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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51143D it is the complementary color #AEEBC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51143D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51143D shade: #561438, #67264B, #78385E, #894A71 and #9A5C84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51143D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51143D shade: #51143D, #40022A, #2F0017, #1E0004 and #0D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51143D shade: #51143D, #51142D, #51141C and #511414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51143D shade: #51143D, #51144E, #441451, #341451 and #231451

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51143D shade matches the following richer shades: #51143D, #590C40 and #620343

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51143D shade: #51143D, #491C3A, #412437, #382D35 and #303532

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51143D shade: #441451, #51144E, #51143E, #51142D and #51141D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51143D shade: #0F030B, #300C24, #51143D, #721C56 and #93246F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51143D shade: #51143D, #513414 and #14514C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51143D shade: #51143D, #3E5114 and #143E51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51143D shade: #51143D, #513414, #145127 and #143151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51143D shade: #51143D, #514614, #145127 and #141F51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 25 / 68

HEX #51143D

RGB 81 20 61

HSL 319.67, 0.6%, 0.2%

LAB 18.31, 32.82, -10.9

 

Complementary color

CMYK 26 / 0 / 17 / 8

HEX #AEEBC2

RGB 174 235 194

HSL 139.67, 0.6%, 0.8%

LAB 88.12, -27.38, 13.75

 

CMYK 0 / 77 / 35 / 66

HEX #561438

RGB 86 20 56

HSL 327.27, 0.62%, 0.21%

LAB 19.07, 33.66, -6.13

 

CMYK 0 / 63 / 27 / 60

HEX #67264B

RGB 103 38 75

HSL 325.85, 0.46%, 0.28%

LAB 26.09, 33.57, -8.23

 

CMYK 0 / 53 / 22 / 53

HEX #78385E

RGB 120 56 94

HSL 324.38, 0.36%, 0.35%

LAB 33.2, 32.92, -9.64

 

CMYK 0 / 46 / 18 / 46

HEX #894A71

RGB 137 74 113

HSL 322.86, 0.3%, 0.41%

LAB 40.26, 32.11, -10.68

 

CMYK 0 / 40 / 14 / 40

HEX #9A5C84

RGB 154 92 132

HSL 321.29, 0.25%, 0.48%

LAB 47.22, 31.28, -11.52

 

CMYK 0 / 75 / 25 / 68

HEX #51143D

RGB 81 20 61

HSL 319.67, 0.6%, 0.2%

LAB 18.31, 32.82, -10.9

 

CMYK 0 / 97 / 34 / 75

HEX #40022A

RGB 64 2 42

HSL 321.29, 0.94%, 0.13%

LAB 11.28, 32.18, -8.31

 

CMYK 0 / 100 / 51 / 82

HEX #2F0017

RGB 47 0 23

HSL 330.64, 1%, 0.09%

LAB 6.02, 25.49, -2.06

 

CMYK 0 / 100 / 87 / 88

HEX #1E0004

RGB 30 0 4

HSL 352, 1%, 0.06%

LAB 2.57, 11.74, 2.43

 

CMYK 0 / 100 / 100 / 95

HEX #0D0000

RGB 13 0 0

HSL 0, 1%, 0.03%

LAB 0.77, 3.47, 1.22

 

CMYK 0 / 75 / 25 / 68

HEX #51143D

RGB 81 20 61

HSL 319.67, 0.6%, 0.2%

LAB 18.31, 32.82, -10.9

 

CMYK 0 / 75 / 44 / 68

HEX #51142D

RGB 81 20 45

HSL 335.41, 0.6%, 0.2%

LAB 17.64, 30.6, -0.58

 

CMYK 0 / 75 / 65 / 68

HEX #51141C

RGB 81 20 28

HSL 352.13, 0.6%, 0.2%

LAB 17.15, 28.88, 10.91

 

CMYK 0 / 75 / 75 / 68

HEX #511414

RGB 81 20 20

HSL 0, 0.6%, 0.2%

LAB 16.99, 28.32, 16.32

 

CMYK 0 / 75 / 25 / 68

HEX #51143D

RGB 81 20 61

HSL 319.67, 0.6%, 0.2%

LAB 18.31, 32.82, -10.9

 

CMYK 0 / 75 / 4 / 68

HEX #51144E

RGB 81 20 78

HSL 302.95, 0.6%, 0.2%

LAB 19.22, 35.76, -21.19

 

CMYK 16 / 75 / 0 / 68

HEX #441451

RGB 68 20 81

HSL 287.21, 0.6%, 0.2%

LAB 17.1, 32.96, -26.75

 

CMYK 36 / 75 / 0 / 68

HEX #341451

RGB 52 20 81

HSL 271.48, 0.6%, 0.2%

LAB 14.54, 29, -31.01

 

CMYK 57 / 75 / 0 / 68

HEX #231451

RGB 35 20 81

HSL 254.75, 0.6%, 0.2%

LAB 12.3, 25.29, -34.76

 

CMYK 0 / 75 / 25 / 68

HEX #51143D

RGB 81 20 61

HSL 319.67, 0.6%, 0.2%

LAB 18.31, 32.82, -10.9

 

CMYK 0 / 87 / 28 / 65

HEX #590C40

RGB 89 12 64

HSL 319.48, 0.76%, 0.2%

LAB 19.04, 38.48, -11.72

 

CMYK 0 / 97 / 32 / 62

HEX #620343

RGB 98 3 67

HSL 319.58, 0.94%, 0.2%

LAB 20.31, 43.49, -11.69

 

CMYK 0 / 75 / 25 / 68

HEX #51143D

RGB 81 20 61

HSL 319.67, 0.6%, 0.2%

LAB 18.31, 32.82, -10.9

 

CMYK 0 / 62 / 21 / 71

HEX #491C3A

RGB 73 28 58

HSL 320, 0.45%, 0.2%

LAB 18.15, 25.63, -9.16

 

CMYK 0 / 45 / 15 / 75

HEX #412437

RGB 65 36 55

HSL 320.69, 0.29%, 0.2%

LAB 18.63, 17.07, -6.46

 

CMYK 0 / 20 / 5 / 78

HEX #382D35

RGB 56 45 53

HSL 316.36, 0.11%, 0.2%

LAB 19.94, 6.73, -3.24

 

CMYK 9 / 0 / 6 / 79

HEX #303532

RGB 48 53 50

HSL 144, 0.05%, 0.2%

LAB 21.6, -2.86, 1.15

 

CMYK 16 / 75 / 0 / 68

HEX #441451

RGB 68 20 81

HSL 287.21, 0.6%, 0.2%

LAB 17.1, 32.96, -26.75

 

CMYK 0 / 75 / 4 / 68

HEX #51144E

RGB 81 20 78

HSL 302.95, 0.6%, 0.2%

LAB 19.22, 35.76, -21.19

 

CMYK 0 / 75 / 23 / 68

HEX #51143E

RGB 81 20 62

HSL 318.69, 0.6%, 0.2%

LAB 18.35, 32.98, -11.52

 

CMYK 0 / 75 / 44 / 68

HEX #51142D

RGB 81 20 45

HSL 335.41, 0.6%, 0.2%

LAB 17.64, 30.6, -0.58

 

CMYK 0 / 75 / 64 / 68

HEX #51141D

RGB 81 20 29

HSL 351.15, 0.6%, 0.2%

LAB 17.17, 28.96, 10.23

 

CMYK 0 / 80 / 27 / 94

HEX #0F030B

RGB 15 3 11

HSL 320, 0.67%, 0.04%

LAB 1.72, 4.45, -1.86

 

CMYK 0 / 75 / 25 / 81

HEX #300C24

RGB 48 12 36

HSL 320, 0.6%, 0.12%

LAB 9.15, 21.57, -7.38

 

CMYK 0 / 75 / 25 / 68

HEX #51143D

RGB 81 20 61

HSL 319.67, 0.6%, 0.2%

LAB 18.31, 32.82, -10.9

 

CMYK 0 / 75 / 25 / 55

HEX #721C56

RGB 114 28 86

HSL 319.53, 0.61%, 0.28%

LAB 26.96, 43.01, -14.03

 

CMYK 0 / 76 / 24 / 42

HEX #93246F

RGB 147 36 111

HSL 319.46, 0.61%, 0.36%

LAB 35.23, 52.56, -16.96

 

CMYK 0 / 75 / 25 / 68

HEX #51143D

RGB 81 20 61

HSL 319.67, 0.6%, 0.2%

LAB 18.31, 32.82, -10.9

 

CMYK 0 / 36 / 75 / 68

HEX #513414

RGB 81 52 20

HSL 31.48, 0.6%, 0.2%

LAB 24.5, 9.57, 24.91

 

CMYK 75 / 0 / 6 / 68

HEX #14514C

RGB 20 81 76

HSL 175.08, 0.6%, 0.2%

LAB 30.77, -20.25, -2.65

 

CMYK 0 / 75 / 25 / 68

HEX #51143D

RGB 81 20 61

HSL 319.67, 0.6%, 0.2%

LAB 18.31, 32.82, -10.9

 

CMYK 23 / 0 / 75 / 68

HEX #3E5114

RGB 62 81 20

HSL 78.69, 0.6%, 0.2%

LAB 31.71, -17.63, 31.9

 

CMYK 75 / 23 / 0 / 68

HEX #143E51

RGB 20 62 81

HSL 198.69, 0.6%, 0.2%

LAB 24.28, -7.35, -15.72

 

CMYK 0 / 75 / 25 / 68

HEX #51143D

RGB 81 20 61

HSL 319.67, 0.6%, 0.2%

LAB 18.31, 32.82, -10.9

 

CMYK 0 / 36 / 75 / 68

HEX #513414

RGB 81 52 20

HSL 31.48, 0.6%, 0.2%

LAB 24.5, 9.57, 24.91

 

CMYK 75 / 0 / 52 / 68

HEX #145127

RGB 20 81 39

HSL 138.69, 0.6%, 0.2%

LAB 29.86, -29.81, 19.19

 

CMYK 75 / 40 / 0 / 68

HEX #143151

RGB 20 49 81

HSL 211.48, 0.6%, 0.2%

LAB 19.8, 1.43, -22.74

 

CMYK 0 / 75 / 25 / 68

HEX #51143D

RGB 81 20 61

HSL 319.67, 0.6%, 0.2%

LAB 18.31, 32.82, -10.9

 

CMYK 0 / 14 / 75 / 68

HEX #514614

RGB 81 70 20

HSL 49.18, 0.6%, 0.2%

LAB 29.86, -1.86, 30.56

 

CMYK 75 / 0 / 52 / 68

HEX #145127

RGB 20 81 39

HSL 138.69, 0.6%, 0.2%

LAB 29.86, -29.81, 19.19

 

CMYK 75 / 62 / 0 / 68

HEX #141F51

RGB 20 31 81

HSL 229.18, 0.6%, 0.2%

LAB 13.96, 14.72, -32.11

 

Description

Color code: HEX #51143D | qconv.com Color code: HEX #51143D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 20 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 20 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 25 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 25% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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