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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53FD86 it is the complementary color #AC0279. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53FD86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53FD86 shade: #58FD81, #69FF94, #7AFFA7, #8BFFBA and #9CFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53FD86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53FD86 shade: #53FD86, #42EB73, #31D960, #20C74D and #0FB53A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53FD86 shade: #53FD86, #53FD58, #7CFD53, #A9FD53 and #D7FD53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53FD86 shade: #53FD86, #53FDB4, #53FDE1, #53EAFD and #53BCFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53FD86 shade matches the following richer shades: #53FD86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53FD86 shade: #53FD86, #61EF8B, #6FE191, #7DD397 and #8BC59C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53FD86 shade: #7AFD53, #53FD58, #53FD86, #53FDB3 and #53FDE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53FD86 shade: #02FB4D, #2AFC69, #53FD86, #7CFDA3 and #A5FEBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53FD86 shade: #53FD86, #53A8FD and #FD5364

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53FD86 shade: #53FD86, #8653FD and #FD8653

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53FD86 shade: #53FD86, #53A8FD, #FD53CA and #FDA853

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53FD86 shade: #53FD86, #5375FD, #FD53CA and #FDDB53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 47 / 1

HEX #53FD86

RGB 83 253 134

HSL 138, 0.98%, 0.66%

LAB 88.83, -68.04, 44.35

 

Complementary color

CMYK 0 / 99 / 30 / 33

HEX #AC0279

RGB 172 2 121

HSL 318, 0.98%, 0.34%

LAB 38.19, 66.21, -18.29

 

CMYK 65 / 0 / 49 / 1

HEX #58FD81

RGB 88 253 129

HSL 134.91, 0.98%, 0.67%

LAB 88.88, -67.9, 46.81

 

CMYK 59 / 0 / 42 / 0

HEX #69FF94

RGB 105 255 148

HSL 137.2, 1%, 0.71%

LAB 90.17, -62.42, 39.4

 

CMYK 52 / 0 / 35 / 0

HEX #7AFFA7

RGB 122 255 167

HSL 140.3, 1%, 0.74%

LAB 90.98, -55.47, 31.16

 

CMYK 45 / 0 / 27 / 0

HEX #8BFFBA

RGB 139 255 186

HSL 144.31, 1%, 0.77%

LAB 91.93, -47.89, 22.96

 

CMYK 39 / 0 / 20 / 0

HEX #9CFFCD

RGB 156 255 205

HSL 149.7, 1%, 0.81%

LAB 93.01, -39.8, 14.86

 

CMYK 67 / 0 / 47 / 1

HEX #53FD86

RGB 83 253 134

HSL 138, 0.98%, 0.66%

LAB 88.83, -68.04, 44.35

 

CMYK 72 / 0 / 51 / 8

HEX #42EB73

RGB 66 235 115

HSL 137.4, 0.81%, 0.59%

LAB 82.81, -67.37, 45.81

 

CMYK 77 / 0 / 56 / 15

HEX #31D960

RGB 49 217 96

HSL 136.79, 0.69%, 0.52%

LAB 76.75, -66.35, 47.29

 

CMYK 84 / 0 / 61 / 22

HEX #20C74D

RGB 32 199 77

HSL 136.17, 0.72%, 0.45%

LAB 70.66, -64.87, 48.73

 

CMYK 92 / 0 / 68 / 29

HEX #0FB53A

RGB 15 181 58

HSL 135.54, 0.85%, 0.38%

LAB 64.53, -62.74, 50.01

 

CMYK 67 / 0 / 47 / 1

HEX #53FD86

RGB 83 253 134

HSL 138, 0.98%, 0.66%

LAB 88.83, -68.04, 44.35

 

CMYK 67 / 0 / 65 / 1

HEX #53FD58

RGB 83 253 88

HSL 121.76, 0.98%, 0.66%

LAB 88.35, -73.68, 64.08

 

CMYK 51 / 0 / 67 / 1

HEX #7CFD53

RGB 124 253 83

HSL 105.53, 0.98%, 0.66%

LAB 89.47, -64.91, 67.55

 

CMYK 33 / 0 / 67 / 1

HEX #A9FD53

RGB 169 253 83

HSL 89.65, 0.98%, 0.66%

LAB 91.37, -51.15, 70.14

 

CMYK 15 / 0 / 67 / 1

HEX #D7FD53

RGB 215 253 83

HSL 73.41, 0.98%, 0.66%

LAB 94.02, -34.37, 73.7

 

CMYK 67 / 0 / 47 / 1

HEX #53FD86

RGB 83 253 134

HSL 138, 0.98%, 0.66%

LAB 88.83, -68.04, 44.35

 

CMYK 67 / 0 / 29 / 1

HEX #53FDB4

RGB 83 253 180

HSL 154.24, 0.98%, 0.66%

LAB 89.57, -59.86, 22.49

 

CMYK 67 / 0 / 11 / 1

HEX #53FDE1

RGB 83 253 225

HSL 170.12, 0.98%, 0.66%

LAB 90.56, -49.64, 0.71

 

CMYK 67 / 8 / 0 / 1

HEX #53EAFD

RGB 83 234 253

HSL 186.71, 0.98%, 0.66%

LAB 85.89, -33.65, -20.86

 

CMYK 67 / 26 / 0 / 1

HEX #53BCFD

RGB 83 188 253

HSL 202.94, 0.98%, 0.66%

LAB 72.82, -10.43, -40.95

 

CMYK 67 / 0 / 47 / 1

HEX #53FD86

RGB 83 253 134

HSL 138, 0.98%, 0.66%

LAB 88.83, -68.04, 44.35

 

CMYK 67 / 0 / 47 / 1

HEX #53FD86

RGB 83 253 134

HSL 138, 0.98%, 0.66%

LAB 88.83, -68.04, 44.35

 

CMYK 59 / 0 / 42 / 6

HEX #61EF8B

RGB 97 239 139

HSL 137.75, 0.82%, 0.66%

LAB 85.07, -59.52, 37.17

 

CMYK 51 / 0 / 36 / 12

HEX #6FE191

RGB 111 225 145

HSL 137.89, 0.66%, 0.66%

LAB 81.44, -49.77, 29.46

 

CMYK 41 / 0 / 28 / 17

HEX #7DD397

RGB 125 211 151

HSL 138.14, 0.49%, 0.66%

LAB 77.98, -38.91, 21.75

 

CMYK 29 / 0 / 21 / 23

HEX #8BC59C

RGB 139 197 156

HSL 137.59, 0.33%, 0.66%

LAB 74.71, -27.19, 14.66

 

CMYK 52 / 0 / 67 / 1

HEX #7AFD53

RGB 122 253 83

HSL 106.24, 0.98%, 0.66%

LAB 89.4, -65.44, 67.46

 

CMYK 67 / 0 / 65 / 1

HEX #53FD58

RGB 83 253 88

HSL 121.76, 0.98%, 0.66%

LAB 88.35, -73.68, 64.08

 

CMYK 67 / 0 / 47 / 1

HEX #53FD86

RGB 83 253 134

HSL 138, 0.98%, 0.66%

LAB 88.83, -68.04, 44.35

 

CMYK 67 / 0 / 29 / 1

HEX #53FDB3

RGB 83 253 179

HSL 153.88, 0.98%, 0.66%

LAB 89.55, -60.07, 22.98

 

CMYK 67 / 0 / 11 / 1

HEX #53FDE0

RGB 83 253 224

HSL 169.76, 0.98%, 0.66%

LAB 90.54, -49.89, 1.19

 

CMYK 99 / 0 / 69 / 2

HEX #02FB4D

RGB 2 251 77

HSL 138.07, 0.98%, 0.5%

LAB 86.77, -81.68, 66.31

 

CMYK 83 / 0 / 58 / 1

HEX #2AFC69

RGB 42 252 105

HSL 138, 0.97%, 0.58%

LAB 87.55, -76.98, 55.94

 

CMYK 67 / 0 / 47 / 1

HEX #53FD86

RGB 83 253 134

HSL 138, 0.98%, 0.66%

LAB 88.83, -68.04, 44.35

 

CMYK 51 / 0 / 36 / 1

HEX #7CFDA3

RGB 124 253 163

HSL 138.14, 0.97%, 0.74%

LAB 90.4, -54.88, 32.4

 

CMYK 35 / 0 / 25 / 0

HEX #A5FEBF

RGB 165 254 191

HSL 137.53, 0.98%, 0.82%

LAB 92.86, -39.44, 21.86

 

CMYK 67 / 0 / 47 / 1

HEX #53FD86

RGB 83 253 134

HSL 138, 0.98%, 0.66%

LAB 88.83, -68.04, 44.35

 

CMYK 67 / 34 / 0 / 1

HEX #53A8FD

RGB 83 168 253

HSL 210, 0.98%, 0.66%

LAB 67.23, 0.66, -49.73

 

CMYK 0 / 67 / 60 / 1

HEX #FD5364

RGB 253 83 100

HSL 354, 0.98%, 0.66%

LAB 59.88, 65.22, 27.44

 

CMYK 67 / 0 / 47 / 1

HEX #53FD86

RGB 83 253 134

HSL 138, 0.98%, 0.66%

LAB 88.83, -68.04, 44.35

 

CMYK 47 / 67 / 0 / 1

HEX #8653FD

RGB 134 83 253

HSL 258, 0.98%, 0.66%

LAB 49.91, 58.78, -77.37

 

CMYK 0 / 47 / 67 / 1

HEX #FD8653

RGB 253 134 83

HSL 18, 0.98%, 0.66%

LAB 68.43, 41.3, 47.19

 

CMYK 67 / 0 / 47 / 1

HEX #53FD86

RGB 83 253 134

HSL 138, 0.98%, 0.66%

LAB 88.83, -68.04, 44.35

 

CMYK 67 / 34 / 0 / 1

HEX #53A8FD

RGB 83 168 253

HSL 210, 0.98%, 0.66%

LAB 67.23, 0.66, -49.73

 

CMYK 0 / 67 / 20 / 1

HEX #FD53CA

RGB 253 83 202

HSL 318, 0.98%, 0.66%

LAB 62.79, 75.18, -27.27

 

CMYK 0 / 34 / 67 / 1

HEX #FDA853

RGB 253 168 83

HSL 30, 0.98%, 0.66%

LAB 75.77, 23.79, 55.42

 

CMYK 67 / 0 / 47 / 1

HEX #53FD86

RGB 83 253 134

HSL 138, 0.98%, 0.66%

LAB 88.83, -68.04, 44.35

 

CMYK 67 / 54 / 0 / 1

HEX #5375FD

RGB 83 117 253

HSL 228, 0.98%, 0.66%

LAB 53.66, 31.09, -71.45

 

CMYK 0 / 67 / 20 / 1

HEX #FD53CA

RGB 253 83 202

HSL 318, 0.98%, 0.66%

LAB 62.79, 75.18, -27.27

 

CMYK 0 / 13 / 67 / 1

HEX #FDDB53

RGB 253 219 83

HSL 48, 0.98%, 0.66%

LAB 88.05, -2.62, 68.5

 

Description

Color code: HEX #53FD86 | qconv.com Color code: HEX #53FD86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 253 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 253 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 47 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 47% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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