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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50B680 it is the complementary color #AF497F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50B680. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50B680 shade: #55B67B, #66C88E, #77DAA1, #88ECB4 and #99FEC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50B680. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50B680 shade: #50B680, #3FA46D, #2E925A, #1D8047 and #0C6E34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50B680 shade: #4EB57F, #4EB563, #55B54E, #71B54E and #8DB54E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50B680 shade: #4EB57F, #4EB59A, #4EB4B5, #4E98B5 and #4E7CB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50B680 shade matches the following richer shades: #4EB57F, #3AC97D, #26DD7C and #12F17B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50B680 shade: #4EB57F, #63A180, #778C81, #8B7882 and #9F6483

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50B680 shade: #55B54E, #4EB563, #4EB57E, #4EB599 and #4EB5B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50B680 shade: #347D56, #409A6A, #4EB57F, #6BC194 and #88CDA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50B680 shade: #50B680, #4E70B5 and #B5554E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50B680 shade: #50B680, #7E4EB5 and #B57E4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50B680 shade: #50B680, #4E70B5, #B54E85 and #B5934E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50B680 shade: #50B680, #4E52B5, #B54E85 and #B5B14E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 30 / 29

HEX #50B680

RGB 80 182 128

HSL 148.24, 0.41%, 0.51%

LAB 67.07, -42.31, 18.74

 

Complementary color

CMYK 0 / 58 / 27 / 31

HEX #AF497F

RGB 175 73 127

HSL 328.24, 0.41%, 0.49%

LAB 46.19, 47.49, -9.76

 

CMYK 53 / 0 / 32 / 29

HEX #55B67B

RGB 85 182 123

HSL 143.51, 0.4%, 0.52%

LAB 67.14, -42.11, 21.57

 

CMYK 49 / 0 / 29 / 22

HEX #66C88E

RGB 102 200 142

HSL 144.49, 0.47%, 0.59%

LAB 73.6, -41.98, 20.34

 

CMYK 45 / 0 / 26 / 15

HEX #77DAA1

RGB 119 218 161

HSL 145.45, 0.57%, 0.66%

LAB 79.98, -41.79, 19.21

 

CMYK 42 / 0 / 24 / 7

HEX #88ECB4

RGB 136 236 180

HSL 146.4, 0.72%, 0.73%

LAB 86.27, -41.56, 18.15

 

CMYK 40 / 0 / 22 / 0

HEX #99FEC7

RGB 153 254 199

HSL 147.33, 0.98%, 0.8%

LAB 92.48, -41.32, 17.16

 

CMYK 56 / 0 / 30 / 29

HEX #50B680

RGB 80 182 128

HSL 148.24, 0.41%, 0.51%

LAB 67.07, -42.31, 18.74

 

CMYK 62 / 0 / 34 / 36

HEX #3FA46D

RGB 63 164 109

HSL 147.33, 0.44%, 0.45%

LAB 60.53, -42.27, 20.07

 

CMYK 68 / 0 / 38 / 43

HEX #2E925A

RGB 46 146 90

HSL 146.4, 0.52%, 0.38%

LAB 53.9, -42.01, 21.53

 

CMYK 77 / 0 / 45 / 50

HEX #1D8047

RGB 29 128 71

HSL 145.45, 0.63%, 0.31%

LAB 47.18, -41.39, 23.16

 

CMYK 89 / 0 / 53 / 57

HEX #0C6E34

RGB 12 110 52

HSL 144.49, 0.8%, 0.24%

LAB 40.37, -40.14, 24.96

 

CMYK 57 / 0 / 30 / 29

HEX #4EB57F

RGB 78 181 127

HSL 148.54, 0.41%, 0.51%

LAB 66.67, -42.54, 18.73

 

CMYK 57 / 0 / 45 / 29

HEX #4EB563

RGB 78 181 99

HSL 132.23, 0.41%, 0.51%

LAB 66.19, -47.65, 32.93

 

CMYK 53 / 0 / 57 / 29

HEX #55B54E

RGB 85 181 78

HSL 115.92, 0.41%, 0.51%

LAB 66.16, -48.8, 43.36

 

CMYK 38 / 0 / 57 / 29

HEX #71B54E

RGB 113 181 78

HSL 99.61, 0.41%, 0.51%

LAB 67.36, -40.19, 45.07

 

CMYK 22 / 0 / 57 / 29

HEX #8DB54E

RGB 141 181 78

HSL 83.3, 0.41%, 0.51%

LAB 68.94, -29.96, 47.3

 

CMYK 57 / 0 / 30 / 29

HEX #4EB57F

RGB 78 181 127

HSL 148.54, 0.41%, 0.51%

LAB 66.67, -42.54, 18.73

 

CMYK 57 / 0 / 15 / 29

HEX #4EB59A

RGB 78 181 154

HSL 164.27, 0.41%, 0.51%

LAB 67.28, -36.48, 4.81

 

CMYK 57 / 1 / 0 / 29

HEX #4EB4B5

RGB 78 180 181

HSL 180.58, 0.41%, 0.51%

LAB 67.72, -28.96, -9.44

 

CMYK 57 / 16 / 0 / 29

HEX #4E98B5

RGB 78 152 181

HSL 196.89, 0.41%, 0.51%

LAB 59.35, -14.54, -22.09

 

CMYK 57 / 31 / 0 / 29

HEX #4E7CB5

RGB 78 124 181

HSL 213.2, 0.41%, 0.51%

LAB 51.12, 1.45, -34.86

 

CMYK 57 / 0 / 30 / 29

HEX #4EB57F

RGB 78 181 127

HSL 148.54, 0.41%, 0.51%

LAB 66.67, -42.54, 18.73

 

CMYK 71 / 0 / 38 / 21

HEX #3AC97D

RGB 58 201 125

HSL 148.11, 0.57%, 0.51%

LAB 72.33, -54.78, 27.37

 

CMYK 83 / 0 / 44 / 13

HEX #26DD7C

RGB 38 221 124

HSL 148.2, 0.73%, 0.51%

LAB 78.22, -64.56, 35.54

 

CMYK 93 / 0 / 49 / 5

HEX #12F17B

RGB 18 241 123

HSL 148.25, 0.89%, 0.51%

LAB 84.21, -72.6, 43.62

 

CMYK 57 / 0 / 30 / 29

HEX #4EB57F

RGB 78 181 127

HSL 148.54, 0.41%, 0.51%

LAB 66.67, -42.54, 18.73

 

CMYK 39 / 0 / 20 / 37

HEX #63A180

RGB 99 161 128

HSL 148.06, 0.25%, 0.51%

LAB 61.4, -27.6, 10.96

 

CMYK 15 / 0 / 8 / 45

HEX #778C81

RGB 119 140 129

HSL 148.57, 0.08%, 0.51%

LAB 56.35, -9.83, 3.35

 

CMYK 0 / 14 / 6 / 45

HEX #8B7882

RGB 139 120 130

HSL 328.42, 0.08%, 0.51%

LAB 52.44, 9.17, -2.75

 

CMYK 0 / 37 / 18 / 38

HEX #9F6483

RGB 159 100 131

HSL 328.47, 0.24%, 0.51%

LAB 49.65, 28.4, -7.23

 

CMYK 53 / 0 / 57 / 29

HEX #55B54E

RGB 85 181 78

HSL 115.92, 0.41%, 0.51%

LAB 66.16, -48.8, 43.36

 

CMYK 57 / 0 / 45 / 29

HEX #4EB563

RGB 78 181 99

HSL 132.23, 0.41%, 0.51%

LAB 66.19, -47.65, 32.93

 

CMYK 57 / 0 / 30 / 29

HEX #4EB57E

RGB 78 181 126

HSL 147.96, 0.41%, 0.51%

LAB 66.65, -42.75, 19.25

 

CMYK 57 / 0 / 15 / 29

HEX #4EB599

RGB 78 181 153

HSL 163.69, 0.41%, 0.51%

LAB 67.25, -36.72, 5.33

 

CMYK 57 / 0 / 0 / 29

HEX #4EB5B5

RGB 78 181 181

HSL 180, 0.41%, 0.51%

LAB 68.02, -29.45, -8.99

 

CMYK 58 / 0 / 31 / 51

HEX #347D56

RGB 52 125 86

HSL 147.95, 0.41%, 0.35%

LAB 47.07, -32.46, 14.59

 

CMYK 58 / 0 / 31 / 40

HEX #409A6A

RGB 64 154 106

HSL 148, 0.41%, 0.43%

LAB 57.31, -38.36, 17.35

 

CMYK 57 / 0 / 30 / 29

HEX #4EB57F

RGB 78 181 127

HSL 148.54, 0.41%, 0.51%

LAB 66.67, -42.54, 18.73

 

CMYK 45 / 0 / 23 / 24

HEX #6BC194

RGB 107 193 148

HSL 148.6, 0.41%, 0.59%

LAB 71.83, -36.34, 14.7

 

CMYK 34 / 0 / 18 / 20

HEX #88CDA9

RGB 136 205 169

HSL 148.7, 0.41%, 0.67%

LAB 77.14, -29.45, 11.1

 

CMYK 56 / 0 / 30 / 29

HEX #50B680

RGB 80 182 128

HSL 148.24, 0.41%, 0.51%

LAB 67.07, -42.31, 18.74

 

CMYK 57 / 38 / 0 / 29

HEX #4E70B5

RGB 78 112 181

HSL 220.19, 0.41%, 0.51%

LAB 47.68, 8.75, -40.28

 

CMYK 0 / 53 / 57 / 29

HEX #B5554E

RGB 181 85 78

HSL 4.08, 0.41%, 0.51%

LAB 48.1, 38.34, 22.7

 

CMYK 56 / 0 / 30 / 29

HEX #50B680

RGB 80 182 128

HSL 148.24, 0.41%, 0.51%

LAB 67.07, -42.31, 18.74

 

CMYK 30 / 57 / 0 / 29

HEX #7E4EB5

RGB 126 78 181

HSL 267.96, 0.41%, 0.51%

LAB 43.09, 41.03, -47.34

 

CMYK 0 / 30 / 57 / 29

HEX #B57E4E

RGB 181 126 78

HSL 27.96, 0.41%, 0.51%

LAB 57.36, 16.05, 34.42

 

CMYK 56 / 0 / 30 / 29

HEX #50B680

RGB 80 182 128

HSL 148.24, 0.41%, 0.51%

LAB 67.07, -42.31, 18.74

 

CMYK 57 / 38 / 0 / 29

HEX #4E70B5

RGB 78 112 181

HSL 220.19, 0.41%, 0.51%

LAB 47.68, 8.75, -40.28

 

CMYK 0 / 57 / 27 / 29

HEX #B54E85

RGB 181 78 133

HSL 327.96, 0.41%, 0.51%

LAB 48.22, 47.84, -10.25

 

CMYK 0 / 19 / 57 / 29

HEX #B5934E

RGB 181 147 78

HSL 40.19, 0.41%, 0.51%

LAB 62.71, 4.4, 40.87

 

CMYK 56 / 0 / 30 / 29

HEX #50B680

RGB 80 182 128

HSL 148.24, 0.41%, 0.51%

LAB 67.07, -42.31, 18.74

 

CMYK 57 / 55 / 0 / 29

HEX #4E52B5

RGB 78 82 181

HSL 237.67, 0.41%, 0.51%

LAB 39.56, 27.66, -53.26

 

CMYK 0 / 57 / 27 / 29

HEX #B54E85

RGB 181 78 133

HSL 327.96, 0.41%, 0.51%

LAB 48.22, 47.84, -10.25

 

CMYK 0 / 2 / 57 / 29

HEX #B5B14E

RGB 181 177 78

HSL 57.67, 0.41%, 0.51%

LAB 70.75, -11.63, 50.14

 

Description

Color code: HEX #50B680 | qconv.com Color code: HEX #50B680 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 182 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 182 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 30 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 30% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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