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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50B654 it is the complementary color #AF49AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50B654. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50B654 shade: #55B64F, #66C862, #77DA75, #88EC88 and #99FE9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50B654. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50B654 shade: #50B654, #3FA441, #2E922E, #1D801B and #0C6E08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50B654 shade: #4EB552, #66B54E, #82B54E, #9DB54E and #B5B14E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50B654 shade: #4EB552, #4EB56E, #4EB58A, #4EB5A5 and #4EA9B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50B654 shade matches the following richer shades: #4EB552, #3AC940, #26DD2D and #12F11A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50B654 shade: #4EB552, #63A165, #778C78, #8B788A and #9F649D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50B654 shade: #82B54E, #66B54E, #4EB552, #4EB56D and #4EB588

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50B654 shade: #347D37, #409A44, #4EB552, #6BC16F and #88CD8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50B654 shade: #50B654, #4E9DB5 and #B54E74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50B654 shade: #50B654, #524EB5 and #B5524E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50B654 shade: #50B654, #4E9DB5, #B54EB1 and #B5664E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50B654 shade: #50B654, #4E7EB5, #B54EB1 and #B5854E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 54 / 29

HEX #50B654

RGB 80 182 84

HSL 122.35, 0.41%, 0.51%

LAB 66.37, -49.74, 40.69

 

Complementary color

CMYK 0 / 58 / 2 / 31

HEX #AF49AB

RGB 175 73 171

HSL 302.35, 0.41%, 0.49%

LAB 48.03, 54.35, -33.23

 

CMYK 53 / 0 / 57 / 29

HEX #55B64F

RGB 85 182 79

HSL 116.5, 0.41%, 0.51%

LAB 66.48, -49.07, 43.27

 

CMYK 49 / 0 / 51 / 22

HEX #66C862

RGB 102 200 98

HSL 117.65, 0.48%, 0.58%

LAB 72.9, -49.17, 42.01

 

CMYK 45 / 0 / 46 / 15

HEX #77DA75

RGB 119 218 117

HSL 118.81, 0.58%, 0.66%

LAB 79.24, -49.13, 40.74

 

CMYK 42 / 0 / 42 / 7

HEX #88EC88

RGB 136 236 136

HSL 120, 0.72%, 0.73%

LAB 85.51, -49, 39.49

 

CMYK 40 / 0 / 39 / 0

HEX #99FE9B

RGB 153 254 155

HSL 121.19, 0.98%, 0.8%

LAB 91.69, -48.82, 38.28

 

CMYK 56 / 0 / 54 / 29

HEX #50B654

RGB 80 182 84

HSL 122.35, 0.41%, 0.51%

LAB 66.37, -49.74, 40.69

 

CMYK 62 / 0 / 60 / 36

HEX #3FA441

RGB 63 164 65

HSL 121.19, 0.44%, 0.45%

LAB 59.88, -49.39, 41.98

 

CMYK 68 / 0 / 68 / 43

HEX #2E922E

RGB 46 146 46

HSL 120, 0.52%, 0.38%

LAB 53.32, -48.65, 43.08

 

CMYK 77 / 0 / 79 / 50

HEX #1D801B

RGB 29 128 27

HSL 118.81, 0.65%, 0.3%

LAB 46.68, -47.26, 43.65

 

CMYK 89 / 0 / 93 / 57

HEX #0C6E08

RGB 12 110 8

HSL 117.65, 0.86%, 0.23%

LAB 39.99, -44.83, 42.94

 

CMYK 57 / 0 / 55 / 29

HEX #4EB552

RGB 78 181 82

HSL 122.33, 0.41%, 0.51%

LAB 65.96, -50.12, 41.16

 

CMYK 44 / 0 / 57 / 29

HEX #66B54E

RGB 102 181 78

HSL 106.02, 0.41%, 0.51%

LAB 66.84, -43.8, 44.33

 

CMYK 28 / 0 / 57 / 29

HEX #82B54E

RGB 130 181 78

HSL 89.71, 0.41%, 0.51%

LAB 68.27, -34.14, 46.36

 

CMYK 13 / 0 / 57 / 29

HEX #9DB54E

RGB 157 181 78

HSL 73.98, 0.41%, 0.51%

LAB 70.01, -23.62, 48.81

 

CMYK 0 / 2 / 57 / 29

HEX #B5B14E

RGB 181 177 78

HSL 57.67, 0.41%, 0.51%

LAB 70.75, -11.63, 50.14

 

CMYK 57 / 0 / 55 / 29

HEX #4EB552

RGB 78 181 82

HSL 122.33, 0.41%, 0.51%

LAB 65.96, -50.12, 41.16

 

CMYK 57 / 0 / 39 / 29

HEX #4EB56E

RGB 78 181 110

HSL 138.64, 0.41%, 0.51%

LAB 66.36, -45.79, 27.42

 

CMYK 57 / 0 / 24 / 29

HEX #4EB58A

RGB 78 181 138

HSL 154.95, 0.41%, 0.51%

LAB 66.9, -40.2, 13.06

 

CMYK 57 / 0 / 9 / 29

HEX #4EB5A5

RGB 78 181 165

HSL 170.68, 0.41%, 0.51%

LAB 67.56, -33.72, -0.84

 

CMYK 57 / 7 / 0 / 29

HEX #4EA9B5

RGB 78 169 181

HSL 186.99, 0.41%, 0.51%

LAB 64.43, -23.48, -14.38

 

CMYK 57 / 0 / 55 / 29

HEX #4EB552

RGB 78 181 82

HSL 122.33, 0.41%, 0.51%

LAB 65.96, -50.12, 41.16

 

CMYK 71 / 0 / 68 / 21

HEX #3AC940

RGB 58 201 64

HSL 122.52, 0.57%, 0.51%

LAB 71.58, -63.44, 55.34

 

CMYK 83 / 0 / 80 / 13

HEX #26DD2D

RGB 38 221 45

HSL 122.3, 0.73%, 0.51%

LAB 77.47, -73.67, 67.58

 

CMYK 93 / 0 / 89 / 5

HEX #12F11A

RGB 18 241 26

HSL 122.15, 0.89%, 0.51%

LAB 83.5, -81.45, 77.08

 

CMYK 57 / 0 / 55 / 29

HEX #4EB552

RGB 78 181 82

HSL 122.33, 0.41%, 0.51%

LAB 65.96, -50.12, 41.16

 

CMYK 39 / 0 / 37 / 37

HEX #63A165

RGB 99 161 101

HSL 121.94, 0.25%, 0.51%

LAB 60.85, -32.69, 25.11

 

CMYK 15 / 0 / 14 / 45

HEX #778C78

RGB 119 140 120

HSL 122.86, 0.08%, 0.51%

LAB 56.12, -11.62, 8.18

 

CMYK 0 / 14 / 1 / 45

HEX #8B788A

RGB 139 120 138

HSL 303.16, 0.08%, 0.51%

LAB 52.68, 10.72, -7.07

 

CMYK 0 / 37 / 1 / 38

HEX #9F649D

RGB 159 100 157

HSL 302.03, 0.24%, 0.51%

LAB 50.59, 33.07, -21.18

 

CMYK 28 / 0 / 57 / 29

HEX #82B54E

RGB 130 181 78

HSL 89.71, 0.41%, 0.51%

LAB 68.27, -34.14, 46.36

 

CMYK 44 / 0 / 57 / 29

HEX #66B54E

RGB 102 181 78

HSL 106.02, 0.41%, 0.51%

LAB 66.84, -43.8, 44.33

 

CMYK 57 / 0 / 55 / 29

HEX #4EB552

RGB 78 181 82

HSL 122.33, 0.41%, 0.51%

LAB 65.96, -50.12, 41.16

 

CMYK 57 / 0 / 40 / 29

HEX #4EB56D

RGB 78 181 109

HSL 138.06, 0.41%, 0.51%

LAB 66.35, -45.97, 27.92

 

CMYK 57 / 0 / 25 / 29

HEX #4EB588

RGB 78 181 136

HSL 153.79, 0.41%, 0.51%

LAB 66.86, -40.64, 14.1

 

CMYK 58 / 0 / 56 / 51

HEX #347D37

RGB 52 125 55

HSL 122.47, 0.41%, 0.35%

LAB 46.54, -38.03, 31.13

 

CMYK 58 / 0 / 56 / 40

HEX #409A44

RGB 64 154 68

HSL 122.67, 0.41%, 0.43%

LAB 56.7, -44.9, 36.81

 

CMYK 57 / 0 / 55 / 29

HEX #4EB552

RGB 78 181 82

HSL 122.33, 0.41%, 0.51%

LAB 65.96, -50.12, 41.16

 

CMYK 45 / 0 / 42 / 24

HEX #6BC16F

RGB 107 193 111

HSL 122.79, 0.41%, 0.59%

LAB 71.16, -42.97, 33.35

 

CMYK 34 / 0 / 32 / 20

HEX #88CD8B

RGB 136 205 139

HSL 122.61, 0.41%, 0.67%

LAB 76.53, -34.94, 26.17

 

CMYK 56 / 0 / 54 / 29

HEX #50B654

RGB 80 182 84

HSL 122.35, 0.41%, 0.51%

LAB 66.37, -49.74, 40.69

 

CMYK 57 / 13 / 0 / 29

HEX #4E9DB5

RGB 78 157 181

HSL 193.98, 0.41%, 0.51%

LAB 60.84, -17.23, -19.82

 

CMYK 0 / 57 / 36 / 29

HEX #B54E74

RGB 181 78 116

HSL 337.86, 0.41%, 0.51%

LAB 47.67, 45.65, -0.8

 

CMYK 56 / 0 / 54 / 29

HEX #50B654

RGB 80 182 84

HSL 122.35, 0.41%, 0.51%

LAB 66.37, -49.74, 40.69

 

CMYK 55 / 57 / 0 / 29

HEX #524EB5

RGB 82 78 181

HSL 242.33, 0.41%, 0.51%

LAB 38.86, 30.97, -54.38

 

CMYK 0 / 55 / 57 / 29

HEX #B5524E

RGB 181 82 78

HSL 2.33, 0.41%, 0.51%

LAB 47.51, 39.86, 21.93

 

CMYK 56 / 0 / 54 / 29

HEX #50B654

RGB 80 182 84

HSL 122.35, 0.41%, 0.51%

LAB 66.37, -49.74, 40.69

 

CMYK 57 / 13 / 0 / 29

HEX #4E9DB5

RGB 78 157 181

HSL 193.98, 0.41%, 0.51%

LAB 60.84, -17.23, -19.82

 

CMYK 0 / 57 / 2 / 29

HEX #B54EB1

RGB 181 78 177

HSL 302.33, 0.41%, 0.51%

LAB 50.03, 54.73, -33.55

 

CMYK 0 / 44 / 57 / 29

HEX #B5664E

RGB 181 102 78

HSL 13.98, 0.41%, 0.51%

LAB 51.7, 29.34, 27.34

 

CMYK 56 / 0 / 54 / 29

HEX #50B654

RGB 80 182 84

HSL 122.35, 0.41%, 0.51%

LAB 66.37, -49.74, 40.69

 

CMYK 57 / 30 / 0 / 29

HEX #4E7EB5

RGB 78 126 181

HSL 212.04, 0.41%, 0.51%

LAB 51.7, 0.26, -33.95

 

CMYK 0 / 57 / 2 / 29

HEX #B54EB1

RGB 181 78 177

HSL 302.33, 0.41%, 0.51%

LAB 50.03, 54.73, -33.55

 

CMYK 0 / 27 / 57 / 29

HEX #B5854E

RGB 181 133 78

HSL 32.04, 0.41%, 0.51%

LAB 59.11, 12.15, 36.56

 

Description

Color code: HEX #50B654 | qconv.com Color code: HEX #50B654 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 182 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 182 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 54 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 54% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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