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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #509F17 it is the complementary color #AF60E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #509F17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #509F17 shade: #559F12, #66B125, #77C338, #88D54B and #99E75E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #509F17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #509F17 shade: #509F17, #3F8D04, #2E7B00, #1D6900 and #0C5700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #509F17 shade: #50A016, #75A016, #9AA016, #A08116 and #A05C16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #509F17 shade: #50A016, #2BA016, #16A027, #16A04C and #16A071

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #509F17 shade matches the following richer shades: #50A016 and #4EAF08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #509F17 shade: #50A016, #539125, #558234, #577443 and #5A6552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #509F17 shade: #9CA016, #77A016, #52A016, #2DA016 and #16A024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #509F17 shade: #2C580C, #3E7C11, #50A016, #62C41C and #76E029

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #509F17 shade: #509F17, #16A080 and #A01689

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #509F17 shade: #509F17, #1652A0 and #A01652

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #509F17 shade: #509F17, #16A080, #6416A0 and #A01637

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #509F17 shade: #509F17, #1697A0, #6416A0 and #A02016

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 86 / 38

HEX #509F17

RGB 80 159 23

HSL 94.85, 0.75%, 0.36%

LAB 58.57, -46.14, 56.46

 

Complementary color

CMYK 25 / 59 / 0 / 9

HEX #AF60E8

RGB 175 96 232

HSL 274.85, 0.75%, 0.64%

LAB 55.39, 55.49, -56.58

 

CMYK 47 / 0 / 89 / 38

HEX #559F12

RGB 85 159 18

HSL 91.49, 0.8%, 0.35%

LAB 58.76, -44.72, 57.84

 

CMYK 42 / 0 / 79 / 31

HEX #66B125

RGB 102 177 37

HSL 92.14, 0.65%, 0.42%

LAB 65.28, -45.53, 59.06

 

CMYK 39 / 0 / 71 / 24

HEX #77C338

RGB 119 195 56

HSL 92.81, 0.55%, 0.49%

LAB 71.72, -46.04, 59.17

 

CMYK 36 / 0 / 65 / 16

HEX #88D54B

RGB 136 213 75

HSL 93.48, 0.62%, 0.56%

LAB 78.07, -46.35, 58.68

 

CMYK 34 / 0 / 59 / 9

HEX #99E75E

RGB 153 231 94

HSL 94.16, 0.74%, 0.64%

LAB 84.35, -46.52, 57.86

 

CMYK 50 / 0 / 86 / 38

HEX #509F17

RGB 80 159 23

HSL 94.85, 0.75%, 0.36%

LAB 58.57, -46.14, 56.46

 

CMYK 55 / 0 / 97 / 45

HEX #3F8D04

RGB 63 141 4

HSL 94.16, 0.94%, 0.28%

LAB 51.97, -44.97, 54.29

 

CMYK 63 / 0 / 100 / 52

HEX #2E7B00

RGB 46 123 0

HSL 97.56, 1%, 0.24%

LAB 45.29, -43.14, 49.48

 

CMYK 72 / 0 / 100 / 59

HEX #1D6900

RGB 29 105 0

HSL 103.43, 1%, 0.21%

LAB 38.49, -40.79, 43.88

 

CMYK 86 / 0 / 100 / 66

HEX #0C5700

RGB 12 87 0

HSL 111.72, 1%, 0.17%

LAB 31.57, -37.74, 38.22

 

CMYK 50 / 0 / 86 / 37

HEX #50A016

RGB 80 160 22

HSL 94.78, 0.76%, 0.36%

LAB 58.89, -46.57, 56.98

 

CMYK 27 / 0 / 86 / 37

HEX #75A016

RGB 117 160 22

HSL 78.7, 0.76%, 0.36%

LAB 60.77, -33.23, 59.35

 

CMYK 4 / 0 / 86 / 37

HEX #9AA016

RGB 154 160 22

HSL 62.61, 0.76%, 0.36%

LAB 63.4, -17.49, 62.62

 

CMYK 0 / 19 / 86 / 37

HEX #A08116

RGB 160 129 22

HSL 46.52, 0.76%, 0.36%

LAB 55.31, 1.9, 56.14

 

CMYK 0 / 43 / 86 / 37

HEX #A05C16

RGB 160 92 22

HSL 30.43, 0.76%, 0.36%

LAB 45.89, 22.85, 48.26

 

CMYK 50 / 0 / 86 / 37

HEX #50A016

RGB 80 160 22

HSL 94.78, 0.76%, 0.36%

LAB 58.89, -46.57, 56.98

 

CMYK 73 / 0 / 86 / 37

HEX #2BA016

RGB 43 160 22

HSL 110.87, 0.76%, 0.36%

LAB 57.76, -55.71, 55.56

 

CMYK 86 / 0 / 76 / 37

HEX #16A027

RGB 22 160 39

HSL 127.39, 0.76%, 0.36%

LAB 57.52, -57.52, 50.09

 

CMYK 86 / 0 / 53 / 37

HEX #16A04C

RGB 22 160 76

HSL 143.48, 0.76%, 0.36%

LAB 57.88, -53.1, 34.02

 

CMYK 86 / 0 / 29 / 37

HEX #16A071

RGB 22 160 113

HSL 159.57, 0.76%, 0.36%

LAB 58.51, -45.78, 14.97

 

CMYK 50 / 0 / 86 / 37

HEX #50A016

RGB 80 160 22

HSL 94.78, 0.76%, 0.36%

LAB 58.89, -46.57, 56.98

 

CMYK 55 / 0 / 95 / 31

HEX #4EAF08

RGB 78 175 8

HSL 94.85, 0.91%, 0.36%

LAB 63.59, -53.2, 63.34

 

CMYK 50 / 0 / 86 / 37

HEX #50A016

RGB 80 160 22

HSL 94.78, 0.76%, 0.36%

LAB 58.89, -46.57, 56.98

 

CMYK 43 / 0 / 74 / 43

HEX #539125

RGB 83 145 37

HSL 94.44, 0.59%, 0.36%

LAB 54.26, -38.63, 48.12

 

CMYK 35 / 0 / 60 / 49

HEX #558234

RGB 85 130 52

HSL 94.62, 0.43%, 0.36%

LAB 49.67, -29.82, 36.7

 

CMYK 25 / 0 / 42 / 55

HEX #577443

RGB 87 116 67

HSL 95.51, 0.27%, 0.36%

LAB 45.53, -20.16, 23.73

 

CMYK 11 / 0 / 19 / 60

HEX #5A6552

RGB 90 101 82

HSL 94.74, 0.1%, 0.36%

LAB 41.36, -8.14, 9.36

 

CMYK 2 / 0 / 86 / 37

HEX #9CA016

RGB 156 160 22

HSL 61.74, 0.76%, 0.36%

LAB 63.56, -16.61, 62.83

 

CMYK 26 / 0 / 86 / 37

HEX #77A016

RGB 119 160 22

HSL 77.83, 0.76%, 0.36%

LAB 60.89, -32.43, 59.5

 

CMYK 49 / 0 / 86 / 37

HEX #52A016

RGB 82 160 22

HSL 93.91, 0.76%, 0.36%

LAB 58.97, -45.94, 57.09

 

CMYK 72 / 0 / 86 / 37

HEX #2DA016

RGB 45 160 22

HSL 110, 0.76%, 0.36%

LAB 57.81, -55.35, 55.62

 

CMYK 86 / 0 / 78 / 37

HEX #16A024

RGB 22 160 36

HSL 126.09, 0.76%, 0.36%

LAB 57.5, -57.75, 51.12

 

CMYK 50 / 0 / 86 / 65

HEX #2C580C

RGB 44 88 12

HSL 94.74, 0.76%, 0.2%

LAB 33.01, -29.1, 35.91

 

CMYK 50 / 0 / 86 / 51

HEX #3E7C11

RGB 62 124 17

HSL 94.77, 0.76%, 0.28%

LAB 46.28, -38.1, 46.79

 

CMYK 50 / 0 / 86 / 37

HEX #50A016

RGB 80 160 22

HSL 94.78, 0.76%, 0.36%

LAB 58.89, -46.57, 56.98

 

CMYK 50 / 0 / 86 / 23

HEX #62C41C

RGB 98 196 28

HSL 95, 0.75%, 0.44%

LAB 70.98, -54.62, 66.48

 

CMYK 47 / 0 / 82 / 12

HEX #76E029

RGB 118 224 41

HSL 94.75, 0.75%, 0.52%

LAB 80.36, -58.59, 72.03

 

CMYK 50 / 0 / 86 / 38

HEX #509F17

RGB 80 159 23

HSL 94.85, 0.75%, 0.36%

LAB 58.57, -46.14, 56.46

 

CMYK 86 / 0 / 20 / 37

HEX #16A080

RGB 22 160 128

HSL 166.09, 0.76%, 0.36%

LAB 58.85, -42.06, 7.04

 

CMYK 0 / 86 / 14 / 37

HEX #A01689

RGB 160 22 137

HSL 310, 0.76%, 0.36%

LAB 37.58, 62.94, -29.36

 

CMYK 50 / 0 / 86 / 38

HEX #509F17

RGB 80 159 23

HSL 94.85, 0.75%, 0.36%

LAB 58.57, -46.14, 56.46

 

CMYK 86 / 49 / 0 / 37

HEX #1652A0

RGB 22 82 160

HSL 213.91, 0.76%, 0.36%

LAB 35.49, 11.69, -47.49

 

CMYK 0 / 86 / 49 / 37

HEX #A01652

RGB 160 22 82

HSL 333.91, 0.76%, 0.36%

LAB 35.31, 56.65, 2.02

 

CMYK 50 / 0 / 86 / 38

HEX #509F17

RGB 80 159 23

HSL 94.85, 0.75%, 0.36%

LAB 58.57, -46.14, 56.46

 

CMYK 86 / 0 / 20 / 37

HEX #16A080

RGB 22 160 128

HSL 166.09, 0.76%, 0.36%

LAB 58.85, -42.06, 7.04

 

CMYK 38 / 86 / 0 / 37

HEX #6416A0

RGB 100 22 160

HSL 273.91, 0.76%, 0.36%

LAB 28.96, 56.27, -57.85

 

CMYK 0 / 86 / 66 / 37

HEX #A01637

RGB 160 22 55

HSL 345.65, 0.76%, 0.36%

LAB 34.65, 54.71, 18.66

 

CMYK 50 / 0 / 86 / 38

HEX #509F17

RGB 80 159 23

HSL 94.85, 0.75%, 0.36%

LAB 58.57, -46.14, 56.46

 

CMYK 86 / 6 / 0 / 37

HEX #1697A0

RGB 22 151 160

HSL 183.91, 0.76%, 0.36%

LAB 56.92, -28.56, -13.99

 

CMYK 38 / 86 / 0 / 37

HEX #6416A0

RGB 100 22 160

HSL 273.91, 0.76%, 0.36%

LAB 28.96, 56.27, -57.85

 

CMYK 0 / 80 / 86 / 37

HEX #A02016

RGB 160 32 22

HSL 4.35, 0.76%, 0.36%

LAB 35.13, 50.75, 39.04

 

Description

Color code: HEX #509F17 | qconv.com Color code: HEX #509F17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 159 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 159 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 86 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 86% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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