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Color name
HEX #504829

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #504829 it is the complementary color #AFB7D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #504829. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #504829 shade: #554824, #665A37, #776C4A, #887E5D and #999070

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #504829. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #504829 shade: #504829, #3F3616, #2E2403, #1D1200 and #0C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #504829 shade: #504829, #503E29, #503329 and #502929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #504829 shade: #504829, #4E5029, #435029, #395029 and #2E5029

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #504829 shade matches the following richer shades: #504829, #5A4E1F, #645415, #6E5A0B and #786002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #504829 shade: #504829, #464233, #3C3D3D, #333747 and #293151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #504829 shade: #503329, #503D29, #504829, #4E5029 and #445029

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #504829 shade: #1A170D, #35301B, #504829, #6C6137 and #877945

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #504829 shade: #504829, #2A5029 and #382950

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #504829 shade: #504829, #295048 and #482950

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #504829 shade: #504829, #2A5029, #293250 and #502950

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #504829 shade: #504829, #295034, #293250 and #502945

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 49 / 69

HEX #504829

RGB 80 72 41

HSL 47.69, 0.32%, 0.24%

LAB 30.64, -1.67, 19.78

 

Complementary color

CMYK 18 / 14 / 0 / 16

HEX #AFB7D6

RGB 175 183 214

HSL 227.69, 0.32%, 0.76%

LAB 74.72, 3.65, -16.52

 

CMYK 0 / 15 / 58 / 67

HEX #554824

RGB 85 72 36

HSL 44.08, 0.4%, 0.24%

LAB 31.1, 0.22, 23.43

 

CMYK 0 / 12 / 46 / 60

HEX #665A37

RGB 102 90 55

HSL 44.68, 0.3%, 0.31%

LAB 38.57, -0.57, 21.97

 

CMYK 0 / 9 / 38 / 53

HEX #776C4A

RGB 119 108 74

HSL 45.33, 0.23%, 0.38%

LAB 45.83, -1.15, 20.61

 

CMYK 0 / 7 / 32 / 47

HEX #887E5D

RGB 136 126 93

HSL 46.05, 0.19%, 0.45%

LAB 52.89, -1.59, 19.38

 

CMYK 0 / 6 / 27 / 40

HEX #999070

RGB 153 144 112

HSL 46.83, 0.17%, 0.52%

LAB 59.79, -1.95, 18.24

 

CMYK 0 / 10 / 49 / 69

HEX #504829

RGB 80 72 41

HSL 47.69, 0.32%, 0.24%

LAB 30.64, -1.67, 19.78

 

CMYK 0 / 14 / 65 / 75

HEX #3F3616

RGB 63 54 22

HSL 46.83, 0.48%, 0.17%

LAB 22.84, -0.84, 21.27

 

CMYK 0 / 22 / 93 / 82

HEX #2E2403

RGB 46 36 3

HSL 46.05, 0.88%, 0.1%

LAB 14.67, 0.41, 20.3

 

CMYK 0 / 38 / 100 / 89

HEX #1D1200

RGB 29 18 0

HSL 37.24, 1%, 0.06%

LAB 6.27, 2.6, 9.44

 

CMYK 0 / 100 / 100 / 95

HEX #0C0000

RGB 12 0 0

HSL 0, 1%, 0.02%

LAB 0.71, 3.17, 1.12

 

CMYK 0 / 10 / 49 / 69

HEX #504829

RGB 80 72 41

HSL 47.69, 0.32%, 0.24%

LAB 30.64, -1.67, 19.78

 

CMYK 0 / 23 / 49 / 69

HEX #503E29

RGB 80 62 41

HSL 32.31, 0.32%, 0.24%

LAB 27.6, 4.64, 15.89

 

CMYK 0 / 36 / 49 / 69

HEX #503329

RGB 80 51 41

HSL 15.38, 0.32%, 0.24%

LAB 24.43, 11.73, 11.69

 

CMYK 0 / 49 / 49 / 69

HEX #502929

RGB 80 41 41

HSL 0, 0.32%, 0.24%

LAB 21.77, 18.11, 8.07

 

CMYK 0 / 10 / 49 / 69

HEX #504829

RGB 80 72 41

HSL 47.69, 0.32%, 0.24%

LAB 30.64, -1.67, 19.78

 

CMYK 2 / 0 / 49 / 69

HEX #4E5029

RGB 78 80 41

HSL 63.08, 0.32%, 0.24%

LAB 32.96, -7.49, 22.62

 

CMYK 16 / 0 / 49 / 69

HEX #435029

RGB 67 80 41

HSL 80, 0.32%, 0.24%

LAB 32.01, -12.58, 21.24

 

CMYK 29 / 0 / 49 / 69

HEX #395029

RGB 57 80 41

HSL 95.38, 0.32%, 0.24%

LAB 31.27, -16.96, 20.15

 

CMYK 43 / 0 / 49 / 69

HEX #2E5029

RGB 46 80 41

HSL 112.31, 0.32%, 0.24%

LAB 30.59, -21.34, 19.15

 

CMYK 0 / 10 / 49 / 69

HEX #504829

RGB 80 72 41

HSL 47.69, 0.32%, 0.24%

LAB 30.64, -1.67, 19.78

 

CMYK 0 / 13 / 66 / 65

HEX #5A4E1F

RGB 90 78 31

HSL 47.8, 0.49%, 0.24%

LAB 33.4, -1.47, 29.03

 

CMYK 0 / 16 / 79 / 61

HEX #645415

RGB 100 84 21

HSL 47.85, 0.65%, 0.24%

LAB 36.18, -0.8, 37.07

 

CMYK 0 / 18 / 90 / 57

HEX #6E5A0B

RGB 110 90 11

HSL 47.88, 0.82%, 0.24%

LAB 38.99, 0.18, 43.5

 

CMYK 0 / 20 / 98 / 53

HEX #786002

RGB 120 96 2

HSL 47.8, 0.97%, 0.24%

LAB 41.79, 1.33, 48.55

 

CMYK 0 / 10 / 49 / 69

HEX #504829

RGB 80 72 41

HSL 47.69, 0.32%, 0.24%

LAB 30.64, -1.67, 19.78

 

CMYK 0 / 6 / 27 / 73

HEX #464233

RGB 70 66 51

HSL 47.37, 0.16%, 0.24%

LAB 27.95, -1.19, 9.76

 

CMYK 2 / 0 / 0 / 76

HEX #3C3D3D

RGB 60 61 61

HSL 180, 0.01%, 0.24%

LAB 25.67, -0.42, -0.15

 

CMYK 28 / 23 / 0 / 72

HEX #333747

RGB 51 55 71

HSL 228, 0.16%, 0.24%

LAB 23.31, 2.56, -10.43

 

CMYK 49 / 40 / 0 / 68

HEX #293151

RGB 41 49 81

HSL 228, 0.33%, 0.24%

LAB 21.06, 6.55, -20.66

 

CMYK 0 / 36 / 49 / 69

HEX #503329

RGB 80 51 41

HSL 15.38, 0.32%, 0.24%

LAB 24.43, 11.73, 11.69

 

CMYK 0 / 24 / 49 / 69

HEX #503D29

RGB 80 61 41

HSL 30.77, 0.32%, 0.24%

LAB 27.31, 5.28, 15.5

 

CMYK 0 / 10 / 49 / 69

HEX #504829

RGB 80 72 41

HSL 47.69, 0.32%, 0.24%

LAB 30.64, -1.67, 19.78

 

CMYK 2 / 0 / 49 / 69

HEX #4E5029

RGB 78 80 41

HSL 63.08, 0.32%, 0.24%

LAB 32.96, -7.49, 22.62

 

CMYK 15 / 0 / 49 / 69

HEX #445029

RGB 68 80 41

HSL 78.46, 0.32%, 0.24%

LAB 32.09, -12.13, 21.36

 

CMYK 0 / 12 / 50 / 90

HEX #1A170D

RGB 26 23 13

HSL 46.15, 0.33%, 0.08%

LAB 7.78, -0.56, 6.2

 

CMYK 0 / 9 / 49 / 79

HEX #35301B

RGB 53 48 27

HSL 48.46, 0.33%, 0.16%

LAB 19.84, -1.5, 14.25

 

CMYK 0 / 10 / 49 / 69

HEX #504829

RGB 80 72 41

HSL 47.69, 0.32%, 0.24%

LAB 30.64, -1.67, 19.78

 

CMYK 0 / 10 / 49 / 58

HEX #6C6137

RGB 108 97 55

HSL 47.55, 0.33%, 0.32%

LAB 41.24, -1.96, 25.45

 

CMYK 0 / 10 / 49 / 47

HEX #877945

RGB 135 121 69

HSL 47.27, 0.32%, 0.4%

LAB 50.98, -2.11, 30.34

 

CMYK 0 / 10 / 49 / 69

HEX #504829

RGB 80 72 41

HSL 47.69, 0.32%, 0.24%

LAB 30.64, -1.67, 19.78

 

CMYK 48 / 0 / 49 / 69

HEX #2A5029

RGB 42 80 41

HSL 118.46, 0.32%, 0.24%

LAB 30.37, -22.79, 18.83

 

CMYK 30 / 49 / 0 / 69

HEX #382950

RGB 56 41 80

HSL 263.08, 0.32%, 0.24%

LAB 20.07, 16.58, -21.46

 

CMYK 0 / 10 / 49 / 69

HEX #504829

RGB 80 72 41

HSL 47.69, 0.32%, 0.24%

LAB 30.64, -1.67, 19.78

 

CMYK 49 / 0 / 10 / 69

HEX #295048

RGB 41 80 72

HSL 167.69, 0.32%, 0.24%

LAB 31.06, -16.08, 0.42

 

CMYK 10 / 49 / 0 / 69

HEX #482950

RGB 72 41 80

HSL 287.69, 0.32%, 0.24%

LAB 22.1, 22.04, -18.13

 

CMYK 0 / 10 / 49 / 69

HEX #504829

RGB 80 72 41

HSL 47.69, 0.32%, 0.24%

LAB 30.64, -1.67, 19.78

 

CMYK 48 / 0 / 49 / 69

HEX #2A5029

RGB 42 80 41

HSL 118.46, 0.32%, 0.24%

LAB 30.37, -22.79, 18.83

 

CMYK 49 / 38 / 0 / 69

HEX #293250

RGB 41 50 80

HSL 226.15, 0.32%, 0.24%

LAB 21.33, 5.5, -19.58

 

CMYK 0 / 49 / 0 / 69

HEX #502950

RGB 80 41 80

HSL 300, 0.32%, 0.24%

LAB 23.24, 24.84, -16.27

 

CMYK 0 / 10 / 49 / 69

HEX #504829

RGB 80 72 41

HSL 47.69, 0.32%, 0.24%

LAB 30.64, -1.67, 19.78

 

CMYK 49 / 0 / 35 / 69

HEX #295034

RGB 41 80 52

HSL 136.92, 0.32%, 0.24%

LAB 30.54, -21.02, 12.32

 

CMYK 49 / 38 / 0 / 69

HEX #293250

RGB 41 50 80

HSL 226.15, 0.32%, 0.24%

LAB 21.33, 5.5, -19.58

 

CMYK 0 / 49 / 14 / 69

HEX #502945

RGB 80 41 69

HSL 316.92, 0.32%, 0.24%

LAB 22.73, 22.59, -9.66

 

Description

Color code: HEX #504829 | qconv.com Color code: HEX #504829 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 72 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 72 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 49 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 49% 69% C M Y K

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