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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50FBC0 it is the complementary color #AF043F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50FBC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50FBC0 shade: #55FBBB, #66FFCE, #77FFE1, #88FFF4 and #99FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50FBC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50FBC0 shade: #50FBC0, #3FE9AD, #2ED79A, #1DC587 and #0CB374

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50FBC0 shade: #50FBC0, #50FB92, #50FB63, #6AFB50 and #98FB50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50FBC0 shade: #50FBC0, #50FBEE, #50DAFB, #50ABFB and #507DFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50FBC0 shade matches the following richer shades: #50FBC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50FBC0 shade: #50FBC0, #5EECBB, #6CDEB7, #7BD0B2 and #89C1AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50FBC0 shade: #50FB64, #50FB91, #50FBBF, #50FBED and #50DCFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50FBC0 shade: #04F4A1, #27FAB1, #50FBC0, #78FCCE and #A0FDDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50FBC0 shade: #50FBC0, #5069FB and #FB7A50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50FBC0 shade: #50FBC0, #BF50FB and #FBBF50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50FBC0 shade: #50FBC0, #5069FB, #FB508C and #FBE150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50FBC0 shade: #50FBC0, #6950FB, #FB508C and #E1FB50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 24 / 2

HEX #50FBC0

RGB 80 251 192

HSL 159.3, 0.96%, 0.65%

LAB 89.16, -57, 15.76

 

Complementary color

CMYK 0 / 98 / 64 / 31

HEX #AF043F

RGB 175 4 63

HSL 339.3, 0.96%, 0.35%

LAB 37.04, 61.77, 17.22

 

CMYK 66 / 0 / 25 / 2

HEX #55FBBB

RGB 85 251 187

HSL 156.87, 0.95%, 0.66%

LAB 89.16, -57.31, 18.35

 

CMYK 60 / 0 / 19 / 0

HEX #66FFCE

RGB 102 255 206

HSL 160.78, 1%, 0.7%

LAB 91.14, -51.9, 11.43

 

CMYK 53 / 0 / 12 / 0

HEX #77FFE1

RGB 119 255 225

HSL 166.76, 1%, 0.73%

LAB 92.08, -44.31, 3.02

 

CMYK 47 / 0 / 4 / 0

HEX #88FFF4

RGB 136 255 244

HSL 174.45, 1%, 0.77%

LAB 93.14, -36.23, -5.18

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 68 / 0 / 24 / 2

HEX #50FBC0

RGB 80 251 192

HSL 159.3, 0.96%, 0.65%

LAB 89.16, -57, 15.76

 

CMYK 73 / 0 / 26 / 9

HEX #3FE9AD

RGB 63 233 173

HSL 158.82, 0.79%, 0.58%

LAB 83.1, -56.46, 17.05

 

CMYK 79 / 0 / 28 / 16

HEX #2ED79A

RGB 46 215 154

HSL 158.34, 0.68%, 0.51%

LAB 76.99, -55.69, 18.45

 

CMYK 85 / 0 / 31 / 23

HEX #1DC587

RGB 29 197 135

HSL 157.86, 0.74%, 0.44%

LAB 70.83, -54.57, 19.99

 

CMYK 93 / 0 / 35 / 30

HEX #0CB374

RGB 12 179 116

HSL 157.37, 0.87%, 0.37%

LAB 64.63, -53.02, 21.69

 

CMYK 68 / 0 / 24 / 2

HEX #50FBC0

RGB 80 251 192

HSL 159.3, 0.96%, 0.65%

LAB 89.16, -57, 15.76

 

CMYK 68 / 0 / 42 / 2

HEX #50FB92

RGB 80 251 146

HSL 143.16, 0.96%, 0.65%

LAB 88.34, -65.92, 37.89

 

CMYK 68 / 0 / 61 / 2

HEX #50FB63

RGB 80 251 99

HSL 126.67, 0.96%, 0.65%

LAB 87.78, -72.44, 58.93

 

CMYK 58 / 0 / 68 / 2

HEX #6AFB50

RGB 106 251 80

HSL 110.88, 0.96%, 0.65%

LAB 88.27, -68.96, 67.24

 

CMYK 39 / 0 / 68 / 2

HEX #98FB50

RGB 152 251 80

HSL 94.74, 0.96%, 0.65%

LAB 89.97, -56.16, 69.54

 

CMYK 68 / 0 / 24 / 2

HEX #50FBC0

RGB 80 251 192

HSL 159.3, 0.96%, 0.65%

LAB 89.16, -57, 15.76

 

CMYK 68 / 0 / 5 / 2

HEX #50FBEE

RGB 80 251 238

HSL 175.44, 0.96%, 0.65%

LAB 90.26, -45.87, -6.49

 

CMYK 68 / 13 / 0 / 2

HEX #50DAFB

RGB 80 218 251

HSL 191.58, 0.96%, 0.65%

LAB 81.19, -26.95, -26.97

 

CMYK 68 / 32 / 0 / 2

HEX #50ABFB

RGB 80 171 251

HSL 208.07, 0.96%, 0.65%

LAB 67.87, -2.16, -47.64

 

CMYK 68 / 50 / 0 / 2

HEX #507DFB

RGB 80 125 251

HSL 224.21, 0.96%, 0.65%

LAB 55.42, 25.07, -67.5

 

CMYK 68 / 0 / 24 / 2

HEX #50FBC0

RGB 80 251 192

HSL 159.3, 0.96%, 0.65%

LAB 89.16, -57, 15.76

 

CMYK 68 / 0 / 24 / 2

HEX #50FBC0

RGB 80 251 192

HSL 159.3, 0.96%, 0.65%

LAB 89.16, -57, 15.76

 

CMYK 60 / 0 / 21 / 7

HEX #5EECBB

RGB 94 236 187

HSL 159.3, 0.79%, 0.65%

LAB 84.98, -49.68, 12.49

 

CMYK 51 / 0 / 18 / 13

HEX #6CDEB7

RGB 108 222 183

HSL 159.47, 0.63%, 0.65%

LAB 81.21, -41.66, 9.29

 

CMYK 41 / 0 / 14 / 18

HEX #7BD0B2

RGB 123 208 178

HSL 158.82, 0.47%, 0.65%

LAB 77.6, -32.67, 6.86

 

CMYK 29 / 0 / 10 / 24

HEX #89C1AE

RGB 137 193 174

HSL 159.64, 0.31%, 0.65%

LAB 73.88, -22.24, 3.74

 

CMYK 68 / 0 / 60 / 2

HEX #50FB64

RGB 80 251 100

HSL 127.02, 0.96%, 0.65%

LAB 87.79, -72.33, 58.52

 

CMYK 68 / 0 / 42 / 2

HEX #50FB91

RGB 80 251 145

HSL 142.81, 0.96%, 0.65%

LAB 88.33, -66.09, 38.36

 

CMYK 68 / 0 / 24 / 2

HEX #50FBBF

RGB 80 251 191

HSL 158.95, 0.96%, 0.65%

LAB 89.14, -57.22, 16.24

 

CMYK 68 / 0 / 6 / 2

HEX #50FBED

RGB 80 251 237

HSL 175.09, 0.96%, 0.65%

LAB 90.24, -46.13, -6.01

 

CMYK 68 / 12 / 0 / 2

HEX #50DCFB

RGB 80 220 251

HSL 190.88, 0.96%, 0.65%

LAB 81.76, -27.93, -26.1

 

CMYK 98 / 0 / 34 / 4

HEX #04F4A1

RGB 4 244 161

HSL 159.25, 0.97%, 0.49%

LAB 85.66, -67.15, 26.67

 

CMYK 84 / 0 / 29 / 2

HEX #27FAB1

RGB 39 250 177

HSL 159.24, 0.95%, 0.57%

LAB 87.96, -64.38, 21.69

 

CMYK 68 / 0 / 24 / 2

HEX #50FBC0

RGB 80 251 192

HSL 159.3, 0.96%, 0.65%

LAB 89.16, -57, 15.76

 

CMYK 52 / 0 / 18 / 1

HEX #78FCCE

RGB 120 252 206

HSL 159.09, 0.96%, 0.73%

LAB 90.81, -47.06, 11.03

 

CMYK 37 / 0 / 13 / 1

HEX #A0FDDD

RGB 160 253 221

HSL 159.35, 0.96%, 0.81%

LAB 92.99, -34.59, 6.61

 

CMYK 68 / 0 / 24 / 2

HEX #50FBC0

RGB 80 251 192

HSL 159.3, 0.96%, 0.65%

LAB 89.16, -57, 15.76

 

CMYK 68 / 58 / 0 / 2

HEX #5069FB

RGB 80 105 251

HSL 231.23, 0.96%, 0.65%

LAB 50.42, 37.33, -75.6

 

CMYK 0 / 51 / 68 / 2

HEX #FB7A50

RGB 251 122 80

HSL 14.74, 0.96%, 0.65%

LAB 65.75, 46.31, 45.58

 

CMYK 68 / 0 / 24 / 2

HEX #50FBC0

RGB 80 251 192

HSL 159.3, 0.96%, 0.65%

LAB 89.16, -57, 15.76

 

CMYK 24 / 68 / 0 / 2

HEX #BF50FB

RGB 191 80 251

HSL 278.95, 0.96%, 0.65%

LAB 55.87, 70.37, -66.3

 

CMYK 0 / 24 / 68 / 2

HEX #FBBF50

RGB 251 191 80

HSL 38.95, 0.96%, 0.65%

LAB 80.93, 10.78, 62.26

 

CMYK 68 / 0 / 24 / 2

HEX #50FBC0

RGB 80 251 192

HSL 159.3, 0.96%, 0.65%

LAB 89.16, -57, 15.76

 

CMYK 68 / 58 / 0 / 2

HEX #5069FB

RGB 80 105 251

HSL 231.23, 0.96%, 0.65%

LAB 50.42, 37.33, -75.6

 

CMYK 0 / 68 / 44 / 2

HEX #FB508C

RGB 251 80 140

HSL 338.95, 0.96%, 0.65%

LAB 60.02, 68.82, 4.26

 

CMYK 0 / 10 / 68 / 2

HEX #FBE150

RGB 251 225 80

HSL 50.88, 0.96%, 0.65%

LAB 89.36, -6.62, 70.97

 

CMYK 68 / 0 / 24 / 2

HEX #50FBC0

RGB 80 251 192

HSL 159.3, 0.96%, 0.65%

LAB 89.16, -57, 15.76

 

CMYK 58 / 68 / 0 / 2

HEX #6950FB

RGB 105 80 251

HSL 248.77, 0.96%, 0.65%

LAB 46.59, 55.25, -81.8

 

CMYK 0 / 68 / 44 / 2

HEX #FB508C

RGB 251 80 140

HSL 338.95, 0.96%, 0.65%

LAB 60.02, 68.82, 4.26

 

CMYK 10 / 0 / 68 / 2

HEX #E1FB50

RGB 225 251 80

HSL 69.12, 0.96%, 0.65%

LAB 94.13, -29.73, 75.11

 

Description

Color code: HEX #50FBC0 | qconv.com Color code: HEX #50FBC0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 251 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 251 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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