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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5082F6 it is the complementary color #AF7D09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5082F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5082F6 shade: #5582F1, #6694FF, #77A6FF, #88B8FF and #99CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5082F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5082F6 shade: #5082F6, #3F70E3, #2E5ED0, #1D4CBD and #0C3AAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5082F6 shade: #5082F5, #5055F5, #7750F5, #A450F5 and #D150F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5082F6 shade: #5082F5, #5055F5 and #5050F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5082F6 shade matches the following richer shades: #5082F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5082F6 shade: #5082F5, #5F88E6, #6E8ED8, #7D94C9 and #8B99BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5082F6 shade: #50DDF5, #50B0F5, #5084F5, #5058F5 and #7450F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5082F6 shade: #0C4EE7, #2966F3, #5082F5, #779EF7 and #9EBAF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5082F6 shade: #5082F6, #E250F5 and #C7F550

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5082F6 shade: #5082F6, #F55084 and #84F550

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5082F6 shade: #5082F6, #E250F5, #F5C150 and #63F550

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5082F6 shade: #5082F6, #F550D7, #F5C150 and #50F56E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 47 / 0 / 4

HEX #5082F6

RGB 80 130 246

HSL 221.93, 0.9%, 0.64%

LAB 56.41, 20.28, -63.14

 

Complementary color

CMYK 0 / 29 / 95 / 31

HEX #AF7D09

RGB 175 125 9

HSL 41.93, 0.9%, 0.36%

LAB 55.89, 10.76, 60.16

 

CMYK 65 / 46 / 0 / 5

HEX #5582F1

RGB 85 130 241

HSL 222.69, 0.85%, 0.64%

LAB 56.33, 19.34, -60.48

 

CMYK 60 / 42 / 0 / 0

HEX #6694FF

RGB 102 148 255

HSL 221.96, 1%, 0.7%

LAB 62.7, 16.14, -57.97

 

CMYK 53 / 35 / 0 / 0

HEX #77A6FF

RGB 119 166 255

HSL 219.26, 1%, 0.73%

LAB 68.32, 9.01, -48.99

 

CMYK 47 / 28 / 0 / 0

HEX #88B8FF

RGB 136 184 255

HSL 215.8, 1%, 0.77%

LAB 74.02, 2.67, -40

 

CMYK 40 / 21 / 0 / 0

HEX #99CAFF

RGB 153 202 255

HSL 211.18, 1%, 0.8%

LAB 79.75, -2.96, -31.06

 

CMYK 67 / 47 / 0 / 4

HEX #5082F6

RGB 80 130 246

HSL 221.93, 0.9%, 0.64%

LAB 56.41, 20.28, -63.14

 

CMYK 72 / 51 / 0 / 11

HEX #3F70E3

RGB 63 112 227

HSL 222.07, 0.75%, 0.57%

LAB 49.73, 22.33, -63.34

 

CMYK 78 / 55 / 0 / 18

HEX #2E5ED0

RGB 46 94 208

HSL 222.22, 0.64%, 0.5%

LAB 42.97, 24.81, -63.5

 

CMYK 85 / 60 / 0 / 26

HEX #1D4CBD

RGB 29 76 189

HSL 222.38, 0.73%, 0.43%

LAB 36.18, 27.81, -63.56

 

CMYK 93 / 66 / 0 / 33

HEX #0C3AAA

RGB 12 58 170

HSL 222.53, 0.87%, 0.36%

LAB 29.43, 31.41, -63.37

 

CMYK 67 / 47 / 0 / 4

HEX #5082F5

RGB 80 130 245

HSL 221.82, 0.89%, 0.64%

LAB 56.35, 19.93, -62.68

 

CMYK 67 / 65 / 0 / 4

HEX #5055F5

RGB 80 85 245

HSL 238.18, 0.89%, 0.64%

LAB 45.35, 47.3, -80.54

 

CMYK 51 / 67 / 0 / 4

HEX #7750F5

RGB 119 80 245

HSL 254.18, 0.89%, 0.64%

LAB 47.3, 55.65, -77.23

 

CMYK 33 / 67 / 0 / 4

HEX #A450F5

RGB 164 80 245

HSL 270.55, 0.89%, 0.64%

LAB 52.09, 63.74, -69.23

 

CMYK 15 / 67 / 0 / 4

HEX #D150F5

RGB 209 80 245

HSL 286.91, 0.89%, 0.64%

LAB 57.93, 72.89, -59.52

 

CMYK 67 / 47 / 0 / 4

HEX #5082F5

RGB 80 130 245

HSL 221.82, 0.89%, 0.64%

LAB 56.35, 19.93, -62.68

 

CMYK 67 / 65 / 0 / 4

HEX #5055F5

RGB 80 85 245

HSL 238.18, 0.89%, 0.64%

LAB 45.35, 47.3, -80.54

 

CMYK 67 / 67 / 0 / 4

HEX #5050F5

RGB 80 80 245

HSL 240, 0.89%, 0.64%

LAB 44.28, 50.18, -82.29

 

CMYK 67 / 47 / 0 / 4

HEX #5082F5

RGB 80 130 245

HSL 221.82, 0.89%, 0.64%

LAB 56.35, 19.93, -62.68

 

CMYK 67 / 47 / 0 / 4

HEX #5082F5

RGB 80 130 245

HSL 221.82, 0.89%, 0.64%

LAB 56.35, 19.93, -62.68

 

CMYK 59 / 41 / 0 / 10

HEX #5F88E6

RGB 95 136 230

HSL 221.78, 0.73%, 0.64%

LAB 57.8, 13.81, -51.99

 

CMYK 49 / 34 / 0 / 15

HEX #6E8ED8

RGB 110 142 216

HSL 221.89, 0.58%, 0.64%

LAB 59.54, 9.04, -41.37

 

CMYK 38 / 26 / 0 / 21

HEX #7D94C9

RGB 125 148 201

HSL 221.84, 0.41%, 0.64%

LAB 61.44, 5.06, -29.94

 

CMYK 25 / 18 / 0 / 27

HEX #8B99BA

RGB 139 153 186

HSL 222.13, 0.25%, 0.64%

LAB 63.19, 2.47, -18.75

 

CMYK 67 / 10 / 0 / 4

HEX #50DDF5

RGB 80 221 245

HSL 188.73, 0.89%, 0.64%

LAB 81.84, -30.19, -22.79

 

CMYK 67 / 28 / 0 / 4

HEX #50B0F5

RGB 80 176 245

HSL 205.09, 0.89%, 0.64%

LAB 69, -6.94, -42.6

 

CMYK 67 / 46 / 0 / 4

HEX #5084F5

RGB 80 132 245

HSL 221.09, 0.89%, 0.64%

LAB 56.88, 18.71, -61.83

 

CMYK 67 / 64 / 0 / 4

HEX #5058F5

RGB 80 88 245

HSL 237.09, 0.89%, 0.64%

LAB 46.01, 45.54, -79.46

 

CMYK 53 / 67 / 0 / 4

HEX #7450F5

RGB 116 80 245

HSL 253.09, 0.89%, 0.64%

LAB 47.03, 55.17, -77.68

 

CMYK 95 / 66 / 0 / 9

HEX #0C4EE7

RGB 12 78 231

HSL 221.92, 0.9%, 0.48%

LAB 40.08, 41.66, -81.4

 

CMYK 83 / 58 / 0 / 5

HEX #2966F3

RGB 41 102 243

HSL 221.88, 0.89%, 0.56%

LAB 47.55, 32.33, -75.88

 

CMYK 67 / 47 / 0 / 4

HEX #5082F5

RGB 80 130 245

HSL 221.82, 0.89%, 0.64%

LAB 56.35, 19.93, -62.68

 

CMYK 52 / 36 / 0 / 3

HEX #779EF7

RGB 119 158 247

HSL 221.72, 0.89%, 0.72%

LAB 65.82, 11.17, -48.58

 

CMYK 37 / 25 / 0 / 2

HEX #9EBAF9

RGB 158 186 249

HSL 221.54, 0.88%, 0.8%

LAB 75.59, 5.47, -34.23

 

CMYK 67 / 47 / 0 / 4

HEX #5082F6

RGB 80 130 246

HSL 221.93, 0.9%, 0.64%

LAB 56.41, 20.28, -63.14

 

CMYK 8 / 67 / 0 / 4

HEX #E250F5

RGB 226 80 245

HSL 293.09, 0.89%, 0.64%

LAB 60.34, 76.5, -55.53

 

CMYK 19 / 0 / 67 / 4

HEX #C7F550

RGB 199 245 80

HSL 76.73, 0.89%, 0.64%

LAB 90.79, -37.06, 71.18

 

CMYK 67 / 47 / 0 / 4

HEX #5082F6

RGB 80 130 246

HSL 221.93, 0.9%, 0.64%

LAB 56.41, 20.28, -63.14

 

CMYK 0 / 67 / 46 / 4

HEX #F55084

RGB 245 80 132

HSL 341.09, 0.89%, 0.64%

LAB 58.8, 66.37, 7.08

 

CMYK 46 / 0 / 67 / 4

HEX #84F550

RGB 132 245 80

HSL 101.09, 0.89%, 0.64%

LAB 87.38, -59.95, 66.57

 

CMYK 67 / 47 / 0 / 4

HEX #5082F6

RGB 80 130 246

HSL 221.93, 0.9%, 0.64%

LAB 56.41, 20.28, -63.14

 

CMYK 8 / 67 / 0 / 4

HEX #E250F5

RGB 226 80 245

HSL 293.09, 0.89%, 0.64%

LAB 60.34, 76.5, -55.53

 

CMYK 0 / 21 / 67 / 4

HEX #F5C150

RGB 245 193 80

HSL 41.09, 0.89%, 0.64%

LAB 80.81, 7.23, 61.94

 

CMYK 60 / 0 / 67 / 4

HEX #63F550

RGB 99 245 80

HSL 113.09, 0.89%, 0.64%

LAB 86.27, -68.51, 65.07

 

CMYK 67 / 47 / 0 / 4

HEX #5082F6

RGB 80 130 246

HSL 221.93, 0.9%, 0.64%

LAB 56.41, 20.28, -63.14

 

CMYK 0 / 67 / 12 / 4

HEX #F550D7

RGB 245 80 215

HSL 310.91, 0.89%, 0.64%

LAB 61.7, 76.08, -36.4

 

CMYK 0 / 21 / 67 / 4

HEX #F5C150

RGB 245 193 80

HSL 41.09, 0.89%, 0.64%

LAB 80.81, 7.23, 61.94

 

CMYK 67 / 0 / 55 / 4

HEX #50F56E

RGB 80 245 110

HSL 130.91, 0.89%, 0.64%

LAB 86.07, -69.15, 52.13

 

Description

Color code: HEX #5082F6 | qconv.com Color code: HEX #5082F6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 130 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 130 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 47 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 47% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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