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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #511853 it is the complementary color #AEE7AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #511853. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #511853 shade: #56184E, #672A61, #783C74, #894E87 and #9A609A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #511853. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #511853 shade: #511853, #400640, #2F002D, #1E001A and #0D0007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #511853 shade: #511853, #531845, #531835, #531825 and #531818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #511853 shade: #511853, #411853, #311853, #211853 and #181853

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #511853 shade matches the following richer shades: #511853, #590F5B and #610664

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #511853 shade: #511853, #48204A, #402941, #383239 and #303A30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #511853 shade: #301853, #401853, #501853, #531846 and #531836

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #511853 shade: #120513, #310E33, #511853, #702172 and #8F2A92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #511853 shade: #511853, #532018 and #185338

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #511853 shade: #511853, #535018 and #185350

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #511853 shade: #511853, #532018, #1B5318 and #184A53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #511853 shade: #511853, #533218, #1B5318 and #183853

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 71 / 0 / 67

HEX #511853

RGB 81 24 83

HSL 297.97, 0.55%, 0.21%

LAB 20.15, 34.97, -23.11

 

Complementary color

CMYK 25 / 0 / 26 / 9

HEX #AEE7AC

RGB 174 231 172

HSL 117.97, 0.55%, 0.79%

LAB 86.57, -29.33, 23

 

CMYK 0 / 72 / 9 / 66

HEX #56184E

RGB 86 24 78

HSL 307.74, 0.56%, 0.22%

LAB 20.76, 35.42, -18.72

 

CMYK 0 / 59 / 6 / 60

HEX #672A61

RGB 103 42 97

HSL 305.9, 0.42%, 0.28%

LAB 27.85, 35.27, -20.01

 

CMYK 0 / 50 / 3 / 53

HEX #783C74

RGB 120 60 116

HSL 304, 0.33%, 0.35%

LAB 34.97, 34.65, -20.86

 

CMYK 0 / 43 / 1 / 46

HEX #894E87

RGB 137 78 135

HSL 302.03, 0.27%, 0.42%

LAB 42.03, 33.87, -21.47

 

CMYK 0 / 38 / 0 / 40

HEX #9A609A

RGB 154 96 154

HSL 300, 0.23%, 0.49%

LAB 48.97, 33.08, -21.96

 

CMYK 2 / 71 / 0 / 67

HEX #511853

RGB 81 24 83

HSL 297.97, 0.55%, 0.21%

LAB 20.15, 34.97, -23.11

 

CMYK 0 / 91 / 0 / 75

HEX #400640

RGB 64 6 64

HSL 300, 0.83%, 0.14%

LAB 13.17, 34.1, -21.29

 

CMYK 0 / 100 / 4 / 82

HEX #2F002D

RGB 47 0 45

HSL 302.55, 1%, 0.09%

LAB 7.17, 29.49, -17.27

 

CMYK 0 / 100 / 13 / 88

HEX #1E001A

RGB 30 0 26

HSL 308, 1%, 0.06%

LAB 3.17, 15.92, -8.93

 

CMYK 0 / 100 / 46 / 95

HEX #0D0007

RGB 13 0 7

HSL 327.69, 1%, 0.03%

LAB 0.91, 4.44, -1.43

 

CMYK 2 / 71 / 0 / 67

HEX #511853

RGB 81 24 83

HSL 297.97, 0.55%, 0.21%

LAB 20.15, 34.97, -23.11

 

CMYK 0 / 71 / 17 / 67

HEX #531845

RGB 83 24 69

HSL 314.24, 0.55%, 0.21%

LAB 19.73, 32.95, -14.22

 

CMYK 0 / 71 / 36 / 67

HEX #531835

RGB 83 24 53

HSL 330.51, 0.55%, 0.21%

LAB 19.01, 30.46, -4.18

 

CMYK 0 / 71 / 55 / 67

HEX #531825

RGB 83 24 37

HSL 346.78, 0.55%, 0.21%

LAB 18.48, 28.55, 6.38

 

CMYK 0 / 71 / 71 / 67

HEX #531818

RGB 83 24 24

HSL 0, 0.55%, 0.21%

LAB 18.18, 27.44, 15.13

 

CMYK 2 / 71 / 0 / 67

HEX #511853

RGB 81 24 83

HSL 297.97, 0.55%, 0.21%

LAB 20.15, 34.97, -23.11

 

CMYK 22 / 71 / 0 / 67

HEX #411853

RGB 65 24 83

HSL 281.69, 0.55%, 0.21%

LAB 17.47, 30.64, -27.55

 

CMYK 41 / 71 / 0 / 67

HEX #311853

RGB 49 24 83

HSL 265.42, 0.55%, 0.21%

LAB 15.12, 26.55, -31.45

 

CMYK 60 / 71 / 0 / 67

HEX #211853

RGB 33 24 83

HSL 249.15, 0.55%, 0.21%

LAB 13.24, 22.98, -34.6

 

CMYK 71 / 71 / 0 / 67

HEX #181853

RGB 24 24 83

HSL 240, 0.55%, 0.21%

LAB 12.43, 21.34, -35.95

 

CMYK 2 / 71 / 0 / 67

HEX #511853

RGB 81 24 83

HSL 297.97, 0.55%, 0.21%

LAB 20.15, 34.97, -23.11

 

CMYK 2 / 84 / 0 / 64

HEX #590F5B

RGB 89 15 91

HSL 298.42, 0.72%, 0.21%

LAB 20.91, 41.96, -27.18

 

CMYK 3 / 94 / 0 / 61

HEX #610664

RGB 97 6 100

HSL 298.09, 0.89%, 0.21%

LAB 22.27, 47.52, -30.86

 

CMYK 2 / 71 / 0 / 67

HEX #511853

RGB 81 24 83

HSL 297.97, 0.55%, 0.21%

LAB 20.15, 34.97, -23.11

 

CMYK 3 / 57 / 0 / 71

HEX #48204A

RGB 72 32 74

HSL 297.14, 0.4%, 0.21%

LAB 19.66, 26.16, -17.89

 

CMYK 2 / 37 / 0 / 75

HEX #402941

RGB 64 41 65

HSL 297.5, 0.23%, 0.21%

LAB 20.27, 15.54, -10.89

 

CMYK 2 / 12 / 0 / 78

HEX #383239

RGB 56 50 57

HSL 291.43, 0.07%, 0.21%

LAB 21.64, 4.25, -3.45

 

CMYK 17 / 0 / 17 / 77

HEX #303A30

RGB 48 58 48

HSL 120, 0.09%, 0.21%

LAB 23.23, -6.55, 4.84

 

CMYK 42 / 71 / 0 / 67

HEX #301853

RGB 48 24 83

HSL 264.41, 0.55%, 0.21%

LAB 14.99, 26.31, -31.67

 

CMYK 23 / 71 / 0 / 67

HEX #401853

RGB 64 24 83

HSL 280.68, 0.55%, 0.21%

LAB 17.31, 30.37, -27.81

 

CMYK 4 / 71 / 0 / 67

HEX #501853

RGB 80 24 83

HSL 296.95, 0.55%, 0.21%

LAB 19.98, 34.69, -23.4

 

CMYK 0 / 71 / 16 / 67

HEX #531846

RGB 83 24 70

HSL 313.22, 0.55%, 0.21%

LAB 19.78, 33.12, -14.83

 

CMYK 0 / 71 / 35 / 67

HEX #531836

RGB 83 24 54

HSL 329.49, 0.55%, 0.21%

LAB 19.05, 30.6, -4.83

 

CMYK 5 / 74 / 0 / 93

HEX #120513

RGB 18 5 19

HSL 295.71, 0.58%, 0.05%

LAB 2.57, 6.19, -4.85

 

CMYK 4 / 73 / 0 / 80

HEX #310E33

RGB 49 14 51

HSL 296.76, 0.57%, 0.13%

LAB 10.6, 23.86, -16.23

 

CMYK 2 / 71 / 0 / 67

HEX #511853

RGB 81 24 83

HSL 297.97, 0.55%, 0.21%

LAB 20.15, 34.97, -23.11

 

CMYK 2 / 71 / 0 / 55

HEX #702172

RGB 112 33 114

HSL 298.52, 0.55%, 0.29%

LAB 28.77, 45.14, -29.42

 

CMYK 2 / 71 / 0 / 43

HEX #8F2A92

RGB 143 42 146

HSL 298.27, 0.55%, 0.37%

LAB 37.06, 54.89, -35.89

 

CMYK 2 / 71 / 0 / 67

HEX #511853

RGB 81 24 83

HSL 297.97, 0.55%, 0.21%

LAB 20.15, 34.97, -23.11

 

CMYK 0 / 61 / 71 / 67

HEX #532018

RGB 83 32 24

HSL 8.14, 0.55%, 0.21%

LAB 19.79, 23.17, 17.12

 

CMYK 71 / 0 / 33 / 67

HEX #185338

RGB 24 83 56

HSL 152.54, 0.55%, 0.21%

LAB 31.03, -26.19, 10.41

 

CMYK 2 / 71 / 0 / 67

HEX #511853

RGB 81 24 83

HSL 297.97, 0.55%, 0.21%

LAB 20.15, 34.97, -23.11

 

CMYK 0 / 4 / 71 / 67

HEX #535018

RGB 83 80 24

HSL 56.95, 0.55%, 0.21%

LAB 33.23, -6.66, 32.18

 

CMYK 71 / 0 / 4 / 67

HEX #185350

RGB 24 83 80

HSL 176.95, 0.55%, 0.21%

LAB 31.72, -19.35, -3.79

 

CMYK 2 / 71 / 0 / 67

HEX #511853

RGB 81 24 83

HSL 297.97, 0.55%, 0.21%

LAB 20.15, 34.97, -23.11

 

CMYK 0 / 61 / 71 / 67

HEX #532018

RGB 83 32 24

HSL 8.14, 0.55%, 0.21%

LAB 19.79, 23.17, 17.12

 

CMYK 67 / 0 / 71 / 67

HEX #1B5318

RGB 27 83 24

HSL 116.95, 0.55%, 0.21%

LAB 30.61, -31.28, 28.29

 

CMYK 71 / 11 / 0 / 67

HEX #184A53

RGB 24 74 83

HSL 189.15, 0.55%, 0.21%

LAB 28.69, -13.26, -10.26

 

CMYK 2 / 71 / 0 / 67

HEX #511853

RGB 81 24 83

HSL 297.97, 0.55%, 0.21%

LAB 20.15, 34.97, -23.11

 

CMYK 0 / 40 / 71 / 67

HEX #533218

RGB 83 50 24

HSL 26.44, 0.55%, 0.21%

LAB 24.28, 12.13, 22.42

 

CMYK 67 / 0 / 71 / 67

HEX #1B5318

RGB 27 83 24

HSL 116.95, 0.55%, 0.21%

LAB 30.61, -31.28, 28.29

 

CMYK 71 / 33 / 0 / 67

HEX #183853

RGB 24 56 83

HSL 207.46, 0.55%, 0.21%

LAB 22.47, -1.84, -19.85

 

Description

Color code: HEX #511853 | qconv.com Color code: HEX #511853 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 24 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 24 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 71 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 71% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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