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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51025E it is the complementary color #AEFDA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51025E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51025E shade: #560259, #67146C, #78267F, #893892 and #9A4AA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51025E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51025E shade: #51025E, #40004B, #2F0038, #1E0025 and #0D0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51025E shade: #51015E, #5E0153, #5E0139, #5E0120 and #5E0107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51025E shade: #51015E, #38015E, #1F015E, #06015E and #01015E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51025E shade matches the following richer shades: #51015E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51025E shade: #51015E, #4C0957, #46114F, #401947 and #3B213F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51025E shade: #1F015E, #38015E, #51015E, #5E0154 and #5E013B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51025E shade: #0C000E, #2E0136, #51015E, #740287 and #9703AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51025E shade: #51025E, #5E0601 and #015E2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51025E shade: #51025E, #5E5101 and #015E51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51025E shade: #51025E, #5E0601, #0F5E01 and #015A5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51025E shade: #51025E, #5E2201, #0F5E01 and #013E5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 98 / 0 / 63

HEX #51025E

RGB 81 2 94

HSL 291.52, 0.96%, 0.19%

LAB 18.37, 44.49, -33.34

 

Complementary color

CMYK 31 / 0 / 36 / 1

HEX #AEFDA1

RGB 174 253 161

HSL 111.52, 0.96%, 0.81%

LAB 92.5, -41.1, 36.56

 

CMYK 3 / 98 / 0 / 65

HEX #560259

RGB 86 2 89

HSL 297.93, 0.96%, 0.18%

LAB 18.98, 44.49, -28.95

 

CMYK 5 / 81 / 0 / 58

HEX #67146C

RGB 103 20 108

HSL 296.59, 0.69%, 0.25%

LAB 25.16, 46.63, -31.4

 

CMYK 6 / 70 / 0 / 50

HEX #78267F

RGB 120 38 127

HSL 295.28, 0.54%, 0.32%

LAB 31.6, 47.5, -33.05

 

CMYK 6 / 62 / 0 / 43

HEX #893892

RGB 137 56 146

HSL 294, 0.45%, 0.4%

LAB 38.24, 47.48, -34.08

 

CMYK 7 / 55 / 0 / 35

HEX #9A4AA5

RGB 154 74 165

HSL 292.75, 0.38%, 0.47%

LAB 44.92, 47.02, -34.79

 

CMYK 14 / 98 / 0 / 63

HEX #51025E

RGB 81 2 94

HSL 291.52, 0.96%, 0.19%

LAB 18.37, 44.49, -33.34

 

CMYK 15 / 100 / 0 / 71

HEX #40004B

RGB 64 0 75

HSL 291.2, 1%, 0.15%

LAB 13.22, 38.55, -28.92

 

CMYK 16 / 100 / 0 / 78

HEX #2F0038

RGB 47 0 56

HSL 290.36, 1%, 0.11%

LAB 8.04, 31.75, -23.99

 

CMYK 19 / 100 / 0 / 85

HEX #1E0025

RGB 30 0 37

HSL 288.65, 1%, 0.07%

LAB 3.7, 19.65, -16.83

 

CMYK 28 / 100 / 0 / 93

HEX #0D0012

RGB 13 0 18

HSL 283.33, 1%, 0.04%

LAB 1.17, 6.24, -6.32

 

CMYK 14 / 99 / 0 / 63

HEX #51015E

RGB 81 1 94

HSL 291.61, 0.98%, 0.19%

LAB 18.27, 44.78, -33.49

 

CMYK 0 / 99 / 12 / 63

HEX #5E0153

RGB 94 1 83

HSL 307.1, 0.98%, 0.19%

LAB 20.15, 45.34, -22.96

 

CMYK 0 / 99 / 39 / 63

HEX #5E0139

RGB 94 1 57

HSL 323.87, 0.98%, 0.19%

LAB 18.79, 41.86, -7.11

 

CMYK 0 / 99 / 66 / 63

HEX #5E0120

RGB 94 1 32

HSL 340, 0.98%, 0.19%

LAB 17.94, 39.62, 9.61

 

CMYK 0 / 99 / 93 / 63

HEX #5E0107

RGB 94 1 7

HSL 356.13, 0.98%, 0.19%

LAB 17.54, 38.51, 24.21

 

CMYK 14 / 99 / 0 / 63

HEX #51015E

RGB 81 1 94

HSL 291.61, 0.98%, 0.19%

LAB 18.27, 44.78, -33.49

 

CMYK 40 / 99 / 0 / 63

HEX #38015E

RGB 56 1 94

HSL 275.48, 0.98%, 0.19%

LAB 13.65, 41.06, -41.22

 

CMYK 67 / 99 / 0 / 63

HEX #1F015E

RGB 31 1 94

HSL 259.35, 0.98%, 0.19%

LAB 9.96, 38.68, -47.44

 

CMYK 94 / 99 / 0 / 63

HEX #06015E

RGB 6 1 94

HSL 243.23, 0.98%, 0.19%

LAB 7.85, 37.66, -51.03

 

CMYK 99 / 99 / 0 / 63

HEX #01015E

RGB 1 1 94

HSL 240, 0.98%, 0.19%

LAB 7.55, 37.51, -51.52

 

CMYK 14 / 99 / 0 / 63

HEX #51015E

RGB 81 1 94

HSL 291.61, 0.98%, 0.19%

LAB 18.27, 44.78, -33.49

 

CMYK 14 / 99 / 0 / 63

HEX #51015E

RGB 81 1 94

HSL 291.61, 0.98%, 0.19%

LAB 18.27, 44.78, -33.49

 

CMYK 13 / 90 / 0 / 66

HEX #4C0957

RGB 76 9 87

HSL 291.54, 0.81%, 0.19%

LAB 17.55, 40.17, -30.01

 

CMYK 11 / 78 / 0 / 69

HEX #46114F

RGB 70 17 79

HSL 291.29, 0.65%, 0.19%

LAB 16.83, 34.37, -25.8

 

CMYK 10 / 65 / 0 / 72

HEX #401947

RGB 64 25 71

HSL 290.87, 0.48%, 0.19%

LAB 16.7, 26.96, -20.58

 

CMYK 6 / 48 / 0 / 75

HEX #3B213F

RGB 59 33 63

HSL 292, 0.31%, 0.19%

LAB 17.35, 18.45, -14.07

 

CMYK 67 / 99 / 0 / 63

HEX #1F015E

RGB 31 1 94

HSL 259.35, 0.98%, 0.19%

LAB 9.96, 38.68, -47.44

 

CMYK 40 / 99 / 0 / 63

HEX #38015E

RGB 56 1 94

HSL 275.48, 0.98%, 0.19%

LAB 13.65, 41.06, -41.22

 

CMYK 14 / 99 / 0 / 63

HEX #51015E

RGB 81 1 94

HSL 291.61, 0.98%, 0.19%

LAB 18.27, 44.78, -33.49

 

CMYK 0 / 99 / 11 / 63

HEX #5E0154

RGB 94 1 84

HSL 306.45, 0.98%, 0.19%

LAB 20.21, 45.49, -23.54

 

CMYK 0 / 99 / 37 / 63

HEX #5E013B

RGB 94 1 59

HSL 322.58, 0.98%, 0.19%

LAB 18.87, 42.09, -8.38

 

CMYK 14 / 100 / 0 / 95

HEX #0C000E

RGB 12 0 14

HSL 291.43, 1%, 0.03%

LAB 0.99, 5.18, -4.36

 

CMYK 15 / 98 / 0 / 79

HEX #2E0136

RGB 46 1 54

HSL 290.94, 0.96%, 0.11%

LAB 7.85, 30.56, -22.85

 

CMYK 14 / 99 / 0 / 63

HEX #51015E

RGB 81 1 94

HSL 291.61, 0.98%, 0.19%

LAB 18.27, 44.78, -33.49

 

CMYK 14 / 99 / 0 / 47

HEX #740287

RGB 116 2 135

HSL 291.43, 0.97%, 0.27%

LAB 28.13, 57.78, -43.67

 

CMYK 14 / 98 / 0 / 31

HEX #9703AF

RGB 151 3 175

HSL 291.63, 0.97%, 0.35%

LAB 37.37, 69.97, -52.82

 

CMYK 14 / 98 / 0 / 63

HEX #51025E

RGB 81 2 94

HSL 291.52, 0.96%, 0.19%

LAB 18.37, 44.49, -33.34

 

CMYK 0 / 94 / 99 / 63

HEX #5E0601

RGB 94 6 1

HSL 3.23, 0.98%, 0.19%

LAB 17.97, 36.91, 27.18

 

CMYK 99 / 0 / 54 / 63

HEX #015E2B

RGB 1 94 43

HSL 147.1, 0.98%, 0.19%

LAB 34.37, -36.88, 22.47

 

CMYK 14 / 98 / 0 / 63

HEX #51025E

RGB 81 2 94

HSL 291.52, 0.96%, 0.19%

LAB 18.37, 44.49, -33.34

 

CMYK 0 / 14 / 99 / 63

HEX #5E5101

RGB 94 81 1

HSL 51.61, 0.98%, 0.19%

LAB 34.53, -2.74, 42.3

 

CMYK 99 / 0 / 14 / 63

HEX #015E51

RGB 1 94 81

HSL 171.61, 0.98%, 0.19%

LAB 35.21, -27.35, 0.68

 

CMYK 14 / 98 / 0 / 63

HEX #51025E

RGB 81 2 94

HSL 291.52, 0.96%, 0.19%

LAB 18.37, 44.49, -33.34

 

CMYK 0 / 94 / 99 / 63

HEX #5E0601

RGB 94 6 1

HSL 3.23, 0.98%, 0.19%

LAB 17.97, 36.91, 27.18

 

CMYK 84 / 0 / 99 / 63

HEX #0F5E01

RGB 15 94 1

HSL 110.97, 0.98%, 0.19%

LAB 34.21, -39.58, 40.02

 

CMYK 99 / 4 / 0 / 63

HEX #015A5E

RGB 1 90 94

HSL 182.58, 0.98%, 0.19%

LAB 34.25, -20.99, -8.88

 

CMYK 14 / 98 / 0 / 63

HEX #51025E

RGB 81 2 94

HSL 291.52, 0.96%, 0.19%

LAB 18.37, 44.49, -33.34

 

CMYK 0 / 64 / 99 / 63

HEX #5E2201

RGB 94 34 1

HSL 21.29, 0.98%, 0.19%

LAB 22.04, 25.78, 31.77

 

CMYK 84 / 0 / 99 / 63

HEX #0F5E01

RGB 15 94 1

HSL 110.97, 0.98%, 0.19%

LAB 34.21, -39.58, 40.02

 

CMYK 99 / 34 / 0 / 63

HEX #013E5E

RGB 1 62 94

HSL 200.65, 0.98%, 0.19%

LAB 24.51, -4.32, -23.9

 

Description

Color code: HEX #51025E | qconv.com Color code: HEX #51025E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 2 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 2 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 98 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 98% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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