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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53F760 it is the complementary color #AC089F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53F760. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53F760 shade: #58F75B, #69FF6E, #7AFF81, #8BFF94 and #9CFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53F760. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53F760 shade: #53F760, #42E54D, #31D33A, #20C127 and #0FAF14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53F760 shade: #54F661, #73F654, #9FF654, #CBF654 and #F6F654

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53F760 shade: #54F661, #54F68D, #54F6B9, #54F6E4 and #54DDF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53F760 shade matches the following richer shades: #54F661

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53F760 shade: #54F661, #62E86D, #71DA79, #7FCB85 and #8EBD92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53F760 shade: #A0F654, #75F654, #54F65F, #54F68A and #54F6B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53F760 shade: #0BED1D, #2DF53C, #54F661, #7BF885 and #A3FAAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53F760 shade: #53F760, #54CBF6 and #F6548A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53F760 shade: #53F760, #5F54F6 and #F65F54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53F760 shade: #53F760, #54CBF6, #F654EC and #F67F54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53F760 shade: #53F760, #549AF6, #F654EC and #F6B054

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 61 / 3

HEX #53F760

RGB 83 247 96

HSL 124.76, 0.91%, 0.65%

LAB 86.61, -70.91, 58.89

 

Complementary color

CMYK 0 / 95 / 8 / 33

HEX #AC089F

RGB 172 8 159

HSL 304.76, 0.91%, 0.35%

LAB 40.32, 70.41, -38.28

 

CMYK 64 / 0 / 63 / 3

HEX #58F75B

RGB 88 247 91

HSL 121.13, 0.91%, 0.66%

LAB 86.68, -70.48, 61.08

 

CMYK 59 / 0 / 57 / 0

HEX #69FF6E

RGB 105 255 110

HSL 122, 1%, 0.71%

LAB 89.7, -67.63, 56.56

 

CMYK 52 / 0 / 49 / 0

HEX #7AFF81

RGB 122 255 129

HSL 123.16, 1%, 0.74%

LAB 90.43, -61.29, 48.94

 

CMYK 45 / 0 / 42 / 0

HEX #8BFF94

RGB 139 255 148

HSL 124.66, 1%, 0.77%

LAB 91.3, -54.21, 41.09

 

CMYK 39 / 0 / 35 / 0

HEX #9CFFA7

RGB 156 255 167

HSL 126.67, 1%, 0.81%

LAB 92.3, -46.53, 33.16

 

CMYK 66 / 0 / 61 / 3

HEX #53F760

RGB 83 247 96

HSL 124.76, 0.91%, 0.65%

LAB 86.61, -70.91, 58.89

 

CMYK 71 / 0 / 66 / 10

HEX #42E54D

RGB 66 229 77

HSL 124.05, 0.76%, 0.58%

LAB 80.59, -69.94, 59.91

 

CMYK 77 / 0 / 73 / 17

HEX #31D33A

RGB 49 211 58

HSL 123.33, 0.65%, 0.51%

LAB 74.54, -68.51, 60.62

 

CMYK 83 / 0 / 80 / 24

HEX #20C127

RGB 32 193 39

HSL 122.61, 0.72%, 0.44%

LAB 68.46, -66.48, 60.77

 

CMYK 91 / 0 / 89 / 31

HEX #0FAF14

RGB 15 175 20

HSL 121.88, 0.84%, 0.37%

LAB 62.35, -63.64, 59.9

 

CMYK 66 / 0 / 61 / 4

HEX #54F661

RGB 84 246 97

HSL 124.81, 0.9%, 0.65%

LAB 86.34, -70.29, 58.17

 

CMYK 53 / 0 / 66 / 4

HEX #73F654

RGB 115 246 84

HSL 108.52, 0.9%, 0.65%

LAB 87.09, -64.66, 64.55

 

CMYK 35 / 0 / 66 / 4

HEX #9FF654

RGB 159 246 84

HSL 92.22, 0.9%, 0.65%

LAB 88.89, -51.57, 66.99

 

CMYK 17 / 0 / 66 / 4

HEX #CBF654

RGB 203 246 84

HSL 75.93, 0.9%, 0.65%

LAB 91.35, -35.73, 70.33

 

CMYK 0 / 0 / 66 / 4

HEX #F6F654

RGB 246 246 84

HSL 60, 0.9%, 0.65%

LAB 94.37, -18.77, 74.4

 

CMYK 66 / 0 / 61 / 4

HEX #54F661

RGB 84 246 97

HSL 124.81, 0.9%, 0.65%

LAB 86.34, -70.29, 58.17

 

CMYK 66 / 0 / 43 / 4

HEX #54F68D

RGB 84 246 141

HSL 141.11, 0.9%, 0.65%

LAB 86.86, -64.28, 38.44

 

CMYK 66 / 0 / 25 / 4

HEX #54F6B9

RGB 84 246 185

HSL 157.41, 0.9%, 0.65%

LAB 87.63, -55.92, 17.23

 

CMYK 66 / 0 / 7 / 4

HEX #54F6E4

RGB 84 246 228

HSL 173.33, 0.9%, 0.65%

LAB 88.64, -45.75, -3.67

 

CMYK 66 / 10 / 0 / 4

HEX #54DDF6

RGB 84 221 246

HSL 189.26, 0.9%, 0.65%

LAB 81.97, -29.32, -23.11

 

CMYK 66 / 0 / 61 / 4

HEX #54F661

RGB 84 246 97

HSL 124.81, 0.9%, 0.65%

LAB 86.34, -70.29, 58.17

 

CMYK 66 / 0 / 61 / 4

HEX #54F661

RGB 84 246 97

HSL 124.81, 0.9%, 0.65%

LAB 86.34, -70.29, 58.17

 

CMYK 58 / 0 / 53 / 9

HEX #62E86D

RGB 98 232 109

HSL 124.93, 0.74%, 0.65%

LAB 82.6, -61.06, 48.54

 

CMYK 48 / 0 / 44 / 15

HEX #71DA79

RGB 113 218 121

HSL 124.57, 0.59%, 0.65%

LAB 79.06, -50.23, 38.48

 

CMYK 37 / 0 / 34 / 20

HEX #7FCB85

RGB 127 203 133

HSL 124.74, 0.42%, 0.65%

LAB 75.4, -37.84, 27.7

 

CMYK 25 / 0 / 23 / 26

HEX #8EBD92

RGB 142 189 146

HSL 125.11, 0.26%, 0.65%

LAB 72.38, -24.12, 16.81

 

CMYK 35 / 0 / 66 / 4

HEX #A0F654

RGB 160 246 84

HSL 91.85, 0.9%, 0.65%

LAB 88.93, -51.24, 67.06

 

CMYK 52 / 0 / 66 / 4

HEX #75F654

RGB 117 246 84

HSL 107.78, 0.9%, 0.65%

LAB 87.16, -64.14, 64.64

 

CMYK 66 / 0 / 61 / 4

HEX #54F65F

RGB 84 246 95

HSL 124.07, 0.9%, 0.65%

LAB 86.32, -70.5, 58.99

 

CMYK 66 / 0 / 44 / 4

HEX #54F68A

RGB 84 246 138

HSL 140, 0.9%, 0.65%

LAB 86.82, -64.77, 39.86

 

CMYK 66 / 0 / 26 / 4

HEX #54F6B5

RGB 84 246 181

HSL 155.93, 0.9%, 0.65%

LAB 87.55, -56.77, 19.18

 

CMYK 95 / 0 / 88 / 7

HEX #0BED1D

RGB 11 237 29

HSL 124.78, 0.91%, 0.49%

LAB 82.23, -80.56, 75.46

 

CMYK 82 / 0 / 76 / 4

HEX #2DF53C

RGB 45 245 60

HSL 124.5, 0.91%, 0.57%

LAB 85.09, -78.9, 70.48

 

CMYK 66 / 0 / 61 / 4

HEX #54F661

RGB 84 246 97

HSL 124.81, 0.9%, 0.65%

LAB 86.34, -70.29, 58.17

 

CMYK 50 / 0 / 46 / 3

HEX #7BF885

RGB 123 248 133

HSL 124.8, 0.9%, 0.73%

LAB 88.47, -57.81, 44.61

 

CMYK 35 / 0 / 32 / 2

HEX #A3FAAA

RGB 163 250 170

HSL 124.83, 0.9%, 0.81%

LAB 91.26, -41.81, 30.31

 

CMYK 66 / 0 / 61 / 3

HEX #53F760

RGB 83 247 96

HSL 124.76, 0.91%, 0.65%

LAB 86.61, -70.91, 58.89

 

CMYK 66 / 17 / 0 / 4

HEX #54CBF6

RGB 84 203 246

HSL 195.93, 0.9%, 0.65%

LAB 76.83, -20.36, -30.98

 

CMYK 0 / 66 / 44 / 4

HEX #F6548A

RGB 246 84 138

HSL 340, 0.9%, 0.65%

LAB 59.68, 65.69, 4.84

 

CMYK 66 / 0 / 61 / 3

HEX #53F760

RGB 83 247 96

HSL 124.76, 0.91%, 0.65%

LAB 86.61, -70.91, 58.89

 

CMYK 61 / 66 / 0 / 4

HEX #5F54F6

RGB 95 84 246

HSL 244.07, 0.9%, 0.65%

LAB 46.21, 50.15, -79.65

 

CMYK 0 / 61 / 66 / 4

HEX #F65F54

RGB 246 95 84

HSL 4.07, 0.9%, 0.65%

LAB 60.26, 57.18, 36.76

 

CMYK 66 / 0 / 61 / 3

HEX #53F760

RGB 83 247 96

HSL 124.76, 0.91%, 0.65%

LAB 86.61, -70.91, 58.89

 

CMYK 66 / 17 / 0 / 4

HEX #54CBF6

RGB 84 203 246

HSL 195.93, 0.9%, 0.65%

LAB 76.83, -20.36, -30.98

 

CMYK 0 / 66 / 4 / 4

HEX #F654EC

RGB 246 84 236

HSL 303.7, 0.9%, 0.65%

LAB 63.33, 78, -45.59

 

CMYK 0 / 48 / 66 / 4

HEX #F67F54

RGB 246 127 84

HSL 15.93, 0.9%, 0.65%

LAB 66.07, 42.19, 43.69

 

CMYK 66 / 0 / 61 / 3

HEX #53F760

RGB 83 247 96

HSL 124.76, 0.91%, 0.65%

LAB 86.61, -70.91, 58.89

 

CMYK 66 / 37 / 0 / 4

HEX #549AF6

RGB 84 154 246

HSL 214.07, 0.9%, 0.65%

LAB 63.05, 6.53, -52.52

 

CMYK 0 / 66 / 4 / 4

HEX #F654EC

RGB 246 84 236

HSL 303.7, 0.9%, 0.65%

LAB 63.33, 78, -45.59

 

CMYK 0 / 28 / 66 / 4

HEX #F6B054

RGB 246 176 84

HSL 34.07, 0.9%, 0.65%

LAB 76.85, 16.77, 55.93

 

Description

Color code: HEX #53F760 | qconv.com Color code: HEX #53F760 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 247 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 247 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 61 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 61% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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