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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53CD9A it is the complementary color #AC3265. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53CD9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53CD9A shade: #58CD95, #69DFA8, #7AF1BB, #8BFFCE and #9CFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53CD9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53CD9A shade: #53CD9A, #42BB87, #31A974, #209761 and #0F854E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53CD9A shade: #51CC98, #51CC77, #51CC56, #6DCC51 and #8ECC51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53CD9A shade: #51CC98, #51CCBA, #51BDCC, #519CCC and #517ACC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53CD9A shade matches the following richer shades: #51CC98, #3EDE9B and #2CF09E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53CD9A shade: #51CC98, #63BA95, #75A892, #87968F and #99838D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53CD9A shade: #51CC55, #51CC76, #51CC97, #51CCB7 and #51C0CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53CD9A shade: #2D9D6E, #36BD85, #51CC98, #71D5AB and #91DFBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53CD9A shade: #53CD9A, #516DCC and #CC6551

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53CD9A shade: #53CD9A, #9751CC and #CC9751

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53CD9A shade: #53CD9A, #516DCC, #CC5186 and #CCAF51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53CD9A shade: #53CD9A, #5951CC, #CC5186 and #C4CC51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 25 / 20

HEX #53CD9A

RGB 83 205 154

HSL 154.92, 0.55%, 0.56%

LAB 74.72, -46.01, 15.41

 

Complementary color

CMYK 0 / 71 / 41 / 33

HEX #AC3265

RGB 172 50 101

HSL 334.92, 0.55%, 0.44%

LAB 41.2, 53.3, -1.22

 

CMYK 57 / 0 / 27 / 20

HEX #58CD95

RGB 88 205 149

HSL 151.28, 0.54%, 0.57%

LAB 74.77, -46.03, 18.16

 

CMYK 53 / 0 / 25 / 13

HEX #69DFA8

RGB 105 223 168

HSL 152.03, 0.65%, 0.64%

LAB 81.07, -45.99, 16.99

 

CMYK 49 / 0 / 22 / 5

HEX #7AF1BB

RGB 122 241 187

HSL 152.77, 0.81%, 0.71%

LAB 87.31, -45.88, 15.9

 

CMYK 45 / 0 / 19 / 0

HEX #8BFFCE

RGB 139 255 206

HSL 154.66, 1%, 0.77%

LAB 92.34, -43.98, 13.29

 

CMYK 39 / 0 / 12 / 0

HEX #9CFFE1

RGB 156 255 225

HSL 161.82, 1%, 0.81%

LAB 93.46, -35.72, 5.2

 

CMYK 60 / 0 / 25 / 20

HEX #53CD9A

RGB 83 205 154

HSL 154.92, 0.55%, 0.56%

LAB 74.72, -46.01, 15.41

 

CMYK 65 / 0 / 28 / 27

HEX #42BB87

RGB 66 187 135

HSL 154.21, 0.48%, 0.5%

LAB 68.35, -45.84, 16.67

 

CMYK 71 / 0 / 31 / 34

HEX #31A974

RGB 49 169 116

HSL 153.5, 0.55%, 0.43%

LAB 61.9, -45.47, 18.05

 

CMYK 79 / 0 / 36 / 41

HEX #209761

RGB 32 151 97

HSL 152.77, 0.65%, 0.36%

LAB 55.38, -44.77, 19.6

 

CMYK 89 / 0 / 41 / 48

HEX #0F854E

RGB 15 133 78

HSL 152.03, 0.8%, 0.29%

LAB 48.79, -43.56, 21.34

 

CMYK 60 / 0 / 25 / 20

HEX #51CC98

RGB 81 204 152

HSL 154.63, 0.55%, 0.56%

LAB 74.32, -46.42, 15.9

 

CMYK 60 / 0 / 42 / 20

HEX #51CC77

RGB 81 204 119

HSL 138.54, 0.55%, 0.56%

LAB 73.72, -52.78, 32.4

 

CMYK 60 / 0 / 58 / 20

HEX #51CC56

RGB 81 204 86

HSL 122.44, 0.55%, 0.56%

LAB 73.29, -57.55, 47.97

 

CMYK 47 / 0 / 60 / 20

HEX #6DCC51

RGB 109 204 81

HSL 106.34, 0.55%, 0.56%

LAB 74.21, -50.75, 51.52

 

CMYK 30 / 0 / 60 / 20

HEX #8ECC51

RGB 142 204 81

HSL 90.24, 0.55%, 0.56%

LAB 75.78, -39.86, 53.72

 

CMYK 60 / 0 / 25 / 20

HEX #51CC98

RGB 81 204 152

HSL 154.63, 0.55%, 0.56%

LAB 74.32, -46.42, 15.9

 

CMYK 60 / 0 / 9 / 20

HEX #51CCBA

RGB 81 204 186

HSL 171.22, 0.55%, 0.56%

LAB 75.13, -38.38, -1.22

 

CMYK 60 / 7 / 0 / 20

HEX #51BDCC

RGB 81 189 204

HSL 187.32, 0.55%, 0.56%

LAB 71.22, -26.33, -16.83

 

CMYK 60 / 24 / 0 / 20

HEX #519CCC

RGB 81 156 204

HSL 203.41, 0.55%, 0.56%

LAB 61.56, -8.97, -31.62

 

CMYK 60 / 40 / 0 / 20

HEX #517ACC

RGB 81 122 204

HSL 220, 0.55%, 0.56%

LAB 51.87, 10.94, -46.84

 

CMYK 60 / 0 / 25 / 20

HEX #51CC98

RGB 81 204 152

HSL 154.63, 0.55%, 0.56%

LAB 74.32, -46.42, 15.9

 

CMYK 72 / 0 / 30 / 13

HEX #3EDE9B

RGB 62 222 155

HSL 154.88, 0.71%, 0.56%

LAB 79.4, -56.21, 21.3

 

CMYK 82 / 0 / 34 / 6

HEX #2CF09E

RGB 44 240 158

HSL 154.9, 0.87%, 0.56%

LAB 84.65, -64.3, 26.88

 

CMYK 60 / 0 / 25 / 20

HEX #51CC98

RGB 81 204 152

HSL 154.63, 0.55%, 0.56%

LAB 74.32, -46.42, 15.9

 

CMYK 47 / 0 / 20 / 27

HEX #63BA95

RGB 99 186 149

HSL 154.48, 0.39%, 0.56%

LAB 69.43, -35.02, 10.73

 

CMYK 30 / 0 / 13 / 34

HEX #75A892

RGB 117 168 146

HSL 154.12, 0.23%, 0.56%

LAB 64.85, -21.75, 5.97

 

CMYK 10 / 0 / 5 / 41

HEX #87968F

RGB 135 150 143

HSL 152, 0.07%, 0.56%

LAB 60.73, -6.78, 1.85

 

CMYK 0 / 14 / 8 / 40

HEX #99838D

RGB 153 131 141

HSL 332.73, 0.1%, 0.56%

LAB 57.01, 10.15, -2.27

 

CMYK 60 / 0 / 58 / 20

HEX #51CC55

RGB 81 204 85

HSL 121.95, 0.55%, 0.56%

LAB 73.28, -57.67, 48.41

 

CMYK 60 / 0 / 42 / 20

HEX #51CC76

RGB 81 204 118

HSL 138.05, 0.55%, 0.56%

LAB 73.7, -52.95, 32.89

 

CMYK 60 / 0 / 26 / 20

HEX #51CC97

RGB 81 204 151

HSL 154.15, 0.55%, 0.56%

LAB 74.3, -46.63, 16.41

 

CMYK 60 / 0 / 10 / 20

HEX #51CCB7

RGB 81 204 183

HSL 169.76, 0.55%, 0.56%

LAB 75.05, -39.14, 0.28

 

CMYK 60 / 6 / 0 / 20

HEX #51C0CC

RGB 81 192 204

HSL 185.85, 0.55%, 0.56%

LAB 72.1, -27.82, -15.49

 

CMYK 71 / 0 / 30 / 38

HEX #2D9D6E

RGB 45 157 110

HSL 154.82, 0.55%, 0.4%

LAB 57.84, -42.48, 15.77

 

CMYK 71 / 0 / 30 / 26

HEX #36BD85

RGB 54 189 133

HSL 155.11, 0.56%, 0.48%

LAB 68.66, -49.09, 18.13

 

CMYK 60 / 0 / 25 / 20

HEX #51CC98

RGB 81 204 152

HSL 154.63, 0.55%, 0.56%

LAB 74.32, -46.42, 15.9

 

CMYK 47 / 0 / 20 / 16

HEX #71D5AB

RGB 113 213 171

HSL 154.8, 0.54%, 0.64%

LAB 78.48, -39.06, 11.8

 

CMYK 35 / 0 / 15 / 13

HEX #91DFBE

RGB 145 223 190

HSL 154.62, 0.55%, 0.72%

LAB 83.19, -31.13, 8.62

 

CMYK 60 / 0 / 25 / 20

HEX #53CD9A

RGB 83 205 154

HSL 154.92, 0.55%, 0.56%

LAB 74.72, -46.01, 15.41

 

CMYK 60 / 47 / 0 / 20

HEX #516DCC

RGB 81 109 204

HSL 226.34, 0.55%, 0.56%

LAB 48.32, 18.97, -52.5

 

CMYK 0 / 50 / 60 / 20

HEX #CC6551

RGB 204 101 81

HSL 9.76, 0.55%, 0.56%

LAB 54.8, 39.14, 30.25

 

CMYK 60 / 0 / 25 / 20

HEX #53CD9A

RGB 83 205 154

HSL 154.92, 0.55%, 0.56%

LAB 74.72, -46.01, 15.41

 

CMYK 26 / 60 / 0 / 20

HEX #9751CC

RGB 151 81 204

HSL 274.15, 0.55%, 0.56%

LAB 48.04, 51.05, -52.62

 

CMYK 0 / 26 / 60 / 20

HEX #CC9751

RGB 204 151 81

HSL 34.15, 0.55%, 0.56%

LAB 66.19, 12.32, 44.04

 

CMYK 60 / 0 / 25 / 20

HEX #53CD9A

RGB 83 205 154

HSL 154.92, 0.55%, 0.56%

LAB 74.72, -46.01, 15.41

 

CMYK 60 / 47 / 0 / 20

HEX #516DCC

RGB 81 109 204

HSL 226.34, 0.55%, 0.56%

LAB 48.32, 18.97, -52.5

 

CMYK 0 / 60 / 34 / 20

HEX #CC5186

RGB 204 81 134

HSL 334.15, 0.55%, 0.56%

LAB 52.33, 53.82, -4.33

 

CMYK 0 / 14 / 60 / 20

HEX #CCAF51

RGB 204 175 81

HSL 45.85, 0.55%, 0.56%

LAB 72.29, -0.58, 51.05

 

CMYK 60 / 0 / 25 / 20

HEX #53CD9A

RGB 83 205 154

HSL 154.92, 0.55%, 0.56%

LAB 74.72, -46.01, 15.41

 

CMYK 56 / 60 / 0 / 20

HEX #5951CC

RGB 89 81 204

HSL 243.9, 0.55%, 0.56%

LAB 41.8, 37.81, -63.01

 

CMYK 0 / 60 / 34 / 20

HEX #CC5186

RGB 204 81 134

HSL 334.15, 0.55%, 0.56%

LAB 52.33, 53.82, -4.33

 

CMYK 4 / 0 / 60 / 20

HEX #C4CC51

RGB 196 204 81

HSL 63.9, 0.55%, 0.56%

LAB 79.34, -18.82, 58.65

 

Description

Color code: HEX #53CD9A | qconv.com Color code: HEX #53CD9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 205 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 205 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 25 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 25% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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