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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53E71C it is the complementary color #AC18E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53E71C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53E71C shade: #58E717, #69F92A, #7AFF3D, #8BFF50 and #9CFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53E71C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53E71C shade: #53E71C, #42D509, #31C300, #20B100 and #0F9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53E71C shade: #53E71C, #8AE71C, #C0E71C, #E7D71C and #E7A01C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53E71C shade: #53E71C, #1DE71C, #1CE753, #1CE789 and #1CE7C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53E71C shade matches the following richer shades: #53E71C and #4AFB08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53E71C shade: #53E71C, #5CD331, #66BE45, #6FAA59 and #78966D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53E71C shade: #C2E71C, #8CE71C, #56E71C, #20E71C and #1CE74F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53E71C shade: #37A010, #44C614, #53E71C, #6FEB42 and #8CEF67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53E71C shade: #53E71C, #1CE7D6 and #E71CA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53E71C shade: #53E71C, #1C56E7 and #E71C56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53E71C shade: #53E71C, #1CE7D6, #AD1CE7 and #E71C2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53E71C shade: #53E71C, #1CBBE7, #AD1CE7 and #E7481C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 88 / 9

HEX #53E71C

RGB 83 231 28

HSL 103.74, 0.81%, 0.51%

LAB 81.33, -70.43, 75.25

 

Complementary color

CMYK 24 / 89 / 0 / 11

HEX #AC18E3

RGB 172 24 227

HSL 283.74, 0.81%, 0.49%

LAB 45.59, 79.44, -69.58

 

CMYK 62 / 0 / 90 / 9

HEX #58E717

RGB 88 231 23

HSL 101.25, 0.82%, 0.5%

LAB 81.45, -69.49, 76.22

 

CMYK 58 / 0 / 83 / 2

HEX #69F92A

RGB 105 249 42

HSL 101.74, 0.95%, 0.57%

LAB 87.45, -70.83, 77.98

 

CMYK 52 / 0 / 76 / 0

HEX #7AFF3D

RGB 122 255 61

HSL 101.13, 1%, 0.62%

LAB 89.86, -67.66, 75.39

 

CMYK 45 / 0 / 69 / 0

HEX #8BFF50

RGB 139 255 80

HSL 99.77, 1%, 0.66%

LAB 90.59, -61.67, 70.01

 

CMYK 39 / 0 / 61 / 0

HEX #9CFF63

RGB 156 255 99

HSL 98.08, 1%, 0.69%

LAB 91.45, -54.96, 63.75

 

CMYK 64 / 0 / 88 / 9

HEX #53E71C

RGB 83 231 28

HSL 103.74, 0.81%, 0.51%

LAB 81.33, -70.43, 75.25

 

CMYK 69 / 0 / 96 / 16

HEX #42D509

RGB 66 213 9

HSL 103.24, 0.92%, 0.44%

LAB 75.31, -68.61, 72.64

 

CMYK 75 / 0 / 100 / 24

HEX #31C300

RGB 49 195 0

HSL 104.92, 1%, 0.38%

LAB 69.24, -66.21, 68.55

 

CMYK 82 / 0 / 100 / 31

HEX #20B100

RGB 32 177 0

HSL 109.15, 1%, 0.35%

LAB 63.14, -63.21, 63.56

 

CMYK 91 / 0 / 100 / 38

HEX #0F9F00

RGB 15 159 0

HSL 114.34, 1%, 0.31%

LAB 56.98, -59.64, 58.56

 

CMYK 64 / 0 / 88 / 9

HEX #53E71C

RGB 83 231 28

HSL 103.74, 0.81%, 0.51%

LAB 81.33, -70.43, 75.25

 

CMYK 40 / 0 / 88 / 9

HEX #8AE71C

RGB 138 231 28

HSL 87.49, 0.81%, 0.51%

LAB 83.25, -55.42, 77.64

 

CMYK 17 / 0 / 88 / 9

HEX #C0E71C

RGB 192 231 28

HSL 71.53, 0.81%, 0.51%

LAB 86.23, -35.6, 81.32

 

CMYK 0 / 7 / 88 / 9

HEX #E7D71C

RGB 231 215 28

HSL 55.27, 0.81%, 0.51%

LAB 84.83, -11.82, 81.42

 

CMYK 0 / 31 / 88 / 9

HEX #E7A01C

RGB 231 160 28

HSL 39.01, 0.81%, 0.51%

LAB 71.02, 16.73, 70.54

 

CMYK 64 / 0 / 88 / 9

HEX #53E71C

RGB 83 231 28

HSL 103.74, 0.81%, 0.51%

LAB 81.33, -70.43, 75.25

 

CMYK 87 / 0 / 88 / 9

HEX #1DE71C

RGB 29 231 28

HSL 119.7, 0.81%, 0.51%

LAB 80.46, -78.03, 74.15

 

CMYK 88 / 0 / 64 / 9

HEX #1CE753

RGB 28 231 83

HSL 136.26, 0.81%, 0.51%

LAB 80.75, -74.29, 57.52

 

CMYK 88 / 0 / 41 / 9

HEX #1CE789

RGB 28 231 137

HSL 152.22, 0.81%, 0.51%

LAB 81.4, -66.41, 33.16

 

CMYK 88 / 0 / 17 / 9

HEX #1CE7C0

RGB 28 231 192

HSL 168.47, 0.81%, 0.51%

LAB 82.49, -54.35, 6.16

 

CMYK 64 / 0 / 88 / 9

HEX #53E71C

RGB 83 231 28

HSL 103.74, 0.81%, 0.51%

LAB 81.33, -70.43, 75.25

 

CMYK 71 / 0 / 97 / 2

HEX #4AFB08

RGB 74 251 8

HSL 103.7, 0.97%, 0.51%

LAB 87.23, -78.66, 82.46

 

CMYK 64 / 0 / 88 / 9

HEX #53E71C

RGB 83 231 28

HSL 103.74, 0.81%, 0.51%

LAB 81.33, -70.43, 75.25

 

CMYK 56 / 0 / 77 / 17

HEX #5CD331

RGB 92 211 49

HSL 104.07, 0.65%, 0.51%

LAB 75.5, -60.69, 64.93

 

CMYK 46 / 0 / 64 / 25

HEX #66BE45

RGB 102 190 69

HSL 103.64, 0.48%, 0.51%

LAB 69.53, -48.43, 51.44

 

CMYK 35 / 0 / 48 / 33

HEX #6FAA59

RGB 111 170 89

HSL 103.7, 0.32%, 0.51%

LAB 64.04, -34.63, 35.65

 

CMYK 20 / 0 / 27 / 41

HEX #78966D

RGB 120 150 109

HSL 103.9, 0.16%, 0.51%

LAB 58.89, -18.57, 18.28

 

CMYK 16 / 0 / 88 / 9

HEX #C2E71C

RGB 194 231 28

HSL 70.94, 0.81%, 0.51%

LAB 86.36, -34.81, 81.48

 

CMYK 39 / 0 / 88 / 9

HEX #8CE71C

RGB 140 231 28

HSL 86.9, 0.81%, 0.51%

LAB 83.34, -54.76, 77.75

 

CMYK 63 / 0 / 88 / 9

HEX #56E71C

RGB 86 231 28

HSL 102.86, 0.81%, 0.51%

LAB 81.41, -69.79, 75.34

 

CMYK 86 / 0 / 88 / 9

HEX #20E71C

RGB 32 231 28

HSL 118.82, 0.81%, 0.51%

LAB 80.48, -77.8, 74.18

 

CMYK 88 / 0 / 66 / 9

HEX #1CE74F

RGB 28 231 79

HSL 135.07, 0.81%, 0.51%

LAB 80.72, -74.7, 59.1

 

CMYK 66 / 0 / 90 / 37

HEX #37A010

RGB 55 160 16

HSL 103.75, 0.82%, 0.35%

LAB 58.03, -53.53, 57.2

 

CMYK 66 / 0 / 90 / 22

HEX #44C614

RGB 68 198 20

HSL 103.82, 0.82%, 0.43%

LAB 70.64, -63.22, 67.37

 

CMYK 64 / 0 / 88 / 9

HEX #53E71C

RGB 83 231 28

HSL 103.74, 0.81%, 0.51%

LAB 81.33, -70.43, 75.25

 

CMYK 53 / 0 / 72 / 8

HEX #6FEB42

RGB 111 235 66

HSL 104.02, 0.81%, 0.59%

LAB 83.54, -63.17, 67.45

 

CMYK 41 / 0 / 57 / 6

HEX #8CEF67

RGB 140 239 103

HSL 103.68, 0.81%, 0.67%

LAB 86.15, -53.13, 55.84

 

CMYK 64 / 0 / 88 / 9

HEX #53E71C

RGB 83 231 28

HSL 103.74, 0.81%, 0.51%

LAB 81.33, -70.43, 75.25

 

CMYK 88 / 0 / 7 / 9

HEX #1CE7D6

RGB 28 231 214

HSL 174.98, 0.81%, 0.51%

LAB 83.05, -48.55, -4.64

 

CMYK 0 / 88 / 28 / 9

HEX #E71CA7

RGB 231 28 167

HSL 318.92, 0.81%, 0.51%

LAB 52.52, 80.43, -23.18

 

CMYK 64 / 0 / 88 / 9

HEX #53E71C

RGB 83 231 28

HSL 103.74, 0.81%, 0.51%

LAB 81.33, -70.43, 75.25

 

CMYK 88 / 63 / 0 / 9

HEX #1C56E7

RGB 28 86 231

HSL 222.86, 0.81%, 0.51%

LAB 42.26, 37.21, -77.8

 

CMYK 0 / 88 / 63 / 9

HEX #E71C56

RGB 231 28 86

HSL 342.86, 0.81%, 0.51%

LAB 50.09, 73.7, 22.15

 

CMYK 64 / 0 / 88 / 9

HEX #53E71C

RGB 83 231 28

HSL 103.74, 0.81%, 0.51%

LAB 81.33, -70.43, 75.25

 

CMYK 88 / 0 / 7 / 9

HEX #1CE7D6

RGB 28 231 214

HSL 174.98, 0.81%, 0.51%

LAB 83.05, -48.55, -4.64

 

CMYK 25 / 88 / 0 / 9

HEX #AD1CE7

RGB 173 28 231

HSL 282.86, 0.81%, 0.51%

LAB 46.29, 79.61, -70.71

 

CMYK 0 / 88 / 81 / 9

HEX #E71C2D

RGB 231 28 45

HSL 354.98, 0.81%, 0.51%

LAB 49.51, 72.03, 45.5

 

CMYK 64 / 0 / 88 / 9

HEX #53E71C

RGB 83 231 28

HSL 103.74, 0.81%, 0.51%

LAB 81.33, -70.43, 75.25

 

CMYK 88 / 19 / 0 / 9

HEX #1CBBE7

RGB 28 187 231

HSL 193, 0.81%, 0.51%

LAB 70.56, -22.87, -32.64

 

CMYK 25 / 88 / 0 / 9

HEX #AD1CE7

RGB 173 28 231

HSL 282.86, 0.81%, 0.51%

LAB 46.29, 79.61, -70.71

 

CMYK 0 / 69 / 88 / 9

HEX #E7481C

RGB 231 72 28

HSL 13, 0.81%, 0.51%

LAB 53.72, 59.52, 57.1

 

Description

Color code: HEX #53E71C | qconv.com Color code: HEX #53E71C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 231 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 231 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 88 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 88% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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