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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50409A it is the complementary color #AFBF65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50409A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50409A shade: #554095, #6652A8, #7764BB, #8876CE and #9988E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50409A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50409A shade: #50409A, #3F2E87, #2E1C74, #1D0A61 and #0C004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50409A shade: #50409A, #68409A, #81409A, #99409A and #9A4083

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50409A shade: #50409A and #40409A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50409A shade matches the following richer shades: #50409A, #452EAC, #391DBE and #2E0BCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50409A shade: #50409A, #5C5288, #676477, #727565 and #7E8753

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50409A shade: #40619A, #40499A, #4F409A, #67409A and #7F409A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50409A shade: #322860, #41347D, #50409A, #614FB5 and #7B6CC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50409A shade: #50409A, #9A4079 and #559A40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50409A shade: #50409A, #9A4F40 and #409A4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50409A shade: #50409A, #9A4079, #8B9A40 and #409A61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50409A shade: #50409A, #9A405E, #8B9A40 and #409A7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 58 / 0 / 40

HEX #50409A

RGB 80 64 154

HSL 250.67, 0.41%, 0.43%

LAB 33.36, 30.71, -47.14

 

Complementary color

CMYK 8 / 0 / 47 / 25

HEX #AFBF65

RGB 175 191 101

HSL 70.67, 0.41%, 0.57%

LAB 74.39, -19.16, 43.29

 

CMYK 43 / 57 / 0 / 42

HEX #554095

RGB 85 64 149

HSL 254.82, 0.4%, 0.42%

LAB 33.49, 30.36, -43.86

 

CMYK 39 / 51 / 0 / 34

HEX #6652A8

RGB 102 82 168

HSL 253.95, 0.34%, 0.49%

LAB 40.71, 29.1, -43.62

 

CMYK 36 / 47 / 0 / 27

HEX #7764BB

RGB 119 100 187

HSL 253.1, 0.39%, 0.56%

LAB 47.78, 27.99, -43.41

 

CMYK 34 / 43 / 0 / 19

HEX #8876CE

RGB 136 118 206

HSL 252.27, 0.47%, 0.64%

LAB 54.71, 27.02, -43.24

 

CMYK 32 / 40 / 0 / 12

HEX #9988E1

RGB 153 136 225

HSL 251.46, 0.6%, 0.71%

LAB 61.5, 26.15, -43.11

 

CMYK 48 / 58 / 0 / 40

HEX #50409A

RGB 80 64 154

HSL 250.67, 0.41%, 0.43%

LAB 33.36, 30.71, -47.14

 

CMYK 53 / 66 / 0 / 47

HEX #3F2E87

RGB 63 46 135

HSL 251.46, 0.49%, 0.35%

LAB 26.04, 32.3, -47.4

 

CMYK 60 / 76 / 0 / 55

HEX #2E1C74

RGB 46 28 116

HSL 252.27, 0.61%, 0.28%

LAB 18.68, 33.96, -47.46

 

CMYK 70 / 90 / 0 / 62

HEX #1D0A61

RGB 29 10 97

HSL 253.1, 0.81%, 0.21%

LAB 11.56, 35.12, -46.8

 

CMYK 85 / 100 / 0 / 69

HEX #0C004E

RGB 12 0 78

HSL 249.23, 1%, 0.15%

LAB 5.67, 32.73, -43.69

 

CMYK 48 / 58 / 0 / 40

HEX #50409A

RGB 80 64 154

HSL 250.67, 0.41%, 0.43%

LAB 33.36, 30.71, -47.14

 

CMYK 32 / 58 / 0 / 40

HEX #68409A

RGB 104 64 154

HSL 266.67, 0.41%, 0.43%

LAB 35.87, 36.47, -42.97

 

CMYK 16 / 58 / 0 / 40

HEX #81409A

RGB 129 64 154

HSL 283.33, 0.41%, 0.43%

LAB 39.01, 43.03, -37.77

 

CMYK 1 / 58 / 0 / 40

HEX #99409A

RGB 153 64 154

HSL 299.33, 0.41%, 0.43%

LAB 42.42, 49.52, -32.17

 

CMYK 0 / 58 / 15 / 40

HEX #9A4083

RGB 154 64 131

HSL 315.33, 0.41%, 0.43%

LAB 41.49, 45.85, -19.65

 

CMYK 48 / 58 / 0 / 40

HEX #50409A

RGB 80 64 154

HSL 250.67, 0.41%, 0.43%

LAB 33.36, 30.71, -47.14

 

CMYK 58 / 58 / 0 / 40

HEX #40409A

RGB 64 64 154

HSL 240, 0.41%, 0.43%

LAB 32.01, 27.36, -49.39

 

CMYK 48 / 58 / 0 / 40

HEX #50409A

RGB 80 64 154

HSL 250.67, 0.41%, 0.43%

LAB 33.36, 30.71, -47.14

 

CMYK 60 / 73 / 0 / 33

HEX #452EAC

RGB 69 46 172

HSL 250.95, 0.58%, 0.43%

LAB 29.91, 44.88, -63.68

 

CMYK 70 / 85 / 0 / 25

HEX #391DBE

RGB 57 29 190

HSL 250.43, 0.74%, 0.43%

LAB 28.02, 56.97, -77.54

 

CMYK 78 / 95 / 0 / 19

HEX #2E0BCF

RGB 46 11 207

HSL 250.71, 0.9%, 0.43%

LAB 27.64, 66.22, -88.18

 

CMYK 48 / 58 / 0 / 40

HEX #50409A

RGB 80 64 154

HSL 250.67, 0.41%, 0.43%

LAB 33.36, 30.71, -47.14

 

CMYK 32 / 40 / 0 / 47

HEX #5C5288

RGB 92 82 136

HSL 251.11, 0.25%, 0.43%

LAB 38, 17.2, -28.73

 

CMYK 13 / 16 / 0 / 53

HEX #676477

RGB 103 100 119

HSL 249.47, 0.09%, 0.43%

LAB 43.26, 5.34, -10.21

 

CMYK 3 / 0 / 14 / 54

HEX #727565

RGB 114 117 101

HSL 71.25, 0.07%, 0.43%

LAB 48.56, -4.23, 8.44

 

CMYK 7 / 0 / 39 / 47

HEX #7E8753

RGB 126 135 83

HSL 70.38, 0.24%, 0.43%

LAB 54.44, -12.13, 26.87

 

CMYK 58 / 37 / 0 / 40

HEX #40619A

RGB 64 97 154

HSL 218, 0.41%, 0.43%

LAB 41.17, 5.94, -34.73

 

CMYK 58 / 53 / 0 / 40

HEX #40499A

RGB 64 73 154

HSL 234, 0.41%, 0.43%

LAB 34.37, 21.49, -45.58

 

CMYK 49 / 58 / 0 / 40

HEX #4F409A

RGB 79 64 154

HSL 250, 0.41%, 0.43%

LAB 33.27, 30.48, -47.3

 

CMYK 33 / 58 / 0 / 40

HEX #67409A

RGB 103 64 154

HSL 266, 0.41%, 0.43%

LAB 35.76, 36.22, -43.16

 

CMYK 18 / 58 / 0 / 40

HEX #7F409A

RGB 127 64 154

HSL 282, 0.41%, 0.43%

LAB 38.75, 42.49, -38.22

 

CMYK 48 / 58 / 0 / 62

HEX #322860

RGB 50 40 96

HSL 250.71, 0.41%, 0.27%

LAB 20.2, 20.51, -31.93

 

CMYK 48 / 58 / 0 / 51

HEX #41347D

RGB 65 52 125

HSL 250.68, 0.41%, 0.35%

LAB 26.91, 25.73, -39.72

 

CMYK 48 / 58 / 0 / 40

HEX #50409A

RGB 80 64 154

HSL 250.67, 0.41%, 0.43%

LAB 33.36, 30.71, -47.14

 

CMYK 46 / 56 / 0 / 29

HEX #614FB5

RGB 97 79 181

HSL 250.59, 0.41%, 0.51%

LAB 40.36, 33.53, -51.89

 

CMYK 36 / 44 / 0 / 24

HEX #7B6CC1

RGB 123 108 193

HSL 250.59, 0.41%, 0.59%

LAB 50.44, 25.92, -42.64

 

CMYK 48 / 58 / 0 / 40

HEX #50409A

RGB 80 64 154

HSL 250.67, 0.41%, 0.43%

LAB 33.36, 30.71, -47.14

 

CMYK 0 / 58 / 21 / 40

HEX #9A4079

RGB 154 64 121

HSL 322, 0.41%, 0.43%

LAB 41.08, 44.29, -14.14

 

CMYK 45 / 0 / 58 / 40

HEX #559A40

RGB 85 154 64

HSL 106, 0.41%, 0.43%

LAB 57.48, -39.33, 39.88

 

CMYK 48 / 58 / 0 / 40

HEX #50409A

RGB 80 64 154

HSL 250.67, 0.41%, 0.43%

LAB 33.36, 30.71, -47.14

 

CMYK 0 / 49 / 58 / 40

HEX #9A4F40

RGB 154 79 64

HSL 10, 0.41%, 0.43%

LAB 42.51, 29.78, 23

 

CMYK 58 / 0 / 49 / 40

HEX #409A4F

RGB 64 154 79

HSL 130, 0.41%, 0.43%

LAB 56.85, -43.3, 31.38

 

CMYK 48 / 58 / 0 / 40

HEX #50409A

RGB 80 64 154

HSL 250.67, 0.41%, 0.43%

LAB 33.36, 30.71, -47.14

 

CMYK 0 / 58 / 21 / 40

HEX #9A4079

RGB 154 64 121

HSL 322, 0.41%, 0.43%

LAB 41.08, 44.29, -14.14

 

CMYK 10 / 0 / 58 / 40

HEX #8B9A40

RGB 139 154 64

HSL 70, 0.41%, 0.43%

LAB 60.76, -18.69, 44.5

 

CMYK 58 / 0 / 37 / 40

HEX #409A61

RGB 64 154 97

HSL 142, 0.41%, 0.43%

LAB 57.14, -40.17, 22.09

 

CMYK 48 / 58 / 0 / 40

HEX #50409A

RGB 80 64 154

HSL 250.67, 0.41%, 0.43%

LAB 33.36, 30.71, -47.14

 

CMYK 0 / 58 / 39 / 40

HEX #9A405E

RGB 154 64 94

HSL 340, 0.41%, 0.43%

LAB 40.16, 40.66, 1.27

 

CMYK 10 / 0 / 58 / 40

HEX #8B9A40

RGB 139 154 64

HSL 70, 0.41%, 0.43%

LAB 60.76, -18.69, 44.5

 

CMYK 58 / 0 / 19 / 40

HEX #409A7C

RGB 64 154 124

HSL 160, 0.41%, 0.43%

LAB 57.71, -34.31, 7.79

 

Description

Color code: HEX #50409A | qconv.com Color code: HEX #50409A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 64 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 64 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 58 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 58% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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