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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50DACD it is the complementary color #AF2532. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50DACD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50DACD shade: #55DAC8, #66ECDB, #77FEEE, #88FFFF and #99FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50DACD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50DACD shade: #50DACD, #3FC8BA, #2EB6A7, #1DA494 and #0C9281

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50DACD shade: #4ED9CC, #4ED9A6, #4ED981, #4ED95B and #66D94E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50DACD shade: #4ED9CC, #4EC1D9, #4E9BD9, #4E75D9 and #4E50D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50DACD shade matches the following richer shades: #4ED9CC, #3CEADA and #2BFCE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50DACD shade: #4ED9CC, #5FC8BE, #70B6B0, #82A5A2 and #939494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50DACD shade: #4ED981, #4ED9A6, #4ED9CB, #4EC2D9 and #4E9DD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50DACD shade: #25AFA2, #2CD1C2, #4ED9CC, #70E0D6 and #92E7DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50DACD shade: #50DACD, #5C4ED9 and #D9934E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50DACD shade: #50DACD, #CB4ED9 and #D9CB4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50DACD shade: #50DACD, #5C4ED9, #D94E5C and #CBD94E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50DACD shade: #50DACD, #854ED9, #D94E5C and #A1D94E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 6 / 15

HEX #50DACD

RGB 80 218 205

HSL 174.35, 0.65%, 0.58%

LAB 79.76, -39.95, -4.62

 

Complementary color

CMYK 0 / 79 / 71 / 31

HEX #AF2532

RGB 175 37 50

HSL 354.35, 0.65%, 0.42%

LAB 39.01, 54.79, 27.93

 

CMYK 61 / 0 / 8 / 15

HEX #55DAC8

RGB 85 218 200

HSL 171.88, 0.64%, 0.59%

LAB 79.75, -40.41, -1.95

 

CMYK 57 / 0 / 7 / 7

HEX #66ECDB

RGB 102 236 219

HSL 172.39, 0.78%, 0.66%

LAB 85.97, -40.64, -2.82

 

CMYK 53 / 0 / 6 / 0

HEX #77FEEE

RGB 119 254 238

HSL 172.89, 0.99%, 0.73%

LAB 92.12, -40.77, -3.64

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 63 / 0 / 6 / 15

HEX #50DACD

RGB 80 218 205

HSL 174.35, 0.65%, 0.58%

LAB 79.76, -39.95, -4.62

 

CMYK 69 / 0 / 7 / 22

HEX #3FC8BA

RGB 63 200 186

HSL 173.87, 0.55%, 0.52%

LAB 73.49, -39.46, -3.68

 

CMYK 75 / 0 / 8 / 29

HEX #2EB6A7

RGB 46 182 167

HSL 173.38, 0.6%, 0.45%

LAB 67.15, -38.76, -2.65

 

CMYK 82 / 0 / 10 / 36

HEX #1DA494

RGB 29 164 148

HSL 172.89, 0.7%, 0.38%

LAB 60.74, -37.76, -1.49

 

CMYK 92 / 0 / 12 / 43

HEX #0C9281

RGB 12 146 129

HSL 172.39, 0.85%, 0.31%

LAB 54.26, -36.34, -0.17

 

CMYK 64 / 0 / 6 / 15

HEX #4ED9CC

RGB 78 217 204

HSL 174.39, 0.65%, 0.58%

LAB 79.39, -40.08, -4.64

 

CMYK 64 / 0 / 24 / 15

HEX #4ED9A6

RGB 78 217 166

HSL 157.99, 0.65%, 0.58%

LAB 78.46, -49.33, 14.26

 

CMYK 64 / 0 / 41 / 15

HEX #4ED981

RGB 78 217 129

HSL 142.01, 0.65%, 0.58%

LAB 77.77, -56.67, 32.58

 

CMYK 64 / 0 / 58 / 15

HEX #4ED95B

RGB 78 217 91

HSL 125.61, 0.65%, 0.58%

LAB 77.28, -62.24, 50.33

 

CMYK 53 / 0 / 64 / 15

HEX #66D94E

RGB 102 217 78

HSL 109.64, 0.65%, 0.58%

LAB 77.88, -58.01, 56.82

 

CMYK 64 / 0 / 6 / 15

HEX #4ED9CC

RGB 78 217 204

HSL 174.39, 0.65%, 0.58%

LAB 79.39, -40.08, -4.64

 

CMYK 64 / 11 / 0 / 15

HEX #4EC1D9

RGB 78 193 217

HSL 190.36, 0.65%, 0.58%

LAB 72.74, -25.02, -21.61

 

CMYK 64 / 29 / 0 / 15

HEX #4E9BD9

RGB 78 155 217

HSL 206.76, 0.65%, 0.58%

LAB 61.72, -4.74, -38.63

 

CMYK 64 / 46 / 0 / 15

HEX #4E75D9

RGB 78 117 217

HSL 223.17, 0.65%, 0.58%

LAB 51.1, 17.91, -55.45

 

CMYK 64 / 63 / 0 / 15

HEX #4E50D9

RGB 78 80 217

HSL 239.14, 0.65%, 0.58%

LAB 41.79, 40.84, -70.52

 

CMYK 64 / 0 / 6 / 15

HEX #4ED9CC

RGB 78 217 204

HSL 174.39, 0.65%, 0.58%

LAB 79.39, -40.08, -4.64

 

CMYK 74 / 0 / 7 / 8

HEX #3CEADA

RGB 60 234 218

HSL 174.48, 0.81%, 0.58%

LAB 84.42, -46.21, -4.7

 

CMYK 83 / 0 / 8 / 1

HEX #2BFCE8

RGB 43 252 232

HSL 174.26, 0.97%, 0.58%

LAB 89.84, -51.59, -4.06

 

CMYK 64 / 0 / 6 / 15

HEX #4ED9CC

RGB 78 217 204

HSL 174.39, 0.65%, 0.58%

LAB 79.39, -40.08, -4.64

 

CMYK 53 / 0 / 5 / 22

HEX #5FC8BE

RGB 95 200 190

HSL 174.29, 0.49%, 0.58%

LAB 74.48, -32.77, -4.28

 

CMYK 38 / 0 / 3 / 29

HEX #70B6B0

RGB 112 182 176

HSL 174.86, 0.32%, 0.58%

LAB 69.49, -23.43, -3.91

 

CMYK 21 / 0 / 2 / 35

HEX #82A5A2

RGB 130 165 162

HSL 174.86, 0.16%, 0.58%

LAB 65.17, -12.57, -2.4

 

CMYK 1 / 0 / 0 / 42

HEX #939494

RGB 147 148 148

HSL 180, 0%, 0.58%

LAB 61.24, -0.36, -0.13

 

CMYK 64 / 0 / 41 / 15

HEX #4ED981

RGB 78 217 129

HSL 142.01, 0.65%, 0.58%

LAB 77.77, -56.67, 32.58

 

CMYK 64 / 0 / 24 / 15

HEX #4ED9A6

RGB 78 217 166

HSL 157.99, 0.65%, 0.58%

LAB 78.46, -49.33, 14.26

 

CMYK 64 / 0 / 6 / 15

HEX #4ED9CB

RGB 78 217 203

HSL 173.96, 0.65%, 0.58%

LAB 79.36, -40.34, -4.14

 

CMYK 64 / 11 / 0 / 15

HEX #4EC2D9

RGB 78 194 217

HSL 189.93, 0.65%, 0.58%

LAB 73.03, -25.52, -21.17

 

CMYK 64 / 28 / 0 / 15

HEX #4E9DD9

RGB 78 157 217

HSL 205.9, 0.65%, 0.58%

LAB 62.29, -5.87, -37.73

 

CMYK 79 / 0 / 7 / 31

HEX #25AFA2

RGB 37 175 162

HSL 174.35, 0.65%, 0.42%

LAB 64.69, -37.99, -3.5

 

CMYK 79 / 0 / 7 / 18

HEX #2CD1C2

RGB 44 209 194

HSL 174.55, 0.65%, 0.5%

LAB 76.09, -43.48, -4.21

 

CMYK 64 / 0 / 6 / 15

HEX #4ED9CC

RGB 78 217 204

HSL 174.39, 0.65%, 0.58%

LAB 79.39, -40.08, -4.64

 

CMYK 50 / 0 / 4 / 12

HEX #70E0D6

RGB 112 224 214

HSL 174.64, 0.64%, 0.66%

LAB 82.71, -34.39, -4.95

 

CMYK 37 / 0 / 3 / 9

HEX #92E7DF

RGB 146 231 223

HSL 174.35, 0.64%, 0.74%

LAB 86.3, -27.48, -4.25

 

CMYK 63 / 0 / 6 / 15

HEX #50DACD

RGB 80 218 205

HSL 174.35, 0.65%, 0.58%

LAB 79.76, -39.95, -4.62

 

CMYK 58 / 64 / 0 / 15

HEX #5C4ED9

RGB 92 78 217

HSL 246.04, 0.65%, 0.58%

LAB 42.36, 44.16, -69.55

 

CMYK 0 / 32 / 64 / 15

HEX #D9934E

RGB 217 147 78

HSL 29.78, 0.65%, 0.58%

LAB 66.65, 19.77, 46.45

 

CMYK 63 / 0 / 6 / 15

HEX #50DACD

RGB 80 218 205

HSL 174.35, 0.65%, 0.58%

LAB 79.76, -39.95, -4.62

 

CMYK 6 / 64 / 0 / 15

HEX #CB4ED9

RGB 203 78 217

HSL 293.96, 0.65%, 0.58%

LAB 55.23, 67.28, -48.15

 

CMYK 0 / 6 / 64 / 15

HEX #D9CB4E

RGB 217 203 78

HSL 53.96, 0.65%, 0.58%

LAB 80.75, -9.79, 61.93

 

CMYK 63 / 0 / 6 / 15

HEX #50DACD

RGB 80 218 205

HSL 174.35, 0.65%, 0.58%

LAB 79.76, -39.95, -4.62

 

CMYK 58 / 64 / 0 / 15

HEX #5C4ED9

RGB 92 78 217

HSL 246.04, 0.65%, 0.58%

LAB 42.36, 44.16, -69.55

 

CMYK 0 / 64 / 58 / 15

HEX #D94E5C

RGB 217 78 92

HSL 353.96, 0.65%, 0.58%

LAB 52.92, 55.31, 21.83

 

CMYK 6 / 0 / 64 / 15

HEX #CBD94E

RGB 203 217 78

HSL 66.04, 0.65%, 0.58%

LAB 83.38, -22.53, 64.35

 

CMYK 63 / 0 / 6 / 15

HEX #50DACD

RGB 80 218 205

HSL 174.35, 0.65%, 0.58%

LAB 79.76, -39.95, -4.62

 

CMYK 39 / 64 / 0 / 15

HEX #854ED9

RGB 133 78 217

HSL 263.74, 0.65%, 0.58%

LAB 46.24, 51.76, -63.07

 

CMYK 0 / 64 / 58 / 15

HEX #D94E5C

RGB 217 78 92

HSL 353.96, 0.65%, 0.58%

LAB 52.92, 55.31, 21.83

 

CMYK 26 / 0 / 64 / 15

HEX #A1D94E

RGB 161 217 78

HSL 84.17, 0.65%, 0.58%

LAB 80.6, -38.94, 60.58

 

Description

Color code: HEX #50DACD | qconv.com Color code: HEX #50DACD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 218 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 218 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 6 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 6% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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