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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #509BB9 it is the complementary color #AF6446. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #509BB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #509BB9 shade: #559BB4, #66ADC7, #77BFDA, #88D1ED and #99E3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #509BB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #509BB9 shade: #509BB9, #3F89A6, #2E7793, #1D6580 and #0C536D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #509BB9 shade: #4F9BB9, #4F7EB9, #4F62B9, #594FB9 and #764FB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #509BB9 shade: #4F9BB9, #4F7EB9, #4F62B9 and #4F4FB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #509BB9 shade matches the following richer shades: #4F9BB9, #3CA3CD, #28ACE0 and #14B4F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #509BB9 shade: #4F9BB9, #6392A5, #778A91, #8B817D and #9F796A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #509BB9 shade: #4FB99E, #4FB7B9, #4F9BB9, #4F7FB9 and #4F63B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #509BB9 shade: #346C82, #3F84A0, #4F9BB9, #6DABC4 and #8ABCD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #509BB9 shade: #509BB9, #824FB9 and #B9AC4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #509BB9 shade: #509BB9, #B94F9B and #9BB94F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #509BB9 shade: #509BB9, #824FB9, #B96D4F and #86B94F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #509BB9 shade: #509BB9, #A24FB9, #B96D4F and #66B94F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 16 / 0 / 27

HEX #509BB9

RGB 80 155 185

HSL 197.14, 0.43%, 0.52%

LAB 60.47, -14.53, -22.63

 

Complementary color

CMYK 0 / 43 / 60 / 31

HEX #AF6446

RGB 175 100 70

HSL 17.14, 0.43%, 0.48%

LAB 50.3, 27.34, 29.96

 

CMYK 53 / 14 / 0 / 29

HEX #559BB4

RGB 85 155 180

HSL 195.79, 0.39%, 0.52%

LAB 60.49, -14.96, -19.77

 

CMYK 49 / 13 / 0 / 22

HEX #66ADC7

RGB 102 173 199

HSL 196.08, 0.46%, 0.59%

LAB 67.15, -15.24, -20.16

 

CMYK 45 / 12 / 0 / 15

HEX #77BFDA

RGB 119 191 218

HSL 196.36, 0.57%, 0.66%

LAB 73.7, -15.45, -20.55

 

CMYK 43 / 12 / 0 / 7

HEX #88D1ED

RGB 136 209 237

HSL 196.63, 0.74%, 0.73%

LAB 80.15, -15.61, -20.92

 

CMYK 40 / 11 / 0 / 0

HEX #99E3FF

RGB 153 227 255

HSL 196.47, 1%, 0.8%

LAB 86.47, -15.99, -20.81

 

CMYK 57 / 16 / 0 / 27

HEX #509BB9

RGB 80 155 185

HSL 197.14, 0.43%, 0.52%

LAB 60.47, -14.53, -22.63

 

CMYK 62 / 17 / 0 / 35

HEX #3F89A6

RGB 63 137 166

HSL 196.89, 0.45%, 0.45%

LAB 53.71, -13.98, -22.24

 

CMYK 69 / 19 / 0 / 42

HEX #2E7793

RGB 46 119 147

HSL 196.63, 0.52%, 0.38%

LAB 46.82, -13.22, -21.81

 

CMYK 77 / 21 / 0 / 50

HEX #1D6580

RGB 29 101 128

HSL 196.36, 0.63%, 0.31%

LAB 39.79, -12.12, -21.33

 

CMYK 89 / 24 / 0 / 57

HEX #0C536D

RGB 12 83 109

HSL 196.08, 0.8%, 0.24%

LAB 32.63, -10.48, -20.75

 

CMYK 57 / 16 / 0 / 27

HEX #4F9BB9

RGB 79 155 185

HSL 196.98, 0.43%, 0.52%

LAB 60.43, -14.74, -22.69

 

CMYK 57 / 32 / 0 / 27

HEX #4F7EB9

RGB 79 126 185

HSL 213.4, 0.43%, 0.52%

LAB 51.94, 1.78, -35.88

 

CMYK 57 / 47 / 0 / 27

HEX #4F62B9

RGB 79 98 185

HSL 229.25, 0.43%, 0.52%

LAB 44.09, 19.06, -48.32

 

CMYK 52 / 57 / 0 / 27

HEX #594FB9

RGB 89 79 185

HSL 245.66, 0.43%, 0.52%

LAB 39.95, 33.03, -54.95

 

CMYK 36 / 57 / 0 / 27

HEX #764FB9

RGB 118 79 185

HSL 262.08, 0.43%, 0.52%

LAB 42.68, 39.54, -50.4

 

CMYK 57 / 16 / 0 / 27

HEX #4F9BB9

RGB 79 155 185

HSL 196.98, 0.43%, 0.52%

LAB 60.43, -14.74, -22.69

 

CMYK 57 / 32 / 0 / 27

HEX #4F7EB9

RGB 79 126 185

HSL 213.4, 0.43%, 0.52%

LAB 51.94, 1.78, -35.88

 

CMYK 57 / 47 / 0 / 27

HEX #4F62B9

RGB 79 98 185

HSL 229.25, 0.43%, 0.52%

LAB 44.09, 19.06, -48.32

 

CMYK 57 / 57 / 0 / 27

HEX #4F4FB9

RGB 79 79 185

HSL 240, 0.43%, 0.52%

LAB 39.17, 31.06, -56.24

 

CMYK 57 / 16 / 0 / 27

HEX #4F9BB9

RGB 79 155 185

HSL 196.98, 0.43%, 0.52%

LAB 60.43, -14.74, -22.69

 

CMYK 71 / 20 / 0 / 20

HEX #3CA3CD

RGB 60 163 205

HSL 197.38, 0.59%, 0.52%

LAB 62.98, -15.94, -30.03

 

CMYK 82 / 23 / 0 / 12

HEX #28ACE0

RGB 40 172 224

HSL 196.96, 0.75%, 0.52%

LAB 66.01, -16.57, -35.86

 

CMYK 92 / 26 / 0 / 4

HEX #14B4F4

RGB 20 180 244

HSL 197.14, 0.91%, 0.52%

LAB 68.98, -15.11, -42.17

 

CMYK 57 / 16 / 0 / 27

HEX #4F9BB9

RGB 79 155 185

HSL 196.98, 0.43%, 0.52%

LAB 60.43, -14.74, -22.69

 

CMYK 40 / 12 / 0 / 35

HEX #6392A5

RGB 99 146 165

HSL 197.27, 0.27%, 0.52%

LAB 57.97, -10.83, -15.03

 

CMYK 18 / 5 / 0 / 43

HEX #778A91

RGB 119 138 145

HSL 196.15, 0.11%, 0.52%

LAB 56.23, -5.25, -6.04

 

CMYK 0 / 7 / 10 / 45

HEX #8B817D

RGB 139 129 125

HSL 17.14, 0.06%, 0.52%

LAB 54.73, 3.04, 3.52

 

CMYK 0 / 24 / 33 / 38

HEX #9F796A

RGB 159 121 106

HSL 16.98, 0.22%, 0.52%

LAB 54.12, 12.64, 13.95

 

CMYK 57 / 0 / 15 / 27

HEX #4FB99E

RGB 79 185 158

HSL 164.72, 0.43%, 0.52%

LAB 68.63, -37.13, 4.56

 

CMYK 57 / 1 / 0 / 27

HEX #4FB7B9

RGB 79 183 185

HSL 181.13, 0.43%, 0.52%

LAB 68.77, -29.13, -10.08

 

CMYK 57 / 16 / 0 / 27

HEX #4F9BB9

RGB 79 155 185

HSL 196.98, 0.43%, 0.52%

LAB 60.43, -14.74, -22.69

 

CMYK 57 / 31 / 0 / 27

HEX #4F7FB9

RGB 79 127 185

HSL 212.83, 0.43%, 0.52%

LAB 52.22, 1.18, -35.42

 

CMYK 57 / 46 / 0 / 27

HEX #4F63B9

RGB 79 99 185

HSL 228.68, 0.43%, 0.52%

LAB 44.36, 18.43, -47.88

 

CMYK 60 / 17 / 0 / 49

HEX #346C82

RGB 52 108 130

HSL 196.92, 0.43%, 0.36%

LAB 42.86, -11.49, -17.75

 

CMYK 61 / 18 / 0 / 37

HEX #3F84A0

RGB 63 132 160

HSL 197.32, 0.43%, 0.44%

LAB 51.95, -13.13, -21.48

 

CMYK 57 / 16 / 0 / 27

HEX #4F9BB9

RGB 79 155 185

HSL 196.98, 0.43%, 0.52%

LAB 60.43, -14.74, -22.69

 

CMYK 44 / 13 / 0 / 23

HEX #6DABC4

RGB 109 171 196

HSL 197.24, 0.42%, 0.6%

LAB 66.8, -13.32, -19.02

 

CMYK 34 / 10 / 0 / 18

HEX #8ABCD0

RGB 138 188 208

HSL 197.14, 0.43%, 0.68%

LAB 73.5, -11.53, -15.33

 

CMYK 57 / 16 / 0 / 27

HEX #509BB9

RGB 80 155 185

HSL 197.14, 0.43%, 0.52%

LAB 60.47, -14.53, -22.63

 

CMYK 30 / 57 / 0 / 27

HEX #824FB9

RGB 130 79 185

HSL 268.87, 0.43%, 0.52%

LAB 44, 42.47, -48.21

 

CMYK 0 / 7 / 57 / 27

HEX #B9AC4F

RGB 185 172 79

HSL 52.64, 0.43%, 0.52%

LAB 69.74, -7.24, 48.63

 

CMYK 57 / 16 / 0 / 27

HEX #509BB9

RGB 80 155 185

HSL 197.14, 0.43%, 0.52%

LAB 60.47, -14.53, -22.63

 

CMYK 0 / 57 / 16 / 27

HEX #B94F9B

RGB 185 79 155

HSL 316.98, 0.43%, 0.52%

LAB 49.83, 51.79, -20.88

 

CMYK 16 / 0 / 57 / 27

HEX #9BB94F

RGB 155 185 79

HSL 76.98, 0.43%, 0.52%

LAB 71.03, -26.29, 49.47

 

CMYK 57 / 16 / 0 / 27

HEX #509BB9

RGB 80 155 185

HSL 197.14, 0.43%, 0.52%

LAB 60.47, -14.53, -22.63

 

CMYK 30 / 57 / 0 / 27

HEX #824FB9

RGB 130 79 185

HSL 268.87, 0.43%, 0.52%

LAB 44, 42.47, -48.21

 

CMYK 0 / 41 / 57 / 27

HEX #B96D4F

RGB 185 109 79

HSL 16.98, 0.43%, 0.52%

LAB 53.83, 27.23, 29.59

 

CMYK 28 / 0 / 57 / 27

HEX #86B94F

RGB 134 185 79

HSL 88.87, 0.43%, 0.52%

LAB 69.7, -34.4, 47.61

 

CMYK 57 / 16 / 0 / 27

HEX #509BB9

RGB 80 155 185

HSL 197.14, 0.43%, 0.52%

LAB 60.47, -14.53, -22.63

 

CMYK 12 / 57 / 0 / 27

HEX #A24FB9

RGB 162 79 185

HSL 286.98, 0.43%, 0.52%

LAB 47.98, 50.69, -41.64

 

CMYK 0 / 41 / 57 / 27

HEX #B96D4F

RGB 185 109 79

HSL 16.98, 0.43%, 0.52%

LAB 53.83, 27.23, 29.59

 

CMYK 45 / 0 / 57 / 27

HEX #66B94F

RGB 102 185 79

HSL 106.98, 0.43%, 0.52%

LAB 68.08, -45.36, 45.32

 

Description

Color code: HEX #509BB9 | qconv.com Color code: HEX #509BB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 155 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 155 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 16 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 16% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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