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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50ECE5 it is the complementary color #AF131A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50ECE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50ECE5 shade: #55ECE0, #66FEF3, #77FFFF, #88FFFF and #99FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50ECE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50ECE5 shade: #50ECE5, #3FDAD2, #2EC8BF, #1DB6AC and #0CA499

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50ECE5 shade: #50EBE4, #50EBBA, #50EB91, #50EB67 and #63EB50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50ECE5 shade: #50EBE4, #50C8EB, #509EEB, #5075EB and #5050EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50ECE5 shade matches the following richer shades: #50EBE4 and #40FBF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50ECE5 shade: #50EBE4, #60DBD6, #6FCCC8, #7FBCB9 and #8FACAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50ECE5 shade: #50EB91, #50EBBA, #50EBE3, #50CAEB and #50A0EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50ECE5 shade: #17D2C9, #2BE7DF, #50EBE4, #75EFEA and #9AF3EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50ECE5 shade: #50ECE5, #6750EB and #EBA550

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50ECE5 shade: #50ECE5, #E350EB and #EBE350

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50ECE5 shade: #50ECE5, #6750EB, #EB5058 and #D4EB50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50ECE5 shade: #50ECE5, #9650EB, #EB5058 and #A5EB50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 3 / 7

HEX #50ECE5

RGB 80 236 229

HSL 177.31, 0.8%, 0.62%

LAB 85.68, -41.65, -8.57

 

Complementary color

CMYK 0 / 89 / 85 / 31

HEX #AF131A

RGB 175 19 26

HSL 357.31, 0.8%, 0.38%

LAB 37.21, 58.28, 39.99

 

CMYK 64 / 0 / 5 / 7

HEX #55ECE0

RGB 85 236 224

HSL 175.23, 0.8%, 0.63%

LAB 85.66, -42.24, -5.97

 

CMYK 60 / 0 / 4 / 0

HEX #66FEF3

RGB 102 254 243

HSL 175.66, 0.99%, 0.7%

LAB 91.77, -42.62, -6.81

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 66 / 0 / 3 / 7

HEX #50ECE5

RGB 80 236 229

HSL 177.31, 0.8%, 0.62%

LAB 85.68, -41.65, -8.57

 

CMYK 71 / 0 / 4 / 15

HEX #3FDAD2

RGB 63 218 210

HSL 176.9, 0.68%, 0.55%

LAB 79.53, -41, -7.67

 

CMYK 77 / 0 / 5 / 22

HEX #2EC8BF

RGB 46 200 191

HSL 176.49, 0.63%, 0.48%

LAB 73.32, -40.14, -6.68

 

CMYK 84 / 0 / 5 / 29

HEX #1DB6AC

RGB 29 182 172

HSL 176.08, 0.73%, 0.41%

LAB 67.05, -38.97, -5.58

 

CMYK 93 / 0 / 7 / 36

HEX #0CA499

RGB 12 164 153

HSL 175.66, 0.86%, 0.35%

LAB 60.72, -37.43, -4.35

 

CMYK 66 / 0 / 3 / 8

HEX #50EBE4

RGB 80 235 228

HSL 177.29, 0.79%, 0.62%

LAB 85.36, -41.47, -8.52

 

CMYK 66 / 0 / 21 / 8

HEX #50EBBA

RGB 80 235 186

HSL 161.03, 0.79%, 0.62%

LAB 84.31, -51.91, 12.02

 

CMYK 66 / 0 / 38 / 8

HEX #50EB91

RGB 80 235 145

HSL 145.16, 0.79%, 0.62%

LAB 83.53, -60.25, 32.07

 

CMYK 66 / 0 / 56 / 8

HEX #50EB67

RGB 80 235 103

HSL 128.9, 0.79%, 0.62%

LAB 82.97, -66.62, 51.61

 

CMYK 58 / 0 / 66 / 8

HEX #63EB50

RGB 99 235 80

HSL 112.65, 0.79%, 0.62%

LAB 83.26, -65.06, 61.84

 

CMYK 66 / 0 / 3 / 8

HEX #50EBE4

RGB 80 235 228

HSL 177.29, 0.79%, 0.62%

LAB 85.36, -41.47, -8.52

 

CMYK 66 / 15 / 0 / 8

HEX #50C8EB

RGB 80 200 235

HSL 193.55, 0.79%, 0.62%

LAB 75.46, -22.81, -27.19

 

CMYK 66 / 33 / 0 / 8

HEX #509EEB

RGB 80 158 235

HSL 209.81, 0.79%, 0.62%

LAB 63.47, -0.13, -45.82

 

CMYK 66 / 50 / 0 / 8

HEX #5075EB

RGB 80 117 235

HSL 225.68, 0.79%, 0.62%

LAB 52.32, 24.46, -63.61

 

CMYK 66 / 66 / 0 / 8

HEX #5050EB

RGB 80 80 235

HSL 240, 0.79%, 0.62%

LAB 43.42, 46.97, -78.08

 

CMYK 66 / 0 / 3 / 8

HEX #50EBE4

RGB 80 235 228

HSL 177.29, 0.79%, 0.62%

LAB 85.36, -41.47, -8.52

 

CMYK 75 / 0 / 4 / 2

HEX #40FBF2

RGB 64 251 242

HSL 177.11, 0.96%, 0.62%

LAB 90.09, -46.67, -8.86

 

CMYK 66 / 0 / 3 / 8

HEX #50EBE4

RGB 80 235 228

HSL 177.29, 0.79%, 0.62%

LAB 85.36, -41.47, -8.52

 

CMYK 56 / 0 / 2 / 14

HEX #60DBD6

RGB 96 219 214

HSL 177.56, 0.63%, 0.62%

LAB 80.74, -35.27, -7.92

 

CMYK 46 / 0 / 2 / 20

HEX #6FCCC8

RGB 111 204 200

HSL 177.42, 0.48%, 0.62%

LAB 76.52, -28.6, -6.61

 

CMYK 32 / 0 / 2 / 26

HEX #7FBCB9

RGB 127 188 185

HSL 177.05, 0.31%, 0.62%

LAB 72.22, -20.19, -4.75

 

CMYK 17 / 0 / 1 / 33

HEX #8FACAB

RGB 143 172 171

HSL 177.93, 0.15%, 0.62%

LAB 68.23, -10.12, -2.81

 

CMYK 66 / 0 / 38 / 8

HEX #50EB91

RGB 80 235 145

HSL 145.16, 0.79%, 0.62%

LAB 83.53, -60.25, 32.07

 

CMYK 66 / 0 / 21 / 8

HEX #50EBBA

RGB 80 235 186

HSL 161.03, 0.79%, 0.62%

LAB 84.31, -51.91, 12.02

 

CMYK 66 / 0 / 3 / 8

HEX #50EBE3

RGB 80 235 227

HSL 176.9, 0.79%, 0.62%

LAB 85.34, -41.74, -8.03

 

CMYK 66 / 14 / 0 / 8

HEX #50CAEB

RGB 80 202 235

HSL 192.77, 0.79%, 0.62%

LAB 76.04, -23.82, -26.31

 

CMYK 66 / 32 / 0 / 8

HEX #50A0EB

RGB 80 160 235

HSL 209.03, 0.79%, 0.62%

LAB 64.04, -1.27, -44.93

 

CMYK 89 / 0 / 4 / 18

HEX #17D2C9

RGB 23 210 201

HSL 177.11, 0.8%, 0.46%

LAB 76.37, -43.41, -7.59

 

CMYK 81 / 0 / 3 / 9

HEX #2BE7DF

RGB 43 231 223

HSL 177.45, 0.8%, 0.54%

LAB 83.44, -45.1, -8.81

 

CMYK 66 / 0 / 3 / 8

HEX #50EBE4

RGB 80 235 228

HSL 177.29, 0.79%, 0.62%

LAB 85.36, -41.47, -8.52

 

CMYK 51 / 0 / 2 / 6

HEX #75EFEA

RGB 117 239 234

HSL 177.54, 0.79%, 0.7%

LAB 87.71, -35.32, -8.08

 

CMYK 37 / 0 / 2 / 5

HEX #9AF3EF

RGB 154 243 239

HSL 177.3, 0.79%, 0.78%

LAB 90.42, -27.5, -6.52

 

CMYK 66 / 0 / 3 / 7

HEX #50ECE5

RGB 80 236 229

HSL 177.31, 0.8%, 0.62%

LAB 85.68, -41.65, -8.57

 

CMYK 56 / 66 / 0 / 8

HEX #6750EB

RGB 103 80 235

HSL 248.9, 0.79%, 0.62%

LAB 45.11, 50.23, -75.25

 

CMYK 0 / 30 / 66 / 8

HEX #EBA550

RGB 235 165 80

HSL 32.9, 0.79%, 0.62%

LAB 72.99, 17.78, 53.18

 

CMYK 66 / 0 / 3 / 7

HEX #50ECE5

RGB 80 236 229

HSL 177.31, 0.8%, 0.62%

LAB 85.68, -41.65, -8.57

 

CMYK 3 / 66 / 0 / 8

HEX #E350EB

RGB 227 80 235

HSL 296.9, 0.79%, 0.62%

LAB 59.95, 75.03, -50.57

 

CMYK 0 / 3 / 66 / 8

HEX #EBE350

RGB 235 227 80

HSL 56.9, 0.79%, 0.62%

LAB 88.53, -14.21, 69.69

 

CMYK 66 / 0 / 3 / 7

HEX #50ECE5

RGB 80 236 229

HSL 177.31, 0.8%, 0.62%

LAB 85.68, -41.65, -8.57

 

CMYK 56 / 66 / 0 / 8

HEX #6750EB

RGB 103 80 235

HSL 248.9, 0.79%, 0.62%

LAB 45.11, 50.23, -75.25

 

CMYK 0 / 66 / 63 / 8

HEX #EB5058

RGB 235 80 88

HSL 356.9, 0.79%, 0.62%

LAB 56.19, 60.03, 29.02

 

CMYK 10 / 0 / 66 / 8

HEX #D4EB50

RGB 212 235 80

HSL 68.9, 0.79%, 0.62%

LAB 88.92, -27.39, 69.53

 

CMYK 66 / 0 / 3 / 7

HEX #50ECE5

RGB 80 236 229

HSL 177.31, 0.8%, 0.62%

LAB 85.68, -41.65, -8.57

 

CMYK 36 / 66 / 0 / 8

HEX #9650EB

RGB 150 80 235

HSL 267.1, 0.79%, 0.62%

LAB 49.76, 58.64, -67.47

 

CMYK 0 / 66 / 63 / 8

HEX #EB5058

RGB 235 80 88

HSL 356.9, 0.79%, 0.62%

LAB 56.19, 60.03, 29.02

 

CMYK 30 / 0 / 66 / 8

HEX #A5EB50

RGB 165 235 80

HSL 87.1, 0.79%, 0.62%

LAB 86, -45.2, 65.59

 

Description

Color code: HEX #50ECE5 | qconv.com Color code: HEX #50ECE5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 236 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 236 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 3 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 3% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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