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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53C511 it is the complementary color #AC3AEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53C511. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53C511 shade: #58C50C, #69D71F, #7AE932, #8BFB45 and #9CFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53C511. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53C511 shade: #53C511, #42B300, #31A100, #208F00 and #0F7D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53C511 shade: #53C511, #83C511, #B4C511, #C5A511 and #C57411

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53C511 shade: #53C511, #22C511, #11C530, #11C560 and #11C591

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53C511 shade matches the following richer shades: #53C511

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53C511 shade: #53C511, #57B322, #5CA233, #609145 and #657F56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53C511 shade: #B3C511, #83C511, #53C511, #23C511 and #11C52F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53C511 shade: #33790A, #439F0D, #53C511, #63EA14 and #7CED3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53C511 shade: #53C511, #11C5A7 and #C5119B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53C511 shade: #53C511, #1153C5 and #C51153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53C511 shade: #53C511, #11C5A7, #8311C5 and #C5112F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53C511 shade: #53C511, #11ADC5, #8311C5 and #C52911

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 91 / 23

HEX #53C511

RGB 83 197 17

HSL 98, 0.84%, 0.42%

LAB 70.74, -59.47, 68.1

 

Complementary color

CMYK 28 / 76 / 0 / 7

HEX #AC3AEE

RGB 172 58 238

HSL 278, 0.84%, 0.58%

LAB 49.46, 72.64, -69.52

 

CMYK 55 / 0 / 94 / 23

HEX #58C50C

RGB 88 197 12

HSL 95.35, 0.89%, 0.41%

LAB 70.89, -58.26, 68.97

 

CMYK 51 / 0 / 86 / 16

HEX #69D71F

RGB 105 215 31

HSL 95.87, 0.75%, 0.48%

LAB 77.1, -59.47, 71.27

 

CMYK 48 / 0 / 79 / 9

HEX #7AE932

RGB 122 233 50

HSL 96.39, 0.81%, 0.55%

LAB 83.26, -60.32, 72.35

 

CMYK 45 / 0 / 73 / 2

HEX #8BFB45

RGB 139 251 69

HSL 96.92, 0.96%, 0.63%

LAB 89.35, -60.92, 72.58

 

CMYK 39 / 0 / 65 / 0

HEX #9CFF58

RGB 156 255 88

HSL 95.57, 1%, 0.67%

LAB 91.37, -55.87, 68.05

 

CMYK 58 / 0 / 91 / 23

HEX #53C511

RGB 83 197 17

HSL 98, 0.84%, 0.42%

LAB 70.74, -59.47, 68.1

 

CMYK 63 / 0 / 100 / 30

HEX #42B300

RGB 66 179 0

HSL 97.88, 1%, 0.35%

LAB 64.48, -57.84, 64.93

 

CMYK 70 / 0 / 100 / 37

HEX #31A100

RGB 49 161 0

HSL 101.74, 1%, 0.32%

LAB 58.17, -55.58, 59.74

 

CMYK 78 / 0 / 100 / 44

HEX #208F00

RGB 32 143 0

HSL 106.57, 1%, 0.28%

LAB 51.78, -52.88, 54.5

 

CMYK 88 / 0 / 100 / 51

HEX #0F7D00

RGB 15 125 0

HSL 112.8, 1%, 0.25%

LAB 45.32, -49.54, 49.22

 

CMYK 58 / 0 / 91 / 23

HEX #53C511

RGB 83 197 17

HSL 98, 0.84%, 0.42%

LAB 70.74, -59.47, 68.1

 

CMYK 34 / 0 / 91 / 23

HEX #83C511

RGB 131 197 17

HSL 82, 0.84%, 0.42%

LAB 72.76, -44.33, 70.59

 

CMYK 9 / 0 / 91 / 23

HEX #B4C511

RGB 180 197 17

HSL 65.67, 0.84%, 0.42%

LAB 75.87, -24.8, 74.39

 

CMYK 0 / 16 / 91 / 23

HEX #C5A511

RGB 197 165 17

HSL 49.33, 0.84%, 0.42%

LAB 68.62, -1.04, 69.39

 

CMYK 0 / 41 / 91 / 23

HEX #C57411

RGB 197 116 17

HSL 33, 0.84%, 0.42%

LAB 56.49, 25.6, 60.24

 

CMYK 58 / 0 / 91 / 23

HEX #53C511

RGB 83 197 17

HSL 98, 0.84%, 0.42%

LAB 70.74, -59.47, 68.1

 

CMYK 83 / 0 / 91 / 23

HEX #22C511

RGB 34 197 17

HSL 114.33, 0.84%, 0.42%

LAB 69.69, -68.41, 66.8

 

CMYK 91 / 0 / 76 / 23

HEX #11C530

RGB 17 197 48

HSL 130.33, 0.84%, 0.42%

LAB 69.66, -68.24, 59.06

 

CMYK 91 / 0 / 51 / 23

HEX #11C560

RGB 17 197 96

HSL 146.33, 0.84%, 0.42%

LAB 70.1, -62.71, 39.13

 

CMYK 91 / 0 / 26 / 23

HEX #11C591

RGB 17 197 145

HSL 162.67, 0.84%, 0.42%

LAB 70.94, -53.06, 14.77

 

CMYK 58 / 0 / 91 / 23

HEX #53C511

RGB 83 197 17

HSL 98, 0.84%, 0.42%

LAB 70.74, -59.47, 68.1

 

CMYK 58 / 0 / 91 / 23

HEX #53C511

RGB 83 197 17

HSL 98, 0.84%, 0.42%

LAB 70.74, -59.47, 68.1

 

CMYK 51 / 0 / 81 / 30

HEX #57B322

RGB 87 179 34

HSL 98.07, 0.68%, 0.42%

LAB 65.26, -51.21, 59.7

 

CMYK 43 / 0 / 69 / 36

HEX #5CA233

RGB 92 162 51

HSL 97.84, 0.52%, 0.42%

LAB 60.21, -41.72, 48.83

 

CMYK 34 / 0 / 52 / 43

HEX #609145

RGB 96 145 69

HSL 98.68, 0.36%, 0.42%

LAB 55.24, -30.88, 34.89

 

CMYK 20 / 0 / 32 / 50

HEX #657F56

RGB 101 127 86

HSL 98.05, 0.19%, 0.42%

LAB 50.24, -17.5, 19.32

 

CMYK 9 / 0 / 91 / 23

HEX #B3C511

RGB 179 197 17

HSL 66, 0.84%, 0.42%

LAB 75.8, -25.22, 74.3

 

CMYK 34 / 0 / 91 / 23

HEX #83C511

RGB 131 197 17

HSL 82, 0.84%, 0.42%

LAB 72.76, -44.33, 70.59

 

CMYK 58 / 0 / 91 / 23

HEX #53C511

RGB 83 197 17

HSL 98, 0.84%, 0.42%

LAB 70.74, -59.47, 68.1

 

CMYK 82 / 0 / 91 / 23

HEX #23C511

RGB 35 197 17

HSL 114, 0.84%, 0.42%

LAB 69.7, -68.3, 66.81

 

CMYK 91 / 0 / 76 / 23

HEX #11C52F

RGB 17 197 47

HSL 130, 0.84%, 0.42%

LAB 69.65, -68.31, 59.38

 

CMYK 58 / 0 / 92 / 53

HEX #33790A

RGB 51 121 10

HSL 97.84, 0.85%, 0.26%

LAB 44.8, -40.63, 47.01

 

CMYK 58 / 0 / 92 / 38

HEX #439F0D

RGB 67 159 13

HSL 97.81, 0.85%, 0.34%

LAB 58.05, -50.29, 57.91

 

CMYK 58 / 0 / 91 / 23

HEX #53C511

RGB 83 197 17

HSL 98, 0.84%, 0.42%

LAB 70.74, -59.47, 68.1

 

CMYK 58 / 0 / 91 / 8

HEX #63EA14

RGB 99 234 20

HSL 97.85, 0.84%, 0.5%

LAB 82.67, -67.98, 77.79

 

CMYK 48 / 0 / 76 / 7

HEX #7CED3A

RGB 124 237 58

HSL 97.88, 0.83%, 0.58%

LAB 84.57, -60.79, 71.24

 

CMYK 58 / 0 / 91 / 23

HEX #53C511

RGB 83 197 17

HSL 98, 0.84%, 0.42%

LAB 70.74, -59.47, 68.1

 

CMYK 91 / 0 / 15 / 23

HEX #11C5A7

RGB 17 197 167

HSL 170, 0.84%, 0.42%

LAB 71.45, -47.55, 3.59

 

CMYK 0 / 91 / 21 / 23

HEX #C5119B

RGB 197 17 155

HSL 314, 0.84%, 0.42%

LAB 45.13, 73.65, -27.98

 

CMYK 58 / 0 / 91 / 23

HEX #53C511

RGB 83 197 17

HSL 98, 0.84%, 0.42%

LAB 70.74, -59.47, 68.1

 

CMYK 91 / 58 / 0 / 23

HEX #1153C5

RGB 17 83 197

HSL 218, 0.84%, 0.42%

LAB 38.44, 25.59, -64.56

 

CMYK 0 / 91 / 58 / 23

HEX #C51153

RGB 197 17 83

HSL 338, 0.84%, 0.42%

LAB 42.61, 66.84, 12.76

 

CMYK 58 / 0 / 91 / 23

HEX #53C511

RGB 83 197 17

HSL 98, 0.84%, 0.42%

LAB 70.74, -59.47, 68.1

 

CMYK 91 / 0 / 15 / 23

HEX #11C5A7

RGB 17 197 167

HSL 170, 0.84%, 0.42%

LAB 71.45, -47.55, 3.59

 

CMYK 34 / 91 / 0 / 23

HEX #8311C5

RGB 131 17 197

HSL 278, 0.84%, 0.42%

LAB 36.48, 69.41, -67.42

 

CMYK 0 / 91 / 76 / 23

HEX #C5112F

RGB 197 17 47

HSL 350, 0.84%, 0.42%

LAB 41.96, 65.04, 34.31

 

CMYK 58 / 0 / 91 / 23

HEX #53C511

RGB 83 197 17

HSL 98, 0.84%, 0.42%

LAB 70.74, -59.47, 68.1

 

CMYK 91 / 12 / 0 / 23

HEX #11ADC5

RGB 17 173 197

HSL 188, 0.84%, 0.42%

LAB 64.99, -27.67, -22.54

 

CMYK 34 / 91 / 0 / 23

HEX #8311C5

RGB 131 17 197

HSL 278, 0.84%, 0.42%

LAB 36.48, 69.41, -67.42

 

CMYK 0 / 79 / 91 / 23

HEX #C52911

RGB 197 41 17

HSL 8, 0.84%, 0.42%

LAB 43.5, 59.2, 50.95

 

Description

Color code: HEX #53C511 | qconv.com Color code: HEX #53C511 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 197 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 197 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 91 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 91% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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