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Color name
HEX #5089C7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5089C7 it is the complementary color #AF7638. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5089C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5089C7 shade: #5589C2, #669BD5, #77ADE8, #88BFFB and #99D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5089C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5089C7 shade: #5089C7, #3F77B4, #2E65A1, #1D538E and #0C417B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5089C7 shade: #5089C7, #5069C7, #5750C7, #7750C7 and #9850C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5089C7 shade: #5089C7, #5069C7 and #5050C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5089C7 shade matches the following richer shades: #5089C7, #3E88DA and #2B88ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5089C7 shade: #5089C7, #638AB5, #758BA2, #888C90 and #9A8C7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5089C7 shade: #50C7C5, #50AAC7, #508AC7, #506AC7 and #5650C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5089C7 shade: #2F6096, #3975B5, #5089C7, #6F9ED1 and #8FB3DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5089C7 shade: #5089C7, #A650C7 and #B9C750

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5089C7 shade: #5089C7, #C7508A and #8AC750

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5089C7 shade: #5089C7, #A650C7, #C78E50 and #72C750

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5089C7 shade: #5089C7, #C750C5, #C78E50 and #50C752

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 31 / 0 / 22

HEX #5089C7

RGB 80 137 199

HSL 211.26, 0.52%, 0.55%

LAB 55.81, 0.08, -37.78

 

Complementary color

CMYK 0 / 33 / 68 / 31

HEX #AF7638

RGB 175 118 56

HSL 31.26, 0.52%, 0.45%

LAB 54.4, 16.35, 42.25

 

CMYK 56 / 29 / 0 / 24

HEX #5589C2

RGB 85 137 194

HSL 211.38, 0.47%, 0.55%

LAB 55.8, -0.52, -34.93

 

CMYK 52 / 27 / 0 / 16

HEX #669BD5

RGB 102 155 213

HSL 211.35, 0.57%, 0.62%

LAB 62.57, -1.23, -35

 

CMYK 49 / 25 / 0 / 9

HEX #77ADE8

RGB 119 173 232

HSL 211.33, 0.71%, 0.69%

LAB 69.21, -1.81, -35.08

 

CMYK 46 / 24 / 0 / 2

HEX #88BFFB

RGB 136 191 251

HSL 211.3, 0.93%, 0.76%

LAB 75.74, -2.3, -35.18

 

CMYK 40 / 18 / 0 / 0

HEX #99D1FF

RGB 153 209 255

HSL 207.06, 1%, 0.8%

LAB 81.62, -6.68, -28.19

 

CMYK 60 / 31 / 0 / 22

HEX #5089C7

RGB 80 137 199

HSL 211.26, 0.52%, 0.55%

LAB 55.81, 0.08, -37.78

 

CMYK 65 / 34 / 0 / 29

HEX #3F77B4

RGB 63 119 180

HSL 211.28, 0.48%, 0.48%

LAB 48.94, 1.16, -37.75

 

CMYK 71 / 37 / 0 / 37

HEX #2E65A1

RGB 46 101 161

HSL 211.3, 0.56%, 0.41%

LAB 41.94, 2.57, -37.73

 

CMYK 80 / 42 / 0 / 44

HEX #1D538E

RGB 29 83 142

HSL 211.33, 0.66%, 0.34%

LAB 34.8, 4.46, -37.69

 

CMYK 90 / 47 / 0 / 52

HEX #0C417B

RGB 12 65 123

HSL 211.35, 0.82%, 0.26%

LAB 27.54, 7.08, -37.59

 

CMYK 60 / 31 / 0 / 22

HEX #5089C7

RGB 80 137 199

HSL 211.26, 0.52%, 0.55%

LAB 55.81, 0.08, -37.78

 

CMYK 60 / 47 / 0 / 22

HEX #5069C7

RGB 80 105 199

HSL 227.39, 0.52%, 0.55%

LAB 46.89, 19.59, -51.94

 

CMYK 56 / 60 / 0 / 22

HEX #5750C7

RGB 87 80 199

HSL 243.53, 0.52%, 0.55%

LAB 41.04, 36.46, -61.35

 

CMYK 40 / 60 / 0 / 22

HEX #7750C7

RGB 119 80 199

HSL 259.66, 0.52%, 0.55%

LAB 43.92, 42.96, -56.55

 

CMYK 24 / 60 / 0 / 22

HEX #9850C7

RGB 152 80 199

HSL 276.3, 0.52%, 0.55%

LAB 47.67, 50.66, -50.32

 

CMYK 60 / 31 / 0 / 22

HEX #5089C7

RGB 80 137 199

HSL 211.26, 0.52%, 0.55%

LAB 55.81, 0.08, -37.78

 

CMYK 60 / 47 / 0 / 22

HEX #5069C7

RGB 80 105 199

HSL 227.39, 0.52%, 0.55%

LAB 46.89, 19.59, -51.94

 

CMYK 60 / 60 / 0 / 22

HEX #5050C7

RGB 80 80 199

HSL 240, 0.52%, 0.55%

LAB 40.52, 35.23, -62.22

 

CMYK 60 / 31 / 0 / 22

HEX #5089C7

RGB 80 137 199

HSL 211.26, 0.52%, 0.55%

LAB 55.81, 0.08, -37.78

 

CMYK 72 / 38 / 0 / 15

HEX #3E88DA

RGB 62 136 218

HSL 211.54, 0.68%, 0.55%

LAB 55.78, 4.18, -48.58

 

CMYK 82 / 43 / 0 / 7

HEX #2B88ED

RGB 43 136 237

HSL 211.24, 0.84%, 0.55%

LAB 56.32, 8.99, -58.35

 

CMYK 60 / 31 / 0 / 22

HEX #5089C7

RGB 80 137 199

HSL 211.26, 0.52%, 0.55%

LAB 55.81, 0.08, -37.78

 

CMYK 45 / 24 / 0 / 29

HEX #638AB5

RGB 99 138 181

HSL 211.46, 0.36%, 0.55%

LAB 56.25, -1.79, -26.78

 

CMYK 28 / 14 / 0 / 36

HEX #758BA2

RGB 117 139 162

HSL 210.67, 0.19%, 0.55%

LAB 56.93, -2.39, -14.77

 

CMYK 6 / 3 / 0 / 44

HEX #888C90

RGB 136 140 144

HSL 210, 0.03%, 0.55%

LAB 58.04, -0.65, -2.64

 

CMYK 0 / 9 / 19 / 40

HEX #9A8C7D

RGB 154 140 125

HSL 31.03, 0.13%, 0.55%

LAB 59.07, 2.67, 9.91

 

CMYK 60 / 0 / 1 / 22

HEX #50C7C5

RGB 80 199 197

HSL 178.99, 0.52%, 0.55%

LAB 73.92, -33.32, -8.96

 

CMYK 60 / 15 / 0 / 22

HEX #50AAC7

RGB 80 170 199

HSL 194.62, 0.52%, 0.55%

LAB 65.42, -18.28, -22.89

 

CMYK 60 / 31 / 0 / 22

HEX #508AC7

RGB 80 138 199

HSL 210.76, 0.52%, 0.55%

LAB 56.09, -0.51, -37.33

 

CMYK 60 / 47 / 0 / 22

HEX #506AC7

RGB 80 106 199

HSL 226.89, 0.52%, 0.55%

LAB 47.15, 18.96, -51.51

 

CMYK 57 / 60 / 0 / 22

HEX #5650C7

RGB 86 80 199

HSL 243.03, 0.52%, 0.55%

LAB 40.96, 36.28, -61.48

 

CMYK 69 / 36 / 0 / 41

HEX #2F6096

RGB 47 96 150

HSL 211.46, 0.52%, 0.39%

LAB 39.87, 1.81, -34.45

 

CMYK 69 / 35 / 0 / 29

HEX #3975B5

RGB 57 117 181

HSL 210.97, 0.52%, 0.47%

LAB 48.17, 1.7, -39.56

 

CMYK 60 / 31 / 0 / 22

HEX #5089C7

RGB 80 137 199

HSL 211.26, 0.52%, 0.55%

LAB 55.81, 0.08, -37.78

 

CMYK 47 / 24 / 0 / 18

HEX #6F9ED1

RGB 111 158 209

HSL 211.22, 0.52%, 0.63%

LAB 63.7, -2.01, -30.97

 

CMYK 35 / 18 / 0 / 14

HEX #8FB3DB

RGB 143 179 219

HSL 211.58, 0.51%, 0.71%

LAB 71.69, -2.54, -24.05

 

CMYK 60 / 31 / 0 / 22

HEX #5089C7

RGB 80 137 199

HSL 211.26, 0.52%, 0.55%

LAB 55.81, 0.08, -37.78

 

CMYK 17 / 60 / 0 / 22

HEX #A650C7

RGB 166 80 199

HSL 283.36, 0.52%, 0.55%

LAB 49.46, 54.09, -47.36

 

CMYK 7 / 0 / 60 / 22

HEX #B9C750

RGB 185 199 80

HSL 67.06, 0.52%, 0.55%

LAB 77.13, -20.93, 56.43

 

CMYK 60 / 31 / 0 / 22

HEX #5089C7

RGB 80 137 199

HSL 211.26, 0.52%, 0.55%

LAB 55.81, 0.08, -37.78

 

CMYK 0 / 60 / 31 / 22

HEX #C7508A

RGB 199 80 138

HSL 330.76, 0.52%, 0.55%

LAB 51.51, 53.2, -8.02

 

CMYK 31 / 0 / 60 / 22

HEX #8AC750

RGB 138 199 80

HSL 90.76, 0.52%, 0.55%

LAB 74.08, -39.17, 52.19

 

CMYK 60 / 31 / 0 / 22

HEX #5089C7

RGB 80 137 199

HSL 211.26, 0.52%, 0.55%

LAB 55.81, 0.08, -37.78

 

CMYK 17 / 60 / 0 / 22

HEX #A650C7

RGB 166 80 199

HSL 283.36, 0.52%, 0.55%

LAB 49.46, 54.09, -47.36

 

CMYK 0 / 29 / 60 / 22

HEX #C78E50

RGB 199 142 80

HSL 31.26, 0.52%, 0.55%

LAB 63.4, 15.03, 41.13

 

CMYK 43 / 0 / 60 / 22

HEX #72C750

RGB 114 199 80

HSL 102.86, 0.52%, 0.55%

LAB 72.89, -47.29, 50.53

 

CMYK 60 / 31 / 0 / 22

HEX #5089C7

RGB 80 137 199

HSL 211.26, 0.52%, 0.55%

LAB 55.81, 0.08, -37.78

 

CMYK 0 / 60 / 1 / 22

HEX #C750C5

RGB 199 80 197

HSL 301.01, 0.52%, 0.55%

LAB 53.93, 62, -38.83

 

CMYK 0 / 29 / 60 / 22

HEX #C78E50

RGB 199 142 80

HSL 31.26, 0.52%, 0.55%

LAB 63.4, 15.03, 41.13

 

CMYK 60 / 0 / 59 / 22

HEX #50C752

RGB 80 199 82

HSL 121.01, 0.52%, 0.55%

LAB 71.66, -56.42, 47.89

 

Description

Color code: HEX #5089C7 | qconv.com Color code: HEX #5089C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 137 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 137 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 31 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 31% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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