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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5094CA it is the complementary color #AF6B35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5094CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5094CA shade: #5594C5, #66A6D8, #77B8EB, #88CAFE and #99DCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5094CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5094CA shade: #5094CA, #3F82B7, #2E70A4, #1D5E91 and #0C4C7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5094CA shade: #4E93CA, #4E71CA, #4E50CA, #6D4ECA and #8E4ECA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5094CA shade: #4E93CA, #4E71CA, #4E50CA and #4E4ECA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5094CA shade matches the following richer shades: #4E93CA, #3B95DC and #2997EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5094CA shade: #4E93CA, #6091B7, #738FA5, #858C92 and #988A7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5094CA shade: #4ECABD, #4EB5CA, #4E94CA, #4E73CA and #4E52CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5094CA shade: #2D6998, #377FB8, #4E93CA, #6EA6D3 and #8DBADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5094CA shade: #5094CA, #9C4ECA and #C6CA4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5094CA shade: #5094CA, #CA4E94 and #94CA4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5094CA shade: #5094CA, #9C4ECA, #CA834E and #7BCA4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5094CA shade: #5094CA, #C14ECA, #CA834E and #56CA4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 27 / 0 / 21

HEX #5094CA

RGB 80 148 202

HSL 206.56, 0.54%, 0.55%

LAB 59.11, -5.3, -34.3

 

Complementary color

CMYK 0 / 39 / 70 / 31

HEX #AF6B35

RGB 175 107 53

HSL 26.56, 0.54%, 0.45%

LAB 51.71, 22.33, 40.78

 

CMYK 57 / 25 / 0 / 23

HEX #5594C5

RGB 85 148 197

HSL 206.25, 0.49%, 0.55%

LAB 59.11, -5.89, -31.48

 

CMYK 53 / 23 / 0 / 15

HEX #66A6D8

RGB 102 166 216

HSL 206.32, 0.59%, 0.62%

LAB 65.79, -6.5, -31.65

 

CMYK 49 / 22 / 0 / 8

HEX #77B8EB

RGB 119 184 235

HSL 206.38, 0.74%, 0.69%

LAB 72.36, -6.98, -31.83

 

CMYK 46 / 20 / 0 / 0

HEX #88CAFE

RGB 136 202 254

HSL 206.44, 0.98%, 0.76%

LAB 78.83, -7.38, -32.02

 

CMYK 40 / 14 / 0 / 0

HEX #99DCFF

RGB 153 220 255

HSL 200.59, 1%, 0.8%

LAB 84.58, -12.41, -23.68

 

CMYK 60 / 27 / 0 / 21

HEX #5094CA

RGB 80 148 202

HSL 206.56, 0.54%, 0.55%

LAB 59.11, -5.3, -34.3

 

CMYK 66 / 29 / 0 / 28

HEX #3F82B7

RGB 63 130 183

HSL 206.5, 0.49%, 0.48%

LAB 52.33, -4.35, -34.15

 

CMYK 72 / 32 / 0 / 36

HEX #2E70A4

RGB 46 112 164

HSL 206.44, 0.56%, 0.41%

LAB 45.43, -3.11, -33.99

 

CMYK 80 / 35 / 0 / 43

HEX #1D5E91

RGB 29 94 145

HSL 206.38, 0.67%, 0.34%

LAB 38.39, -1.44, -33.81

 

CMYK 90 / 40 / 0 / 51

HEX #0C4C7E

RGB 12 76 126

HSL 206.32, 0.83%, 0.27%

LAB 31.24, 0.87, -33.55

 

CMYK 61 / 27 / 0 / 21

HEX #4E93CA

RGB 78 147 202

HSL 206.61, 0.54%, 0.55%

LAB 58.74, -5.11, -34.88

 

CMYK 61 / 44 / 0 / 21

HEX #4E71CA

RGB 78 113 202

HSL 223.06, 0.54%, 0.55%

LAB 49.12, 15.24, -50.08

 

CMYK 61 / 60 / 0 / 21

HEX #4E50CA

RGB 78 80 202

HSL 239.03, 0.54%, 0.55%

LAB 40.61, 35.89, -63.82

 

CMYK 46 / 61 / 0 / 21

HEX #6D4ECA

RGB 109 78 202

HSL 255, 0.54%, 0.55%

LAB 42.71, 42.8, -60.29

 

CMYK 30 / 61 / 0 / 21

HEX #8E4ECA

RGB 142 78 202

HSL 270.97, 0.54%, 0.55%

LAB 46.26, 50.01, -54.37

 

CMYK 61 / 27 / 0 / 21

HEX #4E93CA

RGB 78 147 202

HSL 206.61, 0.54%, 0.55%

LAB 58.74, -5.11, -34.88

 

CMYK 61 / 44 / 0 / 21

HEX #4E71CA

RGB 78 113 202

HSL 223.06, 0.54%, 0.55%

LAB 49.12, 15.24, -50.08

 

CMYK 61 / 60 / 0 / 21

HEX #4E50CA

RGB 78 80 202

HSL 239.03, 0.54%, 0.55%

LAB 40.61, 35.89, -63.82

 

CMYK 61 / 61 / 0 / 21

HEX #4E4ECA

RGB 78 78 202

HSL 240, 0.54%, 0.55%

LAB 40.14, 37.11, -64.59

 

CMYK 61 / 27 / 0 / 21

HEX #4E93CA

RGB 78 147 202

HSL 206.61, 0.54%, 0.55%

LAB 58.74, -5.11, -34.88

 

CMYK 73 / 32 / 0 / 14

HEX #3B95DC

RGB 59 149 220

HSL 206.46, 0.7%, 0.55%

LAB 59.52, -3.16, -43.79

 

CMYK 83 / 37 / 0 / 6

HEX #2997EF

RGB 41 151 239

HSL 206.67, 0.86%, 0.55%

LAB 60.64, 0.61, -52.58

 

CMYK 61 / 27 / 0 / 21

HEX #4E93CA

RGB 78 147 202

HSL 206.61, 0.54%, 0.55%

LAB 58.74, -5.11, -34.88

 

CMYK 48 / 21 / 0 / 28

HEX #6091B7

RGB 96 145 183

HSL 206.21, 0.38%, 0.55%

LAB 58.19, -5.96, -24.95

 

CMYK 30 / 13 / 0 / 35

HEX #738FA5

RGB 115 143 165

HSL 206.4, 0.22%, 0.55%

LAB 58.04, -4.51, -14.82

 

CMYK 9 / 4 / 0 / 43

HEX #858C92

RGB 133 140 146

HSL 207.69, 0.06%, 0.55%

LAB 57.86, -1.3, -4.08

 

CMYK 0 / 9 / 16 / 40

HEX #988A7F

RGB 152 138 127

HSL 26.4, 0.11%, 0.55%

LAB 58.4, 3.33, 7.79

 

CMYK 61 / 0 / 6 / 21

HEX #4ECABD

RGB 78 202 189

HSL 173.71, 0.54%, 0.55%

LAB 74.53, -37.21, -3.73

 

CMYK 61 / 10 / 0 / 21

HEX #4EB5CA

RGB 78 181 202

HSL 190.16, 0.54%, 0.55%

LAB 68.7, -23.43, -19.55

 

CMYK 61 / 27 / 0 / 21

HEX #4E94CA

RGB 78 148 202

HSL 206.13, 0.54%, 0.55%

LAB 59.03, -5.68, -34.43

 

CMYK 61 / 43 / 0 / 21

HEX #4E73CA

RGB 78 115 202

HSL 222.1, 0.54%, 0.55%

LAB 49.67, 14, -49.2

 

CMYK 61 / 59 / 0 / 21

HEX #4E52CA

RGB 78 82 202

HSL 238.06, 0.54%, 0.55%

LAB 41.09, 34.65, -63.04

 

CMYK 70 / 31 / 0 / 40

HEX #2D6998

RGB 45 105 152

HSL 206.36, 0.54%, 0.39%

LAB 42.65, -3.38, -31.26

 

CMYK 70 / 31 / 0 / 28

HEX #377FB8

RGB 55 127 184

HSL 206.51, 0.54%, 0.47%

LAB 51.21, -3.55, -36.5

 

CMYK 61 / 27 / 0 / 21

HEX #4E93CA

RGB 78 147 202

HSL 206.61, 0.54%, 0.55%

LAB 58.74, -5.11, -34.88

 

CMYK 48 / 21 / 0 / 17

HEX #6EA6D3

RGB 110 166 211

HSL 206.73, 0.53%, 0.63%

LAB 65.97, -6.14, -28.58

 

CMYK 36 / 16 / 0 / 13

HEX #8DBADD

RGB 141 186 221

HSL 206.25, 0.54%, 0.71%

LAB 73.55, -6.37, -22.31

 

CMYK 60 / 27 / 0 / 21

HEX #5094CA

RGB 80 148 202

HSL 206.56, 0.54%, 0.55%

LAB 59.11, -5.3, -34.3

 

CMYK 23 / 61 / 0 / 21

HEX #9C4ECA

RGB 156 78 202

HSL 277.74, 0.54%, 0.55%

LAB 47.98, 53.28, -51.52

 

CMYK 2 / 0 / 61 / 21

HEX #C6CA4E

RGB 198 202 78

HSL 61.94, 0.54%, 0.55%

LAB 78.92, -17.21, 59.52

 

CMYK 60 / 27 / 0 / 21

HEX #5094CA

RGB 80 148 202

HSL 206.56, 0.54%, 0.55%

LAB 59.11, -5.3, -34.3

 

CMYK 0 / 61 / 27 / 21

HEX #CA4E94

RGB 202 78 148

HSL 326.13, 0.54%, 0.55%

LAB 52, 56.28, -13.18

 

CMYK 27 / 0 / 61 / 21

HEX #94CA4E

RGB 148 202 78

HSL 86.13, 0.54%, 0.55%

LAB 75.51, -37.04, 54.81

 

CMYK 60 / 27 / 0 / 21

HEX #5094CA

RGB 80 148 202

HSL 206.56, 0.54%, 0.55%

LAB 59.11, -5.3, -34.3

 

CMYK 23 / 61 / 0 / 21

HEX #9C4ECA

RGB 156 78 202

HSL 277.74, 0.54%, 0.55%

LAB 47.98, 53.28, -51.52

 

CMYK 0 / 35 / 61 / 21

HEX #CA834E

RGB 202 131 78

HSL 25.65, 0.54%, 0.55%

LAB 61.08, 22.17, 39.5

 

CMYK 39 / 0 / 61 / 21

HEX #7BCA4E

RGB 123 202 78

HSL 98.23, 0.54%, 0.55%

LAB 74.19, -45.83, 52.99

 

CMYK 60 / 27 / 0 / 21

HEX #5094CA

RGB 80 148 202

HSL 206.56, 0.54%, 0.55%

LAB 59.11, -5.3, -34.3

 

CMYK 4 / 61 / 0 / 21

HEX #C14ECA

RGB 193 78 202

HSL 295.65, 0.54%, 0.55%

LAB 53, 62.23, -43.22

 

CMYK 0 / 35 / 61 / 21

HEX #CA834E

RGB 202 131 78

HSL 25.65, 0.54%, 0.55%

LAB 61.08, 22.17, 39.5

 

CMYK 57 / 0 / 61 / 21

HEX #56CA4E

RGB 86 202 78

HSL 116.13, 0.54%, 0.55%

LAB 72.74, -56.54, 50.96

 

Description

Color code: HEX #5094CA | qconv.com Color code: HEX #5094CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 148 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 148 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 27 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 27% 0% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Template #47382 Live...
Link: http://www.motocms.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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