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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50FBF6 it is the complementary color #AF0409. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50FBF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50FBF6 shade: #55FBF1, #66FFFF, #77FFFF, #88FFFF and #99FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50FBF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50FBF6 shade: #50FBF6, #3FE9E3, #2ED7D0, #1DC5BD and #0CB3AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50FBF6 shade: #50FBF6, #50FBC8, #50FB9A, #50FB6B and #62FB50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50FBF6 shade: #50FBF6, #50D2FB, #50A4FB, #5075FB and #5050FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50FBF6 shade matches the following richer shades: #50FBF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50FBF6 shade: #50FBF6, #5EECE8, #6CDEDB, #7BD0CD and #89C1C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50FBF6 shade: #50FB9A, #50FBC8, #50FBF5, #50D3FB and #50A5FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50FBF6 shade: #04F4ED, #27FAF4, #50FBF6, #78FCF8 and #A0FDFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50FBF6 shade: #50FBF6, #6C50FB and #FBB150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50FBF6 shade: #50FBF6, #F550FB and #FBF550

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50FBF6 shade: #50FBF6, #6C50FB, #FB5055 and #DEFB50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50FBF6 shade: #50FBF6, #A050FB, #FB5055 and #ABFB50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 2 / 2

HEX #50FBF6

RGB 80 251 246

HSL 178.25, 0.96%, 0.65%

LAB 90.48, -43.75, -10.33

 

Complementary color

CMYK 0 / 98 / 95 / 31

HEX #AF0409

RGB 175 4 9

HSL 358.25, 0.96%, 0.35%

LAB 36.41, 60.03, 47.1

 

CMYK 66 / 0 / 4 / 2

HEX #55FBF1

RGB 85 251 241

HSL 176.39, 0.95%, 0.66%

LAB 90.45, -44.41, -7.77

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 68 / 0 / 2 / 2

HEX #50FBF6

RGB 80 251 246

HSL 178.25, 0.96%, 0.65%

LAB 90.48, -43.75, -10.33

 

CMYK 73 / 0 / 3 / 9

HEX #3FE9E3

RGB 63 233 227

HSL 177.88, 0.79%, 0.58%

LAB 84.42, -43, -9.43

 

CMYK 79 / 0 / 3 / 16

HEX #2ED7D0

RGB 46 215 208

HSL 177.51, 0.68%, 0.51%

LAB 78.31, -42.03, -8.44

 

CMYK 85 / 0 / 4 / 23

HEX #1DC5BD

RGB 29 197 189

HSL 177.14, 0.74%, 0.44%

LAB 72.14, -40.78, -7.36

 

CMYK 93 / 0 / 5 / 30

HEX #0CB3AA

RGB 12 179 170

HSL 176.77, 0.87%, 0.37%

LAB 65.92, -39.16, -6.16

 

CMYK 68 / 0 / 2 / 2

HEX #50FBF6

RGB 80 251 246

HSL 178.25, 0.96%, 0.65%

LAB 90.48, -43.75, -10.33

 

CMYK 68 / 0 / 20 / 2

HEX #50FBC8

RGB 80 251 200

HSL 162.11, 0.96%, 0.65%

LAB 89.33, -55.21, 11.87

 

CMYK 68 / 0 / 39 / 2

HEX #50FB9A

RGB 80 251 154

HSL 145.96, 0.96%, 0.65%

LAB 88.46, -64.55, 34.1

 

CMYK 68 / 0 / 57 / 2

HEX #50FB6B

RGB 80 251 107

HSL 129.47, 0.96%, 0.65%

LAB 87.85, -71.52, 55.57

 

CMYK 61 / 0 / 68 / 2

HEX #62FB50

RGB 98 251 80

HSL 113.68, 0.96%, 0.65%

LAB 88.05, -70.76, 66.93

 

CMYK 68 / 0 / 2 / 2

HEX #50FBF6

RGB 80 251 246

HSL 178.25, 0.96%, 0.65%

LAB 90.48, -43.75, -10.33

 

CMYK 68 / 16 / 0 / 2

HEX #50D2FB

RGB 80 210 251

HSL 194.39, 0.96%, 0.65%

LAB 78.9, -22.97, -30.47

 

CMYK 68 / 35 / 0 / 2

HEX #50A4FB

RGB 80 164 251

HSL 210.53, 0.96%, 0.65%

LAB 65.92, 1.82, -50.72

 

CMYK 68 / 53 / 0 / 2

HEX #5075FB

RGB 80 117 251

HSL 227.02, 0.96%, 0.65%

LAB 53.38, 29.98, -70.8

 

CMYK 68 / 68 / 0 / 2

HEX #5050FB

RGB 80 80 251

HSL 240, 0.96%, 0.65%

LAB 44.81, 52.1, -84.78

 

CMYK 68 / 0 / 2 / 2

HEX #50FBF6

RGB 80 251 246

HSL 178.25, 0.96%, 0.65%

LAB 90.48, -43.75, -10.33

 

CMYK 68 / 0 / 2 / 2

HEX #50FBF6

RGB 80 251 246

HSL 178.25, 0.96%, 0.65%

LAB 90.48, -43.75, -10.33

 

CMYK 60 / 0 / 2 / 7

HEX #5EECE8

RGB 94 236 232

HSL 178.31, 0.79%, 0.65%

LAB 86.1, -38.71, -9.49

 

CMYK 51 / 0 / 1 / 13

HEX #6CDEDB

RGB 108 222 219

HSL 178.42, 0.63%, 0.65%

LAB 82.13, -33.03, -8.47

 

CMYK 41 / 0 / 1 / 18

HEX #7BD0CD

RGB 123 208 205

HSL 177.88, 0.47%, 0.65%

LAB 78.3, -26.42, -6.61

 

CMYK 29 / 0 / 1 / 24

HEX #89C1C0

RGB 137 193 192

HSL 178.93, 0.31%, 0.65%

LAB 74.36, -18.25, -5.34

 

CMYK 68 / 0 / 39 / 2

HEX #50FB9A

RGB 80 251 154

HSL 145.96, 0.96%, 0.65%

LAB 88.46, -64.55, 34.1

 

CMYK 68 / 0 / 20 / 2

HEX #50FBC8

RGB 80 251 200

HSL 162.11, 0.96%, 0.65%

LAB 89.33, -55.21, 11.87

 

CMYK 68 / 0 / 2 / 2

HEX #50FBF5

RGB 80 251 245

HSL 177.89, 0.96%, 0.65%

LAB 90.46, -44.01, -9.85

 

CMYK 68 / 16 / 0 / 2

HEX #50D3FB

RGB 80 211 251

HSL 194.04, 0.96%, 0.65%

LAB 79.19, -23.47, -30.03

 

CMYK 68 / 34 / 0 / 2

HEX #50A5FB

RGB 80 165 251

HSL 210.18, 0.96%, 0.65%

LAB 66.2, 1.24, -50.28

 

CMYK 98 / 0 / 3 / 4

HEX #04F4ED

RGB 4 244 237

HSL 178.25, 0.97%, 0.49%

LAB 87.41, -48.42, -10.29

 

CMYK 84 / 0 / 2 / 2

HEX #27FAF4

RGB 39 250 244

HSL 178.29, 0.95%, 0.57%

LAB 89.55, -47.72, -10.74

 

CMYK 68 / 0 / 2 / 2

HEX #50FBF6

RGB 80 251 246

HSL 178.25, 0.96%, 0.65%

LAB 90.48, -43.75, -10.33

 

CMYK 52 / 0 / 2 / 1

HEX #78FCF8

RGB 120 252 248

HSL 178.18, 0.96%, 0.73%

LAB 91.86, -37.19, -9.21

 

CMYK 37 / 0 / 1 / 1

HEX #A0FDFA

RGB 160 253 250

HSL 178.06, 0.96%, 0.81%

LAB 93.72, -28.22, -7.32

 

CMYK 68 / 0 / 2 / 2

HEX #50FBF6

RGB 80 251 246

HSL 178.25, 0.96%, 0.65%

LAB 90.48, -43.75, -10.33

 

CMYK 57 / 68 / 0 / 2

HEX #6C50FB

RGB 108 80 251

HSL 249.82, 0.96%, 0.65%

LAB 46.83, 55.68, -81.39

 

CMYK 0 / 29 / 68 / 2

HEX #FBB150

RGB 251 177 80

HSL 34.04, 0.96%, 0.65%

LAB 77.6, 18.09, 58.71

 

CMYK 68 / 0 / 2 / 2

HEX #50FBF6

RGB 80 251 246

HSL 178.25, 0.96%, 0.65%

LAB 90.48, -43.75, -10.33

 

CMYK 2 / 68 / 0 / 2

HEX #F550FB

RGB 245 80 251

HSL 297.89, 0.96%, 0.65%

LAB 63.44, 81.54, -53.75

 

CMYK 0 / 2 / 68 / 2

HEX #FBF550

RGB 251 245 80

HSL 57.89, 0.96%, 0.65%

LAB 94.48, -16.47, 76.1

 

CMYK 68 / 0 / 2 / 2

HEX #50FBF6

RGB 80 251 246

HSL 178.25, 0.96%, 0.65%

LAB 90.48, -43.75, -10.33

 

CMYK 57 / 68 / 0 / 2

HEX #6C50FB

RGB 108 80 251

HSL 249.82, 0.96%, 0.65%

LAB 46.83, 55.68, -81.39

 

CMYK 0 / 68 / 66 / 2

HEX #FB5055

RGB 251 80 85

HSL 358.25, 0.96%, 0.65%

LAB 58.88, 64.87, 34.7

 

CMYK 12 / 0 / 68 / 2

HEX #DEFB50

RGB 222 251 80

HSL 70.18, 0.96%, 0.65%

LAB 93.93, -30.91, 74.84

 

CMYK 68 / 0 / 2 / 2

HEX #50FBF6

RGB 80 251 246

HSL 178.25, 0.96%, 0.65%

LAB 90.48, -43.75, -10.33

 

CMYK 36 / 68 / 0 / 2

HEX #A050FB

RGB 160 80 251

HSL 268.07, 0.96%, 0.65%

LAB 52.04, 64.37, -72.68

 

CMYK 0 / 68 / 66 / 2

HEX #FB5055

RGB 251 80 85

HSL 358.25, 0.96%, 0.65%

LAB 58.88, 64.87, 34.7

 

CMYK 32 / 0 / 68 / 2

HEX #ABFB50

RGB 171 251 80

HSL 88.07, 0.96%, 0.65%

LAB 90.89, -49.84, 70.77

 

Description

Color code: HEX #50FBF6 | qconv.com Color code: HEX #50FBF6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 251 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 251 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 2 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 2% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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