, -55.84

 

CMYK 37 / 60 / 0 / 45

HEX #59398D

RGB 89 57 141

HSL 262.86, 0.42%, 0.39%

LAB 31.75, 33.28, -41.76

 

CMYK 26 / 42 / 0 / 51

HEX #5D497D

RGB 93 73 125

HSL 263.08, 0.26%, 0.39%

LAB 35.15, 20.19, -26.44

 

CMYK 12 / 18 / 0 / 57

HEX #60596D

RGB 96 89 109

HSL 261, 0.1%, 0.39%

LAB 39.13, 7.18, -10.38

 

CMYK 86 / 72 / 0 / 32

HEX #1831AE

RGB 24 49 174

HSL 230, 0.76%, 0.39%

LAB 27.97, 39.33, -68.16

 

CMYK 78 / 86 / 0 / 32

HEX #2718AE

RGB 39 24 174

HSL 246, 0.76%, 0.39%

LAB 24.13, 53.25, -74.5

 

CMYK 55 / 86 / 0 / 32

HEX #4F18AE

RGB 79 24 174

HSL 262, 0.76%, 0.39%

LAB 27.77, 56.41, -68.36

 

CMYK 32 / 86 / 0 / 32

HEX #7718AE

RGB 119 24 174

HSL 278, 0.76%, 0.39%

LAB 33.2, 61.53, -59.23

 

CMYK 9 / 86 / 0 / 32

HEX #9F18AE

RGB 159 24 174

HSL 294, 0.76%, 0.39%

LAB 39.72, 68.07, -48.37

 

CMYK 53 / 86 / 0 / 60

HEX #2F0E65

RGB 47 14 101

HSL 262.76, 0.76%, 0.23%

LAB 14.72, 36.69, -44.17

 

CMYK 53 / 86 / 0 / 46

HEX #401389

RGB 64 19 137

HSL 262.88, 0.76%, 0.31%

LAB 21.44, 46.83, -56.19

 

CMYK 53 / 86 / 0 / 32

HEX #5118AE

RGB 81 24 174

HSL 262.8, 0.76%, 0.39%

LAB 28, 56.62, -67.97

 

CMYK 53 / 86 / 0 / 18

HEX #621ED2

RGB 98 30 210

HSL 262.67, 0.75%, 0.47%

LAB 34.35, 65.42, -78.64

 

CMYK 47 / 76 / 0 / 11

HEX #7736E2

RGB 119 54 226

HSL 262.67, 0.75%, 0.55%

LAB 41.3, 63.04, -76.32

 

CMYK 53 / 86 / 0 / 32

HEX #5119AD

RGB 81 25 173

HSL 262.7, 0.75%, 0.39%

LAB 28.01, 56.03, -67.35

 

CMYK 0 / 86 / 49 / 32

HEX #AE1859

RGB 174 24 89

HSL 334, 0.76%, 0.39%

LAB 38.5, 60.39, 2.49

 

CMYK 83 / 0 / 86 / 32

HEX #1DAE18

RGB 29 174 24

HSL 118, 0.76%, 0.39%

LAB 62.17, -61.96, 58.93

 

CMYK 53 / 86 / 0 / 32

HEX #5119AD

RGB 81 25 173

HSL 262.7, 0.75%, 0.39%

LAB 28.01, 56.03, -67.35

 

CMYK 0 / 55 / 86 / 32

HEX #AE4F18

RGB 174 79 24

HSL 22, 0.76%, 0.39%

LAB 45.16, 35.82, 47.73

 

CMYK 86 / 0 / 55 / 32

HEX #18AE4F

RGB 24 174 79

HSL 142, 0.76%, 0.39%

LAB 62.53, -57.21, 38.21

 

CMYK 53 / 86 / 0 / 32

HEX #5119AD

RGB 81 25 173

HSL 262.7, 0.75%, 0.39%

LAB 28.01, 56.03, -67.35

 

CMYK 0 / 86 / 49 / 32

HEX #AE1859

RGB 174 24 89

HSL 334, 0.76%, 0.39%

LAB 38.5, 60.39, 2.49

 

CMYK 32 / 0 / 86 / 32

HEX #77AE18

RGB 119 174 24

HSL 82, 0.76%, 0.39%

LAB 65.17, -38.7, 62.71

 

CMYK 86 / 0 / 37 / 32

HEX #18AE6D

RGB 24 174 109

HSL 154, 0.76%, 0.39%

LAB 62.99, -51.88, 23.26

 

CMYK 53 / 86 / 0 / 32

HEX #5119AD

RGB 81 25 173

HSL 262.7, 0.75%, 0.39%

LAB 28.01, 56.03, -67.35

 

CMYK 0 / 86 / 75 / 32

HEX #AE182C

RGB 174 24 44

HSL 352, 0.76%, 0.39%

LAB 37.54, 57.6, 29.83

 

CMYK 32 / 0 / 86 / 32

HEX #77AE18

RGB 119 174 24

HSL 82, 0.76%, 0.39%

LAB 65.17, -38.7, 62.71

 

CMYK 86 / 0 / 11 / 32

HEX #18AE9A

RGB 24 174 154

HSL 172, 0.76%, 0.39%

LAB 64, -40.9, -0.08

 

Description

Color code: HEX #5119AD | qconv.com Color code: HEX #5119AD | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 25 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 25 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 86 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 86% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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