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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5083B5 it is the complementary color #AF7C4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5083B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5083B5 shade: #5583B0, #6695C3, #77A7D6, #88B9E9 and #99CBFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5083B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5083B5 shade: #5083B5, #3F71A2, #2E5F8F, #1D4D7C and #0C3B69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5083B5 shade: #4E82B5, #4E66B5, #524EB5, #6D4EB5 and #894EB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5083B5 shade: #4E82B5, #4E66B5 and #4E4EB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5083B5 shade matches the following richer shades: #4E82B5, #3A82C9, #2682DD and #1283F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5083B5 shade: #4E82B5, #6382A1, #77828C, #8B8178 and #9F8164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5083B5 shade: #4EB5B0, #4E9FB5, #4E83B5, #4E68B5 and #504EB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5083B5 shade: #34597D, #406D9A, #4E82B5, #6B97C1 and #88ABCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5083B5 shade: #5083B5, #944EB5 and #ACB54E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5083B5 shade: #5083B5, #B54E83 and #83B54E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5083B5 shade: #5083B5, #944EB5, #B5804E and #6FB54E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5083B5 shade: #5083B5, #B34EB5, #B5804E and #50B54E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 28 / 0 / 29

HEX #5083B5

RGB 80 131 181

HSL 209.7, 0.41%, 0.51%

LAB 53.25, -2.26, -31.52

 

Complementary color

CMYK 0 / 29 / 58 / 31

HEX #AF7C4A

RGB 175 124 74

HSL 29.7, 0.41%, 0.49%

LAB 56.11, 14.26, 34.89

 

CMYK 52 / 26 / 0 / 31

HEX #5583B0

RGB 85 131 176

HSL 209.67, 0.37%, 0.51%

LAB 53.27, -2.7, -28.59

 

CMYK 48 / 24 / 0 / 24

HEX #6695C3

RGB 102 149 195

HSL 209.68, 0.44%, 0.58%

LAB 60.12, -3.22, -28.72

 

CMYK 44 / 22 / 0 / 16

HEX #77A7D6

RGB 119 167 214

HSL 209.68, 0.54%, 0.65%

LAB 66.84, -3.64, -28.87

 

CMYK 42 / 21 / 0 / 9

HEX #88B9E9

RGB 136 185 233

HSL 209.69, 0.69%, 0.72%

LAB 73.43, -3.98, -29.04

 

CMYK 39 / 19 / 0 / 1

HEX #99CBFC

RGB 153 203 252

HSL 209.7, 0.94%, 0.79%

LAB 79.9, -4.28, -29.22

 

CMYK 56 / 28 / 0 / 29

HEX #5083B5

RGB 80 131 181

HSL 209.7, 0.41%, 0.51%

LAB 53.25, -2.26, -31.52

 

CMYK 61 / 30 / 0 / 36

HEX #3F71A2

RGB 63 113 162

HSL 209.7, 0.44%, 0.44%

LAB 46.28, -1.42, -31.44

 

CMYK 68 / 34 / 0 / 44

HEX #2E5F8F

RGB 46 95 143

HSL 209.69, 0.51%, 0.37%

LAB 39.15, -0.3, -31.37

 

CMYK 77 / 38 / 0 / 51

HEX #1D4D7C

RGB 29 77 124

HSL 209.68, 0.62%, 0.3%

LAB 31.86, 1.25, -31.29

 

CMYK 89 / 44 / 0 / 59

HEX #0C3B69

RGB 12 59 105

HSL 209.68, 0.79%, 0.23%

LAB 24.4, 3.52, -31.17

 

CMYK 57 / 28 / 0 / 29

HEX #4E82B5

RGB 78 130 181

HSL 209.71, 0.41%, 0.51%

LAB 52.86, -2.1, -32.13

 

CMYK 57 / 44 / 0 / 29

HEX #4E66B5

RGB 78 102 181

HSL 226.02, 0.41%, 0.51%

LAB 44.88, 14.99, -44.72

 

CMYK 55 / 57 / 0 / 29

HEX #524EB5

RGB 82 78 181

HSL 242.33, 0.41%, 0.51%

LAB 38.86, 30.97, -54.38

 

CMYK 40 / 57 / 0 / 29

HEX #6D4EB5

RGB 109 78 181

HSL 258.06, 0.41%, 0.51%

LAB 41.27, 36.88, -50.36

 

CMYK 24 / 57 / 0 / 29

HEX #894EB5

RGB 137 78 181

HSL 274.37, 0.41%, 0.51%

LAB 44.38, 43.83, -45.21

 

CMYK 57 / 28 / 0 / 29

HEX #4E82B5

RGB 78 130 181

HSL 209.71, 0.41%, 0.51%

LAB 52.86, -2.1, -32.13

 

CMYK 57 / 44 / 0 / 29

HEX #4E66B5

RGB 78 102 181

HSL 226.02, 0.41%, 0.51%

LAB 44.88, 14.99, -44.72

 

CMYK 57 / 57 / 0 / 29

HEX #4E4EB5

RGB 78 78 181

HSL 240, 0.41%, 0.51%

LAB 38.56, 30.18, -54.88

 

CMYK 57 / 28 / 0 / 29

HEX #4E82B5

RGB 78 130 181

HSL 209.71, 0.41%, 0.51%

LAB 52.86, -2.1, -32.13

 

CMYK 71 / 35 / 0 / 21

HEX #3A82C9

RGB 58 130 201

HSL 209.79, 0.57%, 0.51%

LAB 53.04, 1.15, -43.33

 

CMYK 83 / 41 / 0 / 13

HEX #2682DD

RGB 38 130 221

HSL 209.84, 0.73%, 0.51%

LAB 53.6, 6.23, -53.78

 

CMYK 93 / 46 / 0 / 5

HEX #1283F1

RGB 18 131 241

HSL 209.6, 0.89%, 0.51%

LAB 54.77, 12.03, -63.08

 

CMYK 57 / 28 / 0 / 29

HEX #4E82B5

RGB 78 130 181

HSL 209.71, 0.41%, 0.51%

LAB 52.86, -2.1, -32.13

 

CMYK 39 / 19 / 0 / 37

HEX #6382A1

RGB 99 130 161

HSL 210, 0.25%, 0.51%

LAB 53.16, -2.89, -20.05

 

CMYK 15 / 7 / 0 / 45

HEX #77828C

RGB 119 130 140

HSL 208.57, 0.08%, 0.51%

LAB 53.79, -1.84, -6.76

 

CMYK 0 / 7 / 14 / 45

HEX #8B8178

RGB 139 129 120

HSL 28.42, 0.08%, 0.51%

LAB 54.6, 2.16, 6.23

 

CMYK 0 / 19 / 37 / 38

HEX #9F8164

RGB 159 129 100

HSL 29.49, 0.24%, 0.51%

LAB 56.08, 7.3, 20.07

 

CMYK 57 / 0 / 3 / 29

HEX #4EB5B0

RGB 78 181 176

HSL 177.09, 0.41%, 0.51%

LAB 67.87, -30.82, -6.45

 

CMYK 57 / 12 / 0 / 29

HEX #4E9FB5

RGB 78 159 181

HSL 192.82, 0.41%, 0.51%

LAB 61.44, -18.29, -18.91

 

CMYK 57 / 28 / 0 / 29

HEX #4E83B5

RGB 78 131 181

HSL 209.13, 0.41%, 0.51%

LAB 53.16, -2.69, -31.67

 

CMYK 57 / 43 / 0 / 29

HEX #4E68B5

RGB 78 104 181

HSL 224.85, 0.41%, 0.51%

LAB 45.44, 13.73, -43.84

 

CMYK 56 / 57 / 0 / 29

HEX #504EB5

RGB 80 78 181

HSL 241.17, 0.41%, 0.51%

LAB 38.71, 30.57, -54.63

 

CMYK 58 / 29 / 0 / 51

HEX #34597D

RGB 52 89 125

HSL 209.59, 0.41%, 0.35%

LAB 36.66, -1.73, -24.3

 

CMYK 58 / 29 / 0 / 40

HEX #406D9A

RGB 64 109 154

HSL 210, 0.41%, 0.43%

LAB 44.75, -1.5, -29.11

 

CMYK 57 / 28 / 0 / 29

HEX #4E82B5

RGB 78 130 181

HSL 209.71, 0.41%, 0.51%

LAB 52.86, -2.1, -32.13

 

CMYK 45 / 22 / 0 / 24

HEX #6B97C1

RGB 107 151 193

HSL 209.3, 0.41%, 0.59%

LAB 60.88, -3.68, -26.4

 

CMYK 34 / 17 / 0 / 20

HEX #88ABCD

RGB 136 171 205

HSL 209.57, 0.41%, 0.67%

LAB 68.58, -3.7, -21.14

 

CMYK 56 / 28 / 0 / 29

HEX #5083B5

RGB 80 131 181

HSL 209.7, 0.41%, 0.51%

LAB 53.25, -2.26, -31.52

 

CMYK 18 / 57 / 0 / 29

HEX #944EB5

RGB 148 78 181

HSL 280.78, 0.41%, 0.51%

LAB 45.74, 46.69, -42.96

 

CMYK 5 / 0 / 57 / 29

HEX #ACB54E

RGB 172 181 78

HSL 65.24, 0.41%, 0.51%

LAB 71.12, -17.45, 50.37

 

CMYK 56 / 28 / 0 / 29

HEX #5083B5

RGB 80 131 181

HSL 209.7, 0.41%, 0.51%

LAB 53.25, -2.26, -31.52

 

CMYK 0 / 57 / 28 / 29

HEX #B54E83

RGB 181 78 131

HSL 329.13, 0.41%, 0.51%

LAB 48.15, 47.56, -9.15

 

CMYK 28 / 0 / 57 / 29

HEX #83B54E

RGB 131 181 78

HSL 89.13, 0.41%, 0.51%

LAB 68.33, -33.77, 46.45

 

CMYK 56 / 28 / 0 / 29

HEX #5083B5

RGB 80 131 181

HSL 209.7, 0.41%, 0.51%

LAB 53.25, -2.26, -31.52

 

CMYK 18 / 57 / 0 / 29

HEX #944EB5

RGB 148 78 181

HSL 280.78, 0.41%, 0.51%

LAB 45.74, 46.69, -42.96

 

CMYK 0 / 29 / 57 / 29

HEX #B5804E

RGB 181 128 78

HSL 29.13, 0.41%, 0.51%

LAB 57.86, 14.93, 35.03

 

CMYK 39 / 0 / 57 / 29

HEX #6FB54E

RGB 111 181 78

HSL 100.78, 0.41%, 0.51%

LAB 67.26, -40.87, 44.93

 

CMYK 56 / 28 / 0 / 29

HEX #5083B5

RGB 80 131 181

HSL 209.7, 0.41%, 0.51%

LAB 53.25, -2.26, -31.52

 

CMYK 1 / 57 / 0 / 29

HEX #B34EB5

RGB 179 78 181

HSL 298.83, 0.41%, 0.51%

LAB 49.94, 54.9, -36.05

 

CMYK 0 / 29 / 57 / 29

HEX #B5804E

RGB 181 128 78

HSL 29.13, 0.41%, 0.51%

LAB 57.86, 14.93, 35.03

 

CMYK 56 / 0 / 57 / 29

HEX #50B54E

RGB 80 181 78

HSL 118.83, 0.41%, 0.51%

LAB 65.98, -50.12, 43.11

 

Description

Color code: HEX #5083B5 | qconv.com Color code: HEX #5083B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 131 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 131 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 28 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 28% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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