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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #509980 it is the complementary color #AF667F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #509980. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #509980 shade: #55997B, #66AB8E, #77BDA1, #88CFB4 and #99E1C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #509980. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #509980 shade: #509980, #3F876D, #2E755A, #1D6347 and #0C5134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #509980 shade: #509980, #50996D, #509959, #5B9950 and #6F9950

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #509980 shade: #509980, #509994, #508B99, #507799 and #506499

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #509980 shade matches the following richer shades: #509980, #3DAC86, #2ABF8C, #17D292 and #05E598

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #509980 shade: #509980, #63867A, #767374, #89606E and #9C4D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #509980 shade: #509959, #50996C, #509980, #509993 and #508C99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #509980 shade: #346353, #427E6A, #509980, #65AE95 and #80BCA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #509980 shade: #509980, #505B99 and #996350

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #509980 shade: #509980, #805099 and #998050

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #509980 shade: #509980, #505B99, #99506A and #998E50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #509980 shade: #509980, #5B5099, #99506A and #8E9950

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 16 / 40

HEX #509980

RGB 80 153 128

HSL 159.45, 0.31%, 0.46%

LAB 58.08, -29.05, 6.13

 

Complementary color

CMYK 0 / 42 / 27 / 31

HEX #AF667F

RGB 175 102 127

HSL 339.45, 0.31%, 0.54%

LAB 52.01, 32.53, -1.14

 

CMYK 44 / 0 / 20 / 40

HEX #55997B

RGB 85 153 123

HSL 153.53, 0.29%, 0.47%

LAB 58.17, -28.84, 9.12

 

CMYK 40 / 0 / 17 / 33

HEX #66AB8E

RGB 102 171 142

HSL 154.78, 0.29%, 0.54%

LAB 64.89, -28.61, 8.14

 

CMYK 37 / 0 / 15 / 26

HEX #77BDA1

RGB 119 189 161

HSL 156, 0.35%, 0.6%

LAB 71.48, -28.37, 7.23

 

CMYK 34 / 0 / 13 / 19

HEX #88CFB4

RGB 136 207 180

HSL 157.18, 0.43%, 0.67%

LAB 77.97, -28.15, 6.39

 

CMYK 32 / 0 / 12 / 12

HEX #99E1C7

RGB 153 225 199

HSL 158.33, 0.55%, 0.74%

LAB 84.35, -27.93, 5.6

 

CMYK 48 / 0 / 16 / 40

HEX #509980

RGB 80 153 128

HSL 159.45, 0.31%, 0.46%

LAB 58.08, -29.05, 6.13

 

CMYK 53 / 0 / 19 / 47

HEX #3F876D

RGB 63 135 109

HSL 158.33, 0.36%, 0.39%

LAB 51.25, -29.18, 7.18

 

CMYK 61 / 0 / 23 / 54

HEX #2E755A

RGB 46 117 90

HSL 157.18, 0.44%, 0.32%

LAB 44.29, -29.2, 8.35

 

CMYK 71 / 0 / 28 / 61

HEX #1D6347

RGB 29 99 71

HSL 156, 0.55%, 0.25%

LAB 37.19, -29.01, 9.72

 

CMYK 85 / 0 / 36 / 68

HEX #0C5134

RGB 12 81 52

HSL 154.78, 0.74%, 0.18%

LAB 29.94, -28.34, 11.35

 

CMYK 48 / 0 / 16 / 40

HEX #509980

RGB 80 153 128

HSL 159.45, 0.31%, 0.46%

LAB 58.08, -29.05, 6.13

 

CMYK 48 / 0 / 29 / 40

HEX #50996D

RGB 80 153 109

HSL 143.84, 0.31%, 0.46%

LAB 57.65, -33.22, 16.23

 

CMYK 48 / 0 / 42 / 40

HEX #509959

RGB 80 153 89

HSL 127.4, 0.31%, 0.46%

LAB 57.28, -36.92, 26.74

 

CMYK 41 / 0 / 48 / 40

HEX #5B9950

RGB 91 153 80

HSL 110.96, 0.31%, 0.46%

LAB 57.64, -34.86, 32.09

 

CMYK 27 / 0 / 48 / 40

HEX #6F9950

RGB 111 153 80

HSL 94.52, 0.31%, 0.46%

LAB 58.73, -27.76, 33.69

 

CMYK 48 / 0 / 16 / 40

HEX #509980

RGB 80 153 128

HSL 159.45, 0.31%, 0.46%

LAB 58.08, -29.05, 6.13

 

CMYK 48 / 0 / 3 / 40

HEX #509994

RGB 80 153 148

HSL 175.89, 0.31%, 0.46%

LAB 58.63, -24.05, -4.44

 

CMYK 48 / 9 / 0 / 40

HEX #508B99

RGB 80 139 153

HSL 191.51, 0.31%, 0.46%

LAB 54.52, -15.31, -13.44

 

CMYK 48 / 22 / 0 / 40

HEX #507799

RGB 80 119 153

HSL 207.95, 0.31%, 0.46%

LAB 48.51, -3.98, -22.62

 

CMYK 48 / 35 / 0 / 40

HEX #506499

RGB 80 100 153

HSL 223.56, 0.31%, 0.46%

LAB 42.94, 7.55, -31.28

 

CMYK 48 / 0 / 16 / 40

HEX #509980

RGB 80 153 128

HSL 159.45, 0.31%, 0.46%

LAB 58.08, -29.05, 6.13

 

CMYK 65 / 0 / 22 / 33

HEX #3DAC86

RGB 61 172 134

HSL 159.46, 0.48%, 0.46%

LAB 63.52, -40.6, 10.43

 

CMYK 78 / 0 / 27 / 25

HEX #2ABF8C

RGB 42 191 140

HSL 159.46, 0.64%, 0.46%

LAB 69.22, -49.89, 15.1

 

CMYK 89 / 0 / 30 / 18

HEX #17D292

RGB 23 210 146

HSL 159.47, 0.8%, 0.46%

LAB 75.05, -57.43, 19.95

 

CMYK 98 / 0 / 34 / 10

HEX #05E598

RGB 5 229 152

HSL 159.38, 0.96%, 0.46%

LAB 80.93, -63.72, 24.85

 

CMYK 48 / 0 / 16 / 40

HEX #509980

RGB 80 153 128

HSL 159.45, 0.31%, 0.46%

LAB 58.08, -29.05, 6.13

 

CMYK 26 / 0 / 9 / 47

HEX #63867A

RGB 99 134 122

HSL 159.43, 0.15%, 0.46%

LAB 53.07, -14.98, 2.47

 

CMYK 0 / 3 / 2 / 54

HEX #767374

RGB 118 115 116

HSL 340, 0.01%, 0.46%

LAB 48.73, 1.35, -0.15

 

CMYK 0 / 30 / 20 / 46

HEX #89606E

RGB 137 96 110

HSL 339.51, 0.18%, 0.46%

LAB 45.37, 18.9, -1.24

 

CMYK 0 / 51 / 33 / 39

HEX #9C4D68

RGB 156 77 104

HSL 339.49, 0.34%, 0.46%

LAB 43.32, 35.95, -0.28

 

CMYK 48 / 0 / 42 / 40

HEX #509959

RGB 80 153 89

HSL 127.4, 0.31%, 0.46%

LAB 57.28, -36.92, 26.74

 

CMYK 48 / 0 / 29 / 40

HEX #50996C

RGB 80 153 108

HSL 143.01, 0.31%, 0.46%

LAB 57.63, -33.42, 16.76

 

CMYK 48 / 0 / 16 / 40

HEX #509980

RGB 80 153 128

HSL 159.45, 0.31%, 0.46%

LAB 58.08, -29.05, 6.13

 

CMYK 48 / 0 / 4 / 40

HEX #509993

RGB 80 153 147

HSL 175.07, 0.31%, 0.46%

LAB 58.6, -24.31, -3.92

 

CMYK 48 / 8 / 0 / 40

HEX #508C99

RGB 80 140 153

HSL 190.68, 0.31%, 0.46%

LAB 54.83, -15.85, -12.98

 

CMYK 47 / 0 / 16 / 61

HEX #346353

RGB 52 99 83

HSL 159.57, 0.31%, 0.3%

LAB 38.34, -20.33, 4.13

 

CMYK 48 / 0 / 16 / 51

HEX #427E6A

RGB 66 126 106

HSL 160, 0.31%, 0.38%

LAB 48.41, -24.67, 4.88

 

CMYK 48 / 0 / 16 / 40

HEX #509980

RGB 80 153 128

HSL 159.45, 0.31%, 0.46%

LAB 58.08, -29.05, 6.13

 

CMYK 42 / 0 / 14 / 32

HEX #65AE95

RGB 101 174 149

HSL 159.45, 0.31%, 0.54%

LAB 65.91, -28.79, 5.72

 

CMYK 32 / 0 / 11 / 26

HEX #80BCA7

RGB 128 188 167

HSL 159, 0.31%, 0.62%

LAB 71.79, -23.95, 4.47

 

CMYK 48 / 0 / 16 / 40

HEX #509980

RGB 80 153 128

HSL 159.45, 0.31%, 0.46%

LAB 58.08, -29.05, 6.13

 

CMYK 48 / 41 / 0 / 40

HEX #505B99

RGB 80 91 153

HSL 230.96, 0.31%, 0.46%

LAB 40.39, 13.22, -35.3

 

CMYK 0 / 35 / 48 / 40

HEX #996350

RGB 153 99 80

HSL 15.62, 0.31%, 0.46%

LAB 47.33, 19.6, 19.79

 

CMYK 48 / 0 / 16 / 40

HEX #509980

RGB 80 153 128

HSL 159.45, 0.31%, 0.46%

LAB 58.08, -29.05, 6.13

 

CMYK 16 / 48 / 0 / 40

HEX #805099

RGB 128 80 153

HSL 279.45, 0.31%, 0.46%

LAB 42.19, 33.72, -32.15

 

CMYK 0 / 16 / 48 / 40

HEX #998050

RGB 153 128 80

HSL 39.45, 0.31%, 0.46%

LAB 54.86, 2.99, 29.55

 

CMYK 48 / 0 / 16 / 40

HEX #509980

RGB 80 153 128

HSL 159.45, 0.31%, 0.46%

LAB 58.08, -29.05, 6.13

 

CMYK 48 / 41 / 0 / 40

HEX #505B99

RGB 80 91 153

HSL 230.96, 0.31%, 0.46%

LAB 40.39, 13.22, -35.3

 

CMYK 0 / 48 / 31 / 40

HEX #99506A

RGB 153 80 106

HSL 338.63, 0.31%, 0.46%

LAB 43.58, 33.51, -1.19

 

CMYK 0 / 7 / 48 / 40

HEX #998E50

RGB 153 142 80

HSL 50.96, 0.31%, 0.46%

LAB 58.69, -4.8, 34.34

 

CMYK 48 / 0 / 16 / 40

HEX #509980

RGB 80 153 128

HSL 159.45, 0.31%, 0.46%

LAB 58.08, -29.05, 6.13

 

CMYK 41 / 48 / 0 / 40

HEX #5B5099

RGB 91 80 153

HSL 249.04, 0.31%, 0.46%

LAB 38.31, 23.09, -38.55

 

CMYK 0 / 48 / 31 / 40

HEX #99506A

RGB 153 80 106

HSL 338.63, 0.31%, 0.46%

LAB 43.58, 33.51, -1.19

 

CMYK 7 / 0 / 48 / 40

HEX #8E9950

RGB 142 153 80

HSL 69.04, 0.31%, 0.46%

LAB 60.88, -15.38, 36.81

 

Description

Color code: HEX #509980 | qconv.com Color code: HEX #509980 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 153 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 153 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 16 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 16% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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