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Color name
HEX #50F445

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50F445 it is the complementary color #AF0BBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50F445. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50F445 shade: #55F440, #66FF53, #77FF66, #88FF79 and #99FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50F445. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50F445 shade: #50F445, #3FE232, #2ED01F, #1DBE0C and #0CAC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50F445 shade: #4EF443, #7DF443, #ADF443, #DDF443 and #F4DB43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50F445 shade: #4EF443, #43F467, #43F497, #43F4C7 and #43F1F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50F445 shade matches the following richer shades: #4EF443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50F445 shade: #4EF443, #5CE353, #6AD363, #78C373 and #86B383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50F445 shade: #ADF443, #7EF443, #4EF443, #43F466 and #43F495

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50F445 shade: #19D80C, #29F11C, #4EF443, #72F66A and #97F891

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50F445 shade: #50F445, #43DCF4 and #F44395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50F445 shade: #50F445, #434EF4 and #F4434E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50F445 shade: #50F445, #43DCF4, #E843F4 and #F45A43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50F445 shade: #50F445, #43A7F4, #E843F4 and #F48F43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 72 / 4

HEX #50F445

RGB 80 244 69

HSL 116.23, 0.89%, 0.61%

LAB 85.42, -72.96, 68.03

 

Complementary color

CMYK 6 / 94 / 0 / 27

HEX #AF0BBA

RGB 175 11 186

HSL 296.23, 0.89%, 0.39%

LAB 42.61, 74.68, -50.67

 

CMYK 65 / 0 / 74 / 4

HEX #55F440

RGB 85 244 64

HSL 113, 0.89%, 0.6%

LAB 85.51, -72.37, 69.84

 

CMYK 60 / 0 / 67 / 0

HEX #66FF53

RGB 102 255 83

HSL 113.37, 1%, 0.66%

LAB 89.38, -70.97, 67.25

 

CMYK 53 / 0 / 60 / 0

HEX #77FF66

RGB 119 255 102

HSL 113.33, 1%, 0.7%

LAB 90.05, -65.2, 60.52

 

CMYK 47 / 0 / 53 / 0

HEX #88FF79

RGB 136 255 121

HSL 113.28, 1%, 0.74%

LAB 90.84, -58.61, 53.25

 

CMYK 40 / 0 / 45 / 0

HEX #99FF8C

RGB 153 255 140

HSL 113.22, 1%, 0.77%

LAB 91.77, -51.35, 45.66

 

CMYK 67 / 0 / 72 / 4

HEX #50F445

RGB 80 244 69

HSL 116.23, 0.89%, 0.61%

LAB 85.42, -72.96, 68.03

 

CMYK 72 / 0 / 78 / 11

HEX #3FE232

RGB 63 226 50

HSL 115.57, 0.75%, 0.54%

LAB 79.43, -71.58, 68.14

 

CMYK 78 / 0 / 85 / 18

HEX #2ED01F

RGB 46 208 31

HSL 114.92, 0.74%, 0.47%

LAB 73.41, -69.67, 67.44

 

CMYK 85 / 0 / 94 / 25

HEX #1DBE0C

RGB 29 190 12

HSL 114.27, 0.88%, 0.4%

LAB 67.36, -67.04, 65.52

 

CMYK 93 / 0 / 100 / 33

HEX #0CAC00

RGB 12 172 0

HSL 115.81, 1%, 0.34%

LAB 61.29, -63.53, 62.01

 

CMYK 68 / 0 / 73 / 4

HEX #4EF443

RGB 78 244 67

HSL 116.27, 0.89%, 0.61%

LAB 85.37, -73.47, 68.65

 

CMYK 49 / 0 / 73 / 4

HEX #7DF443

RGB 125 244 67

HSL 100.34, 0.89%, 0.61%

LAB 86.73, -62.52, 70.47

 

CMYK 29 / 0 / 73 / 4

HEX #ADF443

RGB 173 244 67

HSL 84.07, 0.89%, 0.61%

LAB 88.92, -47.01, 73.36

 

CMYK 9 / 0 / 73 / 4

HEX #DDF443

RGB 221 244 67

HSL 67.8, 0.89%, 0.61%

LAB 91.9, -28.71, 77.26

 

CMYK 0 / 10 / 73 / 4

HEX #F4DB43

RGB 244 219 67

HSL 51.53, 0.89%, 0.61%

LAB 87.14, -7.14, 73.35

 

CMYK 68 / 0 / 73 / 4

HEX #4EF443

RGB 78 244 67

HSL 116.27, 0.89%, 0.61%

LAB 85.37, -73.47, 68.65

 

CMYK 73 / 0 / 58 / 4

HEX #43F467

RGB 67 244 103

HSL 132.2, 0.89%, 0.61%

LAB 85.44, -71.79, 54.45

 

CMYK 73 / 0 / 38 / 4

HEX #43F497

RGB 67 244 151

HSL 148.47, 0.89%, 0.61%

LAB 86.07, -64.48, 32.38

 

CMYK 73 / 0 / 18 / 4

HEX #43F4C7

RGB 67 244 199

HSL 164.75, 0.89%, 0.61%

LAB 87.01, -54.37, 9.04

 

CMYK 73 / 1 / 0 / 4

HEX #43F1F4

RGB 67 241 244

HSL 181.02, 0.89%, 0.61%

LAB 87.31, -41.4, -14.05

 

CMYK 68 / 0 / 73 / 4

HEX #4EF443

RGB 78 244 67

HSL 116.27, 0.89%, 0.61%

LAB 85.37, -73.47, 68.65

 

CMYK 68 / 0 / 73 / 4

HEX #4EF443

RGB 78 244 67

HSL 116.27, 0.89%, 0.61%

LAB 85.37, -73.47, 68.65

 

CMYK 59 / 0 / 63 / 11

HEX #5CE353

RGB 92 227 83

HSL 116.25, 0.72%, 0.61%

LAB 80.65, -63.6, 57.72

 

CMYK 50 / 0 / 53 / 17

HEX #6AD363

RGB 106 211 99

HSL 116.25, 0.56%, 0.61%

LAB 76.41, -52.33, 45.82

 

CMYK 38 / 0 / 41 / 24

HEX #78C373

RGB 120 195 115

HSL 116.25, 0.4%, 0.61%

LAB 72.4, -39.27, 33.03

 

CMYK 25 / 0 / 27 / 30

HEX #86B383

RGB 134 179 131

HSL 116.25, 0.24%, 0.61%

LAB 68.71, -24.53, 19.78

 

CMYK 29 / 0 / 73 / 4

HEX #ADF443

RGB 173 244 67

HSL 84.07, 0.89%, 0.61%

LAB 88.92, -47.01, 73.36

 

CMYK 48 / 0 / 73 / 4

HEX #7EF443

RGB 126 244 67

HSL 100, 0.89%, 0.61%

LAB 86.77, -62.24, 70.52

 

CMYK 68 / 0 / 73 / 4

HEX #4EF443

RGB 78 244 67

HSL 116.27, 0.89%, 0.61%

LAB 85.37, -73.47, 68.65

 

CMYK 73 / 0 / 58 / 4

HEX #43F466

RGB 67 244 102

HSL 131.86, 0.89%, 0.61%

LAB 85.43, -71.91, 54.88

 

CMYK 73 / 0 / 39 / 4

HEX #43F495

RGB 67 244 149

HSL 147.8, 0.89%, 0.61%

LAB 86.04, -64.85, 33.34

 

CMYK 88 / 0 / 94 / 15

HEX #19D80C

RGB 25 216 12

HSL 116.18, 0.89%, 0.45%

LAB 75.67, -74.65, 72.39

 

CMYK 83 / 0 / 88 / 5

HEX #29F11C

RGB 41 241 28

HSL 116.34, 0.88%, 0.53%

LAB 83.69, -79.76, 76.98

 

CMYK 68 / 0 / 73 / 4

HEX #4EF443

RGB 78 244 67

HSL 116.27, 0.89%, 0.61%

LAB 85.37, -73.47, 68.65

 

CMYK 54 / 0 / 57 / 4

HEX #72F66A

RGB 114 246 106

HSL 116.57, 0.89%, 0.69%

LAB 87.26, -62.74, 55.54

 

CMYK 39 / 0 / 42 / 3

HEX #97F891

RGB 151 248 145

HSL 116.5, 0.88%, 0.77%

LAB 89.75, -48.34, 40.65

 

CMYK 67 / 0 / 72 / 4

HEX #50F445

RGB 80 244 69

HSL 116.23, 0.89%, 0.61%

LAB 85.42, -72.96, 68.03

 

CMYK 73 / 10 / 0 / 4

HEX #43DCF4

RGB 67 220 244

HSL 188.14, 0.89%, 0.61%

LAB 81.24, -31.67, -23.2

 

CMYK 0 / 73 / 39 / 4

HEX #F44395

RGB 244 67 149

HSL 332.2, 0.89%, 0.61%

LAB 57.48, 72.22, -4.86

 

CMYK 67 / 0 / 72 / 4

HEX #50F445

RGB 80 244 69

HSL 116.23, 0.89%, 0.61%

LAB 85.42, -72.96, 68.03

 

CMYK 73 / 68 / 0 / 4

HEX #434EF4

RGB 67 78 244

HSL 236.27, 0.89%, 0.61%

LAB 43.02, 49.61, -83.83

 

CMYK 0 / 73 / 68 / 4

HEX #F4434E

RGB 244 67 78

HSL 356.27, 0.89%, 0.61%

LAB 55.88, 66.99, 34.75

 

CMYK 67 / 0 / 72 / 4

HEX #50F445

RGB 80 244 69

HSL 116.23, 0.89%, 0.61%

LAB 85.42, -72.96, 68.03

 

CMYK 73 / 10 / 0 / 4

HEX #43DCF4

RGB 67 220 244

HSL 188.14, 0.89%, 0.61%

LAB 81.24, -31.67, -23.2

 

CMYK 5 / 73 / 0 / 4

HEX #E843F4

RGB 232 67 244

HSL 295.93, 0.89%, 0.61%

LAB 59.62, 81.99, -56.07

 

CMYK 0 / 63 / 73 / 4

HEX #F45A43

RGB 244 90 67

HSL 7.8, 0.89%, 0.61%

LAB 58.93, 57.8, 44.39

 

CMYK 67 / 0 / 72 / 4

HEX #50F445

RGB 80 244 69

HSL 116.23, 0.89%, 0.61%

LAB 85.42, -72.96, 68.03

 

CMYK 73 / 32 / 0 / 4

HEX #43A7F4

RGB 67 167 244

HSL 206.1, 0.89%, 0.61%

LAB 66.03, -4.07, -46.75

 

CMYK 5 / 73 / 0 / 4

HEX #E843F4

RGB 232 67 244

HSL 295.93, 0.89%, 0.61%

LAB 59.62, 81.99, -56.07

 

CMYK 0 / 41 / 73 / 4

HEX #F48F43

RGB 244 143 67

HSL 25.76, 0.89%, 0.61%

LAB 68.96, 32.38, 55.18

 

Description

Color code: HEX #50F445 | qconv.com Color code: HEX #50F445 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 244 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 244 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 72 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 72% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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