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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #502FBB it is the complementary color #AFD044. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #502FBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #502FBB shade: #552FB6, #6641C9, #7753DC, #8865EF and #9977FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #502FBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #502FBB shade: #502FBB, #3F1DA8, #2E0B95, #1D0082 and #0C006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #502FBB shade: #502EBB, #762EBB, #9C2EBB, #BB2EB5 and #BB2E8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #502FBB shade: #502EBB and #2E2EBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #502FBB shade matches the following richer shades: #502EBB, #461BCE and #3C08E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #502FBB shade: #502EBB, #5A41A8, #645495, #6E6782 and #787A6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #502FBB shade: #2E59BB, #2E33BB, #4F2EBB, #752EBB and #9A2EBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #502FBB shade: #331E79, #42269A, #502EBB, #6443D0 and #7F64D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #502FBB shade: #502FBB, #BB2E7E and #46BB2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #502FBB shade: #502FBB, #BB4F2E and #2EBB4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #502FBB shade: #502FBB, #BB2E7E, #9ABB2E and #2EBB6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #502FBB shade: #502FBB, #BB2E54, #9ABB2E and #2EBB96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 75 / 0 / 27

HEX #502FBB

RGB 80 47 187

HSL 254.14, 0.6%, 0.46%

LAB 32.54, 50.33, -68.24

 

Complementary color

CMYK 16 / 0 / 67 / 18

HEX #AFD044

RGB 175 208 68

HSL 74.14, 0.6%, 0.54%

LAB 78.84, -30.13, 62.95

 

CMYK 53 / 74 / 0 / 29

HEX #552FB6

RGB 85 47 182

HSL 256.89, 0.59%, 0.45%

LAB 32.57, 49.61, -65.2

 

CMYK 49 / 68 / 0 / 21

HEX #6641C9

RGB 102 65 201

HSL 256.32, 0.56%, 0.52%

LAB 39.28, 48.39, -65.31

 

CMYK 46 / 62 / 0 / 14

HEX #7753DC

RGB 119 83 220

HSL 255.77, 0.66%, 0.59%

LAB 46.01, 47.07, -65.22

 

CMYK 43 / 58 / 0 / 6

HEX #8865EF

RGB 136 101 239

HSL 255.22, 0.81%, 0.67%

LAB 52.7, 45.77, -65.03

 

CMYK 40 / 53 / 0 / 0

HEX #9977FF

RGB 153 119 255

HSL 255, 1%, 0.73%

LAB 59.15, 43.74, -63.45

 

CMYK 57 / 75 / 0 / 27

HEX #502FBB

RGB 80 47 187

HSL 254.14, 0.6%, 0.46%

LAB 32.54, 50.33, -68.24

 

CMYK 63 / 83 / 0 / 34

HEX #3F1DA8

RGB 63 29 168

HSL 254.68, 0.71%, 0.39%

LAB 26.05, 51.27, -67.65

 

CMYK 69 / 93 / 0 / 42

HEX #2E0B95

RGB 46 11 149

HSL 255.22, 0.86%, 0.31%

LAB 20, 51.06, -66.1

 

CMYK 78 / 100 / 0 / 49

HEX #1D0082

RGB 29 0 130

HSL 253.38, 1%, 0.25%

LAB 14.81, 48.58, -62.88

 

CMYK 89 / 100 / 0 / 56

HEX #0C006F

RGB 12 0 111

HSL 246.49, 1%, 0.22%

LAB 10.75, 43.09, -57.44

 

CMYK 57 / 75 / 0 / 27

HEX #502EBB

RGB 80 46 187

HSL 254.47, 0.61%, 0.46%

LAB 32.36, 50.83, -68.53

 

CMYK 37 / 75 / 0 / 27

HEX #762EBB

RGB 118 46 187

HSL 270.64, 0.61%, 0.46%

LAB 36.73, 56.71, -61.2

 

CMYK 17 / 75 / 0 / 27

HEX #9C2EBB

RGB 156 46 187

HSL 286.81, 0.61%, 0.46%

LAB 42.17, 63.79, -52.13

 

CMYK 0 / 75 / 3 / 27

HEX #BB2EB5

RGB 187 46 181

HSL 302.55, 0.61%, 0.46%

LAB 46.78, 69.1, -40.95

 

CMYK 0 / 75 / 24 / 27

HEX #BB2E8F

RGB 187 46 143

HSL 318.72, 0.61%, 0.46%

LAB 44.94, 63.66, -21.18

 

CMYK 57 / 75 / 0 / 27

HEX #502EBB

RGB 80 46 187

HSL 254.47, 0.61%, 0.46%

LAB 32.36, 50.83, -68.53

 

CMYK 75 / 75 / 0 / 27

HEX #2E2EBB

RGB 46 46 187

HSL 240, 0.61%, 0.46%

LAB 29.72, 47.13, -72.98

 

CMYK 57 / 75 / 0 / 27

HEX #502EBB

RGB 80 46 187

HSL 254.47, 0.61%, 0.46%

LAB 32.36, 50.83, -68.53

 

CMYK 66 / 87 / 0 / 19

HEX #461BCE

RGB 70 27 206

HSL 254.41, 0.77%, 0.46%

LAB 30.74, 62.95, -82.39

 

CMYK 73 / 96 / 0 / 12

HEX #3C08E1

RGB 60 8 225

HSL 254.38, 0.93%, 0.46%

LAB 30.81, 71.65, -93.28

 

CMYK 57 / 75 / 0 / 27

HEX #502EBB

RGB 80 46 187

HSL 254.47, 0.61%, 0.46%

LAB 32.36, 50.83, -68.53

 

CMYK 46 / 61 / 0 / 34

HEX #5A41A8

RGB 90 65 168

HSL 254.56, 0.44%, 0.46%

LAB 35.56, 36.52, -51.97

 

CMYK 33 / 44 / 0 / 42

HEX #645495

RGB 100 84 149

HSL 254.77, 0.28%, 0.46%

LAB 39.95, 21.96, -33.49

 

CMYK 15 / 21 / 0 / 49

HEX #6E6782

RGB 110 103 130

HSL 255.56, 0.12%, 0.46%

LAB 45.12, 8.6, -13.97

 

CMYK 2 / 0 / 9 / 52

HEX #787A6F

RGB 120 122 111

HSL 70.91, 0.05%, 0.46%

LAB 50.76, -2.89, 5.76

 

CMYK 75 / 52 / 0 / 27

HEX #2E59BB

RGB 46 89 187

HSL 221.7, 0.61%, 0.46%

LAB 40.1, 20.13, -55.99

 

CMYK 75 / 73 / 0 / 27

HEX #2E33BB

RGB 46 51 187

HSL 237.87, 0.61%, 0.46%

LAB 30.73, 44.3, -71.31

 

CMYK 58 / 75 / 0 / 27

HEX #4F2EBB

RGB 79 46 187

HSL 254.04, 0.61%, 0.46%

LAB 32.27, 50.69, -68.69

 

CMYK 37 / 75 / 0 / 27

HEX #752EBB

RGB 117 46 187

HSL 270.21, 0.61%, 0.46%

LAB 36.6, 56.54, -61.42

 

CMYK 18 / 75 / 0 / 27

HEX #9A2EBB

RGB 154 46 187

HSL 285.96, 0.61%, 0.46%

LAB 41.86, 63.39, -52.64

 

CMYK 58 / 75 / 0 / 53

HEX #331E79

RGB 51 30 121

HSL 253.85, 0.6%, 0.3%

LAB 20.1, 35.21, -48.32

 

CMYK 57 / 75 / 0 / 40

HEX #42269A

RGB 66 38 154

HSL 254.48, 0.6%, 0.38%

LAB 26.38, 43.28, -58.57

 

CMYK 57 / 75 / 0 / 27

HEX #502EBB

RGB 80 46 187

HSL 254.47, 0.61%, 0.46%

LAB 32.36, 50.83, -68.53

 

CMYK 52 / 68 / 0 / 18

HEX #6443D0

RGB 100 67 208

HSL 254.04, 0.6%, 0.54%

LAB 40.04, 48.97, -68.13

 

CMYK 41 / 54 / 0 / 15

HEX #7F64D8

RGB 127 100 216

HSL 253.97, 0.6%, 0.62%

LAB 50.2, 38.01, -56.15

 

CMYK 57 / 75 / 0 / 27

HEX #502FBB

RGB 80 47 187

HSL 254.14, 0.6%, 0.46%

LAB 32.54, 50.33, -68.24

 

CMYK 0 / 75 / 33 / 27

HEX #BB2E7E

RGB 187 46 126

HSL 325.96, 0.61%, 0.46%

LAB 44.27, 61.59, -11.85

 

CMYK 63 / 0 / 75 / 27

HEX #46BB2E

RGB 70 187 46

HSL 109.79, 0.61%, 0.46%

LAB 67.31, -57.83, 57.69

 

CMYK 57 / 75 / 0 / 27

HEX #502FBB

RGB 80 47 187

HSL 254.14, 0.6%, 0.46%

LAB 32.54, 50.33, -68.24

 

CMYK 0 / 58 / 75 / 27

HEX #BB4F2E

RGB 187 79 46

HSL 14.04, 0.61%, 0.46%

LAB 47.44, 41.64, 40.29

 

CMYK 75 / 0 / 58 / 27

HEX #2EBB4F

RGB 46 187 79

HSL 134.04, 0.61%, 0.46%

LAB 67.04, -59.02, 43.67

 

CMYK 57 / 75 / 0 / 27

HEX #502FBB

RGB 80 47 187

HSL 254.14, 0.6%, 0.46%

LAB 32.54, 50.33, -68.24

 

CMYK 0 / 75 / 33 / 27

HEX #BB2E7E

RGB 187 46 126

HSL 325.96, 0.61%, 0.46%

LAB 44.27, 61.59, -11.85

 

CMYK 18 / 0 / 75 / 27

HEX #9ABB2E

RGB 154 187 46

HSL 74.04, 0.61%, 0.46%

LAB 71.29, -29.9, 62.91

 

CMYK 75 / 0 / 43 / 27

HEX #2EBB6B

RGB 46 187 107

HSL 145.96, 0.61%, 0.46%

LAB 67.41, -54.65, 30.22

 

CMYK 57 / 75 / 0 / 27

HEX #502FBB

RGB 80 47 187

HSL 254.14, 0.6%, 0.46%

LAB 32.54, 50.33, -68.24

 

CMYK 0 / 75 / 55 / 27

HEX #BB2E54

RGB 187 46 84

HSL 343.83, 0.61%, 0.46%

LAB 43, 57.58, 12.37

 

CMYK 18 / 0 / 75 / 27

HEX #9ABB2E

RGB 154 187 46

HSL 74.04, 0.61%, 0.46%

LAB 71.29, -29.9, 62.91

 

CMYK 75 / 0 / 20 / 27

HEX #2EBB96

RGB 46 187 150

HSL 164.26, 0.61%, 0.46%

LAB 68.26, -45.4, 8.31

 

Description

Color code: HEX #502FBB | qconv.com Color code: HEX #502FBB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 47 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 47 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 75 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 75% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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