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Color name
HEX #50DC80

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50DC80 it is the complementary color #AF237F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50DC80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50DC80 shade: #55DC7B, #66EE8E, #77FFA1, #88FFB4 and #99FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50DC80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50DC80 shade: #50DC80, #3FCA6D, #2EB85A, #1DA647 and #0C9434

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50DC80 shade: #50DC80, #50DC5A, #6BDC50, #91DC50 and #B7DC50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50DC80 shade: #50DC80, #50DCA6, #50DCCB, #50C7DC and #50A1DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50DC80 shade matches the following richer shades: #50DC80, #3FED7B and #2EFE75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50DC80 shade: #50DC80, #61CB85, #72BA8B, #83A990 and #949895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50DC80 shade: #6CDC50, #50DC59, #50DC7F, #50DCA4 and #50DCC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50DC80 shade: #24B656, #2DD567, #50DC80, #72E399 and #95EAB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50DC80 shade: #50DC80, #5091DC and #DC5059

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50DC80 shade: #50DC80, #7F50DC and #DC7F50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50DC80 shade: #50DC80, #5091DC, #DC50AD and #DC9B50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50DC80 shade: #50DC80, #5067DC, #DC50AD and #DCC550

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 42 / 14

HEX #50DC80

RGB 80 220 128

HSL 140.57, 0.67%, 0.59%

LAB 78.72, -57.59, 34.34

 

Complementary color

CMYK 0 / 80 / 27 / 31

HEX #AF237F

RGB 175 35 127

HSL 320.57, 0.67%, 0.41%

LAB 40.97, 61.93, -17.69

 

CMYK 61 / 0 / 44 / 14

HEX #55DC7B

RGB 85 220 123

HSL 136.89, 0.66%, 0.6%

LAB 78.78, -57.42, 36.94

 

CMYK 57 / 0 / 40 / 7

HEX #66EE8E

RGB 102 238 142

HSL 137.65, 0.8%, 0.67%

LAB 84.96, -57.57, 35.57

 

CMYK 53 / 0 / 37 / 0

HEX #77FFA1

RGB 119 255 161

HSL 138.53, 1%, 0.73%

LAB 90.79, -57.2, 33.88

 

CMYK 47 / 0 / 29 / 0

HEX #88FFB4

RGB 136 255 180

HSL 142.18, 1%, 0.77%

LAB 91.71, -49.75, 25.67

 

CMYK 40 / 0 / 22 / 0

HEX #99FFC7

RGB 153 255 199

HSL 147.06, 1%, 0.8%

LAB 92.76, -41.77, 17.55

 

CMYK 64 / 0 / 42 / 14

HEX #50DC80

RGB 80 220 128

HSL 140.57, 0.67%, 0.59%

LAB 78.72, -57.59, 34.34

 

CMYK 69 / 0 / 46 / 21

HEX #3FCA6D

RGB 63 202 109

HSL 139.86, 0.57%, 0.52%

LAB 72.5, -57.16, 35.81

 

CMYK 75 / 0 / 51 / 28

HEX #2EB85A

RGB 46 184 90

HSL 139.13, 0.6%, 0.45%

LAB 66.21, -56.41, 37.35

 

CMYK 83 / 0 / 57 / 35

HEX #1DA647

RGB 29 166 71

HSL 138.39, 0.7%, 0.38%

LAB 59.88, -55.19, 38.94

 

CMYK 92 / 0 / 65 / 42

HEX #0C9434

RGB 12 148 52

HSL 137.65, 0.85%, 0.31%

LAB 53.5, -53.26, 40.47

 

CMYK 64 / 0 / 42 / 14

HEX #50DC80

RGB 80 220 128

HSL 140.57, 0.67%, 0.59%

LAB 78.72, -57.59, 34.34

 

CMYK 64 / 0 / 59 / 14

HEX #50DC5A

RGB 80 220 90

HSL 124.29, 0.67%, 0.59%

LAB 78.25, -63, 51.91

 

CMYK 51 / 0 / 64 / 14

HEX #6BDC50

RGB 107 220 80

HSL 108.43, 0.67%, 0.59%

LAB 78.98, -57.6, 57.26

 

CMYK 34 / 0 / 64 / 14

HEX #91DC50

RGB 145 220 80

HSL 92.14, 0.67%, 0.59%

LAB 80.62, -45.81, 59.52

 

CMYK 17 / 0 / 64 / 14

HEX #B7DC50

RGB 183 220 80

HSL 75.86, 0.67%, 0.59%

LAB 82.82, -31.79, 62.55

 

CMYK 64 / 0 / 42 / 14

HEX #50DC80

RGB 80 220 128

HSL 140.57, 0.67%, 0.59%

LAB 78.72, -57.59, 34.34

 

CMYK 64 / 0 / 25 / 14

HEX #50DCA6

RGB 80 220 166

HSL 156.86, 0.67%, 0.59%

LAB 79.41, -50.22, 15.6

 

CMYK 64 / 0 / 8 / 14

HEX #50DCCB

RGB 80 220 203

HSL 172.71, 0.67%, 0.59%

LAB 80.29, -41.36, -2.77

 

CMYK 64 / 10 / 0 / 14

HEX #50C7DC

RGB 80 199 220

HSL 189, 0.67%, 0.59%

LAB 74.65, -26.8, -20.33

 

CMYK 64 / 27 / 0 / 14

HEX #50A1DC

RGB 80 161 220

HSL 205.29, 0.67%, 0.59%

LAB 63.64, -6.79, -37.28

 

CMYK 64 / 0 / 42 / 14

HEX #50DC80

RGB 80 220 128

HSL 140.57, 0.67%, 0.59%

LAB 78.72, -57.59, 34.34

 

CMYK 73 / 0 / 48 / 7

HEX #3FED7B

RGB 63 237 123

HSL 140.69, 0.83%, 0.59%

LAB 83.47, -67.3, 42.8

 

CMYK 82 / 0 / 54 / 0

HEX #2EFE75

RGB 46 254 117

HSL 140.48, 0.99%, 0.59%

LAB 88.33, -75.68, 51.53

 

CMYK 64 / 0 / 42 / 14

HEX #50DC80

RGB 80 220 128

HSL 140.57, 0.67%, 0.59%

LAB 78.72, -57.59, 34.34

 

CMYK 52 / 0 / 34 / 20

HEX #61CB85

RGB 97 203 133

HSL 140.38, 0.5%, 0.59%

LAB 74.16, -46.22, 25.82

 

CMYK 39 / 0 / 25 / 27

HEX #72BA8B

RGB 114 186 139

HSL 140.83, 0.34%, 0.59%

LAB 69.87, -32.89, 16.87

 

CMYK 22 / 0 / 15 / 34

HEX #83A990

RGB 131 169 144

HSL 140.53, 0.18%, 0.59%

LAB 65.92, -18.1, 8.71

 

CMYK 3 / 0 / 2 / 40

HEX #949895

RGB 148 152 149

HSL 135, 0.02%, 0.59%

LAB 62.44, -2.03, 1.06

 

CMYK 51 / 0 / 64 / 14

HEX #6CDC50

RGB 108 220 80

HSL 108, 0.67%, 0.59%

LAB 79.01, -57.33, 57.31

 

CMYK 64 / 0 / 60 / 14

HEX #50DC59

RGB 80 220 89

HSL 123.86, 0.67%, 0.59%

LAB 78.24, -63.11, 52.34

 

CMYK 64 / 0 / 42 / 14

HEX #50DC7F

RGB 80 220 127

HSL 140.14, 0.67%, 0.59%

LAB 78.71, -57.76, 34.82

 

CMYK 64 / 0 / 25 / 14

HEX #50DCA4

RGB 80 220 164

HSL 156, 0.67%, 0.59%

LAB 79.37, -50.65, 16.6

 

CMYK 64 / 0 / 9 / 14

HEX #50DCC9

RGB 80 220 201

HSL 171.86, 0.67%, 0.59%

LAB 80.24, -41.88, -1.78

 

CMYK 80 / 0 / 53 / 29

HEX #24B656

RGB 36 182 86

HSL 140.55, 0.67%, 0.43%

LAB 65.36, -57.64, 38.25

 

CMYK 79 / 0 / 52 / 16

HEX #2DD567

RGB 45 213 103

HSL 140.71, 0.67%, 0.51%

LAB 75.53, -64.53, 42.49

 

CMYK 64 / 0 / 42 / 14

HEX #50DC80

RGB 80 220 128

HSL 140.57, 0.67%, 0.59%

LAB 78.72, -57.59, 34.34

 

CMYK 50 / 0 / 33 / 11

HEX #72E399

RGB 114 227 153

HSL 140.71, 0.67%, 0.67%

LAB 82.28, -48.43, 26.5

 

CMYK 36 / 0 / 24 / 8

HEX #95EAB2

RGB 149 234 178

HSL 140.47, 0.67%, 0.75%

LAB 86.23, -37.42, 19.23

 

CMYK 64 / 0 / 42 / 14

HEX #50DC80

RGB 80 220 128

HSL 140.57, 0.67%, 0.59%

LAB 78.72, -57.59, 34.34

 

CMYK 64 / 34 / 0 / 14

HEX #5091DC

RGB 80 145 220

HSL 212.14, 0.67%, 0.59%

LAB 59.09, 2.38, -44.42

 

CMYK 0 / 64 / 60 / 14

HEX #DC5059

RGB 220 80 89

HSL 356.14, 0.67%, 0.59%

LAB 53.68, 55.24, 24.7

 

CMYK 64 / 0 / 42 / 14

HEX #50DC80

RGB 80 220 128

HSL 140.57, 0.67%, 0.59%

LAB 78.72, -57.59, 34.34

 

CMYK 42 / 64 / 0 / 14

HEX #7F50DC

RGB 127 80 220

HSL 260.14, 0.67%, 0.59%

LAB 46.2, 50.28, -64.87

 

CMYK 0 / 42 / 64 / 14

HEX #DC7F50

RGB 220 127 80

HSL 20.14, 0.67%, 0.59%

LAB 62.49, 31.82, 40.68

 

CMYK 64 / 0 / 42 / 14

HEX #50DC80

RGB 80 220 128

HSL 140.57, 0.67%, 0.59%

LAB 78.72, -57.59, 34.34

 

CMYK 64 / 34 / 0 / 14

HEX #5091DC

RGB 80 145 220

HSL 212.14, 0.67%, 0.59%

LAB 59.09, 2.38, -44.42

 

CMYK 0 / 64 / 21 / 14

HEX #DC50AD

RGB 220 80 173

HSL 320.14, 0.67%, 0.59%

LAB 56.06, 63.87, -21.42

 

CMYK 0 / 30 / 64 / 14

HEX #DC9B50

RGB 220 155 80

HSL 32.14, 0.67%, 0.59%

LAB 68.92, 16.85, 48.16

 

CMYK 64 / 0 / 42 / 14

HEX #50DC80

RGB 80 220 128

HSL 140.57, 0.67%, 0.59%

LAB 78.72, -57.59, 34.34

 

CMYK 64 / 53 / 0 / 14

HEX #5067DC

RGB 80 103 220

HSL 230.14, 0.67%, 0.59%

LAB 47.72, 27.99, -62.59

 

CMYK 0 / 64 / 21 / 14

HEX #DC50AD

RGB 220 80 173

HSL 320.14, 0.67%, 0.59%

LAB 56.06, 63.87, -21.42

 

CMYK 0 / 10 / 64 / 14

HEX #DCC550

RGB 220 197 80

HSL 50.14, 0.67%, 0.59%

LAB 79.46, -5.35, 59.79

 

Description

Color code: HEX #50DC80 | qconv.com Color code: HEX #50DC80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 220 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 220 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 42 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 42% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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