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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #506873 it is the complementary color #AF978C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #506873. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #506873 shade: #55686E, #667A81, #778C94, #889EA7 and #99B0BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #506873. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #506873 shade: #506873, #3F5660, #2E444D, #1D323A and #0C2027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #506873 shade: #4F6772, #4F5D72, #4F5472, #534F72 and #5D4F72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #506873 shade: #4F6772, #4F5D72, #4F5472 and #4F4F72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #506873 shade matches the following richer shades: #4F6772, #3F6D82, #307391, #2078A1 and #107EB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #506873 shade: #4F6772, #5F6162, #6E5B52, #7E5543 and #8E5033

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #506873 shade: #4F726A, #4F7172, #4F6772, #4F5E72 and #4F5572

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #506873 shade: #2D3B41, #3E5159, #4F6772, #607D8A and #75919F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #506873 shade: #506873, #604F72 and #726E4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #506873 shade: #506873, #724F67 and #67724F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #506873 shade: #506873, #604F72, #72594F and #60724F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #506873 shade: #506873, #6B4F72, #72594F and #56724F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 10 / 0 / 55

HEX #506873

RGB 80 104 115

HSL 198.86, 0.18%, 0.38%

LAB 42.53, -6.03, -9.06

 

Complementary color

CMYK 0 / 14 / 20 / 31

HEX #AF978C

RGB 175 151 140

HSL 18.86, 0.18%, 0.62%

LAB 64.27, 7.1, 9.07

 

CMYK 23 / 5 / 0 / 57

HEX #55686E

RGB 85 104 110

HSL 194.4, 0.13%, 0.38%

LAB 42.7, -5.64, -5.74

 

CMYK 21 / 5 / 0 / 49

HEX #667A81

RGB 102 122 129

HSL 195.56, 0.12%, 0.45%

LAB 49.89, -5.65, -6.26

 

CMYK 20 / 5 / 0 / 42

HEX #778C94

RGB 119 140 148

HSL 196.55, 0.12%, 0.52%

LAB 56.9, -5.68, -6.77

 

CMYK 19 / 5 / 0 / 35

HEX #889EA7

RGB 136 158 167

HSL 197.42, 0.15%, 0.59%

LAB 63.74, -5.71, -7.28

 

CMYK 18 / 5 / 0 / 27

HEX #99B0BA

RGB 153 176 186

HSL 198.18, 0.19%, 0.66%

LAB 70.43, -5.75, -7.77

 

CMYK 30 / 10 / 0 / 55

HEX #506873

RGB 80 104 115

HSL 198.86, 0.18%, 0.38%

LAB 42.53, -6.03, -9.06

 

CMYK 34 / 10 / 0 / 62

HEX #3F5660

RGB 63 86 96

HSL 198.18, 0.21%, 0.31%

LAB 35.12, -5.98, -8.61

 

CMYK 40 / 12 / 0 / 70

HEX #2E444D

RGB 46 68 77

HSL 197.42, 0.25%, 0.24%

LAB 27.44, -5.9, -8.16

 

CMYK 50 / 14 / 0 / 77

HEX #1D323A

RGB 29 50 58

HSL 196.55, 0.33%, 0.17%

LAB 19.42, -5.78, -7.69

 

CMYK 69 / 18 / 0 / 85

HEX #0C2027

RGB 12 32 39

HSL 195.56, 0.53%, 0.1%

LAB 10.98, -5.48, -7.19

 

CMYK 31 / 10 / 0 / 55

HEX #4F6772

RGB 79 103 114

HSL 198.86, 0.18%, 0.38%

LAB 42.12, -6.03, -9.07

 

CMYK 31 / 18 / 0 / 55

HEX #4F5D72

RGB 79 93 114

HSL 216, 0.18%, 0.38%

LAB 39.08, 0, -13.67

 

CMYK 31 / 26 / 0 / 55

HEX #4F5472

RGB 79 84 114

HSL 231.43, 0.18%, 0.38%

LAB 36.4, 5.62, -17.77

 

CMYK 27 / 31 / 0 / 55

HEX #534F72

RGB 83 79 114

HSL 246.86, 0.18%, 0.38%

LAB 35.29, 10.14, -19.45

 

CMYK 18 / 31 / 0 / 55

HEX #5D4F72

RGB 93 79 114

HSL 264, 0.18%, 0.38%

LAB 36.24, 13.57, -17.91

 

CMYK 31 / 10 / 0 / 55

HEX #4F6772

RGB 79 103 114

HSL 198.86, 0.18%, 0.38%

LAB 42.12, -6.03, -9.07

 

CMYK 31 / 18 / 0 / 55

HEX #4F5D72

RGB 79 93 114

HSL 216, 0.18%, 0.38%

LAB 39.08, 0, -13.67

 

CMYK 31 / 26 / 0 / 55

HEX #4F5472

RGB 79 84 114

HSL 231.43, 0.18%, 0.38%

LAB 36.4, 5.62, -17.77

 

CMYK 31 / 31 / 0 / 55

HEX #4F4F72

RGB 79 79 114

HSL 240, 0.18%, 0.38%

LAB 34.94, 8.81, -20.03

 

CMYK 31 / 10 / 0 / 55

HEX #4F6772

RGB 79 103 114

HSL 198.86, 0.18%, 0.38%

LAB 42.12, -6.03, -9.07

 

CMYK 52 / 16 / 0 / 49

HEX #3F6D82

RGB 63 109 130

HSL 198.81, 0.35%, 0.38%

LAB 43.66, -9.52, -16.48

 

CMYK 67 / 21 / 0 / 43

HEX #307391

RGB 48 115 145

HSL 198.56, 0.5%, 0.38%

LAB 45.54, -11.27, -22.59

 

CMYK 80 / 25 / 0 / 37

HEX #2078A1

RGB 32 120 161

HSL 199.07, 0.67%, 0.38%

LAB 47.38, -10.76, -29.2

 

CMYK 91 / 29 / 0 / 31

HEX #107EB1

RGB 16 126 177

HSL 199.01, 0.83%, 0.38%

LAB 49.75, -9.57, -34.83

 

CMYK 31 / 10 / 0 / 55

HEX #4F6772

RGB 79 103 114

HSL 198.86, 0.18%, 0.38%

LAB 42.12, -6.03, -9.07

 

CMYK 3 / 1 / 0 / 62

HEX #5F6162

RGB 95 97 98

HSL 200, 0.02%, 0.38%

LAB 41, -0.57, -0.85

 

CMYK 0 / 17 / 25 / 57

HEX #6E5B52

RGB 110 91 82

HSL 19.29, 0.15%, 0.38%

LAB 40.26, 6.2, 8.08

 

CMYK 0 / 33 / 47 / 51

HEX #7E5543

RGB 126 85 67

HSL 18.31, 0.31%, 0.38%

LAB 40.14, 14.73, 17.37

 

CMYK 0 / 44 / 64 / 44

HEX #8E5033

RGB 142 80 51

HSL 19.12, 0.47%, 0.38%

LAB 40.78, 23.17, 28.11

 

CMYK 31 / 0 / 7 / 55

HEX #4F726A

RGB 79 114 106

HSL 166.29, 0.18%, 0.38%

LAB 45.27, -14.37, 0.42

 

CMYK 31 / 1 / 0 / 55

HEX #4F7172

RGB 79 113 114

HSL 181.71, 0.18%, 0.38%

LAB 45.2, -11.82, -4.47

 

CMYK 31 / 10 / 0 / 55

HEX #4F6772

RGB 79 103 114

HSL 198.86, 0.18%, 0.38%

LAB 42.12, -6.03, -9.07

 

CMYK 31 / 18 / 0 / 55

HEX #4F5E72

RGB 79 94 114

HSL 214.29, 0.18%, 0.38%

LAB 39.38, -0.61, -13.21

 

CMYK 31 / 25 / 0 / 55

HEX #4F5572

RGB 79 85 114

HSL 229.71, 0.18%, 0.38%

LAB 36.69, 4.99, -17.32

 

CMYK 31 / 9 / 0 / 75

HEX #2D3B41

RGB 45 59 65

HSL 198, 0.18%, 0.22%

LAB 23.89, -4.03, -5.58

 

CMYK 30 / 9 / 0 / 65

HEX #3E5159

RGB 62 81 89

HSL 197.78, 0.18%, 0.3%

LAB 33.2, -5.2, -7.09

 

CMYK 31 / 10 / 0 / 55

HEX #4F6772

RGB 79 103 114

HSL 198.86, 0.18%, 0.38%

LAB 42.12, -6.03, -9.07

 

CMYK 30 / 9 / 0 / 46

HEX #607D8A

RGB 96 125 138

HSL 198.57, 0.18%, 0.46%

LAB 50.67, -7.09, -10.43

 

CMYK 26 / 9 / 0 / 38

HEX #75919F

RGB 117 145 159

HSL 200, 0.18%, 0.54%

LAB 58.54, -6.51, -10.63

 

CMYK 30 / 10 / 0 / 55

HEX #506873

RGB 80 104 115

HSL 198.86, 0.18%, 0.38%

LAB 42.53, -6.03, -9.06

 

CMYK 16 / 31 / 0 / 55

HEX #604F72

RGB 96 79 114

HSL 269.14, 0.18%, 0.38%

LAB 36.54, 14.62, -17.42

 

CMYK 0 / 4 / 31 / 55

HEX #726E4F

RGB 114 110 79

HSL 53.14, 0.18%, 0.38%

LAB 46.03, -3.79, 17.89

 

CMYK 30 / 10 / 0 / 55

HEX #506873

RGB 80 104 115

HSL 198.86, 0.18%, 0.38%

LAB 42.53, -6.03, -9.06

 

CMYK 0 / 31 / 10 / 55

HEX #724F67

RGB 114 79 103

HSL 318.86, 0.18%, 0.38%

LAB 38.11, 18.88, -8.01

 

CMYK 10 / 0 / 31 / 55

HEX #67724F

RGB 103 114 79

HSL 78.86, 0.18%, 0.38%

LAB 46.29, -10.72, 18.07

 

CMYK 30 / 10 / 0 / 55

HEX #506873

RGB 80 104 115

HSL 198.86, 0.18%, 0.38%

LAB 42.53, -6.03, -9.06

 

CMYK 16 / 31 / 0 / 55

HEX #604F72

RGB 96 79 114

HSL 269.14, 0.18%, 0.38%

LAB 36.54, 14.62, -17.42

 

CMYK 0 / 22 / 31 / 55

HEX #72594F

RGB 114 89 79

HSL 17.14, 0.18%, 0.38%

LAB 40.06, 8.66, 9.7

 

CMYK 16 / 0 / 31 / 55

HEX #60724F

RGB 96 114 79

HSL 90.86, 0.18%, 0.38%

LAB 45.75, -13.59, 17.26

HEX #60724F

CMYK 30 / 10 / 0 / 55

HEX #506873

RGB 80 104 115

HSL 198.86, 0.18%, 0.38%

LAB 42.53, -6.03, -9.06

 

CMYK 6 / 31 / 0 / 55

HEX #6B4F72

RGB 107 79 114

HSL 288, 0.18%, 0.38%

LAB 37.72, 18.55, -15.51

 

CMYK 0 / 22 / 31 / 55

HEX #72594F

RGB 114 89 79

HSL 17.14, 0.18%, 0.38%

LAB 40.06, 8.66, 9.7

 

CMYK 25 / 0 / 31 / 55

HEX #56724F

RGB 86 114 79

HSL 108, 0.18%, 0.38%

LAB 45.05, -17.53, 16.19

 

Description

Color code: HEX #506873 | qconv.com Color code: HEX #506873 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 104 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 104 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 10 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 10% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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